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Euphronios Kottabos 2
Euphronios ( el, Εὐφρόνιος; c. 535 – after 470 BC) was an ancient Greek vase painter and potter, active in Athens in the late 6th and early 5th centuries BC. As part of the so-called "Pioneer Group," (a modern name given to a group of vase painters who were instrumental in effecting the change from black-figure to red-figure pottery), Euphronios was one of the most important artists of the red-figure technique. His works place him at the transition from Late Archaic to Early Classical art, and he is one of the first known artists in history to have signed his work. General considerations The discovery of Greek vase painters In contrast to other artists, such as sculptors, no Ancient Greek literature sources refer specifically to vase painters. The copious literary tradition on the arts hardly mention pottery. Thus, reconstruction of Euphronios's life and artistic development—like that of all Greek vase painters—can only be derived from his works. Modern s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bishop Of Tours
The Roman Catholic Archdiocese of Tours (Latin: ''Archidioecesis Turonensis''; French: ''Archidiocèse de Tours'') is an archdiocese of the Latin Rite of the Roman Catholic Church in France. The archdiocese has roots that go back to the 3rd century, while the formal erection of the diocese dates from the 5th century. The ecclesiastical province of Tours corresponds with the late Roman province of Tertia Lugdunensis. During Breton independence the see of Dol briefly exercised metropolitical functions (mainly tenth century). In 1859 the Breton dioceses except that of Nantes were constituted into a province of Rennes. Tours kept its historic suffragans of Le Mans, Angers together with Nantes and a newly constituted Diocese of Laval. In 2002 Tours lost all connection with its historic province, all its previous suffragans depending henceforth on an expanded province of Rennes (corresponding to the Brittany and Pays de la Loire administrative regions). Tours since 2002 has become the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Morelli
Giovanni Morelli (25 February 1816 – 28 February 1891) was an Italian art critic and political figure. As an art historian, he developed the "Morellian" technique of scholarship, identifying the characteristic "hands" of painters through scrutiny of diagnostic minor details that revealed artists' scarcely conscious shorthand and conventions for portraying, for example, ears. He was born in Verona and died in Milan. Early life and training Morelli studied medicine in Switzerland and Germany, where he taught anatomy at the University of Munich. During this time he also studied Goethe's morphology, Lavater's physiognomy, F. Schelling's natural philosophy and befriended Bettina von Arnim. With his return to Italy he acted as a conduit for intellectual life of the North. Art historian The Morellian method The Morellian method is based on clues offered by trifling details rather than identities of composition and subject matter or other broad treatments that are more l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Villa Giulia
The Villa Giulia is a villa in Rome, Italy. It was built by Pope Julius III in 1551–1553 on what was then the edge of the city. Today it is publicly owned, and houses the Museo Nazionale Etrusco, a collection of Etruscan art and artifacts. History Location The villa was built in an area of Rome known as the 'Vigna Vecchia' (which was once against the city walls), lying on the slopes of ''Monte Parioli'', as a 'Villa Suburbana' and a place of repose. Design The pope, a highly literate connoisseur of the arts, assigned the initial design of the building to Giacomo Barozzi da Vignola in 1551–1553. The nymphaeum and other garden structures, however, were designed by Bartolomeo Ammanati, all under the supervision of Giorgio Vasari. Michelangelo also worked there. Pope Julius took a direct interest in the villa's design and decor and spent vast amounts of money on enhancing its beauties. Villa Giulia became one of the most delicate examples of Mannerist architecture. Only a s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slip (ceramics)
A slip is a clay slurry used to produce pottery and other ceramic wares. Liquified clay, in which there is no fixed ratio of water and clay, is called slip or clay slurry which is used either for joining leather-hard (semi-hardened) clay body (pieces of pottery) together by slipcasting with mould, glazing or decorating the pottery by painting or dipping the pottery with slip.What is slip in pottery thepotterywheel.com, accessed 10 July 2021. Pottery on which slip has been applied either for glazing or decoration is called the . Engobe, from the French word for slip, is an |
Satyr Maenad Louvre G34
In Greek mythology, a satyr ( grc-gre, σάτυρος, sátyros, ), also known as a silenus or ''silenos'' ( grc-gre, σειληνός ), is a male nature spirit with ears and a tail resembling those of a horse, as well as a permanent, exaggerated erection. Early artistic representations sometimes include horse-like legs, but, by the sixth century BC, they were more often represented with human legs. Comically hideous, they have mane-like hair, bestial faces, and snub noses and are always shown naked. Satyrs were characterized by their ribaldry and were known as lovers of wine, music, dancing, and women. They were companions of the god Dionysus and were believed to inhabit remote locales, such as woodlands, mountains, and pastures. They often attempted to seduce or rape nymphs and mortal women alike, usually with little success. They are sometimes shown masturbating or engaging in bestiality. In classical Athens, satyrs made up the chorus in a genre of play known as a "saty ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sarpedon (Trojan War Hero)
In Greek mythology, Sarpedon ( or ; grc, Σαρπηδών) was a son of Zeus, who fought on the side of Troy in the Trojan War. Although in the ''Iliad'', he was the son of Zeus and Laodamia, the daughter of Bellerophon, in the later standard tradition, he was the son of Zeus and Europa, and the brother of Minos and Rhadamanthus, while in other accounts the Sarpedon who fought at Troy was the grandson of the Sarpedon who was the brother of Minos. Hero cult There was a temple of Sarpedon in Xanthos, in Lycia, perhaps associated with a supposed burial site there. There was also a temple and oracle of Apollo Sarpedonios and Artemis Sarpedonia at Seleuceia in Cilicia. According to Tertullian there was a shrine and oracle of Sarpedon in the Troad, although Tertuliian might have been confusing this for the oracle in Cilicia. There is evidence to suggest that Sarpedon was the subject of pre-Homeric non-Greek worship. Genealogy There were three separate traditions concerning the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Getty Museum
The J. Paul Getty Museum, commonly referred to as the Getty, is an art museum in Los Angeles, California housed on two campuses: the Getty Center and Getty Villa. The Getty Center is located in the Brentwood neighborhood of Los Angeles and features pre-20th-century European paintings, drawings, illuminated manuscripts, sculpture, decorative arts, and photographs from the inception of photography through present day from all over the world. The original Getty museum, the Getty Villa, is located in the Pacific Palisades neighborhood of Los Angeles and displays art from Ancient Greece, Rome, and Etruria. History In 1974, J. Paul Getty opened a museum in a re-creation of the Villa of the Papyri at Herculaneum on his property in Malibu, California. In 1982, the museum became the richest in the world when it inherited US$1.2 billion. In 1983, after an economic downturn in what was then West Germany, the Getty Museum acquired 144 illuminated medieval manuscripts from the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
British Museum
The British Museum is a public museum dedicated to human history, art and culture located in the Bloomsbury area of London. Its permanent collection of eight million works is among the largest and most comprehensive in existence. It documents the story of human culture from its beginnings to the present.Among the national museums in London, sculpture and decorative and applied art are in the Victoria and Albert Museum; the British Museum houses earlier art, non-Western art, prints and drawings. The National Gallery holds the national collection of Western European art to about 1900, while art of the 20th century on is at Tate Modern. Tate Britain holds British Art from 1500 onwards. Books, manuscripts and many works on paper are in the British Library. There are significant overlaps between the coverage of the various collections. The British Museum was the first public national museum to cover all fields of knowledge. The museum was established in 1753, largely b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oltos
Oltos was a Late Archaic Greek vase painter, active in Athens from 525 BC to 500 BC. About 150 works by him are known. Two pieces, a cup in Berlin ( Antikensammlung F 2264) and a cup in Tarquinia (Museo Nazionale Tarquiniese RC 6848), are signed by him as painter. Overview Oltos is thought to have begun his career in the workshop of the potter Nikosthenes. Initially, he mainly painted bilingual vases or bowls with interior black-figure and exterior red-figure decoration. His black-figure style was influenced by Psiax and the Antimenes Painter. No pure black-figure works by Oltos are yet known. His tondos usually depict a single figure. They are often full of tension, frequently with differential directions of gaze and movement. Later, he exclusively painted red-figure, influenced especially by the Andokides Painter as well as several members of the Pioneer Group, especially his former pupil Euphronios. His drawing style was spacious and elegant, but never reached the d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kachrylion
Kachrylion was a potter of Greek red-figure pottery at the end of the 6th and the beginning of the 5th century BC. At his pottery had worked some of the most important Attic-Greek vase painters of these times, so Euphronios and Oltos. He signed 29 kylixes and one plate. References *Martin Robertson. ''The Art of Vase-Painting in Classical Athens.'' Cambridge University Press, 1992 Literature *John Beazley Sir John Davidson Beazley, (; 13 September 1885 – 6 May 1970) was a British classical archaeologist and art historian, known for his classification of Attic vases by artistic style. He was Professor of Classical Archaeology and Art at the U ...: ''Attic Red-figure Vase-painters'' 2nd ed. Oxford 1963, S. 107-109. Ancient Greek potters {{AncientGreece-bio-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psiax
Psiax was an Attic vase painter of the transitional period between the black-figure and red-figure styles. His works date to ''circa'' 525 to 505 BC and comprise about 60 surviving vases, two of which bear his signature. Initially he was allocated the name "Menon Painter" by John Beazley. Only later was it realised that the artist was identical with the painters signing as "Psiax". Psiax collaborated with the potters Hilinos, Menon, Andokides and Nikosthenes. While he started as a painter in the black-figure technique, he played a major role in the early development of red-figure, which was invented in the workshop of Andokides. The black-figure Antimenes Painter, working for the same workshop, was stylistically close to Psiax; Beazley described the two as "brothers". Perhaps unsurprisingly, considering his chronological position, Psiax was a master of bilingual vase painting. Formerly called the Menon Painter, after the potter’s signature on a red-figure amphora (Philadelph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andokides (potter)
Andokides (; ''The Columbia Electronic Encyclopedia'', 6th ed., Columbia University Press, 2012. el, Ἀνδοκίδης) was a famous of . The painter of his pots was an anonymous artist, the , who is recognized as the creator of the |
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