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Just Begun
"Just Begun" is a song by American hip hop duo Reflection Eternal, composed of New York rapper Talib Kweli and Ohio producer Hi-Tek. The song was released on February 2, 2010, as the second single from their second studio album ''Revolutions per Minute'' (2010). The song is a posse cut featuring verses from rappers Jay Electronica, J. Cole and Mos Def, the latter of whom also forms a duo with Talib Kweli, known collectively as Black Star. Composition The song's production was handled by Reflection Eternal's Hi-Tek. The song contains samples of "We've Only Just Begun" as performed by The Singers Unlimited. The four recording artists rap in succession, without a bridge or refrain separating their verses. They complement their verses by continuing each other's rhyme scheme. Jay Electronica and J. Cole share nose imagery with "I’m on a higher level, I’m on top of nosebleeds / Niggas say they sick, but when they rock they don’t sneeze". Mos Def practices internal rhymes, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reflection Eternal
Reflection Eternal is an American hip hop music, hip hop duo composed of emcee Talib Kweli and Hip hop producer, producer Hi-Tek. They released their first album, ''Train of Thought (Reflection Eternal album), Train of Thought'', in 2000. They have since released a mixtape, ''The RE: Union'', in late December 2009, and their second album ''Revolutions Per Minute (Reflection Eternal album), Revolutions Per Minute'' was released May 18, 2010. History The duo of Talib Kweli and Hi-Tek met in Tek's native Cincinnati, following the release of the Hi-Tek/Mood (hip hop crew), Mood collaboration "Hustle on the Side". Kweli and Hi-Tek made their first official collaboration in 1997 on Mood's debut album, ''Doom'', on the track "Industry Lies". That same year, the two formed as Reflection Eternal, and signed to upstart underground hip hop label Rawkus Records. The tracks from their debut single, "Fortified Live" b/w "2000 Seasons", were included on the Rawkus Records compilation ''Soundbom ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Posse Cut
A posse cut is a popular form of song in hip hop music that involves successive verses by four or more rappers.Edwards, Paul, 2009, ''How to Rap: The Art & Science of the Hip-Hop MC'', Chicago Review Press, p. 221. Tracks described as posse cuts by ''Rolling Stone'' include A Tribe Called Quest's "Scenario", "Tha Shit" by The D.O.C., "Doin' Our Own Dang" by Jungle Brothers, "Monster" and " So Appalled" by Kanye West, and "Set It Off" by Snoop Dogg. Tracks described by AllMusic as posse cuts include "Wu-Gambinos" by Raekwon, "1, 2, 3" by Naughty by Nature, and "Head Banger" by EPMD. History Many classic early hip hop tracks, such as Afrika Bambaataa & the Soul Sonic Force Soulsonic Force (also referred to as Afrika Bambaataa & Soulsonic Force) is an American electro-funk and hip hop ensemble led by Afrika Bambaataa who helped establish hip-hop in the early 1980s with songs such as " Planet Rock." They were also ...'s "Zulu Nation Throwdown", took the form of a posse cut. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Count Of Monte Cristo
''The Count of Monte Cristo'' () is an adventure novel by the French writer Alexandre Dumas. It was serialised from 1844 to 1846, and published in book form in 1846. It is one of his most popular works, along with ''The Three Musketeers'' (1844) and '' Man in the Iron Mask'' (1850). Like many of his novels, it was expanded from plot outlines suggested by his collaborating ghostwriter, Auguste Maquet. It is regarded as a classic of both French and world literature. The narrative takes place in France, Italy and islands in the Mediterranean Sea during the historical events of 1815–1839: the era of the Bourbon Restoration through the reign of Louis Philippe I. It begins on the day when Napoleon left his first island of exile, Elba, beginning the Hundred Days period of his return to power. The historical setting is fundamental to the narrative. ''The Count of Monte Cristo'' explores themes of hope, justice, vengeance, mercy and forgiveness. Before he can marry his fian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Donnie Brasco
Joseph Dominick Pistone (born September 17, 1939) is an American former FBI special agent who worked undercover as Donnie Brasco between September 1976 and July 1981, as part of an infiltration primarily into the Bonanno crime family under the tutelage of Anthony Mirra and later Dominick Napolitano, and to a lesser extent the Colombo crime family, two of the Five Families of the Mafia in New York City. Pistone was an FBI agent for 17 years, from 1969 until he resigned in 1986. The evidence collected by Pistone led to over 200 indictments and over 100 convictions of Mafia members, and some responsible for his infiltration were also killed by other mobsters. Pistone was a pioneer in long-term undercover work. The FBI's former director, J. Edgar Hoover, who died in 1972, did not want FBI agents to work undercover because of the danger of agents becoming corrupted. Nonetheless, Pistone's work later helped convince the FBI that using undercover agents in lieu of relying exclusivel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Internal Rhyme
In poetry, internal rhyme, or middle rhyme, is rhyme that occurs within a single line of verse, or between internal phrases across multiple lines. By contrast, rhyme between line endings is known as end rhyme. Internal rhyme schemes can be denoted with spaces or commas between lines. For example, denotes a three-line poem with the same internal rhyme on each line, and the same end rhyme on each line (which does not rhyme with the internal rhyme). Examples Poetry In the following limerick, each stressed syllable rhymes with another stressed syllable using one of three rhyme sets. Each rhyme set is indicated by a different highlight color. Note that the yellow rhyme set provides internal rhyme in lines 1, 2, and 5, and end rhymes in lines 3 and 4, but the blue set is entirely internal, and the pink is exclusively end rhymes. Each time alie for a She well that her are the Of the , and it , But this will ex More than , so some gape and . Samuel Taylor Coleridge's poem "Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhyme Scheme
A rhyme scheme is the pattern of rhymes at the end of each line of a poem or song. It is usually referred to by using letters to indicate which lines rhyme; lines designated with the same letter all rhyme with each other. An example of the ABAB rhyming scheme, from "To Anthea, who may Command him Anything", by Robert Herrick: Function in writing These rhyme patterns have various effects, and can be used to: * Control flow: If every line has the same rhyme (AAAA), the stanza will read as having a very quick flow, whereas a rhyme scheme like ABCABC can be felt to unfold more slowly. * Structure a poem's message and thought patterns: For example, a simple couplet with a rhyme scheme of AABB lends itself to simpler direct ideas, because the resolution comes in the very next line. Essentially these couplets can be thought of as self-contained statements. This idea of rhyme schemes reflecting thought processes is often discussed particularly regarding sonnets. * Determine whether ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Refrain
A refrain (from Vulgar Latin ''refringere'', "to repeat", and later from Old French ''refraindre'') is the Line (poetry)">line or lines that are repeated in poetry or in music">poetry.html" ;"title="Line (poetry)">line or lines that are repeated in poetry">Line (poetry)">line or lines that are repeated in poetry or in music—the "chorus" of a song. Poetry, Poetic fixed forms that feature refrains include the villanelle, the virelay, and the sestina. In popular music, the refrain or chorus may contrast with the Verse (popular music), verse melodically, rhythmically, and harmonically; it may assume a higher level of dynamics and activity, often with added instrumentation. Chorus form, or strophic form, is a sectional and/or additive way of structuring a piece of music based on the repetition of one formal section or block played repeatedly. Usage in history Although repeats of refrains may use different words, refrains are made recognizable by reusing the same melody (whe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bridge (music)
In music, especially Western popular music, a bridge is a contrasting section that prepares for the return of the original material section. It adds a sense of progress within a piece of music and can be used to introduce a source of tension. In a piece in which the original material or melody is referred to as the "A" section, the bridge may be the third eight- bar phrase in a 32-bar form (the B in AABA), or may be used more loosely in verse-chorus form, or, in a compound AABA form, used as a contrast to a full AABA section. The bridge is often used to contrast with and prepare for the return of the verse and the chorus. "The b section of the popular song chorus is often called the ''bridge'' or ''release'' ", or ''boredom-breaker'', . Etymology The term is a calque from a German word for bridge, ''Steg'', used by the Meistersingers of the 15th to the 18th century to describe a transitional section in medieval bar form. The German term became widely known in 1920s Germany ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rapping
Rapping (also rhyming, flowing, spitting, emceeing, or MCing) is an artistic form of vocal delivery and emotive expression that incorporates " rhyme, rhythmic speech, and ommonlystreet vernacular". It is usually performed over a backing beat or musical accompaniment. The components of rap include "content" (what is being said, e.g., lyrics), "flow" ( rhythm, rhyme), and "delivery" ( cadence, tone). Rap differs from spoken-word poetry in that it is usually performed off-time to musical accompaniment. It also differs from singing, which varies in pitch and does not always include words. Because they do not rely on pitch inflection, some rap artists may play with timbre or other vocal qualities. Rap is a primary ingredient of hip-hop music, and so commonly associated with the genre that it is sometimes called "rap music". Precursors to modern rap music include the West African griot tradition, certain vocal styles of blues and jazz, an African-American insult ga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Singers Unlimited
The Singers Unlimited was a four-part jazz vocal group formed by Gene Puerling in 1971. The group included Len Dresslar (better known as the Jolly Green Giant in General Mills commercials), Bonnie Herman, and Don Shelton. History Gene Puerling (1929–2008) and Don Shelton (1934-Present) had formed part of Puerling's vocal group, The Hi-Lo's, some years previously, though Shelton was a 1959 replacement for Hi-Lo's member Bob Strasen. The Singers Unlimited were created to record for commercials, but as time passed they were persuaded to record albums. On the recommendation of jazz pianist, Oscar Peterson, they signed a contract with MPS Records in Germany. Peterson's trio played on their first-recorded album, '' In Tune''. The group made fifteen albums. Fourteen were recorded for MPS between 1971 and 1982 and were collected in the box set ''Magic Voices''. Puerling's arrangements for Singers Unlimited earned him a reputation as one of the best vocal writers in the world. Mem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
We've Only Just Begun
"We've Only Just Begun" is a single by the Carpenters, written by Roger Nichols (music) and Paul Williams (lyrics). It was ranked at No. 414 on ''Rolling Stone'' magazine's list of "The 500 Greatest Songs of All Time." It also became Carpenters' second consecutive top-five single in the ''Billboard'' Hot 100. History Creation for advertising The song was originally in a wedding-themed television commercial for Crocker National Bank in California in early 1970, with Paul Williams on vocals. Hal Riney of the San Francisco-based advertising agency Hal Riney & Partners had commissioned the song to help Crocker appeal to young people. The song played over footage of a couple getting married and just starting out. In the song, direct reference to the bank was left out, in part to make the song more marketable. The commercial turned out to be very popular, but it attracted customers in which the bank was not interested: young adult customers with no collateral for loans. The campaign ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sampling (music)
In sound and music, sampling is the reuse of a portion (or sample) of a sound recording in another recording. Samples may comprise elements such as rhythm, melody, speech, or sound effects. A sample might comprise only a fragment of sound, or a longer portion of music, such as a drum beat or melody. Samples are often layered, Equalization (audio), equalized, sped up or slowed down, repitched, Loop (music), looped, or otherwise manipulated. They are usually integrated using electronic music instruments (Sampler (musical instrument), samplers) or software such as digital audio workstations. A process similar to sampling originated in the 1940s with ''musique concrète'', experimental music created by Tape splice, splicing and Tape loop, looping tape. The mid-20th century saw the introduction of keyboard instruments that played sounds recorded on tape, such as the Mellotron. The term ''sampling'' was coined in the late 1970s by the creators of the Fairlight CMI, a synthesizer with th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
