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Just Begun
"Just Begun" is a song by American hip hop duo Reflection Eternal, composed of New York rapper Talib Kweli and Ohio producer Hi-Tek. The song was released on February 2, 2010, as the second single from their second studio album ''Revolutions per Minute'' (2010). The song is a posse cut featuring verses from rappers Jay Electronica, J. Cole and Mos Def, the latter of whom also forms a duo with Talib Kweli, known collectively as Black Star. Composition The song's production was handled by Reflection Eternal's Hi-Tek. The song contains samples of "We've Only Just Begun" as performed by The Singers Unlimited. The four recording artists rap in succession, without a bridge or refrain separating their verses. They complement their verses by continuing each other's rhyme scheme. Jay Electronica and J. Cole share nose imagery with "I’m on a higher level, I’m on top of nosebleeds / Niggas say they sick, but when they rock they don’t sneeze". Mos Def practices internal rhymes, rappi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reflection Eternal
Reflection Eternal is an American hip hop duo composed of emcee Talib Kweli and producer Hi-Tek. They released their first album, ''Train of Thought'', in 2000. They have since released a mixtape, ''The RE: Union'', in late December 2009, and their second album ''Revolutions Per Minute'' was released May 18, 2010. History The duo of Talib Kweli and Hi-Tek met in Tek's native Cincinnati, Ohio, following the release of the Hi-Tek/ Mood collaboration "Hustle on the Side". Kweli and Hi-Tek made their first official collaboration in 1997 on Mood's debut album, ''Doom'', on the track "Industry Lies". That same year, the two formed as Reflection Eternal, and signed to upstart underground hip hop label Rawkus Records. The tracks from their debut single, "Fortified Live" b/w "2000 Seasons", were included on the Rawkus Records compilation ''Soundbombing'' in October 1997. In 1998, Kweli and his high school friend, fellow Rawkus Records artist Mos Def, formed the duo Black Star, and rele ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Posse Cut
A posse cut is a popular form of song in hip hop music that involves successive verses by four or more rappers.Edwards, Paul, 2009, ''How to Rap: The Art & Science of the Hip-Hop MC'', Chicago Review Press, p. 221. Tracks described as posse cuts by ''Rolling Stone'' include A Tribe Called Quest's "Scenario", "Tha Shit" by , "Doin' Our Own Dang" by , " Monster" and “ |
The Count Of Monte Cristo
''The Count of Monte Cristo'' (french: Le Comte de Monte-Cristo) is an adventure novel written by French author Alexandre Dumas (''père'') completed in 1844. It is one of the author's more popular works, along with ''The Three Musketeers''. Like many of his novels, it was expanded from plot outlines suggested by his collaborating ghostwriter Auguste Maquet. The story takes place in France, Italy, and islands in the Mediterranean during the historical events of 1815–1839: the era of the Bourbon Restoration in France, Bourbon Restoration through the reign of Louis-Philippe of France. It begins on the day that Napoleon left his first island of exile, Elba, beginning the Hundred Days period when Napoleon returned to power. The historical setting is a fundamental element of the book, an adventure story centrally concerned with themes of hope, justice, vengeance, mercy, and forgiveness. It centers on a man who is wrongfully imprisoned, escapes from jail, acquires a fortune, and set ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Donnie Brasco
Joseph Dominick Pistone (born September 17, 1939), is an American former FBI agent who worked undercover as Donnie Brasco between September 1976 and July 1981, as part of an infiltration primarily into the Bonanno crime family, and to a lesser extent the Colombo crime family, two of the Five Families of the Mafia in New York City. Pistone was an FBI agent for 17 years, from 1969 until he resigned in 1986. The evidence collected by Pistone led to over 200 indictments and over 100 convictions of Mafia members—and some responsible for his infiltration were also killed by other mobsters. Pistone was a pioneer in long-term undercover work. The FBI's former director, J. Edgar Hoover, who died in 1972, did not want FBI agents to work undercover because of the danger of agents becoming corrupted; Pistone's work later helped convince the FBI that using undercover agents in lieu of relying exclusively on informants was a crucial tool in law enforcement. Pistone detailed his undercover e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Internal Rhyme
In poetry, internal rhyme, or middle rhyme, is rhyme that occurs within a single line of verse, or between internal phrases across multiple lines. By contrast, rhyme between line endings is known as end rhyme. Internal rhyme schemes can be denoted with spaces or commas between lines. For example, denotes a three-line poem with the same internal rhyme on each line, and the same end rhyme on each line (which does not rhyme with the internal rhyme). Examples The following example is in limerick form. Each stressed syllable rhymes with another stressed syllable using one of three rhyme sets. Each rhyme set is indicated by a different highlight color. Note that the yellow rhyme set provides internal rhyme in lines 1, 2, and 5, and end rhymes in lines 3 and 4, whereas the blue set is entirely internal and the pink is exclusively end rhymes. Each time alie for a She well that her are the Of the , and it , But this will ex More than , so some gape and . Percy Dearmer (1867†... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhyme Scheme
A rhyme scheme is the pattern of rhymes at the end of each line of a poem or song. It is usually referred to by using letters to indicate which lines rhyme; lines designated with the same letter all rhyme with each other. An example of the ABAB rhyming scheme, from "To Anthea, who may Command him Anything", by Robert Herrick: Function in writing These rhyme patterns have various effects, and can be used to: * Control flow: If every line has the same rhyme (AAAA), the stanza will read as having a very quick flow, whereas a rhyme scheme like ABCABC can be felt to unfold more slowly. * Structure a poems message and thought patterns: For example, a simple couplet with a rhyme scheme of AABB lends itself to simpler direct ideas, because the resolution comes in the very next line. Essentially these couplets can be thought of as self-contained statements. This idea of rhyme schemes reflecting thought processes is often discussed particularly regarding sonnets. * Determine whether ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Refrain
A refrain (from Vulgar Latin ''refringere'', "to repeat", and later from Old French ''refraindre'') is the line or lines that are repeated in music or in poetry — the "chorus" of a song. Poetic fixed forms that feature refrains include the villanelle, the virelay, and the sestina. In popular music, the refrain or chorus may contrast with the verse melodically, rhythmically, and harmonically; it may assume a higher level of dynamics and activity, often with added instrumentation. Chorus form, or strophic form, is a sectional and/or additive way of structuring a piece of music based on the repetition of one formal section or block played repeatedly. Usage in history In music, a refrain has two parts: the lyrics of the song, and the melody. Sometimes refrains vary their words slightly when repeated; recognizability is given to the refrain by the fact that it is always sung to the same tune, and the rhymes, if present, are preserved despite the variations of the words. Such ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bridge (music)
In music, especially Western popular music, a bridge is a contrasting section that prepares for the return of the original material section. In a piece in which the original material or melody is referred to as the "A" section, the bridge may be the third eight-bar phrase in a thirty-two-bar form (the B in AABA), or may be used more loosely in verse-chorus form, or, in a compound AABA form, used as a contrast to a full AABA section. The bridge is often used to contrast with and prepare for the return of the verse and the chorus. "The b section of the popular song chorus is often called the ''bridge'' or ''release''." Etymology The term comes from a German word for bridge, ''Steg'', used by the Meistersingers of the 15th to the 18th century to describe a transitional section in medieval bar form. The German term became widely known in 1920s Germany through musicologist Alfred Lorenz and his exhaustive studies of Richard Wagner's adaptations of bar form in his popular 19th-cent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rapping
Rapping (also rhyming, spitting, emceeing or MCing) is a musical form of vocal delivery that incorporates "rhyme, rhythmic speech, and street vernacular". It is performed or chanted, usually over a backing beat or musical accompaniment. The components of rap include "content" (what is being said), "flow" (rhythm, rhyme), and "delivery" (cadence, tone). Rap differs from spoken-word poetry in that it is usually performed off-time to musical accompaniment. Rap is a primary ingredient of hip hop music commonly associated with that genre; however, the origins of rap predate hip-hop culture by many years. Precursors to modern rap include the West African griot tradition, Cockney rhyming slang, certain vocal styles of blues, jazz, 1960s African-American poetry and ''Sprechgesang''. The use of rap in popular music originated in the Bronx, New York City in the 1970s, alongside the hip hop genre and cultural movement. Rapping developed from the role of master of ceremonies (MC) at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Singers Unlimited
The Singers Unlimited was a four-part jazz vocal group formed by Gene Puerling in 1971. The group included Len Dresslar (better known as the Jolly Green Giant in General Mills commercials), Bonnie Herman, and Don Shelton. History Gene Puerling (1929-2008) and Don Shelton (1934-Present) had formed part of Puerling's vocal group, The Hi-Lo's some years previously, though Shelton was a 1959 replacement for Hi-Lo's member Bob Strasen. The Singers Unlimited were created to record for commercials, but as time passed they were persuaded to record albums. On the recommendation of jazz pianist Oscar Peterson, they signed a contract with MPS Records in Germany. Peterson's trio played on their first-recorded album, '' In Tune''. The group made fifteen albums. Fourteen were recorded for MPS between 1971 and 1982 and were collected in the box set ''Magic Voices''. Puerling's arrangements for Singers Unlimited earned him a reputation as one of the best vocal writers in the world. Members of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
We've Only Just Begun
"We've Only Just Begun" is a single by the Carpenters, written by Roger Nichols (music) and Paul Williams (lyrics). It was ranked at No. 414 on ''Rolling Stone'' magazine's list of "The 500 Greatest Songs of All Time." Song information The song was originally recorded by Smokey Roberds, a friend of Nichols, singing under the name of "Freddie Allen".Pierce, Dave (2008). ''Riding on the ether express: a memoir of 1960s Los Angeles, the rise of Freeform Underground Radio, and the legendary KPPC-FM.'' Center for Louisiana Studies, It debuted within a wedding-themed television commercial for Crocker National Bank in California in the winter of 1970, with Paul Williams on vocals. Hal Riney of the San Francisco-based advertising agency Hal Riney & Partners had commissioned the song to help Crocker appeal to young people. The song played over footage of a couple getting married and just starting out. In the song, direct reference to the bank was left out, in part to make the song more ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sampling (music)
In sound and music, sampling is the reuse of a portion (or sample) of a sound recording in another recording. Samples may comprise elements such as rhythm, melody, speech, sounds or entire bars of music, and may be layered, equalized, sped up or slowed down, repitched, looped, or otherwise manipulated. They are usually integrated using hardware ( samplers) or software such as digital audio workstations. A process similar to sampling originated in the 1940s with '' musique concrète'', experimental music created by splicing and looping tape. The mid-20th century saw the introduction of keyboard instruments that played sounds recorded on tape, such as the Mellotron. The term ''sampling'' was coined in the late 1970s by the creators of the Fairlight CMI, a synthesizer with the ability to record and play back short sounds. As technology improved, cheaper standalone samplers with more memory emerged, such as the E-mu Emulator, Akai S950 and Akai MPC. Sampling is a foundation of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
