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C Painter
The C Painter was one of the most important Attic black-figure vase painters. His works date to ''circa'' 575–550 BC. His conventional name was allocated by the archaeologist John Beazley. The C stands for "Corinthianising", a reference to the strong influence of Corinthian vase painting on the artist. He was successor to the Comast Group and used the relatively old-fashioned range of vessel shapes preferred by that group, including '' lekanis'', tripod ''kothon'' and ''skyphos''. In contrast, he also painted quite innovative ''lekythoi'' with pronounced shoulders, although the more conservative ''Deinaeira'' type was still in use by some workshops at his time. The C Painter was the first Attic vase painter to paint cups without an offset lip, the Merrythought cup. As indicated by his conventional name, the C Painter followed Corinthian precedents. He painted duelling warriors, horsemen, symposiasts, and komasts. He followed the Corinthian habit of adding white paint for deta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Squatting Warrior Staatliche Antikensammlungen 8966
Squatting is the action of occupying an abandoned or unoccupied area of land or a building, usually residential, that the squatter does not own, rent or otherwise have lawful permission to use. The United Nations estimated in 2003 that there were one billion slum residents and squatters globally. Squatting occurs worldwide and tends to occur when people who are poor and homeless find empty buildings or land to occupy for housing. It has a long history, broken down by country below. In developing countries and least developed countries, shanty towns often begin as squatted settlements. In African cities such as Lagos much of the population lives in slums. There are pavement dwellers in India and in Hong Kong as well as rooftop slums. Informal settlements in Latin America are known by names such as villa miseria (Argentina), pueblos jóvenes (Peru) and asentamientos irregulares (Guatemala, Uruguay). In Brazil, there are favelas in the major cities and land-based movements. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symposion
In ancient Greece, the symposium ( grc-gre, συμπόσιον ''symposion'' or ''symposio'', from συμπίνειν ''sympinein'', "to drink together") was a part of a banquet that took place after the meal, when drinking for pleasure was accompanied by music, dancing, recitals, or conversation.Peter Garnsey, ''Food and Society in Classical Antiquity'' (Cambridge University Press, 1999), p. 13online Sara Elise Phang, ''Roman Military Service: Ideologies of Discipline in the Late Republic and Early Principate'' (Cambridge University Press, 2008), pp. 263–264. Literary works that describe or take place at a symposium include two Socratic dialogues, Plato's ''Symposium'' and Xenophon's ''Symposium'', as well as a number of Greek poems such as the elegies of Theognis of Megara. Symposia are depicted in Greek and Etruscan art that shows similar scenes. In modern usage, it has come to mean an academic conference or meeting such as a scientific conference. The equivalent of a Greek ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Boardman (art Historian)
Sir John Boardman, (; born 20 August 1927) is a classical archaeologist and art historian. He has been described as "Britain's most distinguished historian of ancient Greek art." Biography John Boardman was educated at Chigwell School (1938–1945); then Magdalene College, Cambridge, where he read Classics beginning in 1945. After completing two years' national service in the Intelligence Corps he spent three years in Greece, from 1952 to 1955, as the Assistant Director of the British School at Athens. He married Sheila Stanford in 1952 (d. 2005), and has two children, Julia and Mark. On his return to England in 1955, Boardman took up the post of Assistant Keeper at the Ashmolean Museum in Oxford, thus beginning his lifelong affiliation with it. In 1959 he was appointed Reader in Classical Archaeology in the University of Oxford, and in 1963 was appointed a Fellow of Merton College. Here he remained until his appointment as Lincoln Professor of Classical Art and Arch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Astyanax
In Greek mythology, Astyanax (; grc, Ἀστυάναξ ''Astyánax'', "lord of the city") was the son of Hector, the crown prince of Troy, and his wife, Princess Andromache of Cilician Thebe."Astyanax". ''Oxford Classical Dictionary''. Oxford, 1949, p. 101 (''s.v.'' "Ἀνδρομάχη"). His birth name was Scamandrius (in Greek: Σκαμάνδριος Skamandrios, after the river Scamander''A Classical Manual: Being a Mythological, Historical, and Geographical Commentary on Pope's Homer and Dryden's Aeneid of Virgil''. J. Murray, 1833, p. 189.), but the people of Troy nicknamed him Astyanax (i.e. high king, or overlord of the city), because he was the son of the city's great defender (''Iliad'' VI, 403) and the heir apparent's firstborn son. During the Trojan War, Andromache hid the child in Hector's tomb, but the child was discovered. His fate was debated by the Greeks, for if he were allowed to live, it was feared he would avenge his father and rebuild Troy. In the version g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Naples
Naples (; it, Napoli ; nap, Napule ), from grc, Νεάπολις, Neápolis, lit=new city. is the regional capital of Campania and the third-largest city of Italy, after Rome and Milan, with a population of 909,048 within the city's administrative limits as of 2022. Its province-level municipality is the third-most populous metropolitan city in Italy with a population of 3,115,320 residents, and its metropolitan area stretches beyond the boundaries of the city wall for approximately 20 miles. Founded by Greeks in the first millennium BC, Naples is one of the oldest continuously inhabited urban areas in the world. In the eighth century BC, a colony known as Parthenope ( grc, Παρθενόπη) was established on the Pizzofalcone hill. In the sixth century BC, it was refounded as Neápolis. The city was an important part of Magna Graecia, played a major role in the merging of Greek and Roman society, and was a significant cultural centre under the Romans. Naples served a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lip Cup
Lip cups are a type of ancient Greek Attic Little-master cups. Lip cups were produced from the middle of the sixth century BC in Athens. They resemble Gordion cups, but their lips or rims were more clearly distinguished from the rest of the body. They had high feet on broad bases. Early specimens in particular feature hollow conical feet with walls of even thickness. This cup type was painted on the lip/rim. Usually, one to three figures are placed at the centre of the front and back, painted directly onto the base clay. Complete mythical scenes were rare. Often, the lip remained completely undecorated. Further decorations were painted in the handle zone. They nearly always included inscriptions between the handle palmettes, as well as a painted strip near the upper edge. Rarely, the palmettes are replaced with animal or human figures. The inscriptions can be of mottos or toasts, or simply be meaningless arrays of letters, suggesting a mostly ornamental function. The cup interior fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kleitias
Kleitias (Greek: Κλειτίας, sometimes rendered as Klitias) was an ancient Athenian vase painter of the black-figure style who flourished c. 570–560 BCE. Kleitias' most celebrated work today is the François Vase (c. 570 BCE), which bears over two hundred figures in its six friezes. Painted inscriptions on four pots and one ceramic stand name Kleitias as their painter and Ergotimos as their potter, showing the craftsmen's close collaboration. A variety of other fragments have been attributed to him on a stylistic basis.See the essential list in J. D. Beazley, Attic Black-Figure Vase-Painters (Oxford 1956) 77-79. Examples found or attributed later include particularly D. von Bothmer, "A New Kleitias Fragment from Egypt", in: ''Antike Kunst'' 24, 1981, 66-67. Signed works * Berlin, Antikensammlung V. I. 4604: Gordion cup from Gordion * Florence, Museo Archeologico 4209 ("François vase" also known as "Klitias krater"): Volute krater * London, British Museum 1948.8-15.1 u. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gorgon Painter
The Gorgon Painter was one of the early Attic black-figure vase painters. He was active between 600 and 580 BC. His name vase, ''Dinos of the Gorgon Painter'', is currently on display in the Louvre and depicts Perseus fleeing the Gorgons. The Gorgon Painter is considered as a very productive successor of the Nessos Painter. Additionally, in accordance with other Geometric style artists, he arranged his subjects in symmetric patterns. Characteristic of his paintings are flat representations of humans or gods and animals painted in sections around the pottery. Rather than filling blank spaces with geometric patterns, the Gorgon Painter uses the Animal style; depicting real and fantastical animals in friezes around the vases which is considered to be a Corinthian tradition. The better recorded artist Sophilos is said to be influenced by the Gorgon Painter, continuing work in the black-figure style and zoomorphic decoration. Style Corinthian The Gorgon Painter is considered to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slip (ceramics)
A slip is a clay slurry used to produce pottery and other ceramic wares. Liquified clay, in which there is no fixed ratio of water and clay, is called slip or clay slurry which is used either for joining leather-hard (semi-hardened) clay body (pieces of pottery) together by slipcasting with mould, glazing or decorating the pottery by painting or dipping the pottery with slip.What is slip in pottery thepotterywheel.com, accessed 10 July 2021. Pottery on which slip has been applied either for glazing or decoration is called the . Engobe, from the French word for slip, is an |
Komos
The Kōmos ( grc, κῶμος; pl. kōmoi) was a ritualistic drunken procession performed by revelers in ancient Greece, whose participants were known as komasts (κωμασταί, ''kōmastaí''). Its precise nature has been difficult to reconstruct from the diverse literary sources and evidence derived from vase painting. The earliest reference to the komos is in Hesiod's '' Shield of Herakles'', which indicates it took place as part of wedding festivities (line 281). And famously Alcibiades gate-crashes the ''Symposium'' while carousing in a komos. However, no one kind of event is associated with the komos: Pindar describes them taking place at the city festivals (Pythian 5.21, 8.20, Olympian 4.9), while Demosthenes mentions them taking place after the '' ''pompe'''' and '' choregoi'' on the first day of the Greater Dionysia (Speeches 21.10), which may indicate the komos might have been a competitive event. The komos must be distinguished from the '' pompe'', or ritual pro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
