|
Kairosis
Kairosis is the literary effect of fulfillment in time. This effect is normally associated with the epic/novel genre of literature, and can be understood by the analogy "as ''catharsis'' is to the dramatic, so ''kenosis'' is to the lyric, so ''kairosis'' is to the epic/novel." It is derived from Frank Kermode's usage of ''kairos'' in literary aesthetics, and is part of an ongoing debate within literary aesthetics about the limitations of the rhetorical use of the term kairos. Kairosis is the feeling of integration experienced by the reader of the novel or epic form; it is experienced by the reader as the central protagonist's character and characterisation faces crisis and resolves itself into an explored and integrated personality. This typically occurs by challenging unique and interesting characters with typical and stereotyped actions that are generally applicable to all people. In the novel ''Emma'', kairosis is developed when an individualistic young woman attempts to pl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Catharsis
Catharsis (from Greek , , meaning "purification" or "cleansing" or "clarification") is the purification and purgation of emotions through dramatic art, or it may be any extreme emotional state that results in renewal and restoration. In its literal medical sense, it refers to the evacuation of the '' catamenia''—the menstrual fluid or other reproductive material from the patient. But as a metaphor it was originally used by Aristotle in the ''Poetics'', comparing the effects of tragedy on the mind of a spectator to the effect of catharsis on the body. In psychology, the term is associated with Freudian psychoanalysis and specifically relates to the expression of buried trauma, bringing it into consciousness and thereby releasing it permanently. However, there is considerable debate as to its therapeutic usefulness. Social catharsis may be regarded as the collective expression of extreme emotion. Dramatic uses Catharsis is a term in dramatic art that describes the effect of tra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Literary
Literature is any collection of Writing, written work, but it is also used more narrowly for writings specifically considered to be an art form, especially prose fiction, drama, and poetry. In recent centuries, the definition has expanded to include oral literature, much of which has been transcribed. Literature is a method of recording, preserving, and transmitting knowledge and entertainment, and can also have a social, psychological, spiritual, or political role. Literature, as an art form, can also include works in various non-fiction genres, such as biography, Diary, diaries, memoir, Letter (message), letters, and the essay. Within its broad definition, literature includes non-fictional books, articles or other printed information on a particular subject.''OED'' Etymology, Etymologically, the term derives from Latin language, Latin ''literatura/litteratura'' "learning, a writing, grammar," originally "writing formed with letters," from ''litera/littera'' "letter". In sp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emma (novel)
''Emma'' is a novel about youthful hubris and romantic misunderstandings, written by Jane Austen. It is set in the fictional country village of Highbury and the surrounding estates of Hartfield, Randalls and Donwell Abbey, and involves the relationships among people from a small number of families. The novel was first published in December 1815, with its title page listing a publication date of 1816. As in her other novels, Austen explores the concerns and difficulties of genteel women living in Georgian–Regency England. ''Emma'' is a comedy of manners. Before she began the novel, Austen wrote, "I am going to take a heroine whom no one but myself will much like." In the first sentence, she introduces the title character as "Emma Woodhouse, handsome, clever, and rich, with a comfortable home and a happy disposition... had lived nearly twenty-one years in the world with very little to distress or vex her." Emma is spoiled, headstrong, and self-satisfied; she greatly overestimat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhetoric
Rhetoric () is the art of persuasion, which along with grammar and logic (or dialectic), is one of the three ancient arts of discourse. Rhetoric aims to study the techniques writers or speakers utilize to inform, persuade, or motivate particular audiences in specific situations. Aristotle defines rhetoric as "the faculty of observing in any given case the available means of persuasion" and since mastery of the art was necessary for victory in a case at law, for passage of proposals in the assembly, or for fame as a speaker in civic ceremonies, he calls it "a combination of the science of logic and of the ethical branch of politics". Rhetoric typically provides heuristics for understanding, discovering, and developing arguments for particular situations, such as Aristotle's three persuasive audience appeals: logos, pathos, and ethos. The five canons of rhetoric or phases of developing a persuasive speech were first codified in classical Rome: invention, arrangement, style ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theological
Theology is the systematic study of the nature of the divine and, more broadly, of religious belief. It is taught as an academic discipline, typically in universities and seminaries. It occupies itself with the unique content of analyzing the supernatural, but also deals with religious epistemology, asks and seeks to answer the question of revelation. Revelation pertains to the acceptance of God, gods, or deities, as not only transcendent or above the natural world, but also willing and able to interact with the natural world and, in particular, to reveal themselves to humankind. While theology has turned into a secular field , religious adherents still consider theology to be a discipline that helps them live and understand concepts such as life and love and that helps them lead lives of obedience to the deities they follow or worship. Theologians use various forms of analysis and argument ( experiential, philosophical, ethnographic, historical, and others) to help understa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Role Playing Game
A role-playing game (sometimes spelled roleplaying game, RPG) is a game in which players assume the roles of characters in a fictional setting. Players take responsibility for acting out these roles within a narrative, either through literal acting or through a process of structured decision-making regarding character development. Actions taken within many games succeed or fail according to a formal system of rules and guidelines. There are several forms of role-playing games. The original form, sometimes called the tabletop role-playing game (TRPG), is conducted through discussion, whereas in live action role-playing (LARP), players physically perform their characters' actions.(Tychsen et al. 2006:255) "LARPs can be viewed as forming a distinct category of RPG because of two unique features: (a) The players physically embody their characters, and (b) the game takes place in a physical frame. Embodiment means that the physical actions of the player are regarded as those of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jane Austen
Jane Austen (; 16 December 1775 – 18 July 1817) was an English novelist known primarily for her six major novels, which interpret, critique, and comment upon the British landed gentry at the end of the 18th century. Austen's plots often explore the dependence of women on marriage in the pursuit of favourable social standing and economic security. Her works critique the novels of sensibility of the second half of the 18th century and are part of the transition to 19th-century literary realism. Her use of biting irony, along with her realism and social commentary, have earned her acclaim among critics, scholars and readers alike. With the publication of ''Sense and Sensibility'' (1811), '' Pride and Prejudice'' (1813), ''Mansfield Park'' (1814), and '' Emma'' (1816), she achieved modest success but only little fame in her lifetime since the books were published anonymously. She wrote two other novels—''Northanger Abbey'' and '' Persuasion'', both published posthumou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lyric Poetry
Modern lyric poetry is a formal type of poetry which expresses personal emotions or feelings, typically spoken in the first person. It is not equivalent to song lyrics, though song lyrics are often in the lyric mode, and it is also ''not'' equivalent to Ancient Greek lyric poetry, which ''was'' principally limited song lyrics, or chanted verse, hence the confusion. The term for both modern lyric poetry and modern song lyrics both derive from a form of Ancient Greek literature, the Greek lyric, which was defined by its musical accompaniment, usually on a stringed instrument known as a kithara. The term owes its importance in literary theory to the division developed by Aristotle among three broad categories of poetry: lyrical, dramatic, and epic. Lyric poetry is also one of the earliest forms of literature. Meters Much lyric poetry depends on regular meter based either on number of syllables or on stress – with two short syllables typically being exchangeable for one long ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frank Kermode
Sir John Frank Kermode, FBA (29 November 1919 – 17 August 2010) was a British literary critic best known for his 1967 work '' The Sense of an Ending: Studies in the Theory of Fiction'' and for his extensive book-reviewing and editing. He was the Lord Northcliffe Professor of Modern English Literature at University College London and the King Edward VII Professor of English Literature at Cambridge University. Kermode was known for many works of criticism, and also as editor of the popular Fontana Modern Masters series of introductions to modern thinkers. He was a regular contributor to the ''London Review of Books'' and ''The New York Review of Books''. Early life and education Kermode was born on the Isle of Man, the only son and elder child of John Pritchard Kermode (1894-1966) and Doris Pearl (1893-1967), née Kennedy. His father was a delivery truck driver and warehouseman for a ferry company, and his mother, a "farm girl", had been a waitress. The family was of "extremel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Time
Time is the continued sequence of existence and events that occurs in an apparently irreversible succession from the past, through the present, into the future. It is a component quantity of various measurements used to sequence events, to compare the duration of events or the intervals between them, and to quantify rates of change of quantities in material reality or in the conscious experience. Time is often referred to as a fourth dimension, along with three spatial dimensions. Time has long been an important subject of study in religion, philosophy, and science, but defining it in a manner applicable to all fields without circularity has consistently eluded scholars. Nevertheless, diverse fields such as business, industry, sports, the sciences, and the performing arts all incorporate some notion of time into their respective measuring systems. 108 pages. Time in physics is operationally defined as "what a clock reads". The physical nature of time is addre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kenosis
In Christian theology, ''kenosis'' () is the 'self-emptying' of Jesus. The word () is used in Philippians 2:7: " made himself nothing" (NIV), or " eemptied himself" (NRSV), using the verb form (), meaning "to empty". The exact meaning varies among theologians. The less controversial meaning is that he emptied his own desires and becoming entirely receptive to God's divine will, "obedient to the point of death— even death on a cross." Philippians encourages other Christians to be similarly willing to submit to divine will, even if it comes at great personal cost. The phrase is also used to explain the human side of Jesus: that Jesus, to truly live as a mortal, had to have voluntarily bound use of his divine powers in some way, emptying himself. Philippians says that "though esuswas in the form of God, edid not regard equality with God as something to be exploited," suggesting that Jesus was not "abusing" his divine status to avoid the implications of a mortal life. Thi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Rhetoric")
