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Kroisos Kouros
The Kroisos Kouros ( grc, κοῦρος) is a marble kouros from Anavyssos (Ανάβυσσος) in Attica which functioned as a grave marker for a fallen young warrior named Kroisos (). Overview The free-standing sculpture strides forward with the " archaic smile" playing slightly on his face. The sculpture is dated to the Late Archaic Period c. 540–515 BC and stands 1.95 metres high. It is now situated in the National Archaeological Museum of Athens (inv. no. 3851) in Athens, Greece. The sculptor of the kouros is uncertain and there is no secure record of the time and location of its discovery. It was identified in Paris in 1937 in the possession of the art dealer M. Roussos. An investigation was launched and reports showed that some years before it had been illegally unearthed from a burial mound in Anavissos in Attica. It was sawn in various parts and sent to Paris for sale before it was returned to the National Archaeological Museum of Athens. The inscription ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kouros Anavissos
kouros ( grc, κοῦρος, , plural kouroi) is the modern term given to free-standing Ancient Greek sculptures that depict nude male youths. They first appear in the Archaic period in Greece and are prominent in Attica and Boeotia, with a less frequent presence in many other Ancient Greek territories such as Sicily. Such statues are found across the Greek-speaking world; the preponderance of these were found in sanctuaries of Apollo with more than one hundred from the sanctuary of Apollo Ptoion, Boeotia, alone. These free-standing sculptures were typically marble, but the form is also rendered in limestone, wood, bronze, ivory and terracotta. They are typically life-sized, though early colossal examples are up to 3 meters tall. The female sculptural counterpart of the kouros is the kore. Etymology The Ancient Greek word kouros (κοῦρος) refers to "youth, boy, especially of noble rank." When a pubescent was received into the body of grown men, as a grown ''Kouros'', he c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kouros
kouros ( grc, κοῦρος, , plural kouroi) is the modern term given to free-standing Ancient Greek sculptures that depict nude male youths. They first appear in the Archaic period in Greece and are prominent in Attica and Boeotia, with a less frequent presence in many other Ancient Greek territories such as Sicily. Such statues are found across the Greek-speaking world; the preponderance of these were found in sanctuaries of Apollo with more than one hundred from the sanctuary of Apollo Ptoion, Boeotia, alone. These free-standing sculptures were typically marble, but the form is also rendered in limestone, wood, bronze, ivory and terracotta. They are typically life-sized, though early colossal examples are up to 3 meters tall. The female sculptural counterpart of the kouros is the kore. Etymology The Ancient Greek word kouros (κοῦρος) refers to "youth, boy, especially of noble rank." When a pubescent was received into the body of grown men, as a grown ''Kouros'', he c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anavyssos
Anavyssos ( el, Ανάβυσσος) is a town and a former municipality in East Attica, Greece located in the Athens Riviera. Since the 2011 local government reform it is part of the municipality Saronikos, of which it is a municipal unit. The municipal unit has an area of 14.478 km2. At the 2011 census it had 6,202 inhabitants. It is situated near the Saronic Gulf coast, at the foot of the Olympos hill (487 m). It is 2 km north of Palaia Fokaia, 4 km east of Saronida, 10 km west of Lavrio and 34 km southeast of Athens city centre. The Greek National Road 91 (Athens - Sounion) passes south of the town, along the coast. Anavyssos is located on the area of the ancient Attica's demos of Anaflystos ( Ανάφλυστος), which has shown significant archaeological findings like Kroisos Kouros that is exhibited in the National Archaeological Museum of Athens. The contemporary settlement was originally a village founded by Greek refugees who resettled there ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Attica
Attica ( el, Αττική, Ancient Greek ''Attikḗ'' or , or ), or the Attic Peninsula, is a historical region that encompasses the city of Athens, the capital of Greece and its countryside. It is a peninsula projecting into the Aegean Sea, bordering on Boeotia to the north and Megaris to the west. The southern tip of the peninsula, known as Laurion, was an important mining region. The history of Attica is tightly linked with that of Athens, and specifically the Golden Age of Athens during the classical period. Ancient Attica ( Athens city-state) was divided into demoi or municipalities from the reform of Cleisthenes in 508/7 BC, grouped into three zones: urban (''astu'') in the region of Athens main city and Piraeus (port of Athens), coastal (''paralia'') along the coastline and inland (''mesogeia'') in the interior. The modern administrative region of Attica is more extensive than the historical region and includes Megaris as part of the regional unit West Attica, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Archaic Smile
The archaic smile was used by sculptors in Archaic Greece, especially in the second quarter of the 6th century BCE, possibly to suggest that their subject was alive and infused with a sense of well-being. One of the most famous examples of the archaic smile is the Kroisos Kouros, and the Peplos Kore is another. By the middle of the Archaic Period of ancient Greece (roughly 800 BCE to 480 BCE), the art that proliferated contained images of people who had the archaic smile, ''A Brief History of the Smile'', Angus Trumble, 2005, , p.11, Google Books link: books-google-AT11 "Archaic smile", Britannica Online Encyclopedia, 2009, webpage: -->Archaic-smile EB-Smile as evidenced by statues found in excavations all across the Greek mainland, Asia Minor, and on islands in the Aegean Sea. The significance of the convention is not known although it is often assumed that for the Greeks, that kind of smile reflected a state of ideal health and well-being. It has also b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Archaic Greece
Archaic Greece was the period in Greek history lasting from circa 800 BC to the second Persian invasion of Greece in 480 BC, following the Greek Dark Ages and succeeded by the Classical period. In the archaic period, Greeks settled across the Mediterranean and the Black Seas, as far as Marseille in the west and Trapezus (Trebizond) in the east; and by the end of the archaic period, they were part of a trade network that spanned the entire Mediterranean. The archaic period began with a massive increase in the Greek population and of significant changes that rendered the Greek world at the end of the 8th century entirely unrecognisable from its beginning. According to Anthony Snodgrass, the archaic period was bounded by two revolutions in the Greek world. It began with a "structural revolution" that "drew the political map of the Greek world" and established the ''poleis'', the distinctively Greek city-states, and it ended with the intellectual revolution of the Classical peri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Archaeological Museum Of Athens
The National Archaeological Museum ( el, Εθνικό Αρχαιολογικό Μουσείο) in Athens houses some of the most important artifacts from a variety of archaeological locations around Greece from prehistory to late antiquity. It is considered one of the greatest museums in the world and contains the richest collection of Greek Antiquity artifacts worldwide. It is situated in the Exarcheia area in central Athens between Epirus Street, Bouboulinas Street and Tositsas Street while its entrance is on the Patission Street adjacent to the historical building of the Athens Polytechnic university. History The first national archaeological museum in Greece was established by the governor of Greece Ioannis Kapodistrias in Aigina in 1829. Subsequently, the archaeological collection was relocated to a number of exhibition places until 1858, when an international architectural competition was announced for the location and the architectural design of the new museum.The Nation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ares
Ares (; grc, Ἄρης, ''Árēs'' ) is the Greek god of war and courage. He is one of the Twelve Olympians, and the son of Zeus and Hera. The Greeks were ambivalent towards him. He embodies the physical valor necessary for success in war but can also personify sheer brutality and bloodlust, in contrast to his sister, the armored Athena, whose martial functions include military strategy and generalship. An association with Ares endows places, objects, and other deities with a savage, dangerous, or militarized quality. Although Ares' name shows his origins as Mycenaean, his reputation for savagery was thought by some to reflect his likely origins as a Thracian deity. Some cities in Greece and several in Asia Minor held annual festivals to bind and detain him as their protector. In parts of Asia Minor, he was an oracular deity. Still further away from Greece, the Scythians were said to ritually kill one in a hundred prisoners of war as an offering to their equivalent of Ares. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kouroi
kouros ( grc, κοῦρος, , plural kouroi) is the modern term given to free-standing Ancient Greek sculptures that depict nude male youths. They first appear in the Archaic period in Greece and are prominent in Attica and Boeotia, with a less frequent presence in many other Ancient Greek territories such as Sicily. Such statues are found across the Greek-speaking world; the preponderance of these were found in sanctuaries of Apollo with more than one hundred from the sanctuary of Apollo Ptoion, Boeotia, alone. These free-standing sculptures were typically marble, but the form is also rendered in limestone, wood, bronze, ivory and terracotta. They are typically life-sized, though early colossal examples are up to 3 meters tall. The female sculptural counterpart of the kouros is the kore. Etymology The Ancient Greek word kouros (κοῦρος) refers to "youth, boy, especially of noble rank." When a pubescent was received into the body of grown men, as a grown ''Kouros'', he c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Promachos
In ancient Greece and during the Byzantine era, the Promachoi (singular: Promachos; Greek: πρόμαχος) were the men fighting in the first rank of the phalanx. The word can also be used as an adjective as in "promachos line" referring to the first line of battle. The first use of the word is recorded in Homer's ''Iliad''. An obsolete English literal translation of ''promachos'' is ''forefighter'', in Dutch ''voorvechter''. Name * Promachos (Πρόμαχος), a young man from Knossos. Sanctuaries - Statues * Athena Promachos, the famous bronze statue by Phidias that towered over the Parthenon. * Hermes Promachos, a sanctuary at Tanagra was dedicated to him. * Heracles Heracles ( ; grc-gre, Ἡρακλῆς, , glory/fame of Hera), born Alcaeus (, ''Alkaios'') or Alcides (, ''Alkeidēs''), was a divine hero in Greek mythology, the son of Zeus and Alcmene, and the foster son of Amphitryon.By his adoptiv ... Promachos, a white marble statue of Heracles in the Her ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Getty Kouros
The Getty kouros is an over-life-sized statue in the form of a late archaic Greek kouros. The dolomitic marble sculpture was bought by the J. Paul Getty Museum, Los Angeles, California, in 1985 for ten million dollars and first exhibited there in October 1986. Despite initial favourable scientific analysis of the patina and aging of the marble, the question of its authenticity has persisted from the beginning. Subsequent demonstration of an artificial means of creating the de-dolomitization observed on the stone has prompted a number of art historians to revise their opinions of the work. If genuine, it is one of only twelve extant complete kouroi. If fake, it exhibits a high degree of technical and artistic sophistication by an as-yet unidentified forger. Its status has remained undetermined: latterly the museum's label read "Greek, about 530 B.C., or modern forgery". Although the statue was removed from public display after the 2018 renovations, Dr. Timothy Potts, the curre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Provenance
Provenance (from the French ''provenir'', 'to come from/forth') is the chronology of the ownership, custody or location of a historical object. The term was originally mostly used in relation to works of art but is now used in similar senses in a wide range of fields, including archaeology, paleontology, archives, manuscripts, printed books, the circular economy, and science and computing. The primary purpose of tracing the provenance of an object or entity is normally to provide contextual and circumstantial evidence for its original production or discovery, by establishing, as far as practicable, its later history, especially the sequences of its formal ownership, custody and places of storage. The practice has a particular value in helping Authentication, authenticate objects. Comparative techniques, expert opinions and the results of scientific tests may also be used to these ends, but establishing provenance is essentially a matter of documentation. The term dates to the 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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