Kiyohime
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Kiyohime
(or just Kiyo) in Japanese folklore is a character in the story of Anchin and Kiyohime. In this story, she fell in love with a Buddhist monk named Anchin, but after her interest in the monk was rejected, she chased after him and transformed into a serpent in a rage, before killing him in a bell where he had hidden in the Dōjō-ji temple. Overview The so-called "Anchin-Kiyohime" legend may be designated by various other names, such as Hidaka River legend (Hidakagawa legend). The theatrical versions, for which there are numerous playscripts, are collectively known as ''Dōjōji-mono''. Summary The "Anchin-Kiyohime" legend can be summarized as follows: The legend, connected with the founding of the Dōjō-ji temple in Kii Province (modern-day Wakayama Prefecture), relates how a priest named Anchin from Shirakawa in Ōshū province (present-day Shirakawa, Fukushima) making pilgrimage to the Kumano Shrine in southern Kii, lodged at the home of a (steward of a ''shōen'' ma ...
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Japanese Dragon
Japanese dragons (, ''Nihon no ryū'') are diverse legendary creatures in Japanese mythology and folklore. Japanese dragon myths amalgamate native legends with imported stories about dragons from China, Korea and the Indian subcontinent. The style and appearance of the dragon was heavily influenced by the Chinese dragon, especially the three-clawed ''long'' (龍) dragons which were introduced in Japan from China in ancient times. Like these other East Asian dragons, most Japanese ones are water deities associated with rainfall and bodies of water, and are typically depicted as large, wingless, serpentine creatures with clawed feet. Indigenous Japanese dragons The c. 680 AD ''Kojiki'' and the c. 720 AD '' Nihongi'' mytho-histories have the first Japanese textual references to dragons. "In the oldest annals the dragons are mentioned in various ways," explains de Visser, "but mostly as water-gods, serpent- or dragon-shaped." The ''Kojiki'' and ''Nihongi'' mention several a ...
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Dōjō-ji
is a Tendai school Buddhist temple in the town of Hidakagawa, Wakayama Prefecture, Japan. Founded in the Nara period, it has given its name to a number of plays, most notably the Noh drama '' Dōjōji''. The temple has numerous statues which are designated National Treasures, or Important Cultural Properties, as well as several structures with the Important Cultural Property designation. The precincts of the temple were designated a National Historic Site in 2013. History Although the foundation of the temple is not completely documented, it claims to have been founded in 701 AD at the request of Emperor Monmu, with the monk Gien (643-728) as its founder. According to folklore, Emperor Monmu acted on behalf of his wife, Fujiwara no Miyako, the mother of Emperor Shōmu. According to this legend, Fujiwara no Miyako was born to a family of ''ama'' fishermen in what is now the city of Gobō, Wakayama. Her parents were without children for many years but in response to fervent pra ...
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Bonshō
, also known as or are large bells found in Buddhist temples throughout Japan, used to summon the monks to prayer and to demarcate periods of time. Rather than containing a clapper, are struck from the outside, using either a handheld mallet or a beam suspended on ropes. The bells are usually made from bronze, using a form of expendable mould casting. They are typically augmented and ornamented with a variety of bosses, raised bands and inscriptions. The earliest of these bells in Japan date to around 600 CE, although the general design is of much earlier Chinese origin and shares some of the features seen in ancient Chinese bells. The bells' penetrating and pervasive tone carries over considerable distances, which led to their use as signals, timekeepers and alarms. In addition, the sound of the bell is thought to have supernatural properties; it is believed, for example, that it can be heard in the underworld. The spiritual significance of means that they play an im ...
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Dainihonkoku Hokekyō Kenki
, also called but commonly referred to as , is an 11th century Japanese collection of Buddhist tales and folklore (setsuwa). It was compiled by the monk from 1040 to 1043, and consists of three volumes with 129 chapters, two of which are missing. The collection is intended to promote the Lotus Sutra with tales of miraculous events linked to the sutra. Origin In the introduction to the book, Chingen referred to a now-lost collection of tales by the Chinese monk Yiji (義寂) titled ''Fahua yanji'' (法華験記), which may be the inspiration for this collection. Some scholars suggest that text referred to may be by a Korean monk with the same name in Chinese Ŭijŏk (義寂), although Chingen may have consulted both the Chinese and Korean collections. The tales he collected, however, are Japanese only, which Chingen noted in the preface are meant for ordinary people rather than priests and scholars. ''Hokke Genki'' incorporates stories and biographies from other works, such as , ...
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Muromachi Period
The is a division of Japanese history running from approximately 1336 to 1573. The period marks the governance of the Muromachi or Ashikaga shogunate (''Muromachi bakufu'' or ''Ashikaga bakufu''), which was officially established in 1338 by the first Muromachi ''shōgun'', Ashikaga Takauji, two years after the brief Kenmu Restoration (1333–1336) of imperial rule was brought to a close. The period ended in 1573 when the 15th and last shogun of this line, Ashikaga Yoshiaki, was driven out of the capital in Kyoto by Oda Nobunaga. From a cultural perspective, the period can be divided into the Kitayama and Higashiyama cultures (later 15th – early 16th centuries). The early years from 1336 to 1392 of the Muromachi period are known as the '' Nanboku-chō'' or Northern and Southern Court period. This period is marked by the continued resistance of the supporters of Emperor Go-Daigo, the emperor behind the Kenmu Restoration. The Sengoku period or Warring States period, which begi ...
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Emaki
or is an illustrated horizontal narration system of painted handscrolls that dates back to Nara-period (710–794 CE) Japan. Initially copying their much older Chinese counterparts in style, during the succeeding Heian (794–1185) and Kamakura periods (1185–1333), Japanese developed their own distinct style. The term therefore refers only to Japanese painted narrative scrolls. As in the Chinese and Korean scrolls, combine calligraphy and illustrations and are painted, drawn or stamped on long rolls of paper or silk sometimes measuring several metres. The reader unwinds each scroll little by little, revealing the story as seen fit. are therefore a narrative genre similar to the book, developing romantic or epic stories, or illustrating religious texts and legends. Fully anchored in the style, these Japanese works are above all an everyday art, centered on the human being and the sensations conveyed by the artist. Although the very first 8th-century were copies of Chin ...
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Jōruri (music)
is a form of traditional Japanese narrative music in which a sings to the accompaniment of a . accompanies , traditional Japanese puppet theater. As a form of storytelling, emphasizes the lyrics and narration rather than the music itself. According to Asai Ryōi, the first performer to have ever employed the during his storytelling, instead of the , was chanter Sawazumi. The story he narrated was , one of the many existing versions of the , which tells the tale of the tragic love between Minamoto no Yoshitsune was a military commander of the Minamoto clan of Japan in the late Heian and early Kamakura periods. During the Genpei War, he led a series of battles which toppled the Ise-Heishi branch of the Taira clan, helping his half-brother Yoritomo conso ... and Jōruri-hime. Following this event, every tale sung to the accompaniment of a became emblematic of the style. See also * Japanese styles of music Japanese traditional music Japanese words and phrases ...
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Genkō Shakusho
The ''Genkō Shakusho'' (元亨釈書) is the first Japanese Buddhist history. It was written during the Kamakura period in Classical Chinese by the famous Rinzai monk Kokan Shiren (1278–1346) and in total consists of 30 scrolls.Foguangshan 1989 Kokan Shiren wrote the ''Genkō Shakusho'' in 1322; the literal translation of the title is the " Genkō Era Buddhist History." In the introduction to the work, Kokan wrote that he was shamed into writing it after the Chinese monk Yishan Yining expressed his surprise that no such history existed in Japan. The book was first published between 1346–1377.Muller 2019 It covers a span of seven hundred years in Japanese Buddhist history and biographies from its introduction into Japan until the late Kamakura period. It was accepted into the Buddhist Tripitaka during the Nanboku-chō period The Nanboku-chō period (南北朝時代, ''Nanboku-chō jidai'', "North and South court period", also known as the Northern and Southern Courts period), ...
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Rebirth (Buddhism)
Rebirth in Buddhism refers to the teaching that the actions of a sentient being lead to a new existence after death, in an endless cycle called '' saṃsāra''. This cycle is considered to be '' dukkha'', unsatisfactory and painful. The cycle stops only if moksha (liberation) is achieved by insight and the extinguishing of craving. Rebirth is one of the foundational doctrines of Buddhism, along with karma, Nirvana and liberation. Rebirth was however less relevant among early Buddhist teachings, which also mentioned the beliefs in an afterlife, ancestor worship, and related rites. The concept varies among different Buddhist traditions. The rebirth doctrine, sometimes referred to as reincarnation or transmigration, asserts that rebirth takes place in one of the six realms of samsara, the realms of gods, demi-gods, humans, the animal realm, the ghost realm and hell realms. Rebirth, as stated by various Buddhist traditions, is determined by karma, with good realms favored by ''kush ...
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Kii Peninsula
The is the largest peninsula on the island of Honshū in Japan. It is named after the ancient Kii Province. Overview The area south of the “ Central Tectonic Line” is called , and is home to reef-like coral communities which are amongst the northernmost in the world (apart from cold-water corals) due to the presence of the warm Kuroshio Current, though these are threatened by global warming and human interference. Because of the Kuroshio’s strong influence, the climate of Nankii is the wettest in the Earth’s subtropics with rainfall in the southern mountains believed to reach per year and averaging in the southeastern town of Owase, comparable to Ketchikan, Alaska or Tortel in southern Chile. When typhoons hit Japan, the Kii Peninsula is typically the worst affected area and daily rainfalls as high as are known so the Kii Peninsula is often referred to as the Typhoon Ginza (after Ginza in Tokyo). Most of the Kii Peninsula is dense temperate rainforest since the ...
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Kumano, Mie
is a city located in Mie Prefecture, Japan. , the city had an estimated population of 16,232 in 8,746 households and a population density of 43 persons per km². The total area of the city is . Geography Kumano is located near the southern tip of the Kii Peninsula, in southern Mie Prefecture, facing the Pacific Ocean. Parts of the city are within the limits of the Yoshino-Kumano National Park. Neighboring municipalities Mie Prefecture * Owase * Mihama * Kihō Wakayama Prefecture * Shingū *Kitayama Nara Prefecture * Kamikitayama * Shimokitayama *Totsukawa Climate Kumano has a Humid subtropical climate (Köppen ''Cfa'') characterized by warm summers and cool winters with light to no snowfall. The average annual temperature in Kumano is . The average annual rainfall is with September as the wettest month. The temperatures are highest on average in August, at around , and lowest in January, at around . Demographics Per Japanese census data, the population of Kumano has decrea ...
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Shugendō
is a highly syncretic religion, a body of ascetic practices that originated in the Nara Period of Japan having evolved during the 7th century from an amalgamation of beliefs, philosophies, doctrines and ritual systems drawn from local folk-religious practices, Shinto mountain worship and Buddhism. The final purpose of ''Shugendō'' is for practitioners to find supernatural power and save themselves and the masses by conducting religious training while treading through steep mountain ranges. Practitioners are called or . The mountains where ''shugenja'' practiced were all over Japan, and include various mountains of the Ōmine mountain range such as Mount Hakkyō and Mount Ōmine. The ''Shugendō'' worldview includes a large pantheon of deities (which include Buddhist and Shinto figures). Some of the most important figures are the tantric Buddhist figures of Fudō Myōō and Dainichi Nyorai. Other key figures are , which are considered to be the manifestation of Buddhas ...
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