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Kingfish (1985 Album)
''Kingfish'' is an album by the rock band Kingfish. It contains previously unreleased tracks that were recorded at various times during the band's first eight years, and is sometimes referred to as ''Kingfish (1973–80)''. Released by Relix Records as a vinyl LP in 1985, side one was recorded in the studio, and side two was recorded live. It was released on CD in 1991. ''Kingfish'' is not to be confused with the band's 1976 debut album, which is also titled '' Kingfish''. Bob Weir of the Grateful Dead, who was a member of Kingfish from 1974 to 1976, plays on seven of the album's thirteen songs. Track listing ''LP side one — studio cuts:'' #"Mess Around" (Ahmet Ertegun) – 3:00 #"Put Your Hand on Me" (John Lee Hooker) – 4:52 #"My Pledge of Love" (Joe Stafford) – 3:12 #"Taste of the Devil" (Barry Flast) – 3:14 #" Fox on the Run" (Tony Hazzard) – 2:53 #"Feels So Good" (Bob Hogins, Michael O'Neill, Dave Torbert) – 3:00 # " Juke" (Little Walter) – 2:27 ''LP s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kingfish (band)
Kingfish is an American rock band led by Matthew Kelly, a musician, singer, and songwriter who plays guitar and harmonica. Kelly co-founded Kingfish in 1973 with New Riders of the Purple Sage bass player Dave Torbert and fellow San Francisco Bay Area musicians Robbie Hoddinott (lead guitar), Chris Herold (drums), and Mick Ward (keyboards). Ward died in a car accident later that year, and was replaced by Barry Flast, another keyboardist from San Francisco. In 1974, Kingfish became more well known, and signed their first record contract, after Grateful Dead guitarist and singer Bob Weir, a long-time friend of Kelly's, joined the band. (Kelly had previously been a guest musician on the Grateful Dead album ''Wake of the Flood''.) Weir toured with Kingfish and was a band member on their first two albums, '' Kingfish'' and '' Live 'n' Kickin'''. When the Dead started touring again in 1976, Weir left Kingfish, along with Hoddinott and Herold, who were then replaced by Michael O'Neill ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Little Walter
Marion Walter Jacobs (May 1, 1930 – February 15, 1968), known as Little Walter, was an American blues musician, singer, and songwriter, whose revolutionary approach to the harmonica had a strong impact on succeeding generations, earning him comparisons to such seminal artists as Django Reinhardt, Charlie Parker and Jimi Hendrix.Glover, Tony; Dirks, Scott; and Gaines, Ward (2002). ''Blues with a Feeling: The Little Walter Story''. Routledge Press. His virtuosity and musical innovations fundamentally altered many listeners' expectations of what was possible on blues harmonica.Dahl, BilLittle Walter: Biography Allmusic.com. He was inducted into The Rock and Roll Hall of Fame in 2008, the first and, to date, only artist to be inducted specifically as a harmonica player. Biography Early years Jacobs' date of birth is usually given as May 1, 1930, in Marksville, Louisiana. He was born without a birth certificate and when he applied for a Social Security card in 1940, his birthdate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Big Bill Broonzy
Big Bill Broonzy (born Lee Conley Bradley; June 26, 1903 – August 14, 1958) was an American blues singer, songwriter, and guitarist. His career began in the 1920s, when he played country music to mostly African American audiences. In the 1930s and 1940s, he navigated a change in style to a more urban blues sound popular with working-class black audiences. In the 1950s, a return to his traditional folk-blues roots made him one of the leading figures of the emerging American folk music revival and an international star. His long and varied career marks him as one of the key figures in the development of blues music in the 20th century. Broonzy copyrighted more than 300 songs, including adaptations of traditional folk songs and original blues songs. As a blues composer, he was unique in writing songs that reflected his rural-to-urban experiences.Barlow, William (1989). ''"Looking Up at Down": The Emergence of Blues Culture''. Temple University Press. pp. 301–303. . Life and ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charlie Segar
Charlie Segar was an American blues pianist and occasional singer, who is best known for being the first to record the blues standard, "Key to the Highway" (1940). Originally from Pensacola, Florida, Segar has been dubbed the "Keyboard Wizard Supreme".Evans, David (2008). ''Ramblin' On My Mind: New Perspectives on the Blues'', University of Illinois Press, He relocated to Chicago, where he made recordings with other blues artists, such as Bumble Bee Slim and Memphis Minnie, as well as being the featured artist. Segar recorded eight known songs under his own name between 1934 and 1940 for Decca Records and Vocalion Records: *"Cuban Villa Blues" / "Southern Hospitality" (Decca 7027) *"Cow Cow Blues" / "Boogie Woogie" (Decca 7075) *"Key to the Highway" / "Stop and Fix It Mama" (Vocalion 05441) *"Lonesome Graveyard Blues" / "Dissatisfied Blues" (Vocalion 05539) These are included on ''Piano Blues, Vol. 2: 1927–1956'', the Document Records compilation album of piano tunes by variou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Key To The Highway
"Key to the Highway" is a blues standard that has been performed and recorded by several blues and other artists. Blues pianist Charlie Segar first recorded the song in 1940. Jazz Gillum and Big Bill Broonzy followed with recordings in 1940 and 1941, using an arrangement that has become the standard. When Little Walter updated the song in 1958 in an electric Chicago blues style, it became a success on the R&B record chart. A variety of artists have since interpreted the song, including Eric Clapton, who recorded several versions. Original recordings "Key to the Highway" is usually credited to Charles "Chas" Segar and William "Big Bill" Broonzy. Broonzy explained the song's development: Segar's lyrics are nearly the same as those recorded by Broonzy and Jazz Gillum. The verses use the theme of the itinerant bluesman leaving to travel the highways after breaking up with his lover: Musically, however, there are differences in the recorded versions. Charlie Segar's origina ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Promised Land (Chuck Berry Song)
"Promised Land" is a song lyric written by Chuck Berry to the melody of "Wabash Cannonball", an American folk song. The song was first recorded in this version by Berry in 1964 for his album '' St. Louis to Liverpool''. Released in December 1964, it was Berry's first single issued following his prison term for a Mann Act conviction. The record peaked at #41 in the ''Billboard'' charts on January 16, 1965. Background Berry wrote the song while in prison, and borrowed an atlas from the prison library to plot the itinerary. In the lyrics, the singer (who refers to himself as "the poor boy") tells of his journey from Norfolk, Virginia, to the "Promised Land", Los Angeles, California, mentioning various cities in Southern states that he passes through on his journey. Describing himself as a "poor boy," the protagonist boards a Greyhound bus in Norfolk, Virginia that passes Raleigh, N.C., stops in Charlotte, North Carolina, and bypasses Rock Hill, South Carolina. The bus rolls out of A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doc Pomus
Jerome Solon Felder (June 27, 1925 – March 14, 1991), known professionally as Doc Pomus, was an American blues singer and songwriter. He is best known as the co-writer of many rock and roll hits. Pomus was inducted into the Rock and Roll Hall of Fame as a non-performer in 1992, the Songwriters Hall of Fame (1992), and the Blues Hall of Fame (2012). Early life Born Jerome Solon Felder in 1925 in Williamsburg, Brooklyn, New York, he was the son of Jewish immigrants. He attended Brooklyn College from 1943 to 1945. Felder became a fan of the blues after hearing a Big Joe Turner record, "Piney Brown Blues". Having contracted polio as a boy, he walked with the aid of crutches. Later, due to post-polio syndrome exacerbated by an accident, Felder relied on a wheelchair. His brother is New York attorney Raoul Felder. Career Using the stage name Doc Pomus, teenager Felder began performing as a blues singer. His stage name was not inspired by anyone in particular; he just thought it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jerry Leiber And Mike Stoller
Lyricist Jerome Leiber (April 25, 1933 – August 22, 2011) and composer Michael Stoller (born March 13, 1933) were American songwriting and record producing partners. They found success as the writers of such crossover hit songs as " Hound Dog" (1952) and "Kansas City" (1952). Later in the 1950s, particularly through their work with The Coasters, they created a string of ground-breaking hits—including " Young Blood" (1957), " Searchin'" (1957), and "Yakety Yak" (1958)—that used the humorous vernacular of teenagers sung in a style that was openly theatrical rather than personal. Leiber and Stoller wrote hits for Elvis Presley, including " Love Me" (1956), " Jailhouse Rock" (1957), " Loving You", " Don't", and " King Creole". They also collaborated with other writers on such songs as " On Broadway", written with Barry Mann and Cynthia Weil; " Stand By Me", written with Ben E. King; "Young Blood", written with Doc Pomus; and "Spanish Harlem", co-written by Leiber and Phil Spect ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Young Blood (The Coasters Song)
"Young Blood" is a song written by Doc Pomus along with the songwriting team Jerry Leiber and Mike Stoller that first became a hit by The Coasters in 1957. Structure Musically, the song follows a minor blues structure, built mostly around three chords (i7, iv7, V7) except for the bridge (IV, VI, III, V). The lyrical theme is one typical of early rock and roll: boy meets girl, then meets girl's father, who does not approve of boy; so the boy departs, but cannot stop thinking about the girl, declaring "You're the one, you're the one, you're the one." The Coasters' version "Young Blood" was originally recorded by The Coasters and released as a single together with "Searchin'" in March 1957 by Atco Records (#6087). This song is compared to the cleaner cut song "Standing on the Corner" from the musical ''The Most Happy Fella''. Their version can also be heard on ''The Very Best of the Coasters'' album. It topped Billboard's R&B chart and reached #8 on the ''Billboard'' Hot 100. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward Holland, Jr
Edward Holland Jr. (born October 30, 1939) is an American singer, songwriter, and record producer. Holland was born in Detroit, Michigan, United States. Although he was an early Motown artist who recorded minor hit singles such as "Jamie", he started working behind the scenes due to stage fright. He was a member of Holland–Dozier–Holland, the songwriting and production team responsible for much of the Motown Sound and hit records by Martha and the Vandellas, The Supremes, The Four Tops, and The Isley Brothers, among others. He has written or co-written 80 hits in the UK and 143 in the US charts. Holland served as the team's lyricist, and also worked with producer Norman Whitfield on lyrics for the songs he produced for the Marvelettes and the Temptations, like "Too Many Fish in the Sea" and "Beauty Is Only Skin Deep "Beauty Is Only Skin Deep" is a 1966 song, written by Norman Whitfield and Edward Holland, Jr., and produced by Whitfield. Norman Whitfield recorded the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lamont Dozier
Lamont Herbert Dozier (; June 16, 1941 – August 8, 2022) was an American singer, songwriter, and record producer from Detroit, Michigan. He co-wrote and produced 14 US ''Billboard'' number-one hits and four number ones in the UK. Career Dozier was a member of Holland–Dozier–Holland, the songwriting and production team responsible for much of the Motown sound and numerous hit records by artists such as Martha and the Vandellas, The Supremes, The Four Tops, and The Isley Brothers. Along with Brian Holland, Dozier served as the team's musical arranger and producer, while Eddie Holland concentrated mainly on lyrics and vocal production. Along with the Holland Brothers, Dozier followed his work for Motown Records as founder and owner of Invictus Records and Hot Wax Records, producing top-charting hits for acts Freda Payne, Honey Cone, Chairmen of the Board, and 100 Proof Aged in Soul. Early years Dozier recorded a few unsuccessful records for various Detroit labels before ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brian Holland
Brian Holland (born February 15, 1941) is an American songwriter and record producer, best known as a member of Holland–Dozier–Holland, the songwriting and production team that was responsible for much of the Motown sound, and numerous hit records by artists such as Martha and the Vandellas, The Supremes, The Four Tops, and The Isley Brothers. Holland, along with Lamont Dozier, served as the team's musical arranger and producer. He has written or co-written 145 hits in US and 78 in the UK. Holland was born in Detroit, Michigan, United States. For a short time, he partnered with Robert Bateman, and together they were known as "Brianbert", collaborating on such hits as " Please Mr. Postman" for The Marvelettes. Holland has also had an on-and-off career as a performer. He released a solo single in 1958 under the name of "Briant Holland". He and longtime friend and future songwriting partner Freddie Gorman were in a short-lived group called the Fidalatones, and he was later ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
