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Konrad Ernst Ackermann
Konrad Ernst Ackermann (1 February 1710 – 13 November 1771) was a German actor. Ackermann first accompanied field marshal Burkhard Christoph von Münnich on his travels and in battles. Born in Schwerin, he first entered the stage under a certain ''Stolle''. In 1740 he entered the troupe of Johann Friedrich Schönemann in Lüneburg, where he first met his future wife Sophie Charlotte Bierreichel, who took the lead of the troupe in 1741 in Hamburg. The troupe dissolved in 1744 and they lived with relatives of Konrad in Mecklenburg. In 1747 he was hired in Danzig, later in St. Petersburg. In 1749 he and Sophie visited Moscow, where they married; they left Russia in 1751 and founded the Ackermann troupe (''Ackermann'sche Gesellschaft''). The troupe visited Danzig, Königsberg, Breslau, Warsaw, Leipzig, Halle, then Frankfurt am Main and with the beginning of the Seven Years' War (1756–1763) via Strasbourg, France, to Switzerland. After the peace treaty, they returne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Burkhard Christoph Von Münnich
Burkhard Christoph Graf von Münnich (, tr. ; – ) was a German-born army officer who became a field marshal and political figure in the Russian Empire. He carried out major reforms in the Russian Army and founded several elite military formations during the reign of Empress Anna of Russia (). As a statesman, he is regarded as the founder of Russian philhellenism. Like his father, Münnich was an engineer and a specialist in hydrotechnology. He had the rank of count of the Holy Roman Empire of the German Nation. Early career Münnich was born at Neuenhuntorf in the Grand Duchy of Oldenburg in the military family of Anton Günther Mönnich (since 1688 ''von Münnich'', an east-Frisian nobility). Besides the knowledge of the native Low German language he also learned the Latin and French languages. He entered the French service at 17. Thence he transferred successively to the armies of Hesse-Darmstadt and of Saxony where he earned the rank of a colonel and later Major G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mainz
Mainz () is the capital and largest city of Rhineland-Palatinate, Germany. Mainz is on the left bank of the Rhine, opposite to the place that the Main (river), Main joins the Rhine. Downstream of the confluence, the Rhine flows to the north-west, with Mainz on the left bank, and Wiesbaden, the capital of the neighbouring state Hesse, on the right bank. Mainz is an independent city with a population of 218,578 (as of 2019) and forms part of the Frankfurt Rhine-Main, Frankfurt Rhine-Main Metropolitan Region. Mainz was founded by the Roman Empire, Romans in the 1st century BC as a military fortress on the northernmost frontier of the empire and provincial capital of Germania Superior. Mainz became an important city in the 8th century AD as part of the Holy Roman Empire, capital of the Electorate of Mainz and seat of the Elector of Mainz, Archbishop-Elector of Mainz, the Primate (bishop), Primate of Germany. Mainz is famous as the birthplace of Johannes Gutenberg, the inventor of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marie Magdalene Charlotte Ackermann
Marie Magdalene Charlotte Ackermann (23 August 1757 – 10 May 1775) was a German actress. She was the daughter of the actors Konrad Ernst Ackermann and Sophie Charlotte Ackermann. Biography Marie Magdalene Charlotte Ackermann made her the stage debut on 16 October 1761 as ''Louise'' in Molière's ''Malade Imaginaire''. She toured in Northern Germany. She was also initially active as a dancer, but concentrated more on her acting career. From 1765, she performed in Hamburg, where she became very popular. She died at the age of 17 in 1775. Her body were kept at lite-de-parade to give people the opportunity to say goodbye. Four thousand admirers followed her coffin at her funeral, and the theatre was draped in black morning. She was the sister of Dorothea Ackermann Caroline Dorothea Elisabeth Ackermann (12 February 1752 – 21 October 1821) was a German actress and eldest daughter of Konrad Ackermann and Sophie Charlotte Bierreichel. She had one sister, Charlotte Acker ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dorothea Ackermann
Caroline Dorothea Elisabeth Ackermann (12 February 1752 – 21 October 1821) was a German actress and eldest daughter of Konrad Ackermann and Sophie Charlotte Bierreichel. She had one sister, Charlotte Ackermann, and one stepbrother Friedrich Ludwig Schröder via her mother. Born in Gdańsk (Danzig), Royal Prussia, she entered the stage at the age of four in the role of ''Annabella'' in Lessing's ''Miss Sara Sampson''. She was most active between 1769 and 1778 with roles include ''Orsina'', ''Minna von Barnhelm'', and ''Marie'' in ''Götz von Berlichingen'', as well as ''Ophelia'' in ''Hamlet'' which was very well received. She left the stage in 1778 and married Johann Christoph Unzer, who was a noted doctor and poet in Altona.Dorothea Ackermann After her marriage, she stopped appearing on the stage and chose instead to take part in upper-class urban life, which she could only now do as the wife of a renowned doctor. The marriage ended in 1796 with an ugly divorce. Her s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Seyler Theatrical Company
The Seyler Theatre Company, also known as the Seyler Company (German: ''Seylersche Schauspiel-Gesellschaft'', sometimes ''Seylersche Truppe''), was a theatrical company founded in 1769 by Abel Seyler, a Hamburg businessman originally from Switzerland who became "the leading patron of German theatre" in his lifetime. It was largely a continuation of the Hamburgische Entreprise, whose dramaturge was Gotthold Ephraim Lessing and whose main owner was Seyler. The Seyler theatrical company became one of the most famous theatrical companies of Europe in the 18th century, attracting some of Germany's leading actors, playwrights and composers. It originally comprised around 60 members, including an orchestra, a ballet, house dramatists and set designers. Between 1777 and 1778 Seyler employed some 230 actors, singers and musicians. The company was originally (from 1769) contracted by the Hanoverian court with performing at Hanover and other cities of the kingdom. The company would eventually ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Konrad Ekhof
Konrad Ekhof (12 August 1720 in Hamburg, Germany – 16 June 1778) was a German actor, widely regarded as one of the foremost actors of the German-speaking realm in the 18th century. He was noted for his collaboration with the theatre principal Abel Seyler in the 1760s and 1770s, first at the Hamburg National Theatre and then at the travelling Seyler Theatre Company. Life In 1739, he became a member of Johann Friedrich Schönemann's (1704–1782) company in Lüneburg, and made his first appearance there on 15 January 1740 as Xiphares in Racine's ''Mithridate''. From 1751, the Schönemann company performed mainly in Hamburg and at Schwerin, where Christian Ludwig II of Mecklenburg-Schwerin made them comedians to the court. During this period Ekhof founded a theatrical academy, which, though short-lived, was of great importance in helping to raise the standard of German acting and the status of German actors. In 1757, Ekhof left Schönemann to join Franz Schuch's company in Da ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Friedrich Ludwig Schröder
Friedrich Ludwig Schröder (3 November 1744 – 3 September 1816) was a German actor, manager, dramatist and prominent masonic leader. He was born in Schwerin. Shortly after his birth, his mother, Sophie Charlotte Bierreichel (1714–1792), separated from her husband, and, joining a theatrical company, toured with success in Poland and Russia. Subsequently, she married Konrad Ernst Ackermann and appeared with his company in many German cities, finally settling in Hamburg. Young Schröder early showed considerable talent, but his childhood was rendered so unhappy by his stepfather that he ran away from home and learned the trade of a shoemaker. He rejoined his parents, however, in 1759, and became an actor. In 1764 he appeared with the Ackermann company in Hamburg, playing leading comedy parts; but these he soon exchanged for the tragic roles in which he became famous. These included Hamlet, King Lear and Philip in Schiller's ''Don Carlos''. After Ackermann's deat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acting
Acting is an activity in which a story is told by means of its enactment by an actor or actress who adopts a character—in theatre, television, film, radio, or any other medium that makes use of the mimetic mode. Acting involves a broad range of skills, including a well-developed imagination, emotional facility, physical expressivity, vocal projection, clarity of speech, and the ability to interpret drama. Acting also demands an ability to employ dialects, accents, improvisation, observation and emulation, mime, and stage combat. Many actors train at length in specialist programs or colleges to develop these skills. The vast majority of professional actors have undergone extensive training. Actors and actresses will often have many instructors and teachers for a full range of training involving singing, scene-work, audition techniques, and acting for camera. Most early sources in the West that examine the art of acting ( grc-gre, ὑπόκρισις, ''hypokrisis'') d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abel Seyler
Abel Seyler (23 August 1730, Liestal – 25 April 1800, Rellingen) was a Swiss-born theatre director and former merchant banker, who was regarded as one of the great theatre principals of 18th century Europe. He played a pivotal role in the development of German theatre and was considered "the leading patron of German theatre" in his lifetime.Wilhelm Kosch, "Seyler, Abel", in '' Dictionary of German Biography'', eds. Walther Killy and Rudolf Vierhaus, Vol. 9, Walter de Gruyter, 2005, , p. 308 He supported the development of new works and experimental productions, helping to establish Hamburg as a center of theatrical innovation and to establish a publicly-funded theater system in Germany. He is credited with introducing Shakespeare to a German language audience, and with promoting the concept of a national theatre in the tradition of Ludvig Holberg, the ''Sturm und Drang'' playwrights, and serious German opera. Already in his lifetime, he was described as "one of German art's most ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gotthold Ephraim Lessing
Gotthold Ephraim Lessing (, ; 22 January 1729 – 15 February 1781) was a philosopher, dramatist, publicist and art critic, and a representative of the Enlightenment era. His plays and theoretical writings substantially influenced the development of German literature. He is widely considered by theatre historians to be the first dramaturg in his role at Abel Seyler's Hamburg National Theatre. Life Lessing was born in Kamenz, a small town in Saxony, to Johann Gottfried Lessing and Justine Salome Feller. His father was a Lutheran minister and wrote on theology. Young Lessing studied at the Latin School in Kamenz from 1737 to 1741. With a father who wanted his son to follow in his footsteps, Lessing next attended the Fürstenschule St. Afra in Meissen. After completing his education at St. Afra's, he enrolled at the University of Leipzig where he pursued a degree in theology, medicine, philosophy, and philology (1746–1748). It was here that his relationship with Karoline Neube ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hamburgische Entreprise
The Hamburg Enterprise (german: Hamburgische Entreprise), commonly known as the Hamburg National Theatre, was a theatre company in Hamburg (now Germany), that existed 1767–1769 at the Gänsemarkt square, and that was led by Abel Seyler. It was the first attempt to establish a national theatre in Germany. It was modelled after Det Kongelige Teater, founded by Ludvig Holberg in Denmark in 1748. Its leading actor was Konrad Ekhof and the theatre employed Gotthold Ephraim Lessing as the world's first dramaturg; Lessing's influential ''Hamburg Dramaturgy'', based on his work at the Hamburg National Theatre, defined the new field of dramaturgy and also introduced the term.Luckhurst, Mary (2006). ''Dramaturgy: A Revolution in Theatre''. Cambridge: Cambridge University Press. p. 24. The theatre premiered Lessing's ''Minna von Barnhelm'' on 30 September 1767. The Hamburg National Theatre was mainly owned and led by the former banker Abel Seyler, who invested much of his remaining for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Friederike Sophie Seyler
Friederike Sophie Seyler (1738, Dresden – 22 November 1789, Schleswig; née Sparmann, formerly married Hensel) was a German actress, playwright and librettist. Alongside Friederike Caroline Neuber, she was widely considered Germany's greatest actress of the 18th century; Gotthold Ephraim Lessing described her in his ''Hamburg Dramaturgy'' as "incontestably one of the best actresses that German theatre has ever seen."''Hamburgische Dramaturgie'', Viertes Stück. In: Lessings Werke', published by Georg Witkowski, Vol. 4, p. 355, 1766 The granddaughter of the architect Matthäus Daniel Pöppelmann, she ran away from an abusive uncle under the threat of a forced marriage to join the theatre at the age of sixteen in 1754. She established herself as one of Germany's leading actresses in the 1760s and was acclaimed for her portrayal of passionate, majestic, tragic heroines. From 1767 she was professionally and personally associated with the theatre director Abel Seyler, whom she marri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
