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Kiranavali (Chitravina)
Keeravani (pronounced ) is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 21st ''Melakarta'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. The 21st ''melakarta'' rāgam as per Muthuswami Dikshitar school of music is . This rāgam is a popular scale in western music as well. The Western equivalent is the Harmonic minor scale.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras It is said to be borrowed into Hindustani music from Carnatic music. Structure and Lakshana It is the 3rd rāgam in the 4th ''chakra Veda''. The mnemonic name is ''Veda-Go''. The mnemonic phrase is ''sa ri gi ma pa dha nu''. Its ' structure (ascending and descending scale) is as follows (see ''swaras'' in Carnatic music'' for details on below notation and terms): * : * : The notes used in this scale are ''chathusruthi rishabha, sadharana gandha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harmonic Minor Scale
In music theory, the minor scale is three scale patterns – the natural minor scale (or Aeolian mode), the harmonic minor scale, and the melodic minor scale (ascending or descending) – rather than just two as with the major scale, which also has a harmonic form but lacks a melodic form. In each of these scales, the first, third, and fifth scale degrees form a minor triad (rather than a major triad, as in a major scale). In some contexts, ''minor scale'' is used to refer to any heptatonic scale with this property (see Related modes below). Natural minor scale Relationship to relative major A natural minor scale (or Aeolian mode) is a diatonic scale that is built by starting on the sixth degree of its relative major scale. For instance, the A natural minor scale can be built by starting on the 6th degree of the C major scale: : Because of this, the key of A minor is called the ''relative minor'' of C major. Every major key has a relative minor, which start ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thyagaraja
Thyagaraja (Telugu: త్యాగరాజ) (4 May 1767 – 6 January 1847), also known as Thyāgayya and in full as Kakarla Thyagabrahmam, was a composer and vocalist of Carnatic music, a form of Indian classical music. Tyagaraja and his contemporaries, Shyama Shastri and Muthuswami Dikshitar, are regarded as the Trinity of Carnatic music. Thyagaraja composed thousands of devotional compositions, most in Telugu and in praise of Lord Rama, many of which remain popular today, the most popular being "Nagumomu". Of special mention are five of his compositions called the ''Pancharatna Kritis'' ( "five gems"), which are often sung in programs in his honour, and ''Utsava Sampradaya Krithis'' ( Festive ritual compositions), which are often sung to accompany temple rituals. Tyagaraja lived through the reigns of four kings of the Maratha dynasty — Tulaja II (1763–1787), Amarasimha (1787–1798), Serfoji II (1798–1832) and Sivaji II (1832–1855), although he served none of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rambaiyin Kaadhal (1956 Film)
''Rambaiyin Kaadhal'' ( en, italic=yes, Rambha's Love) is a 1956 Indian Tamil-language Hindu mythological film starring P. Bhanumathi, K. A. Thangavelu and M. N. Rajam. It was released on 28 September 1956. Plot On one of her sojourns to the earth, the celestial nymph Rambha is struck by the serene, picturesque beauty of an obscure spot. Tired of the ostentatious splendour of the Indra's court, she is filled with a quiet rapture at discovering the idyllic, rustic charm of this earthly setting. So entranced is she by the place that she is late for her usual dance recital in the hall of the King of Gods. When Indra learns the reason for her belated arrival, he flies into a rage and curses Rambha to be transformed into a statue during the day in the very place that had so transfixed her. In that hamlet, there lived a young simpleton who was always the target of everyone's taunts and tricks. A group of mischief mongers lead him blindfolded to the statue and performing a sham cer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Then Nilavu
''Thennilavu'' (; ) is a 1961 Indian Tamil-language romantic comedy film written, produced and directed by C. V. Sridhar. The film stars Gemini Ganesan and Vyjayanthimala, with K. A. Thangavelu, M. N. Nambiar, M. Saroja and Vasanthi in supporting roles. The film's plot is about a man who, due to mistaken identity, is appointed as a manager by a young woman for her father's honeymoon in Kashmir. The man and the woman fall in love but things go awry when the real manager arrives in Kashmir. ''Thennilavu'' is the first film Sridhar produced through his production company Chitralaya Pictures; it is also the first South Indian film to be made in Jammu and Kashmir; additional filming took place in Madras (now Chennai) and Kodaikanal. Principal photography took about two months to complete. A. M. Rajah composed the soundtrack and Kannadasan wrote the lyrics. Cinematography was handled by A. Vincent, art direction by Ganga and editing by T. R. Srinivasulu. The film was released on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Appar
Appar, also referred to as ( ta, திருநாவுக்கரசர்) or Navukkarasar, was a seventh-century Tamil Śaiva poet-saint. Born in a peasant Śaiva family, raised as an orphan by his sister, he lived about 80 years and is generally placed sometime between 570 and 650 CE.Zvelebil 1974, p. 95 Appar composed 4,900 devotional hymns to the god Shiva, out of which 313 have survived and are now canonized as the 4th to 6th volumes of ''Tirumurai''. One of the most prominent of the sixty-three revered Nayanars, he was an older contemporary of Thirugnana Sambandar. His images are found and revered in Tamil Shiva temples. His characteristic iconography in temples show him carrying a farmer's small hoe – a gardening tool and weed puller. Names Appar is also known as Tirunāvukkarasar (''lit.'' "King of the Tongue, Lord of Language"). His birth-name was Marulneekkiyar, and was renamed to Tharumasenar while he studied and later served as the head of a Jain monastery. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanskrit
Sanskrit (; attributively , ; nominally , , ) is a classical language belonging to the Indo-Aryan branch of the Indo-European languages. It arose in South Asia after its predecessor languages had diffused there from the northwest in the late Bronze Age. Sanskrit is the sacred language of Hinduism, the language of classical Hindu philosophy, and of historical texts of Buddhism and Jainism. It was a link language in ancient and medieval South Asia, and upon transmission of Hindu and Buddhist culture to Southeast Asia, East Asia and Central Asia in the early medieval era, it became a language of religion and high culture, and of the political elites in some of these regions. As a result, Sanskrit had a lasting impact on the languages of South Asia, Southeast Asia and East Asia, especially in their formal and learned vocabularies. Sanskrit generally connotes several Old Indo-Aryan language varieties. The most archaic of these is the Vedic Sanskrit found in the Rig Veda, a colle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gopalakrishna Bharathi
Gopalakrishna Bharathi ( ta, கோபாலகிருஷ்ண பாரதி) (1810–1896) was a Tamil poet and a composer of Carnatic music. He composed the K''athakalakshepam'' ( ta, கதாகாலக்ஷேபம் ) Nandanar Charitram, two other works in this genre, and many independent ''kritis''. Bharathi was a contemporary of Thyagaraja whom he is said to have met, and who asked him whether he had composed anything in the ''raga AbhOgi''; Bharathi composed overnight one of his most popular ''kriti''s in ''rUpaka tALa'', ''Sabhaapatikku vERu''. The great Tamil literary figure, U. V. Swaminatha Iyer wrote two sources for Bhaarati's life: a biography of the composer and his own autobiography, which contains references to Bharathi, who was his ''guru'' in music. Early life Gopalakrishna Bharathi was born at Narimanam, near Nagapattinam. He spent his early days in Mudikondan, near Thiruvarur. A few years later he moved to Anandathandavapuram village, near Mayavar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poochi Srinivasa Iyengar
Poochi Srinivasa Iyengar (1860 - 1919), whose real name was Ramanathapuram Srinivasa Iyengar, was a singer and composer of Carnatic music. He was born in Ramanathapuram in Tamil Nadu on August 16, 1860. He studied music under Patnam Subramania Iyer (1845 - 1902), a singer of Carnatic music and came in the sishya parampara of Saint Thyagaraja. He had a large number of disciples, of whom the most popular was Ariyakudi Ramanuja Iyengar. He composed over 100 songs and used the ''mudra A mudra (; sa, मुद्रा, , "seal", "mark", or "gesture"; ,) is a symbolic or ritual gesture or pose in Hinduism, Jainism and Buddhism. While some mudras involve the entire body, most are performed with the hands and fingers. As wel ...'' ''Srinivasa'' in his compositions. He died on July 20, 1919. "The appellation 'Poochi' (पूच्चि/பூச்சி) meaning 'insect' is rather strange. There are surmises that his raga elaboration resembled the humming of a beetle, or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Papanasam Sivan
Paapanaasam Raamayya Sivan (26 September 1890 – 1 October 1973) was an Indian composer of Carnatic music and a singer. He was awarded the Madras Music Academy's Sangeetha Kalanidhi in 1971. He was also a film score composer in Kannada cinema as well as Tamil cinema in the 1930s and 1940s. Sivan was also known as Tamil Thyaagaraja. Using Classical South Indian as a base, Sivan created compositions popularised by M. K. Thyagaraja Bhagavathar, D. K. Pattammal, and M. S. Subbulakshmi. In 1962, he was awarded the Sangeet Natak Akademi Fellowship conferred by Sangeet Natak Akademi, India's National Academy for Music, Dance and Drama. Life Sivan's early years were spent in the Travancore area of Kerala. He was born at Polagam village in the district of Thanjavur, which was home to the musical trinity of Carnatic music. His given name was Ramaiya. In 1897, when he was 7, his father died. His mother Yogambal, along with her sons, left Thanjavur and moved to Travancore (now Thiruva ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Patnam Subramania Iyer
Patnam Subramania Iyer (1845 – July 31, 1902) was a composer and singer of Carnatic music. Subramaniya Iyer followed the traditions of the great composer Tyagaraja. He has left behind almost one hundred compositions. Subramaniya Iyer was born in Thiruvaiyaru in Thanjavur district of present-day Tamil Nadu. His family had a long history of musical involvement – his father Bharatam Vaidyanatha Iyer was adept at both music and Sastra and his grandfather Panchanada Sastri was the court musician in the court of Serfoji Maharaja of Thanjavur. Subramaniya Iyer learned music from his uncle, Melattur Ganapati Sastri, and later under Manambuchavadi Venkatasubbayyar who was a disciple of Tyagaraja himself. Subramaniya Iyer spent a long time in Chennapatnam (Chennai). This gave Subramaniya Iyer the prefix to his name. Many of his students such as Mysore Vasudevachar, Poochi Srinivasa Iyengar, Bhairavi Kempegowda and Tiger Varadachariar became famous composers and vocalists. His neighb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
