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Kompang
''Kompang'' ( ban, ᬓᭀᬫ᭄ᬧᬂ; jv, ꦏꦺꦴꦩ꧀ꦥꦁ, ) is a traditional Balinese and Javanese musical instrument part of gamelan in the percussion family originated from the Indonesian region of Ponorogo in East Java. Kompang has existed in Indonesia since at least the 8th century and has spread to various regions of Indonesia as well as the Southeast Asia in general, such as Singapore, Malaysia, Brunei and Thailand, which later became known as ''Kompang Jawa''. Since 2011, several types of Kompang have been recorded and recognized by the Ministry of Education, Culture, Research, and Technology as National Intangible Cultural Heritage of Indonesia. And in 2021, the United Nations Educational, Scientific and Cultural Organization or what is often known as UNESCO has designated Gamelan (a set of musical instruments that includes Kompang) as an Intangible Cultural Heritage from Indonesia. Etymology Etymologically, the word 'kompang' is absorbed from the jv, ꦏꦺ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frame Drum
A frame drum is a drum that has a drumhead width greater than its depth. It is one of the most ancient musical instruments, and perhaps the first drum to be invented. It has a single drumhead that is usually made of rawhide, but man-made materials may also be used. Some frame drums have mechanical tuning, while on many others the drumhead is tacked in place. The drumhead is stretched over a round, wooden frame called a shell. The shell is traditionally constructed of rosewood, oak, ash etc. that has been bent and then scarf jointed together; though some are also made of plywood or man-made materials. Metal rings or jingles may also be attached to the frame. In many cultures larger frame drums are played mainly by men in spiritual ceremonies, while medium-size drums are played mainly by women. Types of frame drums External links * Liene Žeimunde (June 17, 2020Step by step: leather drum Public Broadcasting of Latvia Public Broadcasting of Latvia ( lv, Latvijas sabiedr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Banjar People
The Banjar or Banjarese ( bjn, Urang Banjar; ) are an indigenous ethnic group native to the Banjar regions (notably Banjarmasin, Banjarbaru, Banjar Regency, etc.) in the southeastern Kalimantan hemisphere of Indonesia. Nowadays, Banjarese diaspora can be found in neigbouring Banjar regions as well; including Kotabaru Regency, the southeastern regions of Central Kalimantan, southernmost regions of East Kalimantan, and some provinces of Indonesia in general. The Banjarese diaspora community also can be found in neighbouring countries of Indonesia, such as Brunei, Malaysia (notably in Sabah and Perak), and Singapore. Etymology Etymologically, the word ''Banjar'' is derived from terminology in the Janyawai dialect of Ma'anyan language, which rooted from Old Javanese language. It is initially used to identified the Ma'anyan, Meratus Dayak, and Ngaju people who are already "Javanized" when the Javanese people arrived in southeastern Kalimantan regions to established their ci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Talempong
Talempong is a traditional music of the Minangkabau people of Western Sumatra, Indonesia. The talempong produce a static texture consisting of interlocking rhythms. A talempong a small kettle gong which gives its name to an ensemble of four or five talempong as well as other gongs and drums. The term can refer to the instrument, the ensemble, or the genre of music. Talempong is in the form of a circle with a diameter of 15 to 17.5 centimeters, with a hollow hole at the bottom while at the top there is a roundabout with a diameter of five centimeters as a place to be hit. Talempong has a different tone. The sound is produced from a pair of wood hammered on its surface. In 2019 and 2021, The Talempong Unggan and The Talempong Pakcik were recognized as National Intangible Cultural Heritage of Indonesia by the Indonesian Ministry of Education and Culture. On December 15, 2021, UNESCO officially recognized Gamelan which includes a musical instrument of Talempong as a Masterpiece ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kethuk
The kempyang and ketuk are two instruments in the gamelan ensemble of Indonesia, generally played by the same player, and sometimes played by the same player as the kenong. They are important beat-keepers in the colotomic structure of the gamelan. Depending on the structure, they play different, repeating patterns every gongan. Not all structures use the kempyang, but the kempyang is never played without the ketuk. They are shaped like bonang, but are generally placed in their own frame (''rancak''). The kempyang is pitched higher (about one octave, although it depends if they are in the pelog or slendro set. Both have a central boss like the bonang, but the kempyang has a rounder top (like the higher bonangs), while the ketuk has a flat top (like the lower bonangs). In the common numerical notation, kempyang strokes are marked by "-" while the ketuk is marked by "+". The ketuk pattern is used to classify longer gendhing types, where it refers to the number of ketuk strokes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bonang
The bonang is an Indonesian musical instrument used in the Javanese gamelan. It is a collection of small gongs (sometimes called "kettles" or "pots") placed horizontally onto strings in a wooden frame (''rancak''), either one or two rows wide. All of the kettles have a central boss, but around it the lower-pitched ones have a flattened head, while the higher ones have an arched one. Each is tuned to a specific pitch in the appropriate scale; thus there are different bonang for pelog and slendro. They are typically hit with padded sticks (''tabuh''). This is similar to the other cradled gongs in the gamelan, the kethuk, kempyang, and kenong. Bonang may be made of forged bronze, welded and cold-hammered iron, or a combination of metals. In addition to the gong-shaped form of kettles, economical bonang made of hammered iron or brass plates with raised bosses are often found in village gamelan, in Suriname-style gamelan, and in some American gamelan. In central Javanese gamela ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kenong
The Kenong is a musical instrument of Indonesia used in the gamelan. It is a kind of gong and is placed on its side. It has the same length and width. Thus, it is similar to the bonang, kempyang, and ketuk, which are also cradled gongs. Kenongs are generally much larger than the aforementioned instruments. However, the kenong has a considerably higher pitch. Its sound stands out because of its unique timbre. The kenong sticks are taller than that of the bonang. The kenong is sometimes played by the same player as the kempyang and ketuk. Most of the instruments in the gamelan 'family'. are originally from Java, Indonesia but spread to Southeast Asia. The kenong usually has a specific part in the colotomic structure of the gamelan, marking off parts of a structure smaller than a gongan (the space between each strike of the gong). The interval of each part between strikes of a kenong is called a . In a fast, short structure these can only last a second or so; in a longer gendhi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kempul
A kempul is a type of hanging gong used in Indonesian gamelan. The kempul is a set of pitched, hanging, knobbed gongs, often made of bronze, wood, and cords. Ranging from 19 cm to 25,4 cm (7 to 10 inches) in diameter, the kempul gong has a flat surface with a protruding knob at the center and is played by hitting the knob with the "soft end of a mallet." "The wooden mallet used has a ball shape head with heavy padding on a short wooden handle. The number of kempul gongs present in a gamelan ensemble varies but, "although there can be two to ten kempul on one separate rack, it is common to have five kempul hanging on the same rack as the Gong ageng and gong siyem" (two larger gongs). Kempul in music "Generally, the instruments in a gamelan orchestra may fall into the following three functional categories: # Instruments that delineate the structure of the piece; # Instruments that guide temporal flow of the music; # Instruments that carry melodies in both simple and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gong
A gongFrom Indonesian and ms, gong; jv, ꦒꦺꦴꦁ ; zh, c=鑼, p=luó; ja, , dora; km, គង ; th, ฆ้อง ; vi, cồng chiêng; as, কাঁহ is a percussion instrument originating in East Asia and Southeast Asia. Gongs are a flat, circular metal disc that is typically struck with a mallet. They can be small or large in size, and tuned or can require tuning. The earliest mention of gongs can be found in sixth century Chinese records, which mentioned the instrument to have come from a country between Tibet and Burma. The term ''gong'' ( jv, ꦒꦺꦴꦁ) originated in the Indonesian island of Java. Scientific and archaeological research has established that Burma, China, Java and Annam were the four main gong manufacturing centres of the ancient world. The gong found its way into the Western World in the 18th century, when it was also used in the percussion section of a Western-style symphony orchestra. A form of bronze cauldron gong known as a resting ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gendèr
A gendèr is a type of metallophone used in Balinese people, Balinese and Javanese gamelan music. It consists of 10 to 14 tuned metal bars suspended over a tuned resonator of bamboo or metal, which are tapped with a mallet made of wooden disks (Bali) or a padded wooden disk (Java). Each key is a note of a different pitch, often extending a little more than two octaves. There are five notes per octave, so in the seven-note pélog scale, some pitches are left out according to the pathet. Most gamelans include three gendèr, one for sléndro, one for pelog pathet nem and lima, and one for pelog pathet barang. The ''gendèr'' is similar to the Balinese gangsa, which also has an individual resonator under each key, and the saron (instrument), saron, which, although trough-resonated, does have a set of tuned metal bars or keys. It is also similar to the Javanese slenthem, which is pitched lower and has fewer notes. The melodies of the two hands sometimes move in parallel motion, but o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Demung
The saron is a musical instrument of Indonesia, which is used in the gamelan. It normally has seven bronze bars placed on top of a resonating frame (''rancak''). It is usually about 20 cm (8 in) high, and is played on the floor by a seated performer. In a pelog scale, the bars often read 1-2-3-5-6-7 across (the number four is not used because of its relation to death) (in kepatihan numbering); for slendro, the bars are 6-1-2-3-5-6-1; this can vary from gamelan to gamelan, or even among instruments in the same gamelan. Slendro instruments commonly have only six keys. It provides the core melody (balungan) in the gamelan orchestra. Varieties Sarons typically come in a number often sizes, from smallest to largest: *Saron panerus (also: peking) *Saron barung (sometimes just saron) *Saron demung (often just called demung) Each one of those is pitched an octave below the previous. The slenthem or slentho performs a similar function to the sarons one octave below the demung ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saron (instrument)
The saron is a musical instrument of Indonesia, which is used in the gamelan. It normally has seven bronze bars placed on top of a resonating frame (''rancak''). It is usually about 20 cm (8 in) high, and is played on the floor by a seated performer. In a pelog scale, the bars often read 1-2-3-5-6-7 across (the number four is not used because of its relation to death) (in kepatihan notation, kepatihan numbering); for slendro, the bars are 6-1-2-3-5-6-1; this can vary from gamelan to gamelan, or even among instruments in the same gamelan. Slendro instruments commonly have only six keys. It provides the core melody (balungan) in the gamelan orchestra. Varieties Sarons typically come in a number often sizes, from smallest to largest: *Saron panerus (also: peking) *Saron barung (sometimes just saron) *Saron demung (often just called demung) Each one of those is pitched an octave below the previous. The slenthem or slentho performs a similar function to the sarons one oct ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
West Sumatra
West Sumatra ( id, Sumatra Barat) is a Provinces of Indonesia, province of Indonesia. It is located on the west coast of the island of Sumatra and includes the Mentawai Islands off that coast. The province has an area of , with a population of 5,534,472 at the 2020 Indonesian census, 2020 census.Badan Pusat Statistik, Jakarta, 2021. The official estimate at mid 2021 was 5,580,232.Badan Pusat Statistik, Jakarta, 2022. West Sumatra borders the Indian Ocean to the west, as well as the provinces of North Sumatra to the north, Riau to the northeast, Jambi to the southeast, and Bengkulu to the south. The province is List of regencies and cities in West Sumatra, subdivided into twelve Regency (Indonesia), regencies and seven City status in Indonesia#Kota, cities. It has relatively more cities than other provinces outside of Java, although several of them are relatively low in population compared with cities elsewhere in Indonesia. ' is the province's capital city, capital and List of Indo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
