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Kaigetsudō Ando
Kaigetsudō Ando (壊月堂安度, ), also known as Ando Yasunori, was a Japanese painter and the founder of the Kaigetsudō school of ukiyo-e art. Though influential and prolific, it is probable that many of the works attributed to him were painted by his disciples. He is a rarity among major ukiyo-e artists in that he made only paintings and never woodblock prints. Ando lived in the Suwa-chō district of Asakusa in Edo (modern Tokyo) near Sensō-ji temple, and on a major road which led to the Yoshiwara north of the city. Principally active from 1700–1714, some scholars have surmised that his early training may have been in '' ema'', wooden votive tablets sold at Shinto shrines. A distinctive element of his style is the sense of emptiness around his figures, an element which fits well with the medium of the ''ema''; this theory is supported by the idea of his location on the main road, where a great number of pilgrims and travelers would have passed daily. Some scholars dism ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yoshida Hanbei
Yoshida Hanbei (吉田 半兵衛) was a late seventeenth-century Japanese illustrator in the ''ukiyo-e'' style, the leading illustrator in Kyoto and Osaka around 1664–1689. Unlike many more famous ukiyo-e artists, who worked primarily on individual woodblock prints and paintings, Hanbei worked primarily, if not exclusively, in illustrations for woodblock printed books. Alternatively known as Yoshida Sadakichi, his name is also sometimes romanized as Hambei. Hanbei was the first ukiyo-e book illustrator of Kamigata to sign his works. One of the most prolific artists in early ukiyo-e, he produced work for at least ninety different books, amounting to over one thousand individual illustrations. His work appeared in a myriad of texts, including books of '' jōruri'' puppet plays, Kabuki, novels, travel books, Buddhist subjects, musical texts, and courtesan critiques, among others. He is particularly famous for his illustrations of novels by Saikaku, and for his ''Joyō Kimmō- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1670s Births
Year 167 ( CLXVII) was a common year starting on Wednesday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Aurelius and Quadratus (or, less frequently, year 920 ''Ab urbe condita''). The denomination 167 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Lucius Aurelius Verus Augustus and Marcus Ummidius Quadratus Annianus become Roman Consuls. * The Marcomanni tribe wages war against the Romans at Aquileia. They destroy aqueducts and irrigation conduits. Marcus Aurelius repels the invaders, ending the Pax Romana (Roman Peace) that has kept the Roman Empire free of conflict since the days of Emperor Augustus. * The Vandals (Astingi and Lacringi) and the Sarmatian Iazyges invade Dacia. To counter them, Legio V ''Macedonica'', returning from the Parthian War, moves its ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Douglas Lane
Richard Douglas Lane (1926–2002) was an American scholar, author, collector, and dealer of Japanese art. He lived in Japan for much of his life, and had a long association with the Honolulu Museum of Art in Hawaii, which now holds his vast art collection. Life Lane was born in Kissimmee, Florida. After graduating from high school in 1944, during World War II, he enlisted in the United States Marine Corps. In the Marines he trained as a Japanese translator, and served in Japan during the war. He later received a bachelor's degree from the University of Hawaii in Japanese and Chinese literature, and continued his studies at Columbia University, where he earned a master's degree and a PhD in 18th-century Japanese literature. In 1957, Lane moved to Japan, where he lived for the rest of his life. Lane was never on a university faculty, but supported himself as an author, dealer and consultant. He was a visiting research associate at the Honolulu Museum of Art from 1957 to 1971, durin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kabuki
is a classical form of Japanese dance-drama. Kabuki theatre is known for its heavily-stylised performances, the often-glamorous costumes worn by performers, and for the elaborate make-up worn by some of its performers. Kabuki is thought to have originated in the very early Edo period, when founder Izumo no Okuni formed a female dance troupe who performed dances and light sketches in Kyoto. The art form later developed into its present all-male theatrical form after women were banned from performing in kabuki theatre in 1629. Kabuki developed throughout the late 17th century and reached its zenith in the mid-18th century. In 2005, kabuki theatre was proclaimed by UNESCO as an intangible heritage possessing outstanding universal value. In 2008, it was inscribed in the UNESCO Intangible Cultural Heritage Lists, UNESCO Representative List of the Intangible Cultural Heritage of Humanity. Etymology The individual kanji that make up the word ''kabuki'' can be read as , , and . ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ejima-Ikushima Affair
The {{nihongo, Ejima-Ikushima affair, 江島生島事件, Ejima Ikushima jiken was the most significant scandal in the Ōoku, the Tokugawa shōgun's harem during the Edo period of the history of Japan, that occurred in February 1714. Background The Ōoku was a complex of Edo Castle, the seat of the ''shōgun'' of the Tokugawa shogunate, that served as a residence for women connected to the reigning ''shōgun''. It functioned as a harem with different sections that housed the ''shōguns official wife (''Midaidokoro'') and her children, his concubines and their children, widows of previous ''shōgun'' (''Ōmidaidokoro''), his mother, and their various servants. The Ōoku was highly regimented and controlled, resident women were held to strict standards, and adult men were forbidden from entering without the ''shōgun''. Incident On the twelfth day of the first month of the fourth year of the Shōtoku era (February 26, 1714, by the Western calendar), Ejima, a high-ranking lady in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pin-up
A pin-up model (known as a pin-up girl for a female and less commonly male pin-up for a male) is a model whose mass-produced pictures see widespread appeal as part of popular culture. Pin-up models were variously glamour models, fashion models, or actresses whose pictures were intended for informal display, i.e. meant to be "''pinned-up''" on a wall, which is the basis for the etymology of the phrase. These pictures are also sometimes known as cheesecake photos. ''Cheesecake'' was an American slang word that became a publicly acceptable term for scantily-clad, semi-nude, or nude photos of women because ''pin-up'' was considered taboo in the early 20th century. The term ''pin-up'' may refer to drawings, paintings, and other illustrations as well as photographs. The term was first attested to in English in 1941 even though the practice is documented at least back to the 1890s. Pin-up images could be cut out of magazines or newspapers, or they could be on a postcard or lithograph. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kimono
The is a traditional Japanese garment and the national dress of Japan. The kimono is a wrapped-front garment with square sleeves and a rectangular body, and is worn left side wrapped over right, unless the wearer is deceased. The kimono is traditionally worn with a broad sash, called an , and is commonly worn with accessories such as zōri sandals and socks. Kimono have a set method of construction and are typically made from a long, narrow bolt of cloth known as a , though Western-style fabric bolts are also sometimes used. There are different types of kimono for men, women, and children, varying based on the occasion, the season, the wearer's age, and – less commonly in the modern day – the wearer's marital status. Despite the kimono's reputation as a formal and difficult-to-wear garment, there are types of kimono suitable for both formal and informal occasions. The way a person wears their kimono is known as . Though previously been the most common Japanese garm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bijinga
is a generic term for pictures of beautiful women () in Japanese art, especially in woodblock printing of the ukiyo-e genre. Definition defines as a picture that simply "emphasizes the beauty of women", and the ''Shincho Encyclopedia of World Art'' defines it as depiction of "the beauty of a woman's appearance". On the other hand, defines as pictures that explore "the inner beauty of women". For this reason, the essence of cannot always be expressed only through the depiction of a , a woman aligning with the beauty image. In fact, in ukiyo-e , it was not considered important that the picture resemble the facial features of the model, and the depiction of women in ukiyo-e is stylized rather than an attempt to create a realistic image; For example, throughout the Edo period (1603-1867), married women had a custom of shaving their eyebrows (), but in , there was a rule to draw the eyebrows for married women. History Ukiyo-e itself is a genre of woodblock prints and pain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hishikawa Moronobu
Hishikawa Moronobu ( ja, 菱川 師宣; 1618 – 25 July 1694) was a Japanese artist known for popularizing the ukiyo-e genre of woodblock prints and paintings in the late 17th century. He consolidated the works of scattered Japanese art styles and forged the early development of ukiyo-e. Early life Born in Hoda at the distant end of Edo Bay, Moronobu was the son of a well-respected embroiderer of rich tapestries who produced it for the use of temples and wealthy patrons. After moving to Edo in the 1660s, Moronobu, who had likely learned skills from his father's craft, and studied both Tosa and Kanō-style painting. He thus had a solid grounding in both decorative crafts and academic painting, which served him well when he then turned to ukiyo-e, which he studied with his mentor, the Kanbun Master. Work The earliest known illustration of Moronobu that can be dated comes from his work titled ''One Hundred Warrior Poets'' from 1672, although earlier works are yet possibl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shinto Shrine
A is a structure whose main purpose is to house ("enshrine") one or more ''kami'', the deities of the Shinto religion. Overview Structurally, a Shinto shrine typically comprises several buildings. The '' honden''Also called (本殿, meaning: "main hall") is where a shrine's patron ''kami'' is/are enshrined.Iwanami Japanese dictionary The ''honden'' may be absent in cases where a shrine stands on or near a sacred mountain, tree, or other object which can be worshipped directly or in cases where a shrine possesses either an altar-like structure, called a ''himorogi,'' or an object believed to be capable of attracting spirits, called a ''yorishiro,'' which can also serve as direct bonds to a ''kami''. There may be a and other structures as well. Although only one word ("shrine") is used in English, in Japanese, Shinto shrines may carry any one of many different, non-equivalent names like ''gongen'', ''-gū'', ''jinja'', ''jingū'', ''mori'', ''myōjin'', ''-sha'', ''taisha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_Three_Beauties_of_the_Present_Time%2C_MFAB_21.6382.jpg "Click for more on -> Bijinga")
