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Kinemacolor
Kinemacolor was the first successful colour motion picture process, used commercially from 1908 to 1914. It was invented by George Albert Smith in 1906. He was influenced by the work of William Norman Lascelles Davidson and, more directly, Edward Raymond Turner. It was launched by Charles Urban's Urban Trading Co. of London in 1908. From 1909 on, the process was known and trademarked as Kinemacolor. It was a two-colour additive colour process, photographing and projecting a black-and-white film behind alternating red and green filters. Process "How to Make and Operate Moving Pictures" published by Funk & Wagnalls in 1917 notes the following: Premiere The first motion picture exhibited in Kinemacolor was an eight-minute short filmed in Brighton titled ''A Visit to the Seaside'', which was trade shown in September 1908. On 26 February 1909, the general public first saw Kinemacolor in a programme of twenty-one short films shown at the Palace Theatre in London. The proce ...
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Charles Urban
Charles Urban (April 15, 1867 – August 29, 1942) was an Anglo-American film producer and distributor, and one of the most significant figures in British cinema before the First World War. He was a pioneer of the documentary, educational, propaganda and scientific film, as well as being the producer of the world's first successful motion picture colour system. Early life Urban was born Carl Urban in Cincinnati, Ohio, the second child (of ten) of Joseph Urban, originally from Ronsberg, Austro-Hungary, and Anna Sophie (née Glatz), from Königsberg, East Prussia. He lost the sight in his left eye aged twelve after a baseball accident. He changed his names to Charles after leaving school in 1882, then worked as a book agent across Ohio, before managing a stationery store in Detroit, Michigan. Career Urban first entered the film industry in 1895 when he exhibited the Kinetoscope in Detroit, Michigan early in 1895. He moved to Britain in August 1897, and became managing director of t ...
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With Our King And Queen Through India
''With Our King and Queen Through India'' (1912) is a United Kingdom of Great Britain and Ireland, British Documentary film, documentary. The film is silent film, silent and made in the Kinemacolor additive color process. The film records the 12 December 1911 celebrations in India which marked the coronation of George V and Mary of Teck and their proclamation as Emperor and Empress of India. The film is often referred to as ''Delhi Durbar, The Delhi Durbar'' or ''The Durbar at Delhi''. Although it is commonly referred to as a single film, it is more accurate to think of it as a set of films documenting the royal visit to India in December 1911, with the Durbar ceremony as the centrepiece. Different showings of ''With Our King and Queen Through India'' would be made up of different sets of the films, so that the show (a more accurate concept) was exhibited in several different lengths. Today only two reels survive, one showing a review of troops after the main ceremony and the ot ...
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Color Motion Picture Film
Color motion picture film refers both to unexposed color photographic film in a format suitable for use in a motion picture camera, and to finished motion picture film, ready for use in a projector, which bears images in color. The first color cinematography was by additive color systems such as the one patented by Edward Raymond Turner in 1899 and tested in 1902. A simplified additive system was successfully commercialized in 1909 as Kinemacolor. These early systems used black-and-white film to photograph and project two or more component images through different color filters. During 1930s the first practical subtractive color processes were introduced. These also used black-and-white film to photograph multiple color-filtered source images, but the final product was a multicolored print that did not require special projection equipment. Before 1932, when three-strip Technicolor was introduced, commercialized subtractive processes used only two color components and could repr ...
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The Birth Of A Nation
''The Birth of a Nation'', originally called ''The Clansman'', is a 1915 American silent epic drama film directed by D. W. Griffith and starring Lillian Gish. The screenplay is adapted from Thomas Dixon Jr.'s 1905 novel and play ''The Clansman''. Griffith co-wrote the screenplay with Frank E. Woods and produced the film with Harry Aitken. ''The Birth of a Nation'' is a landmark of film history, lauded for its technical virtuosity. It was the first non-serial American 12-reel film ever made. Its plot, part fiction and part history, chronicles the assassination of Abraham Lincoln by John Wilkes Booth and the relationship of two families in the Civil War and Reconstruction eras over the course of several years—the pro-Union ( Northern) Stonemans and the pro- Confederacy ( Southern) Camerons. It was originally shown in two parts separated by an intermission, and it was the first American-made film to have a musical score for an orchestra. It pioneered closeups and fadeout ...
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George Albert Smith (inventor)
George Albert Smith (4 January 1864 – 17 May 1959) was an English stage hypnotist, psychic, magic lantern lecturer, Fellow of the Royal Astronomical Society, inventor and a key member of the loose association of early film pioneers dubbed the Brighton School by French film historian Georges Sadoul. He is best known for his controversial work with Edmund Gurney at the Society for Psychical Research, his short films from 1897 to 1903, which pioneered film editing and close-ups, and his development of the first successful colour film process, Kinemacolor. Biography Birth and early life Smith was born in Cripplegate, London in 1864. His father Charles Smith was a ticket-writer and artist.Hall (1964), p. 92. He moved with his family to Brighton, where his mother ran a boarding house on Grand Parade, following the death of his father. It was in Brighton in the early 1880s that Smith first came to public attention touring the city's performance halls as a stage hypnotis ...
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The World, The Flesh And The Devil (1914 Film)
''The World, the Flesh and the Devil'' is a 1914 British silent drama film. Now considered a lost film, it was made using the additive color Kinemacolor process. The title comes from the Litany in the 1662 ''Book of Common Prayer'': "From all the deceits of the world, the flesh, and the devil, spare us, good Lord." Release It premièred at the Holborn Empire, High Holborn, London, on 9 April 1914 as part of a Kinemacolor season. It was one of the first full-colour feature films, preceded by ''With Our King and Queen Through India'' released in February 1912, and '' The Miracle'' in December 1912. Plot A very miserable woman hatches a plot to switch the babies of a poor family and a rich family. But the nurse hired to pull off this transfer refuses to go through with it, leaving each baby with its proper family. When the babies are grown, the man from the poor family (who has been led to believe that he did come from the rich family) goes to the house of the other and throw ...
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A Visit To The Seaside
''A Visit to the Seaside'' (1908) was the first successful motion picture filmed in Kinemacolor. It is an 8-minute short film directed by George Albert Smith of Brighton, showing people doing everyday activities. It is ranked of high historical importance. Kinemacolor later influenced and was replaced by Technicolor Technicolor is a series of Color motion picture film, color motion picture processes, the first version dating back to 1916, and followed by improved versions over several decades. Definitive Technicolor movies using three black and white films ..., which was used from 1916 to 1952. References External links * * Movie on YouTube 1908 films 1900s British films 1900s color films British silent short films British short documentary films Films set in Brighton 1900s short documentary films Documentary films about England Films directed by George Albert Smith Articles containing video clips Silent films in color Early color films {{UK-documen ...
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A Visit To The Seaside (1908)
''A Visit to the Seaside'' (1908) was the first successful motion picture filmed in Kinemacolor. It is an 8-minute short film directed by George Albert Smith of Brighton, showing people doing everyday activities. It is ranked of high historical importance. Kinemacolor later influenced and was replaced by Technicolor Technicolor is a series of Color motion picture film, color motion picture processes, the first version dating back to 1916, and followed by improved versions over several decades. Definitive Technicolor movies using three black and white films ..., which was used from 1916 to 1952. References External links * * Movie on YouTube 1908 films 1900s British films 1900s color films British silent short films British short documentary films Films set in Brighton 1900s short documentary films Documentary films about England Films directed by George Albert Smith Articles containing video clips Silent films in color Early color films {{UK-documen ...
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Field-sequential Color System
A field-sequential color system (FSC) is a color television system in which the primary color information is transmitted in successive images and which relies on the human vision system to fuse the successive images into a color picture. One field-sequential system was developed by Dr. Peter Goldmark for CBS, which was its sole user in commercial broadcasting. It was first demonstrated to the press on September 4, 1940, and first shown to the general public on January 12, 1950. The Federal Communications Commission adopted it on October 11, 1950, as the standard for color television in the United States, but it was later withdrawn. History The use of sequential color systems for moving images predates the invention of fully electronic television. Described at the time as "additive" rather than sequential color systems, two-color Kinemacolor, in commercial use since 1906, and its predecessor three-color format, invented by Edward Raymond Turner and patented in 1899, were both se ...
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Panchromatic Film
Panchromatic emulsion is a type of black-and-white photographic emulsion that is sensitive to all wavelengths of visible light. Description A panchromatic emulsion renders a realistic reproduction of a scene as it appears to the human eye, although with no colors. Almost all modern photographic film is panchromatic. Some older types of film were orthochromatic and were not sensitive to certain wavelengths of light. As naturally prepared, a silver halide photographic emulsion is much more sensitive to blue and UV light than to green and red wavelengths. The German chemist Hermann W. Vogel found out how to extend the sensitivity into the green, and later the orange, by adding sensitising dyes to the emulsion. By the addition of erythrosine the emulsion could be made orthochromatic while some cyanine derivatives confer sensitivity to the whole visible spectrum making it panchromatic. However, his technique was not extended to achieve a fully panchromatic film until the early 1900s ...
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Documentary Film
A documentary film or documentary is a non-fictional film, motion-picture intended to "document reality, primarily for the purposes of instruction, education or maintaining a Recorded history, historical record". Bill Nichols (film critic), Bill Nichols has characterized the documentary in terms of "a filmmaking practice, a cinematic tradition, and mode of audience reception [that remains] a practice without clear boundaries". Early documentary films, originally called "actuality films", lasted one minute or less. Over time, documentaries have evolved to become longer in length, and to include more categories. Some examples are Educational film, educational, observational and docufiction. Documentaries are very Informational listening, informative, and are often used within schools as a resource to teach various principles. Documentary filmmakers have a responsibility to be truthful to their vision of the world without intentionally misrepresenting a topic. Social media platfor ...
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Palace Theatre, London
The Palace Theatre is a West End theatre in the City of Westminster in London. Its red-brick facade dominates the west side of Cambridge Circus behind a small plaza near the intersection of Shaftesbury Avenue and Charing Cross Road. The Palace Theatre seats 1,400. Richard D'Oyly Carte, producer of the Gilbert and Sullivan operas, commissioned the theatre in the late 1880s. It was designed by Thomas Edward Collcutt and intended to be a home of English grand opera. The theatre opened as the Royal English Opera House in January 1891 with a lavish production of Arthur Sullivan's opera ''Ivanhoe''. Although this ran for 160 performances, followed briefly by André Messager's ''La Basoche'', Carte had no other works ready to fill the theatre. He leased it to Sarah Bernhardt for a season and sold the opera house within a year at a loss. It was then converted into a grand music hall and renamed the Palace Theatre of Varieties, managed successfully first by Sir Augustus Harris and the ...
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