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Karl-Friedrich Beringer
Hans Karl-Friedrich Beringer (born 7 January 1948, in Neuendettelsau) is a German choral and orchestral conductor, who was from 1978 to 2011 the conductor of the Windsbacher Knabenchor. Life Born in Neuendettelsau, Beringer studied at the Meistersinger Conservatory in Nuremberg. In 1970, still a student, he founded the Amadeus Choir and the Amadeus Orchestra. From 1976 to 1978 he was artistic director of the International Festival Youth Choir of Bayreuth. In 1978 he succeeded Hans Thamm as director of the boys' choir Windsbacher Knabenchor and led the ensemble to world fame. Beringer has worked together with renowned orchestras, especially with the Deutsches Symphonie-Orchester Berlin, the Munich Radio Orchestra and the Münchener Kammerorchester. Since 1981 he has been a regular at national and international music festivals, known for conducting choral works with orchestra, such as Bach's '' Mass in B minor'', '' St Matthew Passion'', '' St John Passion'', and ''Christmas Ora ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Augustana Divinity School (Neuendettelsau)
The Augustana-Hochschule Neuendettelsau is a divinity school of the Evangelical Lutheran Church in Bavaria in Neuendettelsau, Germany. History The Augustana-Hochschule was founded in 1947 as an outcome of the Church’s struggle with National Socialism upon decision by the ''Provincial Synod'' 'Landessynode''of the Evangelical-Lutheran Church in Bavaria. In 1949, the Divinity school moved, quite symbolically, into the abandoned barracks that had been part of a former ammunition factory of the Wehrmacht in Neuendettelsau. Since those days, the Augustana-Hochschule has grown considerably as several buildings have been added, including the architecturally fascinating round chapel and the equally interesting shell-shaped library. Still, the Divinity school with its park-like compound has retained its charme as one of the few real campus universities in Germany. In 1973, the right to award doctoral degrees in cooperation with the theological faculties in Erlangen and Munich was confer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eberbach Abbey
Eberbach Abbey (German: Kloster Eberbach) is a former Cistercian monastery in Eltville in the Rheingau, Germany. On account of its Romanesque and early Gothic buildings it is considered one of the most significant architectural heritage sites in Hesse. In the winter of 1985/86 some of the interior scenes of ''The Name of the Rose'' were filmed here. The abbey is a main venue of the annual Rheingau Musik Festival. History Abbey The first monastic house at the site was founded in 1116 by Archbishop Adalbert of Mainz, as a house of Augustinian canons. It was then bestowed by him in 1131 upon the Benedictines. This foundation failed to establish itself, and the successor, ''Kloster Eberbach'', was founded in 1136 by Bernard of Clairvaux as the first Cistercian monastery on the east bank of the Rhine. Eberbach soon became one of the largest and most active monasteries of Germany. From it a number of other foundations were made: Schönau Abbey near Heidelberg in 1142; Otterberg Ab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Magnificat (Bach)
Johann Sebastian Bach's Magnificat, BWV 243, is a musical setting of the biblical canticle Magnificat. It is scored for five vocal parts (two sopranos, alto, tenor and bass), and a Baroque orchestra including trumpets and timpani. It is the first major liturgical composition on a Latin text by Bach. In 1723, after taking up his post as Thomaskantor in Leipzig, Bach set the text of the Magnificat in a twelve movement composition in the key of E-flat major. For a performance at Christmas he inserted four hymns ('' laudes'') related to that feast. This version, including the Christmas interpolations, was given the number 243.1 (previously 243a) in the catalogue of Bach's works. Likely for the feast of Visitation of 1733, or another feast in or around that year, Bach produced a new version of his Latin Magnificat, without the Christmas hymns: instrumentation of some movements was altered or expanded, and the key changed from E-flat major to D major, for perf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Singet Dem Herrn Ein Neues Lied, BWV 190
(Sing a new song to the Lord), , is a church cantata by Johann Sebastian Bach. He wrote it in Leipzig for the New Year's Day and first performed it on 1 January 1724 as part of his first cantata cycle. He adapted it in 1730 to , for the celebration of the bicentennial of the Augsburg Confession. History and words Bach wrote the cantata in 1723, his first year as ''Thomaskantor'' in Leipzig, for New Year's Day, which is also the Feast of the Circumcision of Christ. The prescribed readings for the feast day were from the Epistle to the Galatians, by faith we inherit (), and from the Gospel of Luke, the circumcision and naming of Jesus eight days after his birth (). The unknown poet, possibly Picander, refers only in a general way to the readings: he mentions the naming at the end of movement 4, "" (name of Jesus), and he starts every line in the following aria with "Jesus". Otherwise the text stresses praise and thanks for the gifts of the past and prayer for further blessings. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Man Singet Mit Freuden Vom Sieg, BWV 149
(: One sings with joy about victory), 149, is a church cantata by Johann Sebastian Bach. He composed the work in Leipzig for Michaelmas and first performed it on 29 September 1729. It is the last of his three extant cantatas for the feast. Picander wrote the cantata's libretto, and published it in a 1728/29 cycle of cantata texts. The libretto opens with two verses from Psalm 118 and closes with the third stanza of Martin Schalling's "". The topic of the libretto aligns with the prescribed readings for the day from the Book of Revelation, Michael fighting the dragon. The closing Lutheran hymn stanza writes about a "sweet little angel", accompanying a soul in anticipation of the Last Judgment. The cantata has seven movements, and is scored festively with four vocal parts and a Baroque orchestra of three trumpets, timpani, three oboes, bassoon, strings and continuo. Bach derived the music of the opening chorus from his ''Hunting Cantata'', composed already in 1713. Histo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
O Ewiges Feuer, O Ursprung Der Liebe, BWV 34
(O eternal fire, o source of love), 34 (BWV34.1), is a church cantata by Johann Sebastian Bach. He composed it in Leipzig for Pentecost Sunday, and it was the basis for a later wedding cantata, BWV 34a, beginning with the same line. Bach led the first performance on 1 June 1727.Work at Bach Digital website. The librettist of the cantata is unknown. A central contemplative aria for alto, accompanied by two flutes and muted strings, is framed by recitatives, while the two outer movements are performed by the chorus and a festive Baroque instrumental ensemble of three trumpets, timpani, two oboes, strings and continuo. The last movement quotes the conclusion of Psalm 128, "" (Peace upon Israel). The themes of eternal fire, love, dwelling together and peace suit both occasions, wedding and Pentecost. History and text Bach adapted movements 1, 3 and 5 of this cantata for Pentecost Sunday in a later wedding cantata, . Formerly it was believed that BWV34a (as BWV34.2 was then ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Bach Cantatas
This is a sortable list of Bach cantatas, the cantatas composed by Johann Sebastian Bach. His almost 200 extant cantatas are among his important Vocal music (Bach), vocal compositions. Many are known to be lost. Bach composed both Church cantata (Bach), church cantatas, most of them for specific occasions of the liturgical year of the Lutheran Church, and List of secular cantatas by Johann Sebastian Bach, secular cantatas. Bach's early cantatas, Bach's earliest cantatas were written possibly from 1707, the year he moved to Mühlhausen, although he may have begun composing them at his previous post in Arnstadt. He began regular composition of Weimar cantata (Bach), church cantatas in Weimar between 1708 and 1717, writing one cantata per month. In his next position in Köthen, he composed no church cantatas, but secular cantatas for the court. Most of Bach's church cantatas date from his first years as and director of church music in Leipzig, a position which he took up in 1723. Wo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rheingau Musik Festival
The (RMF) is an international summer music festival in Germany, founded in 1987. It is mostly for classical music, but includes other genres. Concerts take place at culturally important locations, such as Eberbach Abbey and Schloss Johannisberg, in the wine-growing Rheingau region between Wiesbaden and Lorch. Initiative and realisation The festival was the initiative of Michael Herrmann, who has served as its Artistic Director and chief executive officer. Like the Schleswig-Holstein Musik Festival founded in 1986, the Rheingau festival was intended to add life to a region rich in musical heritage. The gothic church of Kiedrich houses the oldest playable organ in Germany and has its own "dialect" of Gregorian chant that dates back to 1333. In more recent times, the Rheingau has inspired composers such as Johannes Brahms, who composed his Symphony No. 3 in Wiesbaden and frequently stayed in Rüdesheim, and Richard Wagner, who worked on in Biebrich. To test the festival id ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Schleswig-Holstein Musik Festival
The Schleswig-Holstein Musik Festival is a classical music festival held each summer throughout the state of Schleswig-Holstein in Northern Germany. History The festival was founded in 1986 by German concert pianist Justus Frantz. In 2006, the 21st festival was from 15 July through 3 September with the Low German festival motto ''Dat klinkt lekker'' (That sounds yummy). The 22nd festival in 2007 focused on Hungary, 2008 on Russia, 2009 on Germany, when the motto was ''Heimspiel'' (''home game''). In 2010 the motto was ''Poland in Pulse'' featuring music from Poland. The regional focus was in 2011 Turkey, in 2012 China, and in 2013 Baltic states. Beginning in 2014, the concept changed by highlighting a specific composer for each year. The composer retrospectives were devoted in 2014 to Felix Mendelssohn, in 2015 to Peter Tchaikovsky, in 2016 to Joseph Haydn, in 2017 to Maurice Ravel, in 2018 to Robert Schumann, in 2019 Johann Sebastian Bach, and in 2020 Carl Nielsen. Awards and Le ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bachwoche Ansbach
The Bachwoche Ansbach (Ansbach Bach Week) is a biennial music festival in Ansbach, Germany, dedicated to the life and works of Johann Sebastian Bach, held since 1947. The main venues are the Orangerie and the great hall of the palace Residenz Ansbach, and the churches St. Johannis and St. Gumbertus. Renowned international have performed in Ansbach, including Yehudi Menuhin, Gidon Kremer, Mstislav Rostropovich, Ludwig Hoelscher, Ferdinand Leitner and Karl Richter. In recent years, guests have included John Eliot Gardiner, Philippe Herreweghe, Ton Koopman, Andreas Staier, Martin Stadtfeld and Masaaki Suzuki. History In the first year, in 1947, the festival was held at the palace Schloss Weißenstein in Pommersfelden. In 1948, it was moved to the Ansbach and its palace. the Residenz Ansbach (also called Markgrafenschloss), where concerts were held at the Orangerie in the garden Hofgarten and in the Festsaal (Great hall). Other main venues are the churches St. Gumbertus and St ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bachfest Leipzig
The Bachfest Leipzig (Leipzig Bach Festival) is a music festival which takes place annually, in the month of June, in the city of Leipzig, where J. S. Bach worked as the Thomaskantor from 1723 until his death in 1750. The current artistic director is Professor Michael Maul. The city first hosted a festival in 1904, for the Neue Bachgesellschaft, and then formally, since 1908. The festival was sometimes referred to as the ' (Bach Weeks) or ' (Bach Days). Since 1999, the festival is organized by the Bach Archive on behalf of the city of Leipzig, each year under a different theme. Each year there are approximately 100 individual events during the Bach Festival, beginning with an opening concert conducted by the serving Thomaskantor. The final concert is traditionally a performance of Bach's ''Mass in B minor'' in the St. Thomas Church. Themes * 2004: "Bach and the romantic era" * 2005: "Bach and the Future" * 2006: "From Bach to Mozart" * 2007: "From Monteverdi to Bach" * 2008: "Ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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