Katarzyna Kobro
Katarzyna Kobro (26 January 1898 – 21 February 1951) was a Polish avant-garde sculptor and a prominent representative of the Constructivist movement in Poland. A pioneer of innovative multi-dimensional abstract sculpture, she rejected Aestheticism and advocated for the integration of spatial rhythm and scientific advances into visual art. Born in Moscow to a family of mixed German and Russian heritage, Kobro immigrated to Poland in the 1920s where she produced most of her work. Together with her husband, Władysław Strzemiński, she worked on the concept of Spatiality by incorporating spatial composition as well as prefabricated elements and industrial or man-made products into sculpture. Early life Katarzyna Kobro was born on 26 January, 1898 in Moscow, in what was then the Russian Empire, to a multicultural family. Her father, Nikolai Alexander Michael von Kobro, came from a family of Baltic Germans from present-day Latvia, and her mother, Evgenia Rozanov, was Russ ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Moscow
Moscow ( , US chiefly ; rus, links=no, Москва, r=Moskva, p=mɐskˈva, a=Москва.ogg) is the capital and largest city of Russia. The city stands on the Moskva River in Central Russia, with a population estimated at 13.0 million residents within the city limits, over 17 million residents in the urban area, and over 21.5 million residents in the metropolitan area. The city covers an area of , while the urban area covers , and the metropolitan area covers over . Moscow is among the world's largest cities; being the most populous city entirely in Europe, the largest urban and metropolitan area in Europe, and the largest city by land area on the European continent. First documented in 1147, Moscow grew to become a prosperous and powerful city that served as the capital of the Grand Duchy that bears its name. When the Grand Duchy of Moscow evolved into the Tsardom of Russia, Moscow remained the political and economic center for most of the Tsardom's history. When th ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Russians
, native_name_lang = ru , image = , caption = , population = , popplace = 118 million Russians in the Russian Federation (2002 ''Winkler Prins'' estimate) , region1 = , pop1 = approx. 7,500,000 (including Russian Jews and Russian Germans) , ref1 = , region2 = , pop2 = 7,170,000 (2018) ''including Crimea'' , ref2 = , region3 = , pop3 = 3,512,925 (2020) , ref3 = , region4 = , pop4 = 3,072,756 (2009)(including Russian Jews and Russian Germans) , ref4 = , region5 = , pop5 = 1,800,000 (2010)(Russian ancestry and Russian Germans and Jews) , ref5 = 35,000 (2018)(born in Russia) , region6 = , pop6 = 938,500 (2011)(including Russian Jews) , ref6 = , region7 = , pop7 = 809,530 (2019) , ref7 ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Jean Arp
Hans Peter Wilhelm Arp (16 September 1886 – 7 June 1966), better known as Jean Arp in English, was a German-French sculptor, painter, and poet. He was known as a Dadaist and an abstract artist. Early life Arp was born in Straßburg (now Strasbourg), the son of a French mother and a German father, during the period following the Franco-Prussian War when the area was known as Alsace-Lorraine (''Elsass-Lothringen'' in German) after France had ceded it to Germany in 1871. Following the return of Alsace to France at the end of World War I, French law determined that his name become "Jean". Arp would continue referring to himself as "Hans" when he spoke German. Career Dada In 1904, after leaving the École des Arts et Métiers in Straßburg, he went to Paris where he published his poetry for the first time. From 1905 to 1907, he studied at Kunstschule in Weimar, Germany, and in 1908 went back to Paris, where he attended the Académie Julian. Arp was a founder-member of the fir ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Abstraction-Création
Abstraction-Création was a loose association of artists formed in Paris in 1931 to counteract the influence of the Surrealist group led by André Breton. Founders Theo van Doesburg, Auguste Herbin, Jean Hélion and Georges Vantongerloo started the group to foster abstract art after the trend turned to representation in the 1920s. A non-prescriptive group of artists were involved, whose ideals and practices varied widely: Albert Gleizes, František Kupka, Piet Mondrian, Jean Arp, Marlow Moss, Naum Gabo, Alberto Magnelli, Barbara Hepworth, Ben Nicholson, Kurt Schwitters, Wassily Kandinsky, Wolfgang Paalen, Théo Kerg, Taro Okamoto, Paule Vézelay, Hans Erni, Bart van der Leck Bart van der Leck (26 November 1876, Utrecht (city), Utrecht – 13 November 1958, Blaricum) was a Dutch painter, designer, and ceramicist. With Theo van Doesburg and Piet Mondrian he founded the De Stijl art movement. Son of a house painter, h ..., Katarzyna Kobro, Leon Tutundjian and John Wardell Power ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Muzeum Sztuki In Łódź
Muzeum () is a Prague Metro station providing the interchange between Lines A and C, and serving the National Museum. It is located at the top end of Wenceslas Square. The Line C station was opened on 9 May 1974, with the first section of Prague Metro, between Sokolovská and Kačerov. It is a single hall station, long and only deep. Two escalators and a staircase go to the vestibule. The Line A station was opened on 12 August 1978 as part of the inaugural section of Line A, between Leninova and Náměstí Míru. It is a three-bore station with a shortened, middle tunnel. It is long and deep. The station at Line A was damaged during the 2002 floods and station at Line C was terminus. Nearby Attractions *National Museum *Wenceslas Square Wenceslas Square (Czech: , colloquially ''Václavák'' ) is one of the main city squares and the centre of the business and cultural communities in the New Town of Prague, Czech Republic. Many historical events occurred there, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Julian Przyboś
Julian Przyboś (5 March 1901 – 6 October 1970) was a Polish poet, essayist and translator, one of the most important poets of the Kraków Avant-Garde. Life Przyboś was born in Gwoźnica near Strzyżów to a peasant family. From 1912, he attended the Konarski Secondary School in Rzeszów. A supporter of socialist ideals, in 1920 he volunteered for the Polish Army during the Polish–Soviet War. In 1920–1923 he studied Polish studies at the Jagiellonian University in Kraków. Przyboś worked as a teacher in Sokal (1923–1925), Chrzanów (1925–1927), and Cieszyn (1927–1939). In Cieszyn, he published his works in ''Zaranie Śląskie'' (Silesian Dawn) (1929–1938). He also published in many other magazines before and after World War II. In December 1939 Przyboś relocated to Lviv. In 1941 was he arrested by the Gestapo, the Nazi German secret police. After World War II he became a member of the Polish Workers' Party, and later of the Polish United Workers' Party. In 1 ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Henryk Stażewski
Henryk Stażewski (pronounced: ; 9 January 1894 – 10 June 1988) was a Polish painter, writer, and visual artist. Stażewski's career spanned seven decades and he is considered a pivotal figure in the history of constructivism and geometric abstraction in Poland. He was one of the few prominent Polish avant-garde artists of the interwar period who had remained active and influential in the second half of the 20th century. Stażewski rose to prominence as a co-founder of ''Blok'', ''Praesens'', and '' a.r. group'', three interwar artist collectives which spearheaded the development of Polish Constructivist art. During the 1920s and 1930s, he traveled extensively and became acquainted with other European avant-garde artists, including Kazimir Malevich, El Lissitzky, Theo van Doesburg, Piet Mondrian, and Albert Gleizes. In 1939, Stażewski's career was hindered by the outbreak of World War II and most of his work was destroyed during the Nazi occupation of Poland. After ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Bohdan Lachert
Bohdan Lachert (13 June 1900 – 8 January 1987) was a Polish architect, member of Praesens group. He designed a lot of buildings with his friend Józef Szanajca, like modern villas ast Saska Kępa (inspired by Le Corbusier's ideas) or Polish pavilon at EXPO Paris 1937. After World War II he designed part of Muranów (on the ruins of Warsaw Ghetto) and Warsaw cemetery of soldiers of Red Army. Author of Józef Szanajca monument. Winner of SARP Honorary Award The SARP Honorary Award (Polish: ''Honorowa Nagroda SARP'') is one of the two most prominent and significant annual architectural prizes in Poland, and it's awarded by the Association of Polish Architects (SARP) in recognition of the outstandin ... in 1984. Bibliography * 1900 births 1987 deaths 20th-century Polish architects Modernist architects Recipients of the State Award Badge (Poland) {{Poland-architect-stub ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Koluszki
Koluszki is a town, and a major railway junction, in central Poland, in Łódź Voivodeship, about 20 km east of Łódź with a population of 12,776 (2020). The junction in Koluszki serves trains that go from Warsaw to Łódź, Wrocław, Częstochowa and Katowice. It is also connected to Radom and Lublin by an eastbound line. History Koluszki was first mentioned in 1399, when it was part of the Jagiellonian-ruled Kingdom of Poland. In the 14th and 15th century, it prospered along the trade route between Gdańsk and Ruthenia. By 1790, there was a grist mill, sawmill, brewery, and inn. Under the Second Partition of Poland in 1793, the settlement was annexed by Prussia. It was regained by Poles and included in the short-lived Duchy of Warsaw in 1807, and afterwards it became part of Congress Poland following the Congress of Vienna in 1815, later forcibly integrated into Russia. On September 2, 1846, the settlement was first connected to the emerging Polish railways as part of t ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Szczekociny
Szczekociny () is a town on the Pilica river, in Silesian Voivodeship, in southern Poland, with 3,612 inhabitants (2019). Even though Szczekociny administratively belongs to the Silesian Voivodeship, it is part of historic region of Lesser Poland. It was granted town rights in 1398. History Szczekociny was the location of a motte-and-bailey castle from the 13th-14th century, which is now an archaeological site. First mention of Szczekociny comes from 1307. At that time, the village belonged to the Odrowąż noble family. It was administratively located in the Lelów County in the Kraków Voivodeship in the Lesser Poland Province of the Kingdom of Poland. In the late 14th century Szczekociny became the seat of the Odrowąż family, emerging as a local trade and craft center. It was granted town rights in 1398. In the 16th century, the town, together with other locations of Lesser Poland, enjoyed the period of prosperity known as the Polish Golden Age. In the mid-17th century, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Alexander Rodchenko
Aleksander Mikhailovich Rodchenko (russian: link=no, Алекса́ндр Миха́йлович Ро́дченко; – 3 December 1956) was a Russian and Soviet artist, sculptor, photographer, and graphic designer. He was one of the founders of Constructivism (art), constructivism and Russian design; he was married to the artist Varvara Stepanova. Rodchenko was one of the most versatile constructivist and Productivism (art), productivist artists to emerge after the Russian Revolution of 1917, Russian Revolution. He worked as a painter and graphic designer before turning to photomontage and photography. His photography was socially engaged, formally innovative, and opposed to a painterly aesthetic. Concerned with the need for analytical-documentary photo series, he often shot his subjects from odd angles—usually high above or down below—to shock the viewer and to postpone recognition. He wrote: "One has to take several different shots of a subject, from different points of ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Vladimir Tatlin
Vladimir Yevgrafovich Tatlin ( – 31 May 1953) was a Russian and Soviet painter, architect and stage-designer. Tatlin achieved fame as the architect who designed The Monument to the Third International, more commonly known as Tatlin's Tower, which he began in 1919. Honour, H. and Fleming, J. (2009) ''A World History of Art''. 7th edn. London: Laurence King Publishing, p. 819. With Kazimir Malevich he was one of the two most important figures in the Soviet avant-garde art movement of the 1920s, and he later became an important artist in the Constructivist movement. Biography Vladimir Yevgrafovich Tatlin was born in Moscow, Russian Empire. His father, Yevgraf Nikoforovich Tatlin was a hereditary nobleman from Oryol, a mechanical engineer graduated from the Technological Institute in St.Petersburg and employed by the Moscow-Brest Railway in Moscow. His mother, Nadezhda Nikolaevna Tatlina (Bart) was a poet who sympathized with the Narodnaya Volya revolutionary movement. Afte ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |