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Jñāneśvar
Sant Dnyaneshwar (Marathi pronunciation: ̪ɲaːn̪eʃʋəɾ, also referred to as Jnaneshwar, Jnanadeva, Dnyandev or Mauli or Dnyaneshwar Vitthal Kulkarni (1275–1296), was a 13th-century Indian Marathi saint, poet, philosopher and yogi of the Nath Shaiva and Varkari tradition. In his short life of 21 years, he authored ''Dnyaneshwari'' (a commentary on the '' Bhagavad Gita'') and ''Amrutanubhav''. These are the oldest surviving literary works in the Marathi language, and considered to be milestones in Marathi literature. Sant Dnyaneshwar's ideas reflect the non-dualistic Advaita Vedanta philosophy and an emphasis on Yoga and bhakti towards Vithoba, an incarnation of Lord Vishnu. His legacy inspired saint-poets such as Eknath and Tukaram, and he is one of the founders of the Varkari (Vithoba-Krishna) Bhakti movement tradition of Hinduism in Maharashtra. Dnyaneshwar undertook samadhi at Alandi in 1296 by entombing himself in an underground chamber. Biography Dnyaneshwar wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amrutanubhav
Amrutanubhav or Amritanubhav is a composition by the Marathi saint and poet Jñāneśvar during the 13th century. It is considered to be a milestone in Marathi literature.Budkuley, K. I. R. A. N. (2005). Indo-European storytelling in translation: Crisscross of diversity-identity woven in with ideology. Etymology of the name Amrutanubhav is composed of two Marathi words ''Amrut'' (derived from Amrita which translates as immortal Elixir in Sanskrit) and ''Anubhav'' meaning experience. As a result, it literally translates to "the experience of immortality" in Sanskrit/ Marathi. About the work On advise from his guru, Nivruttinath, Jñāneśvar created an original work to state his experiences in yoga and philosophy. Although the work did not achieve as much fame as the ''Jñāneśvari'', it is still considered as one of the most important ones in Marathi literature. This work was to be Dnyaneshwar's last as he soon announced his intention to take on the state of a ''Sanjeevan Samadh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abhang
Abhanga () is a form of devotional poetry sung in praise of the Hindu god Vitthal, also known as Vithoba. The word "abhang" comes from ''a'' for "non-" and ''bhang'' for "ending" or "interrupting", in other words, a flawless, continuous process, in this case referring to a poem. By contrast, the devotional songs known as Bhajans focus on the inward journey. Abhangs are more exuberant expressions of the communitarian experience. Abhanga is considered a form of the ovi. Abhangs are sung during pilgrimage to the temples of Pandharpur, by the devotees. Practise Marathi ''bhajans'' start with the ''naman'' (invocation of god), followed by the ''Roopancha Abhang'' (Portraying the physical beauty of god by personifying in the human form) and towards the end bhajans giving spiritual and ethical messages are sung. Some famous musicians for Abhangs are Bhimsen Joshi, Sudhir Phadke, Suresh Wadkar, Ranjani, Gayatri, Aruna Sairam and Jitendra Abhisheki. It is a form of music performed by bo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Varkari
Warkari (Marathi: वारकरी; Pronunciation: aːɾkəɾiː Meaning: 'The one who performs the ''Wari''') is a sampradaya (religious movement) within the bhakti spiritual tradition of Hinduism, geographically associated with the Indian state of Maharashtra. Warkaris worship Vitthal (also known as Vithoba), the presiding deity of Pandharpur, regarded as a form of Krishna. Saints and gurus of the bhakti movement associated with the Warkaris include Dnyaneshwar, Namdev, Chokhamela, Eknath, and Tukaram, Gadge Maharaj all of whom are accorded the title of Sant. Recent research has suggested that the Varkaris were historically the followers of VITHHAL & RAKHUMAI(विठ्ठल आणि रखुमाई). Influence The Warkari tradition has been part of Hindu culture in Maharashtra since the thirteenth-century CE, when it formed as a ''panth'' (community of people with shared spiritual beliefs and practices) during the Bhakti movement. Warkaris recognise around ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Haripath
The Haripath is a collection of twenty-eight ''abhangas'' (poems) revealed to the thirteenth-century Marathi Saint, Dnyaneshwar. It is recited by Varkaris each day. The Haripath consists of a series of 28 ecstatic musical poems or Abhangs which repeatedly praise the value of chanting of God’s names, describe the countless benefits to be gained, and gives us many insights into the correct way to live a spiritual life, a life immersed in the blissful presence of this divinity whom Jñaneshwar calls Hari, Vitthal, Panduranga, and our own Self. Songs list - Sampoorna Haripath Shree Sant Dnyaneshwar Maharaj Bibliography * ''L'Invocation: Le Haripath de Dnyandev'', by Charlotte Vaudeville Charlotte Vaudeville (1918 — 28 April 2006) was a French Indologist, best known for her researches into the '' bhakti'' traditions and literature. Her treatises on the medieval saint Kabir have been lauded. She retired as a professor at the Unive ... (Paris: Ecole Francaise D'Extreme-Orient, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vishnu
Vishnu ( ; , ), also known as Narayana and Hari, is one of the principal deities of Hinduism. He is the supreme being within Vaishnavism, one of the major traditions within contemporary Hinduism. Vishnu is known as "The Preserver" within the Trimurti, the triple deity of supreme divinity that includes Brahma and Shiva.Gavin Flood, An Introduction to Hinduism' (1996), p. 17. In Vaishnavism, Vishnu is the supreme being who creates, protects, and transforms the universe. In the Shaktism tradition, the Goddess, or Adi Shakti, is described as the supreme Para Brahman, yet Vishnu is revered along with Shiva and Brahma. Tridevi is stated to be the energy and creative power (Shakti) of each, with Lakshmi being the equal complementary partner of Vishnu. He is one of the five equivalent deities in Panchayatana puja of the Smarta tradition of Hinduism. According to Vaishnavism, the highest form of Ishvara is with qualities (Saguna), and have certain form, but is limitless, transcend ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vithoba
Vithoba, also known as Vi(t)thal(a) and Panduranga, is a Hindu deity predominantly worshipped in the Indian state of Maharashtra and Karnataka. He is generally considered as a manifestation of the god Vishnu, or his avatar Krishna. Vithoba is often depicted as a dark young boy, standing arms akimbo on a brick, sometimes accompanied by his consort Rakhumai. Vithoba is the focus of an essentially monotheistic, non-ritualistic bhakti-driven Varkari faith of Maharashtra and the Haridasa faith of Karnataka. Vithoba Temple, Pandharpur is his main temple. Vithoba legends revolve around his devotee Pundalik who is credited for bringing the deity to Pandharpur, and around Vithoba's role as a saviour to the poet-saints of the Varkari faith. The Varkari poet-saints are known for their unique genre of devotional lyric, the abhang, dedicated to Vithoba and composed in Marathi. Other devotional literature dedicated to Vithoba includes the Kannada hymns of the Haridasa and the Marathi versio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Advaita Vedanta
''Advaita Vedanta'' (; sa, अद्वैत वेदान्त, ) is a Hinduism, Hindu sādhanā, a path of spiritual discipline and experience, and the oldest extant tradition of the Āstika and nāstika, orthodox Hindu school Vedanta, Vedānta. The term ''Advaita'' (literally "non-secondness", but usually rendered as "nondualism", and often equated with monism) refers to the idea that ''Brahman'' alone is ultimately Satya, real, while the transient phenomenon (philosophy), phenomenal world is an illusory appearance (''Maya (religion), maya'') of Brahman. In this view, (''jiv)Ātman (Hinduism), Ātman'', the experiencing self, and ''Ātman-Brahman'', the highest Self and ultimate Reality, Absolute Reality, is non-different. The ''jivatman'' or individual self is a mere reflection or limitation of singular ''Ātman'' in a multitude of apparent individual bodies. In the Advaita tradition, ''moksha'' (liberation from suffering and rebirth) is attained through recogni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marathi Literature
Marathi literature is the body of literature of Marathi, an Indo-Aryan language spoken mainly in the Indian state of Maharashtra and written in the Devanagari and Modi script. History Ancient Era Maharashtri Prakrit was the southern Prakrit that was spoken in the banks of Narmada and Godavari. Maharashtri was an offshoot of Vedic Sanskrit. The earliest example of Maharashtri as a separate language dates to approximately 3rd century BCE: a stone inscription found in a cave at Naneghat, Junnar in Pune district had been written in Maharashtri using Brahmi script. A committee appointed by the Maharashtra State Government to get the Classical status for Marathi has claimed that Marathi existed at least 2300 years ago. Marathi, a derivative of Maharashtri, is probably first attested in a 739 CE copper-plate inscription found in Satara. Several inscriptions dated to the second half of the 11th century feature Marathi, which is usually appended to Sanskrit or prakrit in these inscripti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhagavad Gita
The Bhagavad Gita (; sa, श्रीमद्भगवद्गीता, lit=The Song by God, translit=śrīmadbhagavadgītā;), often referred to as the Gita (), is a 700- verse Hindu scripture that is part of the epic ''Mahabharata'' (chapters 23–40 of book 6 of the Mahabharata called the Bhishma Parva), dated to the second half of the first millennium BCE and is typical of the Hindu synthesis. It is considered to be one of the holy scriptures for Hinduism. The Gita is set in a narrative framework of a dialogue between Pandava prince Arjuna and his guide and charioteer Krishna. At the start of the dharma yuddha (or the "righteous war") between the Pandavas and the Kauravas, Arjuna is preoccupied by a moral and emotional dilemma and despairs about the violence and death the war will cause in the battle against his kin. Wondering if he should renounce the war, he seeks Krishna's counsel, whose answers and discourse constitute the Gita. Krishna counsels Arjuna to "fu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shaiva
Shaivism (; sa, शैवसम्प्रदायः, Śaivasampradāyaḥ) is one of the major Hindu traditions, which worships Shiva as the Supreme Being. One of the largest Hindu denominations, it incorporates many sub-traditions ranging from devotional dualistic theism such as Shaiva Siddhanta to yoga-orientated monistic non-theism such as Kashmiri Shaivism.Ganesh Tagare (2002), The Pratyabhijñā Philosophy, Motilal Banarsidass, , pages 16–19 It considers both the Vedas and the Agama texts as important sources of theology.Mariasusai Dhavamony (1999), Hindu Spirituality, Gregorian University and Biblical Press, , pages 31–34 with footnotesMark Dyczkowski (1989), The Canon of the Śaivāgama, Motilal Banarsidass, , pages 43–44 Shaivism developed as an amalgam of pre-Vedic religions and traditions derived from the southern Tamil Shaiva Siddhanta traditions and philosophies, which were assimilated in the non-Vedic Shiva-tradition. In the process of Sanskritisation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nath
Nath, also called Natha, are a Shaiva sub-tradition within Hinduism in India and Nepal. A medieval movement, it combined ideas from Buddhism, Shaivism and Yoga traditions in India.Natha: Indian religious sect Encyclopedia Britannica (2007) The Naths have been a confederation of devotees who consider , as their first lord or , with varying lists of additional gurus. Of these, the 9th or 10th century |
Yogi
A yogi is a practitioner of Yoga, including a sannyasin or practitioner of meditation in Indian religions.A. K. Banerjea (2014), ''Philosophy of Gorakhnath with Goraksha-Vacana-Sangraha'', Motilal Banarsidass, , pp. xxiii, 297-299, 331 The feminine form, sometimes used in English, is yogini. Yogi has since the 12th century CE also denoted members of the Nath siddha tradition of Hinduism, and in Hinduism, Buddhism and Jainism, a practitioner of tantra.Rita Gross (1993), ''Buddhism After Patriarchy'', SUNY Press, , pages 85–88 In Hindu mythology, the god Shiva and the goddess Parvati are depicted as an emblematic yogi–yogini pair. Etymology In Classical Sanskrit, the word ''yogi'' (Sanskrit: masc ', योगी; fem ') is derived from ''yogin'', which refers to a practitioner of yoga. ''Yogi'' is technically male, and ''yoginī'' is the term used for female practitioners. The two terms are still used with those meanings today, but the word ''yogi'' is also used ge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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