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Kai=Kai
is the third album by Kaku P-Model. Overview Based on a concept, divorced from the story built upon in previous Kaku P-Model albums, centered on changing away from stagnating customs so that humans stop being "limited editions" of themselves, ''Kai=Kai'' presents modern electronic music mixed in with prominent guitar playing, where Susumu Hirasawa adopts tones that harken back to his roots in surf music. The production of the album marked the first time Kaku P-Model material was created to be used as soundtrack music: Hirasawa has affirmed that a movie adaptation of the Satoshi Kon manga '' Opus'' will feature music by him, with the song of the same name to serve that purpose. Track listing Personnel *Susumu Hirasawa is a Japanese musician and composer. In the fifth year of elementary school, Hirasawa took up the electric guitar, inspired by the surf and instrumental rock bands he heard on the radio and on TV, later joining his junior high school's band. ... - Voca ...
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Susumu Hirasawa
is a Japanese musician and composer. In the fifth year of elementary school, Hirasawa took up the electric guitar, inspired by the surf and instrumental rock bands he heard on the radio and on TV, later joining his junior high school's band. In 1973 he formed Mandrake, a progressive rock band that incorporated elements from heavy metal and krautrock. Being one of the few Japanese progressive rock bands of its time, Mandrake achieved little success and released no albums during its lifetime. After discovering punk rock and working on synthesizer-heavy projects, Hirasawa felt that progressive rock became just for entertainment and decided to reform the band as the electronic rock band P-Model in 1979. Originally met with success, they turned to decidedly uncommercial post-punk and experimental rock after Hirasawa went through an adverse reaction to his fame. With Hirasawa at the forefront, the band went through various lineups and achieved some popularity in the Japanese indep ...
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Gipnoza
''Gipnoza'' ( rus, гипноза) is the second album by Kaku P-Model. Overview The 2011 Tōhoku earthquake was worked in as a plot device for the album's dystopian science fiction concept story, a sequel to the events of ''Vistoron'', in which the reality-distorting Gipnoza nanobots are being planted inside of people through the food and medicine supply. Other story elements were taken from the 1996 album ''Convex And Concave'' by the P-Model/Devo tribute band Pevo. Yasumi Tanaka, a founding member of P-Model, returned 30 years after his departure from music as a guest performer on "Go for it! Halycon". Pevo's 1go also appeared as a guest musician on "Time-eliminating Light", and performed alongside Susumu Hirasawa at the album's ''Parallel Kozak'' live concerts. Track listing The tracks with Cyrillic words in their titles are stylized with the Cyrillic word first, followed by the Latin equivalent in brackets. Personnel *Susumu Hirasawa - All instruments, Programming, Produ ...
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Alternative Dance
Alternative dance (also known as indie dance or underground dance in the U.S.) is a musical genre that mixes alternative rock with electronic dance music. Although largely confined to the British Isles, it has gained American and worldwide exposure through acts such as New Order in the 1980s and the Prodigy in the 1990s. Characteristics AllMusic states that alternative dance mixes the "melodic song structure of alternative and indie rock with electronic beats, synths and/or samples, and club orientation of post-disco dance music". '' The Sacramento Bee'' calls it " postmodern– Eurosynth– technopop– New Wave in a blender". The genre draws heavily on club culture for inspiration while incorporating other styles of music such as electropop, house, and EBM. The performers of alternative dance are closely identified with their music through a signature style, texture, or fusion of specific musical elements. They are usually signed to small record labels. History 1980s ...
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Surf Music
Surf music (or surf rock, surf pop, or surf guitar) is a genre of rock music associated with surf culture, particularly as found in Southern California. It was especially popular from 1958 to 1964 in two major forms. The first is instrumental surf, distinguished by reverb-heavy electric guitars played to evoke the sound of crashing waves, largely pioneered by Dick Dale and the Del-Tones. The second is vocal surf, which took elements of the original surf sound and added vocal harmonies, a movement led by the Beach Boys. Dick Dale developed the surf sound from instrumental rock, where he added Middle Eastern and Mexican influences, a spring reverb, and rapid alternate picking characteristics. His regional hit "Let's Go Trippin', in 1961, launched the surf music craze, inspiring many others to take up the approach. The genre reached national exposure when it was represented by vocal groups such as the Beach Boys and Jan and Dean. Dale is quoted on such groups: "They were surfi ...
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Surf Music
Surf music (or surf rock, surf pop, or surf guitar) is a genre of rock music associated with surf culture, particularly as found in Southern California. It was especially popular from 1958 to 1964 in two major forms. The first is instrumental surf, distinguished by reverb-heavy electric guitars played to evoke the sound of crashing waves, largely pioneered by Dick Dale and the Del-Tones. The second is vocal surf, which took elements of the original surf sound and added vocal harmonies, a movement led by the Beach Boys. Dick Dale developed the surf sound from instrumental rock, where he added Middle Eastern and Mexican influences, a spring reverb, and rapid alternate picking characteristics. His regional hit "Let's Go Trippin', in 1961, launched the surf music craze, inspiring many others to take up the approach. The genre reached national exposure when it was represented by vocal groups such as the Beach Boys and Jan and Dean. Dale is quoted on such groups: "They were surfi ...
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Satoshi Kon
was a Japanese film director, animator, screenwriter and manga artist from Sapporo, Hokkaido and a member of the Japanese Animation Creators Association (JAniCA). He was a graduate of the Graphic Design department of the Musashino Art University. He is best known for his acclaimed anime films ''Perfect Blue'' (1997), ''Millennium Actress'' (2001), ''Tokyo Godfathers'' (2003) and ''Paprika'' (2006). He died of pancreatic cancer at the age of 46 on August 24, 2010. Biography Early life Satoshi Kon was born on October 12, 1963. Due to his father's job transfer, Kon's education from the fourth elementary grade up to the second middle-school grade was based in Sapporo. Kon was a classmate and close friend of manga artist Seihō Takizawa. While attending Hokkaido Kushiro Koryo High School, Kon aspired to become an animator. Kon entered the Graphic Design course of the Musashino Art University in 1982. Early career While in college, Kon made his debut as a manga artist with the short ...
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Opus (manga)
''Opus'' is a Japanese manga series written and illustrated by Satoshi Kon. The story is about a manga artist who is pulled into the world of the manga he is concluding and forced to confront his characters. The manga was serialized in the manga magazine ''Comic Guys'' from October 1995 until the magazine's cancellation in June 1996. It was collected into two volumes by Tokuma Shoten on December 13, 2010 and included a missing ending found after Kon's death. Dark Horse Comics licensed the manga in North America and released it in an omnibus edition on December 9, 2014. The French edition of the manga won the 2013 Asia Critics Prize from the ''Association des Critiques et des journalistes de Bande Dessinée'' and was nominated for the ''Sélection Officiele'' at the 2014 Angoulême International Comics Festival. ''Opus'' was Kon's final manga before he debuted in the anime industry with ''Perfect Blue''. Plot Manga artist Chikara Nagai is in the process of ending his current se ...
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Programming (music)
Programming is a form of music production and performance using electronic devices and computer software, such as sequencers and workstations or hardware synthesizers, sampler and sequencers, to generate sounds of musical instruments. These musical sounds are created through the use of music coding languages. There are many music coding languages of varying complexity. Music programming is also frequently used in modern pop and rock music from various regions of the world, and sometimes in jazz and contemporary classical music. It gained popularity in the 1950s and has been emerging ever since. Music programming is the process in which a musician produces a sound or "patch" (be it from scratch or with the aid of a synthesizer/ sampler), or uses a sequencer to arrange a song. Coding languages Music coding languages are used to program the electronic devices to produce the instrumental sounds they make. Each coding language has its own level of difficulty and function. Alda ...
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Record Producer
A record producer is a recording project's creative and technical leader, commanding studio time and coaching artists, and in popular genres typically creates the song's very sound and structure.Virgil Moorefield"Introduction" ''The Producer as Composer: Shaping the Sounds of Popular Music'' (Cambridge, MA & London, UK: MIT Press, 2005).Richard James Burgess, ''The History of Music Production'' (New York: Oxford University Press, 2014)pp 12–13Allan Watson, ''Cultural Production in and Beyond the Recording Studio'' (New York: Routledge, 2015)pp 25–27 The record producer, or simply the producer, is likened to film director and art director. The executive producer, on the other hand, enables the recording project through entrepreneurship, and an audio engineer operates the technology. Varying by project, the producer may or may not choose all of the artists. If employing only synthesized or sampled instrumentation, the producer may be the sole artist. Conversely, some artists ...
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Mixing Engineer
A mixing engineer (or simply mix engineer) is responsible for combining ("mixing") different sonic elements of an auditory piece into a complete rendition (also known as "final mix" or "mixdown"), whether in music, film, or any other content of auditory nature. The finished piece, recorded or live, must achieve a good balance of properties, such as volume, pan positioning, and other effects, while resolving any arising frequency conflicts from various sound sources. These sound sources can comprise the different musical instruments or vocals in a band or orchestra, dialogue or foley in a film, and more. The best mixing professionals typically have many years of experience and training with audio equipment, which has enabled them to master their craft. A mixing engineer occupies a space between artist and scientist, whose skills are used to assess the harmonic structure of sound to enable them to fashion desired timbres. Their work is found in all modern music, though ease of ...
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Mastering Engineer
A mastering engineer is a person skilled in the practice of taking audio (typically musical content) that has been previously mixed in either the analog or digital domain as mono, stereo, or multichannel formats and preparing it for use in distribution, whether by physical media such as a CD, vinyl record, or as some method of streaming audio. Education and experience The mastering engineer is responsible for a final edit of a product and preparation for manufacturing copies. Although there are no official requirements to work as an audio mastering engineer, practitioners often have comprehensive domain knowledge of audio engineering, and in many cases, may hold an audio or acoustic engineering degree. Most audio engineers master music or speech audio material. The best mastering engineers might possess arrangement and production skills, allowing them to ' trouble-shoot' mix issues and improve the final sound. Generally, good mastering skills are based on experience, resulting f ...
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Oricon
, established in 1999, is the holding company at the head of a Japanese corporate group that supplies statistics and information on music and the music industry in Japan and Western music. It started as, which was founded by Sōkō Koike in November 1967 and became known for its music charts. Oricon Inc. was originally set up as a subsidiary of Original Confidence and took over the latter's Oricon record charts in April 2002. The charts are compiled from data drawn from some 39,700 retail outlets (as of April 2011) and provide sales rankings of music CDs, DVDs, electronic games, and other entertainment products based on weekly tabulations. Results are announced every Tuesday and published in ''Oricon Style'' by subsidiary Oricon Entertainment Inc. The group also lists panel survey-based popularity ratings for television commercials on its official website. Oricon started publishing Combined Chart, which includes CD sales, digital sales, and streaming together, on December 19, 2 ...
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