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Kakiemon
is a style of Japanese porcelain, with overglaze decoration called "enameled" ceramics. It was originally produced at the factories around Arita, in Japan's Hizen province (today, Saga Prefecture) from the Edo period's mid-17th century onwards. The style shares much in common with the Chinese "Famille Verte" style. The quality of its decoration was highly prized in the West and widely imitated by major European porcelain manufacturers during the Rococo period. Kakiemon is a term that generates some confusion, being the name of a family, one or more kilns, and a brightly-coloured overglaze style broadly imitating Chinese wares. The style originated with the family, whose kilns were the main producers of it, but other kilns also made it, and the Kakiemon kilns made other styles. Both the palette and style, and very probably the kiln, were in place by the 1680s. The style is a sub-type of what is called in the West Imari ware, the overglaze coloured variety of the broader grouping ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sakaida Kakiemon
Sakaida Kakiemon (), or Sakaida Kizaemon (1596 — 1666) was a Japanese potter who invented the style known after him as Kakiemon. He worked in association with Higashijima Tokue, and created the first enamelled porcelain in Japan. Biography Sakaida Kakiemon started his porcelain business following the fall of the Ming dynasty in China and the succeeding disruption of traditional Chinese porcelain exports to Europe. Sakaida Kakiemon is said to have learned the enamel porcelain technique from a Chinese artisan in Nagasaki in 1643. He was the first in Japan to practice overglaze enameling (applying enamel on top of the glazing), a technique developed in China during the Kangxi era of the Qing dynasty. He also refined the method for producing a translucent white glaze, known as ''nigoshide''. In the Arita dialect, ''nigoshi'' describes the water used to wash rice, thereby referring to the translucent white of ''nigoshide''. In comparison with other Arita ware, which tends to have ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chantilly Porcelain
Chantilly porcelain is French soft-paste porcelain produced between 1730 and 1800 by the manufactory of Chantilly in Oise, France. The wares are usually divided into three periods, 1730-51, 1751-1760, and a gradual decline from 1760 to 1800. The factory made table and tea wares, small vases, and some figures, these all of Orientals. Foundation Outbuildings were purchased in March 1730 on the banks of the small river Nonette near the extensive park of his château de Chantilly by Louis Henri de Bourbon, prince de Condé, the prince of the blood exiled from Court, who founded the factory. At this period, the capital investment required for establishing a porcelain manufactory was so extensive that a royal or aristocratic patron was essential; only in Britain was early porcelain manufacture capitalized by the merchant class. The elite wares of Chantilly were intended to compete with Saint-Cloud porcelain, a pioneer among French soft-paste porcelain manufactures, and other smal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Imari Ware
is a Western term for a brightly-coloured style of Japanese export porcelain made in the area of Arita, in the former Hizen Province, northwestern Kyūshū. They were exported to Europe in large quantities, especially between the second half of the 17th century and the first half of the 18th century. Typically Imari ware (in the English use of the term) is decorated in underglaze blue, with red, gold, black for outlines, and sometimes other colours, added in overglaze. In the most characteristic floral designs most of the surface is coloured, with "a tendency to overdecoration that leads to fussiness". The style was so successful that Chinese and European producers began to copy it. Sometimes the different overglaze styles of Kakiemon and Kutani ware are also grouped under Imari ware. The name derives from the port of Imari, Saga, from which they were shipped to Nagasaki, where the Dutch East India Company and the Chinese had trading outposts. In the West the multi-colour ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Pottery
, is one of the oldest Japanese crafts and art forms, dating back to the Neolithic period. Kilns have produced earthenware, pottery, stoneware, glazed pottery, glazed stoneware, porcelain, and blue-and-white ware. Japan has an exceptionally long and successful history of ceramic production. Earthenwares were made as early as the Jōmon period (10,500–300BC), giving Japan one of the oldest ceramic traditions in the world. Japan is further distinguished by the unusual esteem that ceramics holds within its artistic tradition, owing to the enduring popularity of the tea ceremony. Japanese ceramic history records distinguished many potter names, and some were artist-potters, e.g. Hon'ami Kōetsu, Ogata Kenzan, and Aoki Mokubei.Henry Trubner 1972, p. 18. Japanese anagama kilns also have flourished through the ages, and their influence weighs with that of the potters. Another characteristically Japanese aspect of the art is the continuing popularity of unglazed high-fired ston ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Porcelain
, is one of the oldest Japanese crafts and art forms, dating back to the Neolithic period. Kilns have produced earthenware, pottery, stoneware, glazed pottery, glazed stoneware, porcelain, and blue-and-white ware. Japan has an exceptionally long and successful history of ceramic production. Earthenwares were made as early as the Jōmon period (10,500–300BC), giving Japan one of the oldest ceramic traditions in the world. Japan is further distinguished by the unusual esteem that ceramics holds within its artistic tradition, owing to the enduring popularity of the tea ceremony. Japanese ceramic history records distinguished many potter names, and some were artist-potters, e.g. Hon'ami Kōetsu, Ogata Kenzan, and Aoki Mokubei.Henry Trubner 1972, p. 18. Japanese anagama kilns also have flourished through the ages, and their influence weighs with that of the potters. Another characteristically Japanese aspect of the art is the continuing popularity of unglazed high-fired ston ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Historic Sites Of Japan (Saga)
This list is of the Historic Sites of Japan located within the Prefecture of Saga. National Historic Sites As of 1 August 2019, twenty-five Sites have been designated as being of national significance (including three *Special Historic Sites); Kii Castle spans the prefectural borders with Fukuoka. Prefectural Historic Sites As of 1 August 2019, forty-seven Sites have been designated as being of prefectural importance. {, class="wikitable sortable" style="width:100%;" , - !width="30%" align="left" , Site !width="10%" align="left" , Municipality !width="30%" align="left" class="unsortable", Comments !width="10%" align="left" class="unsortable", Image !width="10%" align="left" class="unsortable", Coordinates !width="5%" align="left" , Type !width="5%" align="left" class="unsortable", Ref. , - , align="center", Funazuka''Funazuka'' , , Saga , , , , , , , , , , - , align="center", Isezuka''Isezuka'' , , Kanzaki , , , , , , , , , , - , align="cente ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Export Porcelain
Japanese export porcelain includes a wide range of porcelain that was made and decorated in Japan primarily for export to Europe and later to North America, with significant quantities going to south and southeastern Asian markets. Production for export to the West falls almost entirely into two periods, firstly between the 1650s and 1740s, and then the period from the 1850s onwards. The wares produced are a complex and varying mixture of styles, based on Chinese porcelain, the local Japanese pottery and porcelain (itself much influenced by Korean porcelain), and European styles and tastes. Often the shapes were dictated by the export markets, but the decoration was predominantly East Asian in style, although quite often developed from Dutch imitations of Chinese pieces. In the first period the great majority of the wares were produced in the area of Arita, in the old Hizen Province and are covered by the terms Arita ware (or Hizen ware), Imari ware and Kakiemon, all of which ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arita, Saga
is a town located in Nishimatsuura District, Saga Prefecture, Japan. It is known for producing Arita porcelain, one of the traditional handicrafts of Japan. It also holds the largest ceramic fair in Western Japan, the Arita Ceramic Fair. This event is held from April 29 to May 5 ( Golden Week) every year and has thousands of stores and stalls lining the six-kilometre long main street. On March 1, 2006 the town of Nishiarita, from Nishimatsuura District, was merged into Arita. Geography Arita is located in the western part of Saga Prefecture, bordering Nagasaki Prefecture from its southwest to western sides. About 70% of the town is forest and mountains. Neighbouring municipalities *Saga Prefecture **Imari ** Takeo History Arita was one of the first sites in Japan to produce porcelain, Arita ware. The discovery of porcelain stone is attributed to a Korean potter named Kanagae Sambe, although most historians consider this a legend. *April 1, 1889 – The modern municip ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chelsea Porcelain Factory
Chelsea porcelain is the porcelain made by the Chelsea porcelain manufactory, the first important porcelain manufactory in England, established around 1743–45, and operating independently until 1770, when it was merged with Derby porcelain. It made soft-paste porcelain throughout its history, though there were several changes in the "body" material and glaze used. Its wares were aimed at a luxury market, and its site in Chelsea, London, was close to the fashionable Ranelagh Gardens pleasure ground, opened in 1742. The first known wares are the "goat and bee" cream jugs with seated goats at the base, some examples of which are incised with "Chelsea", "1745" and a triangle. The entrepreneurial director, at least from 1750, was Nicholas Sprimont, a Huguenot silversmith in Soho, but few private documents survive to aid a picture of the factory's history. Early tablewares, being produced in profusion by 1750, depend on Meissen porcelain models and on silverware prototypes, such ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arita Ware
is a broad term for Japanese porcelain made in the area around the town of Arita, in the former Hizen Province, northwestern Kyūshū island. It is also known as after the wider area of the province. This was the area where the great majority of early Japanese porcelain, especially Japanese export porcelain, was made. In English usage "Arita ware" was traditionally used for the export wares in blue and white porcelain, mostly copying Chinese styles. The wares with added overglaze colours were called Imari ware or (a sub-group) Kakiemon. It is now recognized that the same kilns often made more than one of these types, and "Arita ware" is more often used as a term for all of them. The brightly coloured Kutani ware is another type that is now recognised as coming from around Arita as well as the Kutani itself, and "Kutani-type" is used as a stylistic description. History According to tradition, the Korean potter Yi Sam-pyeong (d. 1655), or ''Kanagae Sanbee'' (), is ofte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meissen Porcelain
Meissen porcelain or Meissen china was the first European hard-paste porcelain. Early experiments were done in 1708 by Ehrenfried Walther von Tschirnhaus. After his death that October, Johann Friedrich Böttger continued von Tschirnhaus's work and brought this type of porcelain to the market, financed by King Augustus II of Poland, Augustus the Strong, King of Poland and Elector of Saxony. The production of porcelain in the royal factory at Meissen, near Dresden, started in 1710 and attracted artists and artisans to establish, arguably, the most famous porcelain manufacturer known throughout the world. Its signature logo, the crossed swords, was introduced in 1720 to protect its production; the mark of the swords is reportedly one of the oldest trademarks in existence. ''Dresden porcelain'' (or "china") was once the usual term for these wares, until in 1975 the (Higher Munich State Court) decided in favour of the Saxon Porcelain Manufactory Dresden, which alone was then allowed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Porcelain
Porcelain () is a ceramic material made by heating substances, generally including materials such as kaolinite, in a kiln to temperatures between . The strength and translucence of porcelain, relative to other types of pottery, arises mainly from vitrification and formation of the mineral mullite within the body at these high temperatures. Though definitions vary, porcelain can be divided into three main categories: hard-paste, soft-paste, and bone china. The category that an object belongs to depends on the composition of the paste used to make the body of the porcelain object and the firing conditions. Porcelain slowly evolved in China and was finally achieved (depending on the definition used) at some point about 2,000 to 1,200 years ago; it slowly spread to other East Asian countries, then to Europe, and eventually to the rest of the world. Its manufacturing process is more demanding than that for earthenware and stoneware, the two other main types of pottery, and it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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