|
Krishnaraja Wodeyar III
Krishnaraja Wadiyar III (14 July 1794 – 27 March 1868) was the twenty-second maharaja of the Kingdom of Mysore. Also known as Mummadi Krishnaraja Wadiyar, the maharaja belonged to the Wadiyar dynasty and ruled the kingdom for nearly seventy years, from 30 June 1799 to 27 March 1868. He is known for his contribution and patronage to different arts and music during his reign. He was succeeded by his adopted son, Chamarajendra Wadiyar X. Early years Krishnaraja Wadiyar III, who was born at Srirangapatna, was the son of Khasa Chamaraja Wadiyar IX (who was born at Arikottara, now Chamarajanagar) and his first wife, Maharani Kempananjammani Avaru.Annals of The Mysore Royal Family Part-1: A publication by the Royal Family of Mysore: 1916 Maharani Lakshmi Ammani Devi, his adoptive grandmother, played a major role in the education and upbringing of her adopted grandson, Krishnaraja Wadiyar III, and was instrumental in his ascendancy to the Mysore throne.Rajakaryaprasakta Rao Bahadur ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maharaja Of Mysore
The maharaja of Mysore was the king and principal ruler of the southern Indian Kingdom of Mysore and briefly of Mysore State in the Indian Dominion roughly between the mid- to late-1300s and 1950. In title, the role has been known by different names over time, from ''poleygar'' (Kannada, ''pāLegāra'', for 'chieftain') during the early days of the fiefdom to ''raja'' (Sanskrit and Kannada, king–of especially a small region) during its early days as a kingdom to ''maharaja'' (Sanskrit and Kannada, reatking–of a formidable kingdom) for the rest of its period. In terms of succession, the successor was either a hereditary inheritor or, in case of no issue, handpicked by the reigning monarch or his privy council. All rulers under the Sanskrit-Kannada titles of ''raja'' or ''maharaja'' were exclusively from the house of Wadiyar. As India gained Independence from British Crown in 1947, Crown allies, most of which were princely India, ceded into the Dominion of India by 1950. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Governor Of Madras
This is a list of the governors, agents, and presidents of colonial Madras, initially of the English East India Company, up to the end of British colonial rule in 1947. English Agents In 1639, the grant of Madras to the English was finalized between the factors of the Masulipatnam (now Machilipatnam) factory (trading post), represented by Francis Day, and the Raja of Chandragiri. In 1640, Andrew Cogan, the chief of the Masulipatnam factory, made his way to Madras in the company of Francis Day and the English and Indian employees of the Masulipatnam factory. The Agency of Madras was established on 1 March 1640 and Cogan was made the first Agent. The official title was 'Governor of Fort St George' and the Governor was usually referred to as Agent. Cogan served in the post for three years and was succeeded by Francis Day. After four agents had served their terms, Madras was upgraded to a Presidency during the time of Aaron Baker. However financial considerations forced the company ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mummadi
{{unreferenced, date=March 2013 Mummadi is the 3rd ordinal number or regnal number given to Kings and Queens in Kannada. Similarly there is Immadi(2nd) Nalvadi(4th). Regnal numbers are used to distinguish among persons with the same name who held the same office. The following is a short list of some well-known personalities carrying the last name of "Mummadi". * Mummadi Krishnaraja Wodeyar - Krishnaraja Wodeyar III, Member of the Wodeyar dynasty which ruled Mysore, known for his service to the Mysore state. * Immadi Pulikeshi- Pulakesi II The Chalukya Ruler. * Nalvadi Krishnaraja Wodeyar- Krishna Raja Wadiyar IV Maharaja Krishnaraja Wadiyar IV (Nalwadi Krishnaraja Wadiyar; 4 June 1884 – 3 August 1940) was the twenty-fourth maharaja of the Kingdom of Mysore, from 1902 until his death in 1940. He is popularly called ''Rajarshi'' ( sa, rājarṣi, lit ..., 24th ruler of the Wodeyar dynasty of Mysore. Titles Indian monarchs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rama
Rama (; ), Ram, Raman or Ramar, also known as Ramachandra (; , ), is a major deity in Hinduism. He is the seventh and one of the most popular '' avatars'' of Vishnu. In Rama-centric traditions of Hinduism, he is considered the Supreme Being. Rama is said to have been born to Kaushalya and Dasharatha in Ayodhya, the ruler of the Kingdom of Kosala. His siblings included Lakshmana, Bharata, and Shatrughna. He married Sita. Though born in a royal family, their life is described in the Hindu texts as one challenged by unexpected changes such as an exile into impoverished and difficult circumstances, ethical questions and moral dilemmas. Of all their travails, the most notable is the kidnapping of Sita by demon-king Ravana, followed by the determined and epic efforts of Rama and Lakshmana to gain her freedom and destroy the evil Ravana against great odds. The entire life story of Rama, Sita and their companions allegorically discusses duties, rights and social responsibil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ramayana
The ''Rāmāyana'' (; sa, रामायणम्, ) is a Sanskrit literature, Sanskrit Indian epic poetry, epic composed over a period of nearly a millennium, with scholars' estimates for the earliest stage of the text ranging from the 8th to 4th centuries BCE, and later stages extending up to the 3rd century CE. ''Ramayana'' is one of the two important epics of Hinduism, the other being the ''Mahabharata, Mahābhārata''. The epic, traditionally ascribed to the Maharishi Valmiki, narrates the life of Sita, the Princess of Janakpur, and Rama, a legendary prince of Ayodhya city in the kingdom of Kosala. The epic follows his fourteen-year exile to the forest urged by his father King Dasharatha, on the request of Rama's stepmother Kaikeyi; his travels across forests in the South Asia, Indian subcontinent with his wife Sita and brother Lakshmana, the kidnapping of Sita by Ravana – the king of Lanka, that resulted in war; and Rama's eventual return to Ayodhya to be crowned kin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhagavata Purana
The ''Bhagavata Purana'' ( sa, भागवतपुराण; ), also known as the ''Srimad Bhagavatam'', ''Srimad Bhagavata Mahapurana'' or simply ''Bhagavata'', is one of Hinduism's eighteen great Puranas (''Mahapuranas''). Composed in Sanskrit by Veda Vyasa, it promotes ''bhakti'' (devotion) towards Krishna, integrating themes from the Advaita (monism) philosophy of Adi Shankara, the Vishishtadvaita (qualified monism) of Ramanujacharya and the Dvaita (dualism) of Madhvacharya. It is widely available in almost all Indian languages. The ''Bhagavata Purana'', like other puranas, discusses a wide range of topics including cosmology, astronomy, genealogy, geography, legend, music, dance, yoga and culture. As it begins, the forces of evil have won a war between the benevolent ''Deva (Hinduism), devas'' (deities) and evil ''asuras'' (demons) and now rule the universe. Truth re-emerges as Krishna, (called "Hari#Usage in Indian religion and mythology, Hari" and "Vāsudeva" in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Illustrated Manuscript
An illuminated manuscript is a formally prepared document where the text is often supplemented with flourishes such as borders and miniature illustrations. Often used in the Roman Catholic Church for prayers, liturgical services and psalms, the practice continued into secular texts from the 13th century onward and typically include proclamations, enrolled bills, laws, charters, inventories and deeds. While Islamic manuscripts can also be called illuminated, and use essentially the same techniques, comparable Far Eastern and Mesoamerican works are described as ''painted''. The earliest illuminated manuscripts in existence come from the Kingdom of the Ostrogoths and the Eastern Roman Empire and date from between 400 and 600 CE. Examples include the Codex Argenteus and the Rossano Gospels, both of which are from the 6th century. The majority of extant manuscripts are from the Middle Ages, although many survive from the Renaissance, along with a very limited number from Late Antiqu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mural
A mural is any piece of graphic artwork that is painted or applied directly to a wall, ceiling or other permanent substrate. Mural techniques include fresco, mosaic, graffiti and marouflage. Word mural in art The word ''mural'' is a Spanish adjective that is used to refer to what is attached to a wall. The term ''mural'' later became a noun. In art, the word mural began to be used at the beginning of the 20th century. In 1906, Dr. Atl issued a manifesto calling for the development of a monumental public art movement in Mexico; he named it in Spanish ''pintura mural'' (English: ''wall painting''). In ancient Roman times, a mural crown was given to the fighter who was first to scale the wall of a besieged town. "Mural" comes from the Latin ''muralis'', meaning "wall painting". History Antique art Murals of sorts date to Upper Paleolithic times such as the cave paintings in the Lubang Jeriji Saléh cave in Borneo (40,000-52,000 BP), Chauvet Cave in Ardèche departmen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yakshagana
Yakshagaana is a traditional theatre, developed in Dakshina Kannada, Udupi, Uttara Kannada, Shimoga and western parts of Chikmagalur districts, in the state of Karnataka and in Kasaragod district in Kerala that combines dance, music, dialogue, costume, make-up, and stage techniques with a unique style and form. It is believed to have evolved from pre-classical music and theatre during the period of the Bhakti movement.Prof. Sridhara Uppura; 1998; ''Yakshagana and Nataka Diganta''; publications. It is sometimes simply called "Aata" or ''āṭa'' (meaning "the play"). This theatre style is mainly found in coastal regions of Karnataka in various forms. Towards the south from Dakshina Kannada to Kasaragod of Tulu Nadu region, the form of Yakshagana is called ' and towards the north from Udupi up to Uttara Kannada it is called '. Both of these forms are equally played all over the region.(Not sure about this one but) Yakshagana is traditionally presented from dusk to dawn. Its stories ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ganjifa
Ganjifa, Ganjapa or Gânjaphâ, is a card game and type of playing cards that are most associated with Persia and India. After Ganjifa cards fell out of use in Iran before the twentieth century, India became the last country to produce them. The form prevalent in Odisha is Ganjapa. Description Ganjifa cards are circular or rectangular, and traditionally hand-painted by artisans. The game became popular at the Mughal court, and lavish sets were made, from materials such as precious stone-inlaid ivory or tortoise shell (''darbar kalam''). The game later spread to the general public, whereupon cheaper sets (''bazâr kalam'') would be made from materials such as wood, palm leaf, stiffened cloth or pasteboard. Typically Ganjifa cards have coloured backgrounds, with each suit having a different colour. Different types exist, and the designs, number of suits, and physical size of the cards can vary considerably. With the exception of Mamluk Kanjifa and the Chads of Mysore, each suit co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Veena
The ''veena'', also spelled ''vina'' ( sa, वीणा IAST: vīṇā), comprises various chordophone instruments from the Indian subcontinent. Ancient musical instruments evolved into many variations, such as lutes, zithers and arched harps.Vina: Musical Instrument Encyclopædia Britannica (2010) The many regional designs have different names such as the ''Rudra veena'', the ''Saraswati veena'', the ''Vichitra veena'' and others. The North Indian ''rudra veena'', used in Hindustani classical music, is a stick zither. About 3.5 to 4 feet (1 to 1.2 meters) long to fit the measurements of the musician, it has a hollow body and two large resonating gourds under each end. It has four main strings which are melodic, and three auxiliary drone strings. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sritattvanidhi
The ''Sritattvanidhi'' (, "The Illustrious Treasure of Realities") is a treatise written in the 19th century in Karnataka on the iconography and iconometry of divine figures in South India. One of its sections includes instructions for, and illustrations of, 122 hatha yoga postures. Authorship The ''Sritattvanidhi'' is attributed to the then Maharaja of Mysore, Krishnaraja Wodeyar III (b. 1794 - d. 1868). The Maharaja was a great patron of art and learning, and was himself a scholar and writer. Around 50 works are ascribed to him. The first page of the ''Sritattvanidhi'' attributes authorship of the work to the Maharaja himself: {{quote, ''May the work Sri Tattvanidi, which is illustrated and contains secrets of mantras and which is authored by King Sri Krishna Raja Kamteerava, be written without any obstacle. Beginning of Shaktinidhi.''{{sfn, Wodeyar, 1997, loc=Shakti nidhi Martin-Dubost's review of the history of this work says that the Maharaja funded an effort to put tog ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Illustrated Manuscript")
_LACMA_M.2001.210.4.1-.10.jpg "Click for more on -> Ganjifa")
