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Bachwoche Ansbach
The Bachwoche Ansbach (Ansbach Bach Week) is a biennial music festival in Ansbach, Germany, dedicated to the life and works of Johann Sebastian Bach, held since 1947. The main venues are the Orangerie and the great hall of the palace Residenz Ansbach, and the churches St. Johannis and St. Gumbertus. Renowned international have performed in Ansbach, including Yehudi Menuhin, Gidon Kremer, Mstislav Rostropovich, Ludwig Hoelscher, Ferdinand Leitner and Karl Richter. In recent years, guests have included John Eliot Gardiner, Philippe Herreweghe, Ton Koopman, Andreas Staier, Martin Stadtfeld and Masaaki Suzuki. History In the first year, in 1947, the festival was held at the palace Schloss Weißenstein in Pommersfelden. In 1948, it was moved to the Ansbach and its palace. the Residenz Ansbach (also called Markgrafenschloss), where concerts were held at the Orangerie in the garden Hofgarten and in the Festsaal (Great hall). Other main venues are the churches St. Gumbertus and St ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Logo Bachwoche Ansbach
A logo (abbreviation of logotype; ) is a graphic mark, emblem, or symbol used to aid and promote public identification and recognition. It may be of an abstract or figurative design or include the text of the name it represents as in a wordmark. In the days of hot metal typesetting, a logotype was one word cast as a single piece of type (e.g. "The" in ATF Garamond), as opposed to a ligature, which is two or more letters joined, but not forming a word. By extension, the term was also used for a uniquely set and arranged typeface or colophon. At the level of mass communication and in common usage, a company's logo is today often synonymous with its trademark or brand.Wheeler, Alina. ''Designing Brand Identity'' © 2006 John Wiley & Sons, Inc. (page 4) Etymology Douglas Harper's Online Etymology Dictionary states that the term 'logo' used in 1937 "probably a shortening of logogram". History Numerous inventions and techniques have contributed to the contemporary logo, includ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gächinger Kantorei
Gächinger Kantorei (Gächingen Chorale) is an internationally known German mixed choir, founded by Helmuth Rilling in 1954 in Gächingen (part of St. Johann close to Reutlingen) and conducted by him until 2013, succeeded by Hans-Christoph Rademann. A "Kantorei" is a choir of high standard dedicated mostly, but not exclusively, to sacred music. The ensemble operates in Stuttgart now and is therefore officially named Gächinger Kantorei Stuttgart. The choir has up to 200 voices, called together for projects from Germany and Switzerland, most of them singers with a degree in music. Since 1965 they have performed music with orchestra as Gächinger Kantorei and Bach-Collegium Stuttgart, including several first performances. History Initially the choir was dedicated to a cappella music of the 16th, 17th and 20th century, later adding works from the period of Romanticism. In 1965 Rilling founded the orchestra Bach-Collegium Stuttgart, and both groups started performing choral music w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mass In B Minor
The Mass in B minor (), BWV 232, is an extended setting of the Mass ordinary by Johann Sebastian Bach. The composition was completed in 1749, the year before the composer's death, and was to a large extent based on earlier work, such as a Sanctus Bach had composed in 1724. Sections that were specifically composed to complete the Mass in the late 1740s include the "Et incarnatus est" part of the Credo. As usual for its time, the composition is formatted as a Neapolitan mass, consisting of a succession of choral movements with a broad orchestral accompaniment, and sections in which a more limited group of instrumentalists accompanies one or more vocal soloists. Among the more unusual characteristics of the composition is its scale: a total performance time of around two hours, [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Helmuth Rilling
Helmuth Rilling (born 29 May 1933) is a German choral conductor and an academic teacher. He is the founder of the Gächinger Kantorei (1954), the Bach-Collegium Stuttgart (1965), the Oregon Bach Festival (1970), the Internationale Bachakademie Stuttgart (1981) and other Bach Academies worldwide, as well as the "Festival Ensemble Stuttgart" (2001) and the "Junges Stuttgarter Bach Ensemble" (2011). He taught choral conducting at the Frankfurt Musikhochschule from 1965 to 1989 and led the Frankfurter Kantorei from 1969 to 1982. Education Rilling was born into a musical family. He received his early training at the Protestant Seminaries in Württemberg. From 1952 to 1955 he studied organ, composition, and choral conducting at the Stuttgart College of Music. He completed his studies with Fernando Germani in Rome and at the Accademia Musicale Chigiana in Siena. While still a student in 1954, he founded his first choir, the Gächinger Kantorei. Starting in 1957, he was organist and c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saturday Review (U
Saturday Review may refer to: * ''Saturday Review'' (U.S. magazine), a former weekly U.S.-based magazine, originally known as ''The Saturday Review of Literature'', published 1920–1986 * ''Saturday Review'' (London newspaper), a London-based British newspaper published 1855–1938 * ''Saturday Review'' (radio programme), a BBC Radio 4 cultural review show * ''Saturday Review'' (Sri Lankan newspaper), a former English-language Sri Lankan weekly newspaper {{disambig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Historically Informed Performance
Historically informed performance (also referred to as period performance, authentic performance, or HIP) is an approach to the performance of Western classical music, classical music, which aims to be faithful to the approach, manner and style of the musical era in which a work was originally conceived. It is based on two key aspects: the application of the stylistic and technical aspects of performance, known as performance practice; and the use of #Early instruments, period instruments which may be reproductions of historical instruments that were in use at the time of the original composition, and which usually have different timbre and temperament (music), temperament from their modern equivalents. A further area of study, that of changing listener expectations, is increasingly under investigation. Given no Sound recording and reproduction, sound recordings exist of music before the late 19th century, historically informed performance is largely derived from Musicology, music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neville Marriner
Sir Neville Marriner, (15 April 1924 – 2 October 2016) was an English violinist and "one of the world's greatest conductors". Gramophone lists Marriner as one of the 50 greatest conductors and another compilation ranks Marriner #14 of the 18 "Greatest and Most Famous Conductors of All Time". He founded the Academy of St Martin in the Fields, and his partnership with them is the most recorded of any orchestra and conductor. Early life Marriner was born in Lincoln, England, the son of Herbert Marriner, a carpenter, and his wife Ethel (née Roberts). He was educated at Lincoln School (then a grammar school), where he played in a jazz band with the composer Steve Race. He initially learned the violin as well as the piano from his father, and later studied the violin with Frederick Mountney. In 1939, he went to the Royal College of Music in London, getting the opportunity to play among the second violins of the London Symphony Orchestra, then conducted by Henry Wood, because ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nathan Milstein
Nathan Mironovich Milstein ( – December 21, 1992) was a Russian-born American virtuoso violinist. Widely considered one of the finest violinists of the 20th century, Milstein was known for his interpretations of Bach's solo violin works and for works from the Romantic period. He was also known for his long career: he performed at a high level into his mid-80s, retiring only after suffering a broken hand. Biography Milstein was born in Odessa, Russian Empire, the fourth child of seven, to a middle-class Jewish family with no musical background. It was a concert by the 11-year-old Jascha Heifetz that inspired his parents to make a violinist out of Milstein. As a child of seven, he started violin studies (as suggested by his parents, to keep him out of mischief) with the eminent violin pedagogue Pyotr Stolyarsky, also the teacher of renowned violinist David Oistrakh. When Milstein was 11, Leopold Auer invited him to become one of his students at the St. Petersburg Conservator ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dietrich Fischer-Dieskau
Dietrich Fischer-Dieskau (28 May 1925 – 18 May 2012) was a German lyric baritone and conductor of classical music, one of the most famous Lieder (art song) performers of the post-war period, best known as a singer of Franz Schubert's Lieder, particularly ''"Winterreise"'' of which his recordings with accompanists Gerald Moore and Jörg Demus are still critically acclaimed half a century after their release. Recording an array of repertoire (spanning centuries) as musicologist Alan Blyth asserted, "No singer in our time, or probably any other has managed the range and versatility of repertory achieved by Dietrich Fischer-Dieskau. Opera, Lieder and oratorio in German, Italian or English came alike to him, yet he brought to each a precision and individuality that bespoke his perceptive insights into the idiom at hand." In addition, he recorded in French, Russian, Hebrew, Latin and Hungarian. He was described as "one of the supreme vocal artists of the 20th century" and "the most ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Pears
Sir Peter Neville Luard Pears ( ; 22 June 19103 April 1986) was an English tenor. His career was closely associated with the composer Benjamin Britten, his personal and professional partner for nearly forty years. Pears' musical career started slowly. He was at first unsure whether to concentrate on playing piano and organ, or singing; it was not until he met Britten in 1937 that he threw himself wholeheartedly into singing. Once he and Britten were established as a partnership, the composer wrote many concert and operatic works with Pears's voice in mind, and the singer played roles in more than ten operas by Britten. In the concert hall, Pears and Britten were celebrated recitalists, known in particular for their performances of lieder by Schubert and Schumann. Together they recorded most of the works written for Pears by Britten, as well as a wide range of music by other composers. Working with other musicians, Pears sang an extensive repertoire of music from four centuries, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aurèle Nicolet
Aurèle Nicolet (22 January 1926 – 29 January 2016) was a Swiss flautist. He was considered one of the world's best flute players of the late twentieth century. He performed in various international concerts. A number of composers wrote music especially for him, including Josef Tal, Toru Takemitsu, György Ligeti, Krzysztof Meyer, and Edison Denisov. His pupils include Emmanuel Pahud, Carlos Bruneel, Michael Faust, Pedro Eustache, Thierry Fischer, Irena Grafenauer, Huáscar Barradas, Kristiyan Koev, Jadwiga Kotnowska, Robert Langevin, Tom Ottar Andreassen, Marina Piccinini, Kaspar Zehnder and Ariel Zuckermann. He died at the age of 90 in 2016 in Freiburg im Breisgau, Germany. In: Flöte aktuell 1/2016, Deutsche Gesellschaft für Flöte (PDF). Career He was a flautist ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
