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Getty Kouros
The Getty kouros is an over-life-sized statue in the form of a late archaic Greek kouros. The dolomitic marble sculpture was bought by the J. Paul Getty Museum, Los Angeles, California, in 1985 for ten million dollars and first exhibited there in October 1986. Despite initial favourable scientific analysis of the patina and aging of the marble, the question of its authenticity has persisted from the beginning. Subsequent demonstration of an artificial means of creating the de-dolomitization observed on the stone has prompted a number of art historians to revise their opinions of the work. If genuine, it is one of only twelve extant complete kouroi. If fake, it exhibits a high degree of technical and artistic sophistication by an as-yet unidentified forger. Its status has remained undetermined: latterly the museum's label read "Greek, about 530 B.C., or modern forgery". Although the statue was removed from public display after the 2018 renovations, Dr. Timothy Potts, the curre ...
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Kouros Real Or Fake
kouros ( grc, κοῦρος, , plural kouroi) is the modern term given to free-standing Ancient Greek sculptures that depict nude male youths. They first appear in the Archaic period in Greece and are prominent in Attica and Boeotia, with a less frequent presence in many other Ancient Greek territories such as Sicily. Such statues are found across the Greek-speaking world; the preponderance of these were found in sanctuaries of Apollo with more than one hundred from the sanctuary of Apollo Ptoion, Boeotia, alone. These free-standing sculptures were typically marble, but the form is also rendered in limestone, wood, bronze, ivory and terracotta. They are typically life-sized, though early colossal examples are up to 3 meters tall. The female sculptural counterpart of the kouros is the kore. Etymology The Ancient Greek word kouros (κοῦρος) refers to "youth, boy, especially of noble rank." When a pubescent was received into the body of grown men, as a grown ''Kouros'', he c ...
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Kroisos Kouros
The Kroisos Kouros ( grc, κοῦρος) is a marble kouros from Anavyssos (Ανάβυσσος) in Attica which functioned as a grave marker for a fallen young warrior named Kroisos (). Overview The free-standing sculpture strides forward with the " archaic smile" playing slightly on his face. The sculpture is dated to the Late Archaic Period c. 540–515 BC and stands 1.95 metres high. It is now situated in the National Archaeological Museum of Athens (inv. no. 3851) in Athens, Greece. The sculptor of the kouros is uncertain and there is no secure record of the time and location of its discovery. It was identified in Paris in 1937 in the possession of the art dealer M. Roussos. An investigation was launched and reports showed that some years before it had been illegally unearthed from a burial mound in Anavissos in Attica. It was sawn in various parts and sent to Paris for sale before it was returned to the National Archaeological Museum of Athens. The inscription ...
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University Of Georgia
, mottoeng = "To teach, to serve, and to inquire into the nature of things.""To serve" was later added to the motto without changing the seal; the Latin motto directly translates as "To teach and to inquire into the nature of things." , established = , endowment = $1.8 billion (2021)As of June 30, 2021. , type = Public flagship land-grant research university , parent = University System of Georgia , accreditation = SACS , academic_affiliation = , president = Jere W. Morehead , provost = S. Jack Hu , city = Athens , state=Georgia , country = United States , coordinates = , faculty = 3,119 , students = 40,118 (fall 2021) , undergrad = 30,166 (fall 2021) , postgrad = 9,952 (fall 2021) , free_label2 = Newspaper , free2 = '' The Red & Black'' , campus = Midsize city / College town , campus_size = (main campus) (total) , colors = , sports_nickname = Bulldogs , sporting_affiliations = NCAA Division I FBS – SEC , mascot = Uga X (live English Bulldo ...
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Lectio Difficilior
A lection, also called the lesson, is a reading from scripture in liturgy. In many Christian denominations, the readings of the day are appointed in the lectionary. History The custom of reading the books of Moses in the synagogues on Sabbath is a very ancient one. Since the prophetic books were written after the books of Moses, readings from them began later, and were common at the time of Jesus. This element in synagogue worship was taken over with others into the Christian divine service, as may be gathered from passages in the gospels such as St Luke 4:16–20 and 16:29. During early Christianity, readings began to be made from the writings of the Apostles and evangelists as the New Testament canon developed. Mention of this is found within the New Testament itself, for example in Colossians 4:16 and in First Thessalonians 5:27. The oldest manuscripts of the Gospels have marginal marks, and sometimes actual interpolations, which can only be accounted for as indica ...
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Atelier
An atelier () is the private workshop or studio of a professional artist in the fine or decorative arts or an architect, where a principal master and a number of assistants, students, and apprentices can work together producing fine art or visual art released under the master's name or supervision. Ateliers were the standard vocational practice for European artists from the Middle Ages to the 19th century, and common elsewhere in the world. In medieval Europe this way of working and teaching was often enforced by local guild regulations, such as those of the painters' Guild of Saint Luke, and of other craft guilds. Apprentices usually began working on simple tasks when young, and after some years with increasing knowledge and expertise became journeymen, before possibly becoming masters themselves. This master-apprentice system was gradually replaced as the once powerful guilds declined, and the academy became a favored method of training. However, many professional artists c ...
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Helicoid
The helicoid, also known as helical surface, after the plane and the catenoid, is the third minimal surface to be known. Description It was described by Euler in 1774 and by Jean Baptiste Meusnier in 1776. Its name derives from its similarity to the helix: for every point on the helicoid, there is a helix contained in the helicoid which passes through that point. Since it is considered that the planar range extends through negative and positive infinity, close observation shows the appearance of two parallel or mirror planes in the sense that if the slope of one plane is traced, the co-plane can be seen to be bypassed or skipped, though in actuality the co-plane is also traced from the opposite perspective. The helicoid is also a ruled surface (and a right conoid), meaning that it is a trace of a line. Alternatively, for any point on the surface, there is a line on the surface passing through it. Indeed, Catalan proved in 1842 that the helicoid and the plane were the only rul ...
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Ancient Greek Temple
Greek temples ( grc, ναός, naós, dwelling, semantically distinct from Latin , "temple") were structures built to house deity statues within Greek sanctuaries in ancient Greek religion. The temple interiors did not serve as meeting places, since the sacrifices and rituals dedicated to the respective ouranic (a god or goddess that does not reside on the Earth) deity took place outside them, within the wider precinct of the sanctuary, which might be large. Temples were frequently used to store votive offerings. They are the most important and most widespread building type in Greek architecture. In the Hellenistic kingdoms of Southwest Asia and of North Africa, buildings erected to fulfill the functions of a temple often continued to follow the local traditions. Even where a Greek influence is visible, such structures are not normally considered as Greek temples. This applies, for example, to the Graeco-Parthian and Bactrian temples, or to the Ptolemaic examples, which foll ...
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Kouros
kouros ( grc, κοῦρος, , plural kouroi) is the modern term given to free-standing Ancient Greek sculptures that depict nude male youths. They first appear in the Archaic period in Greece and are prominent in Attica and Boeotia, with a less frequent presence in many other Ancient Greek territories such as Sicily. Such statues are found across the Greek-speaking world; the preponderance of these were found in sanctuaries of Apollo with more than one hundred from the sanctuary of Apollo Ptoion, Boeotia, alone. These free-standing sculptures were typically marble, but the form is also rendered in limestone, wood, bronze, ivory and terracotta. They are typically life-sized, though early colossal examples are up to 3 meters tall. The female sculptural counterpart of the kouros is the kore. Etymology The Ancient Greek word kouros (κοῦρος) refers to "youth, boy, especially of noble rank." When a pubescent was received into the body of grown men, as a grown ''Kouros'', he c ...
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Plinth
A pedestal (from French ''piédestal'', Italian ''piedistallo'' 'foot of a stall') or plinth is a support at the bottom of a statue, vase, column, or certain altars. Smaller pedestals, especially if round in shape, may be called socles. In civil engineering, it is also called ''basement''. The minimum height of the plinth is usually kept as 45 cm (for buildings). It transmits loads from superstructure to the substructure and acts as the retaining wall for the filling inside the plinth or raised floor. In sculpting, the terms base, plinth, and pedestal are defined according to their subtle differences. A base is defined as a large mass that supports the sculpture from below. A plinth is defined as a flat and planar support which separates the sculpture from the environment. A pedestal, on the other hand, is defined as a shaft-like form that raises the sculpture and separates it from the base. An elevated pedestal or plinth that bears a statue, and which is raised from ...
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Getty Kouros
The Getty kouros is an over-life-sized statue in the form of a late archaic Greek kouros. The dolomitic marble sculpture was bought by the J. Paul Getty Museum, Los Angeles, California, in 1985 for ten million dollars and first exhibited there in October 1986. Despite initial favourable scientific analysis of the patina and aging of the marble, the question of its authenticity has persisted from the beginning. Subsequent demonstration of an artificial means of creating the de-dolomitization observed on the stone has prompted a number of art historians to revise their opinions of the work. If genuine, it is one of only twelve extant complete kouroi. If fake, it exhibits a high degree of technical and artistic sophistication by an as-yet unidentified forger. Its status has remained undetermined: latterly the museum's label read "Greek, about 530 B.C., or modern forgery". Although the statue was removed from public display after the 2018 renovations, Dr. Timothy Potts, the curre ...
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Kouros Of Tenea
The grave statue of a youth from Tenea known as the ''Kouros of Tenea'' (formerly ''Apollo of Tenea'') is now located in the Glyptothek in Munich, Germany.Caskey, L. D. 1924. "The Proportions of the Apollo of Tenea." American Journal of Archaeology 28.4:358-367 https://www.jstor.org/stable/497537 The archaic Kouros was created in North-East Peloponnese about 560 BC. The Parian marble statue was discovered in 1846, approximately twenty kilometers South of Ancient Corinth at the site of ancient Tenea. The Kouros was acquired by the Glyptothek in 1853. External links The statue's entry at the Glyptothek References Archaic Greek sculptures 6th-century BC Greek sculptures Tenea Tenea ( el, Τενέα) is a municipal unit within the municipality of Corinth, Corinthia, Peloponnese, Greece. The municipal unit has an area of . Until 2011, it was a municipality whose seat was in Chiliomodi. The modern city is named af ... Collection of the Glyptothek {{Germany-sculpt ...
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Sounion Kouros
The Sounion Kouros is an early archaic Greek statue of a naked young man or kouros (Ancient Greek κοῦρος, plural kouroi) carved in marble from the island of Naxos around 600 BCE. It is one of the earliest examples that scholars have of the kouros-type which functioned as votive offerings to gods or demi-gods, and were dedicated to heroes. Found near the Temple of Poseidon at Cape Sounion, this kouros was found badly damaged and heavily weathered. It was restored to its original height of 3.05 meters (10.0 ft) returning it to its larger than life size. It is now held by the National Archaeological Museum of Athens. Ancient Greeks were influenced by their Egyptian neighbors when creating kouroi. The Egyptian influence is especially evident in the pose of the figure. Archaic sculptors intended to idealize the human form which is made evident by the modeling of the Sounion Kouros. Sculptors of kouri attempted to convey slight movement and more naturalism over the course o ...
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