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Judita Nagyová
Judita Nagyová is a Slovak mezzo-soprano. She is a versatile member of the Oper Frankfurt, who has appeared at European opera houses and festivals. She took part in the world premiere of Arnulf Herrmann's ''Der Mieter''. Career Born in Galanta, Nagyová studied at the Conservatory of Bratislava. She was a prize winner at international competitions such as the 2009 International Hans Gabor Belvedere in Vienna, where she achieved the special prize of the Deutsche Oper am Rhein. She joined the company's studio from 2009 to 2011. She then moved to the Staatsoper Nürnberg, performing as Second Lady in Mozart's ''Die Zauberflöte'', Orlofsky in ''Die Fledermaus'' by Johann Strauss, Mercédès in Bizet's ''Carmen'', Schwertleite and Floßhilde in Wagner's ''Der Ring des Nibelungen'', and Krista in Janáček's '' Die Sache Makropulos'', performing the latter role also at ''La Fenice'' in Venice. In 2012, she portrayed the title role of Handel's Ezio at the International Gluck Opera ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Galanta
Galanta ( hu, Galánta, german: Gallandau) is a town (about 15,000 inhabitants) in the Trnava Region of Slovakia. It is situated 50 km due east of the Slovak capital Bratislava. Etymology The name is derived from a Slavic name ''Golęta'' (initially a collective name of a youth group selected from a kin and responsible for guarding). A pre-Hungarian origin of the settlement is documented by the Proto-Slavic nasal "ę" conserved in the name (GalaNta; compare with Czech Holetín and Holetice). Geography Galanta lies in the Danubian Lowland (''Podunajská nížina''), the warm southern part of Slovakia. There are many agricultural fields around Galanta, where wheat, corn, and other vegetables and fruits are grown. History The land around Galanta has almost continuously been inhabited since the neolithic. From the second half of the 10th century until 1918, it was part of the Kingdom of Hungary. The first written record of Galanta was made in 1237 in a Royal Decree by Béla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Troyens
''Les Troyens'' (; in English: ''The Trojans'') is a French grand opera in five acts by Hector Berlioz. The libretto was written by Berlioz himself from Virgil's epic poem the ''Aeneid''; the score was composed between 1856 and 1858. ''Les Troyens'' is Berlioz's most ambitious work, the summation of his entire artistic career, but he did not live to see it performed in its entirety. Under the title ''Les Troyens à Carthage'', the last three acts were premièred with many cuts by Léon Carvalho's company, the Théâtre Lyrique, at their theatre (now the Théâtre de la Ville) on the Place du Châtelet in Paris on 4 November 1863, with 21 repeat performances. After decades of neglect, today the opera is considered by some music critics as one of the finest ever written. Composition history Berlioz began the libretto on 5 May 1856 and completed it toward the end of June 1856. He finished the full score on 12 April 1858. Berlioz had a keen affection for literature, and he had ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brigitte Fassbaender
Brigitte Fassbaender (; born 3 July 1939), is a German mezzo-soprano opera singer and a stage director. From 1999 to 2012 she was intendant (managing director) of the Tyrolean State Theatre in Innsbruck, Austria. She holds the title Kammersängerin from the Bavarian State Opera in Munich and the Vienna Staatsoper. Career Fassbaender was born in Berlin, the daughter of screen actress Sabine Peters and baritone Willi Domgraf-Fassbaender. The family settled in Nuremberg after World War II. She spent her early career in Munich. Fassbaender studied singing with her father, at the Nuremberg Conservatory. She joined the Bavarian State Opera in 1961, where her first leading role was Nicklausse in ''The Tales of Hoffmann''. Fassbaender appeared as Octavian, the title role of ''Der Rosenkavalier'' by Richard Strauss, in Munich in 1967, the role that launched her international career. In 1971, she performed at Royal Opera, London and made her Metropolitan Opera debut in 1974. Fassbaender ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Das Rheingold
''Das Rheingold'' (; ''The Rhinegold''), WWV 86A, is the first of the four music dramas that constitute Richard Wagner's ''Der Ring des Nibelungen'' (English: ''The Ring of the Nibelung''). It was performed, as a single opera, at the National Theatre Munich on 22 September 1869, and received its first performance as part of the ''Ring'' cycle at the Bayreuth Festspielhaus, on 13 August 1876. Wagner wrote the ''Ring'' librettos in reverse order, so that ''Das Rheingold'' was the last of the texts to be written; it was, however, the first to be set to music. The score was completed in 1854, but Wagner was unwilling to sanction its performance until the whole cycle was complete; he worked intermittently on this music until 1874. The 1869 Munich premiere of ''Das Rheingold'' was staged, much against Wagner's wishes, on the orders of his patron, King Ludwig II of Bavaria. Following its 1876 Bayreuth premiere, the ''Ring'' cycle was introduced into the worldwide repertory, with perf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rusalka (opera)
''Rusalka'' (), Op. 114, is an opera ('lyric fairy tale') by Antonín Dvořák. The Czech libretto was written by the poet Jaroslav Kvapil (1868–1950) based on the fairy tales of Karel Jaromír Erben and Božena Němcová. A rusalka is a water sprite from Slavic mythology, usually inhabiting a lake or river. ''Rusalka'' was the ninth opera Dvořák composed. It is one of the most successful Czech operas, and represents a cornerstone of the repertoire of Czech opera houses. Dvořák had played viola for pit orchestras in Prague (the Estates Theatre from 1857 until 1859 while a student, then from 1862 until 1871 at the Provisional Theatre). He thus had direct experience of a wide range of operas by Mozart, Weber, Rossini, Lortzing, Wagner, Verdi and Smetana. For many years unfamiliarity with Dvořák's operas outside the Czech lands helped reinforce a perception that composition of operas was a marginal activity, and that despite the beauty of its melodies and orchestra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bregenz Festival
Bregenzer Festspiele (; Bregenz Festival) is a performing arts festival which is held every July and August in Bregenz in Vorarlberg (Austria). It features a large floating stage which is situated on Lake Constance. History The Festival became an international event in its first year 1946, one year after World War II. People from Germany, Switzerland and France came to the festival. Two stages were created out of floating barges. One barge for the Vienna Symphony Orchestra and the other barge for carrying stage structures. The Vienna Symphony Orchestra is the biggest contributor to the Festival. This orchestra has a performance spot every year since the beginning of the festival. They have their own stage area and other venues used thorough out the festival. Every year the orchestra has a different conductor for each piece because it is considered the conductors performance. Kornmarktplatz, vorarlberg museum is the venture they are using for the 2016 Festival. In 2001, the f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wexford Festival Opera
Wexford Festival Opera () is an opera festival that takes place in the town of Wexford in south-eastern Ireland during the months of October and November. The festival began in 1951 under Tom Walsh and a group of opera lovers who quickly generated considerable interest by programming unusual and rare works, a typical festival staging three operas. This concept has been maintained over the company's history under the direction of seven different artistic directors. From the beginning, the company embraced new and upcoming young singers, many of whom were Irish, but it also included new international names who made first appearances there. By the 1960s Czech and Russian operas entered the repertory, while the 1970s saw an interest in the operas of Jules Massenet under director Thomson Smillie, followed by an emphasis on Italian operas from the end of that decade. However, into the mix there appeared more modern operas by Benjamin Britten and Carlisle Floyd while Elaine Padmore's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concertgebouw, Amsterdam
The Royal Concertgebouw ( nl, Koninklijk Concertgebouw, ) is a concert hall in Amsterdam, Netherlands. The Dutch term "concertgebouw" translates into English as "concert building". Its superb Architectural acoustics, acoustics place it among the finest concert halls in the world, along with Boston's Symphony Hall, Boston, Symphony Hall and the Musikverein in Vienna. In celebration of the building's 125th anniversary, Beatrix of the Netherlands, Queen Beatrix bestowed the royal title "Koninklijk" upon the building on 11 April 2013, as she had on the Royal Concertgebouw Orchestra upon its 100th in 1988. History The architect of the building was , who was inspired by the Gewandhaus in Leipzig, built two years earlier (and destroyed in 1943). Construction began in 1883 in a pasture that was then outside the city, in Nieuwer-Amstel, a municipality that in 1964 became Amstelveen. A total of 2,186 wooden piles, twelve to thirteen metres (40 to 43 ft) long, were emplaced in the so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wiener Festwochen
__NOTOC__ The Wiener Festwochen (Vienna Festival) is a cultural festival in Vienna that takes place every year for five or six weeks in May and June. The Wiener Festwochen was established in 1951, when Vienna was still occupied by the four Allies. The opening of the Wiener Festwochen is an open-air event with free admission held in the square in front of Vienna’s City Hall. Each year the festival attracts about 180,000 visitors. Directors of the festival include: *1951-1958: Adolph Ario *1959: Rudolf Gamsjäger *1960-1964: Egon Hilbert *1964-1977: Ulrich Baumgartner *1978-1979: Gerhard Freund *1980-1984: Helmut Zilk *1984-1991: Ursula Pasterk *1991-1996: Klaus Bachler *1997-2001: Luc Bondy / Klaus-Peter Kehr / Hortensia Völckers *2002–2013: Luc Bondy *2014–2016: Markus Hinterhäuser *2017–2021: Tomas Zierhofer-Kin *2019-present: Christophe Slagmuylder, whose term ends in 2024 See also *List of opera festivals This is an inclusive list of opera festiva ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Königskinder
' (German for ''King's Children'' or “Royal Children”) is a stage work by Engelbert Humperdinck that exists in two versions: as a melodrama and as an opera or more precisely a '' Märchenoper''. The libretto was written by Ernst Rosmer (pen name of Else Bernstein-Porges), adapted from her play of the same name. In 1894, Heinrich Porges asked Humperdinck to write incidental music for his daughter Else's play. Humperdinck was interested in making the story into an opera but since Else Bernstein-Porges initially refused, he opted for the play to be staged as a melodrama – that is with spoken dialogue taking place along with an instrumental backdrop. (The work also included operatic arias and choruses, as well as unaccompanied dialogue.) In the melodramatic passages, Humperdinck designed an innovative hybrid notation that called for a text delivery somewhere between singing and speech. With this notation, the singer was expected to deliver a substantial portion of the text wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Cenerentola
' (''Cinderella, or Goodness Triumphant'') is an operatic ''dramma giocoso'' in two acts by Gioachino Rossini. The libretto was written by Jacopo Ferretti, based on the libretti written by Charles-Guillaume Étienne for the opera '' Cendrillon'' with music by Nicolas Isouard (first performed Paris, 1810) and by Francesco Fiorini for ' with music by Stefano Pavesi (first performed Milan, 1814). All these operas are versions of the fairy tale '' Cendrillon'' by Charles Perrault. Rossini's opera was first performed in Rome's Teatro Valle on 25 January 1817. Rossini composed ''La Cenerentola'' when he was 25 years old, following the success of ''The Barber of Seville'' the year before. ''La Cenerentola'', which he completed in a period of three weeks, is considered to have some of his finest writing for solo voice and ensembles. Rossini saved some time by reusing an overture from '' La gazzetta'' and part of an aria from ''The Barber of Seville'' and by enlisting a collaborator, Luca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Julietta
''Juliette'' is an opera by Bohuslav Martinů, who also wrote the libretto, in French, based on the play ''Juliette, ou La clé des songes'' (''Juliette, or The Key of Dreams)'' by the French author Georges Neveux. A libretto in Czech was later prepared for its premiere which took place at the Prague National Theatre on 16 March 1938. ''Juliette'' has become widely considered as Martinů's masterpiece. Performance history Martinů became aware of the play by Neveux in 1932, two years after its premiere at the in Paris (8th arrondissement) on 7 March 1930.Smaczny, Jan. "''Julietta''". In: ''The New Grove Dictionary of Opera''. Macmillan, London and New York, 1997. It appears that Neveux had come to an agreement with Kurt Weill to base a musical comedy on his play, but on hearing some of Martinů's music, passed his favour to the Czech.Bohuslav Martinů: ''Juliette ou la Clé des songes''. In: Kaminski, Piotr. ''Mille et Un Opéras''. Fayard, 2003, pp. 839–841. The initial work on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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