Kassandra Painter
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Kassandra Painter
The Kassandra Painter (also Cassandra Painter) was an Attic vase painter in the black-figure style. His known works date to between 570 and 565 BC, and he was associated with the C Painter. The painter was identified by H.A.G. Bridjer. A contemporary of the Heidelberg Painter, he decorated Siana cups with tall feet and rims. The vessels painted by him are of medium size. He is considered one of the first producers of Little-master cups. His conventional name is derived from a depiction of Kassandra on one of his cups. References Bibliography * Thomas Mannack Thomas Mannack (born in 1958) is a German classical archaeologist. Mannack obtained his Doctorate in 1992 with at the University of Kiel. The thema of his dissertation was ''Beazleys spätere und späteste Manieristen''. He is a specialist in ...: ''Griechische Vasenmalerei. Eine Einführung'', Thesis, Stuttgart 2002, . {{authority control Ancient Greek vase painters ...
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Attica
Attica ( el, Αττική, Ancient Greek ''Attikḗ'' or , or ), or the Attic Peninsula, is a historical region that encompasses the city of Athens, the capital of Greece and its countryside. It is a peninsula projecting into the Aegean Sea, bordering on Boeotia to the north and Megaris to the west. The southern tip of the peninsula, known as Laurion, was an important mining region. The history of Attica is tightly linked with that of Athens, and specifically the Golden Age of Athens during the classical period. Ancient Attica ( Athens city-state) was divided into demoi or municipalities from the reform of Cleisthenes in 508/7 BC, grouped into three zones: urban (''astu'') in the region of Athens main city and Piraeus (port of Athens), coastal (''paralia'') along the coastline and inland (''mesogeia'') in the interior. The modern administrative region of Attica is more extensive than the historical region and includes Megaris as part of the regional unit West Attica, ...
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Black-figure Vase Painting
Black-figure pottery painting, also known as the black-figure style or black-figure ceramic ( grc, , }), is one of the styles of painting on antique Greek vases. It was especially common between the 7th and 5th centuries BCE, although there are specimens dating as late as the 2nd century BCE. Stylistically it can be distinguished from the preceding orientalizing period and the subsequent red-figure pottery style. Figures and ornaments were painted on the body of the vessel using shapes and colors reminiscent of silhouettes. Delicate contours were incised into the paint before firing, and details could be reinforced and highlighted with opaque colors, usually white and red. The principal centers for this style were initially the commercial hub Corinth, and later Athens. Other important production sites are known to have been in Laconia, Boeotia, eastern Greece, and Italy. Particularly in Italy individual styles developed which were at least in part intended for the Etruscan ...
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C Painter
The C Painter was one of the most important Attic black-figure vase painters. His works date to ''circa'' 575–550 BC. His conventional name was allocated by the archaeologist John Beazley. The C stands for "Corinthianising", a reference to the strong influence of Corinthian vase painting on the artist. He was successor to the Comast Group and used the relatively old-fashioned range of vessel shapes preferred by that group, including '' lekanis'', tripod ''kothon'' and ''skyphos''. In contrast, he also painted quite innovative ''lekythoi'' with pronounced shoulders, although the more conservative ''Deinaeira'' type was still in use by some workshops at his time. The C Painter was the first Attic vase painter to paint cups without an offset lip, the Merrythought cup. As indicated by his conventional name, the C Painter followed Corinthian precedents. He painted duelling warriors, horsemen, symposiasts, and komasts. He followed the Corinthian habit of adding white paint for deta ...
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Heidelberg Painter
The Heidelberg Painter (conventional name) was an Attic vase painter of the black-figure style, active between about 575 and 555 BC. He is considered one of the most important painters of Siana cups. Along with the C Painter, he is considered the main representative of his style. Generally, the Heidelberg Painter is regarded as the more accomplished artist of the two, although his work did not reach the same breadth of scope. In contrast to many of his contemporaries, he placed special emphasis on the depiction of human figures, at which he was very adept. His figures are very detailed, but often drawn rather sloppily. His early works resemble those of the Comast Group, the later ones those of the Amasis Painter The Amasis Painter (active around 550–510 BC in Athens) was an ancient Greek vase painter who worked in the black-figure technique. He owes his name to the signature of the potter Amasis ("Amasis made me"), who signed twelve works painted by t .... Bibliography * ...
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Little-Master Cups
Little-master cups are a type of Attic black-figure cups, produced around the middle and third quarter of the sixth century BC. Their name is based on their fine small-format decoration. Little-master cups are later in origin than Siana cups, but both types were produced over a considerable period of time. The Little masters painted only the small upper frieze above the carination of the cup, at times also the lip or handle areas. It is probably that only few of the painters of Siana cups also painted Little-master cups. One of the first artists to introduce the Little-master cup in Athens was Kleitias. The change in decoration went along with a lengthening of the cup foot. The dedicated painters of Little-master cups rarely painted larger formas, whereas painters primarily specialised in large vases are known to also have painted Little-master cups. Stylistic comparison between larger and smaller formats of the period remains difficult. Many Little-master cups are signed (especi ...
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Cassandra
Cassandra or Kassandra (; Ancient Greek: Κασσάνδρα, , also , and sometimes referred to as Alexandra) in Greek mythology was a Trojan priestess dedicated to the god Apollo and fated by him to utter true prophecies but never to be believed. In modern usage her name is employed as a rhetorical device to indicate a person whose accurate prophecies, generally of impending disaster, are not believed. Cassandra was a daughter of King Priam and Queen Hecuba of Troy. Her elder brother was Hector, the hero of the Greek-Trojan war. The older and most common versions of the myth state that she was admired by the god Apollo, who sought to win her love by means of the gift of seeing the future. According to Aeschylus, she promised him her favours, but after receiving the gift, she went back on her word. As the enraged Apollo could not revoke a divine power, he added to it the curse that nobody would believe her prophecies. In other sources, such as Hyginus and Pseudo-Apollodorus, Ca ...
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Thomas Mannack
Thomas Mannack (born in 1958) is a German classical archaeologist. Mannack obtained his Doctorate in 1992 with at the University of Kiel. The thema of his dissertation was ''Beazleys spätere und späteste Manieristen''. He is a specialist in the field of ancient ceramics. He is in charge of the Beazley Archive database and teaches classical iconography at the University of Oxford , mottoeng = The Lord is my light , established = , endowment = £6.1 billion (including colleges) (2019) , budget = £2.145 billion (2019–20) , chancellor .... Writings * ''The Late Mannerists in Athenian Vase Painting''. Oxford University Press, Oxford 2001 (English version of the dissertation) * ''Griechische Vasenmalerei. Eine Einführung''.
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