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Kottabos (game)
Kottabos ( grc, κότταβος) was a game of skill played at Ancient Greek and Etruscan symposia (drinking parties), especially in the 6th and 5th centuries BC. It involved flinging wine-lees (sediment) at a target in the middle of the room. The winner would receive a prize (κοττάβιον or "kottabion"), comprising cakes, sweetmeats, or kisses. Ancient writers, including Dionysius Chalcus, Alcaeus, Anacreon, Pindar, Bacchylides, Aeschylus, Sophocles, Euripides, Aristophanes, and Antiphanes, make frequent and familiar allusion to the practice; and it is depicted on contemporaneous red-figure vases. References to the practice by the writers of the Roman and Alexandrian periods show that the fashion had died out. In Latin literature it is almost entirely unknown. Dexterity was required to succeed in the game, and unusual ability was rated as highly as corresponding excellence in throwing the javelin. Kottabos was customary, and, at least in Sicily, special circula ...
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AGMA Kylix Kottabos
Agma is a name for the velar nasal speech sound and the letter ⟨⟩ that stands for it. AGMA may refer to: * Alliance for Gray Market and Counterfeit Abatement, an anti-counterfeiting and gray market organization * American Gear Manufacturers Association, a trade group for companies involved in gears, couplings and related power transmission components and equipment * American Guild of Musical Artists, an entertainment labor union * Association of Greater Manchester Authorities, the local government association for Greater Manchester, England {{disambig ...
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Alexander The Great
Alexander III of Macedon ( grc, wikt:Ἀλέξανδρος, Ἀλέξανδρος, Alexandros; 20/21 July 356 BC – 10/11 June 323 BC), commonly known as Alexander the Great, was a king of the Ancient Greece, ancient Greek kingdom of Macedonia (ancient kingdom), Macedon. He succeeded his father Philip II of Macedon, Philip II to the throne in 336 BC at the age of 20, and spent most of his ruling years conducting a lengthy military campaign throughout Western Asia and ancient Egypt, Egypt. By the age of thirty, he had created one of the List of largest empires, largest empires in history, stretching from Greece to northwestern Historical India, India. He was undefeated in battle and is widely considered to be one of history's greatest and most successful military commanders. Until the age of 16, Alexander was tutored by Aristotle. In 335 BC, shortly after his assumption of kingship over Macedon, he Alexander's Balkan campaign, campaigned in the Balkans and reasserted control ...
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Umbria
it, Umbro (man) it, Umbra (woman) , population_note = , population_blank1_title = , population_blank1 = , demographics_type1 = , demographics1_footnotes = , demographics1_title1 = , demographics1_info1 = , demographics1_title2 = , demographics1_info2 = , demographics1_title3 = , demographics1_info3 = , timezone1 = CET , utc_offset1 = +1 , timezone1_DST = CEST , utc_offset1_DST = +2 , postal_code_type = , postal_code = , area_code_type = ISO 3166 code , area_code = IT-55 , blank_name_sec1 = GDP (nominal) , blank_info_sec1 = €22.5 billion (2018) , blank1_name_sec1 = GDP per capita , blank1_info_sec1 = €25,400 (2018) , blank2_name_sec1 = HDI (2018) , blank2_info_sec1 = 0.884 · 12th of 21 , blank_name_sec2 = NUTS Region , blank_info_sec2 = ITE , web ...
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Wolfgang Helbig
Wolfgang Helbig (2 February 1839 – 6 October 1915) was a German classical archaeologist born in Dresden. He is known for his studies involving the wall paintings of Campania (Pompeii). From 1856 to 1861 he studied philology and archaeology at the University of Göttingen, where he became member of Burschenschaft Hannovera (fraternity), and also at the University of Bonn, where he was a student of Otto Jahn, Friedrich Gottlieb Welcker and Friedrich Wilhelm Ritschl. He received his doctorate at Bonn in 1861 with the thesis "''Questiones scaenicae''". In 1862 he became a member of the German Archaeological Institute (DAI) to Rome. In 1865 he succeeded Heinrich Brunn as second secretary at the DAI, a position he kept until 1887. During his career he traveled extensively throughout Italy, Greece, Russia, France and North Africa. Beginning in 1887, he lived in Rome as a private scholar and art dealer, and served as a broker of numerous works of art for the Ny Carlsberg Glyptotek in Co ...
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Doric Greek
Doric or Dorian ( grc, Δωρισμός, Dōrismós), also known as West Greek, was a group of Ancient Greek dialects; its varieties are divided into the Doric proper and Northwest Doric subgroups. Doric was spoken in a vast area, that included northern Greece ( Acarnania, Aetolia, Epirus, western and eastern Locris, Phocis, Doris, and possibly ancient Macedonia), most of the Peloponnese (Achaea, Elis, Messenia, Laconia, Argolid, Aegina, Corinth, and Megara), the southern Aegean (Kythira, Milos, Thera, Crete, Karpathos, and Rhodes), as well as the colonies of some of the aforementioned regions, in Cyrene, Magna Graecia, the Black Sea, the Ionian Sea and the Adriatic Sea. It was also spoken in the Greek sanctuaries of Dodona, Delphi, and Olympia, as well as at the four Panhellenic festivals; the Isthmian, Nemean, Pythian, and Olympic Games. By Hellenistic times, under the Achaean League, an Achaean Doric koine appeared, exhibiting many peculiarities common to all Doric d ...
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Hetaira
Hetaira (plural hetairai (), also hetaera (plural hetaerae ), ( grc, ἑταίρα, "companion", pl. , la, hetaera, pl. ) was a type of prostitute in ancient Greece, who served as an artist, entertainer and conversationalist in addition to providing sexual service. Unlike the rule for ancient Greek women, hetairas would be highly educated and were allowed in the symposium. Summary Traditionally, historians of ancient Greece have distinguished between ''hetairai'' and ''pornai'', another class of prostitute in ancient Greece. In contrast to pornai, who provided sex for numerous clients in brothels or on the street, hetairai were thought to have had only a few men as clients at any one time, to have had long-term relationships with them, and to have provided companionship and intellectual stimulation as well as sex. For instance, Charles Seltman wrote in 1953 that "hetaeras were certainly in a very different class, often highly educated women". More recently, however, historia ...
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Euphronios
Euphronios ( el, Εὐφρόνιος; c. 535 – after 470 BC) was an ancient Greek vase painter and potter, active in Athens in the late 6th and early 5th centuries BC. As part of the so-called "Pioneer Group," (a modern name given to a group of vase painters who were instrumental in effecting the change from black-figure to red-figure pottery), Euphronios was one of the most important artists of the red-figure technique. His works place him at the transition from Late Archaic to Early Classical art, and he is one of the first known artists in history to have signed his work. General considerations The discovery of Greek vase painters In contrast to other artists, such as sculptors, no Ancient Greek literature sources refer specifically to vase painters. The copious literary tradition on the arts hardly mention pottery. Thus, reconstruction of Euphronios's life and artistic development—like that of all Greek vase painters—can only be derived from his works. Modern s ...
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Psykter
A psykter (in Greek ψυκτήρ "cooler") is a type of Greek vase that is characterized by a bulbous body set on a high, narrow foot. It was used as a wine cooler, and specifically as part of the elite sympotic set in the ancient Greek symposium. The psykter, as distinct from other coolers, is a vase which has a mushroom-shaped body, and was produced for only a short period of time during the late-sixth to mid-fifth centuries, with almost all of this type dating to between 520 and 480 BCE. The fact of its brevity combined with there being a number of simpler methods of cooling wine suggests that this shape was merely a fad. It is possible that it came about as a response to avoiding mixing contaminated snow-ice directly in wine, as it was known that this could cause illness, but this is unlikely as the alcohol in wine has useful sterilizing properties. Even proportionately to other wine utensils of its time it is comparatively rare, with few examples being found. Although the psyk ...
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Red-figure Pottery
Red-figure vase painting is one of the most important styles of figural Greek vase painting. It developed in Athens around 520 BCE and remained in use until the late 3rd century BCE. It replaced the previously dominant style of black-figure vase painting within a few decades. Its modern name is based on the figural depictions in red color on a black background, in contrast to the preceding black-figure style with black figures on a red background. The most important areas of production, apart from Attica, were in Southern Italy. The style was also adopted in other parts of Greece. Etruria became an important center of production outside the Greek World. Attic red-figure vases were exported throughout Greece and beyond. For a long time, they dominated the market for fine ceramics. Few centers of pottery production could compete with Athens in terms of innovation, quality and production capacity. Of the red-figure vases produced in Athens alone, more than 40,000 specimens and fra ...
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Euphronios Kottabos 2
Euphronios ( el, Εὐφρόνιος; c. 535 – after 470 BC) was an ancient Greek vase painter and potter, active in Athens in the late 6th and early 5th centuries BC. As part of the so-called "Pioneer Group," (a modern name given to a group of vase painters who were instrumental in effecting the change from black-figure to red-figure pottery), Euphronios was one of the most important artists of the red-figure technique. His works place him at the transition from Late Archaic to Early Classical art, and he is one of the first known artists in history to have signed his work. General considerations The discovery of Greek vase painters In contrast to other artists, such as sculptors, no Ancient Greek literature sources refer specifically to vase painters. The copious literary tradition on the arts hardly mention pottery. Thus, reconstruction of Euphronios's life and artistic development—like that of all Greek vase painters—can only be derived from his works. Modern s ...
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