|
Joseph-Antoine-Charles Couderc
Joseph-Antoine-Charles Couderc (10 March 1810 – 16 April 1875) was a French operatic tenor (and later baritone) prominent on the stages of the Opéra Comique in Paris where he created numerous roles. Life and career Couderc was born in Toulouse where his father had a grocery shop. He was working in his father's business when Louis Benoît Alphonse Révial (1810-1871) a tenor from Toulouse already studying at the Conservatoire de Paris convinced him to study singing and facilitated his entry to the conservatory in 1830. After studying singing there under Louis Nourrit, Couderc made his debut as Rodolphe in Boieldieu's ''Le petit chaperon de rouge'' at the Opéra-Comique in 1834. He created several roles with the company between 1834 and 1841 and was greatly admired for his acting ability. He sang in Belgium from 1842 until 1850 when he returned to the Opéra-Comique where he remained for the rest of his career singing leading tenor and later baritone roles.Duckett, William (ed. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Toulouse
Toulouse ( , ; oc, Tolosa ) is the prefecture of the French department of Haute-Garonne and of the larger region of Occitania. The city is on the banks of the River Garonne, from the Mediterranean Sea, from the Atlantic Ocean and from Paris. It is the fourth-largest city in France after Paris, Marseille and Lyon, with 493,465 inhabitants within its municipal boundaries (2019 census); its metropolitan area has a population of 1,454,158 inhabitants (2019 census). Toulouse is the central city of one of the 20 French Métropoles, with one of the three strongest demographic growth (2013-2019). Toulouse is the centre of the European aerospace industry, with the headquarters of Airbus, the SPOT satellite system, ATR and the Aerospace Valley. It hosts the CNES's Toulouse Space Centre (CST) which is the largest national space centre in Europe, but also, on the military side, the newly created NATO space centre of excellence and the French Space Command and Space Academy. Thales ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Noces De Jeannette
''Les noces de Jeannette'' (''Jeannette's Wedding'') is an '' opéra comique'' in one act by Victor Massé to a libretto by Jules Barbier and Michel Carré. It had its premiere in Paris in the Salle Favart at the Opéra-Comique, 4 February 1853. Roles and role creators *Jean baritone – Joseph-Antoine-Charles Couderc *Jeannette soprano – Marie-Caroline Miolan-Carvalho *Pierre tenor A tenor is a type of classical male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is wide ... – Begat *Thomas bass – Louis Palianti Recordings * Ninon Vallin (Jeannette), Léon Ponzio (Jean), M. Laurent (Thomas), Mme. De Busson (Pierre), Orchestra and chorus of the Opéra-Comique, Paris, conductor Laurent Halet. Recorded by Pathé in 1922. Reissued by Marston Records, Marston 53010-2 (2011). References * External links Libre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victor Massé
Victor Massé (born ''Félix-Marie Massé''; 7 March 1822 – 5 July 1884) was a French composer. Biography Massé was born in Lorient (Morbihan) and studied at the Paris Conservatoire, winning the Prix de Rome in 1844 for his cantata ''Le Rénégat de Tanger'' before turning his attention to opera. While at the Conservatoire, Massé studied with Jaques Halévy. He wrote some twenty operas, including ''La Chanteuse voilée'' (1850), followed by the more ambitious ''Galathée'' (1852) and ''Paul et Virginie'' (1876). His best-known and most successful work was the ''opéra comique'' ''Les Noces de Jeannette'' (1853). His last work, ''Une Nuit de Cléopâtre'', was performed posthumously in April 1885. Massé died in Paris and is buried in Montmartre Cemetery. in the 9th arrondissement of Paris is named after him. Operas * ''La Chambre gothique'', opéra (1849) * ''La Chanteuse voilée'' (1850, text by Eugène Scribe and Adolphe de Leuven) * ''Galathée'' (1852, text by Jules Ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Nabab
''Le nabab'' is a three-act opéra comique by Fromental Halévy to a libretto by Eugène Scribe. The title refers to a Nawab or Indian notable. The opera was the last collaboration of Scribe and Halévy, which began in 1835 with ''La Juive'', Halévy's greatest success. It premiered in Paris on 1 September 1853. The opera had 38 performances and appears not to have been revived. Roles *Dora soprano – Caroline Miolan-Carvalho *Lord Evendale tenor – Charles-Auguste-Marie Ponchard *Clifford baritone – Joseph-Antoine-Charles Couderc Joseph-Antoine-Charles Couderc (10 March 1810 – 16 April 1875) was a French operatic tenor (and later baritone) prominent on the stages of the Opéra Comique in Paris where he created numerous roles. Life and career Couderc was born in Toulous ... Synopsis :Place: India and England :Time: The Commissioner, Lord Evendale, bored with his life and especially with his wife, contemplates suicide. His doctor suggests he take a year's sabbatical. Be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Songe D'une Nuit D'été
''Le songe d'une nuit d'été'' (''A Midsummer Night's Dream'') is an opéra-comique in three acts composed by Ambroise Thomas to a French libretto by Joseph-Bernard Rosier and Adolphe de Leuven. Although it shares the French title for Shakespeare's play, ''A Midsummer Night's Dream'', its plot is not based on the play. Shakespeare himself is a character in the opera as are Elizabeth I and Falstaff. Performance history The opera was premiered on 20 April 1850 by the Opéra-Comique at the second Salle Favart in Paris. The role of Elizabeth was intended for Delphine Ugalde, who was too ill to sing at the premiere but later took over the part. English commentators often find certain aspects of the plot in questionable taste. However, the opera was very successful in France.Loewenberg 1978, column 881. It was revived at the Opéra-Comique on 22 September 1859 and again during the International Exposition of 1867 with Marie Cabel, Victor Capoul, Léon Achard, and Pierre Gailhard in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ambroise Thomas
Charles Louis Ambroise Thomas (; 5 August 1811 – 12 February 1896) was a French composer and teacher, best known for his operas ''Mignon'' (1866) and ''Hamlet'' (1868). Born into a musical family, Thomas was a student at the Conservatoire de Paris, winning France's top music prize, the Prix de Rome. He pursued a career as a composer of operas, completing his first opera, ''La double échelle'', in 1837. He wrote twenty further operas over the next decades, mostly comic, but he also treated more serious subjects, finding considerable success with audiences in France and abroad. Thomas was appointed as a professor at the Conservatoire in 1856, and in 1871 he succeeded Daniel Auber as director. Between then and his death at his home in Paris twenty-five years later, he modernised the Conservatoire's organisation while imposing a rigidly conservative curriculum, hostile to modern music, and attempting to prevent composers such as César Franck and Gabriel Fauré from influencing t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Diamants De La Couronne
''Les diamants de la couronne'' (''The Crown Diamonds'') is an ''opéra comique'' by the French composer Daniel Auber, first performed by the Opéra-Comique at the second Salle Favart in Paris on 6 March 1841. The libretto (in three acts) is by Auber's regular collaborator, Eugène Scribe with the help of Jules-Henri Vernoy de Saint-Georges. Performance history The opera was performed at the Opéra-Comique 379 times up to 1889, under the title ''Les diamants de la reine'', and was revived in Marseilles on 20 March 1896. Outside France it was first performed in Brussels on 25 November 1841, New Orleans on 31 March 1842, Munich on 15 July 1842 (in a German translation by V. A. Swoboda), Prague on 13 August 1842 (in German), Hamburg on 29 October 1842 (in German), Riga in 1843 (in German), Amsterdam in 1843 (in French), Berlin at the Hofoper on 11 February 1843 (in German), Copenhagen on 17 February 1843 (in a Danish translation by T. H. Reynoldson), New York City on 14 July 1843 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Duc De Guise
' (full title ' (''The Duke of Guise, or The Council of Blois))'' is an opéra comique in three acts by George Onslow, to a libretto by François-Antoine-Eugène de Planard and Jules-Henri Vernoy de Saint-Georges, based on a play from 1809 of the same name by François Just Marie Raynouard. The opera received its premiere on 8 September 1837 at the Opéra-Comique in Paris. The opera, which centres on the assassination of the Duc de Guise in 1588, was the third and last of Onslow's operas to be produced. The text and music were well received by the audience, but Gérard de Nerval complained in a review that they had not offered Jenny Colon the opportunity to display her talents. Onslow made an arrangement of extracts of the opera for string quartet (his Op. 60). Roles References Notes Sou ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Onslow (composer)
André George(s) Louis Onslow (27 July 1784 – 3 October 1853) was a French composer of English descent. His wealth, position and personal tastes allowed him to pursue a path unfamiliar to most of his French contemporaries, more similar to that of his contemporary German romantic composers; his music also had a strong following in Germany and in England. His principal output was chamber music, but he also wrote four symphonies and four operas. Onslow was esteemed by critics of his time, but his reputation declined swiftly after his death. It has only been revived in recent years. Life George Onslow was born in Clermont-Ferrand, the son of an English father, Edward Onslow, and a French mother, Marie Rosalie de Bourdeilles de Brantôme; his paternal grandfather was George Onslow, 1st Earl of Onslow.Bickley (n.d.) In Onslow's own brief autobiography (written in the third person) he comments that in his childhood, "music studies formed but a secondary part of his education" but na ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Domino Noir
''Le domino noir'' (''The Black Domino'') is an ''opéra comique'' by the French composer Daniel Auber, first performed on 2 December 1837 by the Opéra-Comique at the Salle de la Bourse in Paris.Wild and Charlton (2005), p. 226. The libretto to the three-act piece is by Auber's usual collaborator, Eugène Scribe. It was one of Auber's most successful works, clocking up 1,207 performances by 1909. It received its UK premiere in 1838 and appeared in the USA the following year. Some of Auber's music has a Spanish flavour to reflect its setting. In 1869, Pyotr Ilyich Tchaikovsky provided recitatives to replace the spoken dialogue for a proposed production of ''Le domino noir'' by an Italian opera company visiting Russia. No performances are believed to have taken place, but four of Tchaikovsky's recitatives were included in Richard Bonynge's recording of the opera. Performance history There was a production of the opera by Pierre Jourdan at the Théâtre Imperial at Compièg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'ambassadrice
''L'ambassadrice'' is an opera or opéra comique in 3 acts by composer Daniel Auber. The work's French language libretto was written by Eugène Scribe and Jules-Henri Vernoy de Saint-Georges. The opera's world premiere was staged by the Opéra-Comique at the Théâtre des Nouveautés in Paris on 21 December 1836. It was revived in Paris on 4 January 2013 by the opera company Les Frivolités Parisiennes at the initiative of two research fellows who specialized in nineteenth-century historically informed performance Historically informed performance (also referred to as period performance, authentic performance, or HIP) is an approach to the performance of Western classical music, classical music, which aims to be faithful to the approach, manner and style of ..., Pierre Girod (vocal coach) and Charlotte Loriot (stage director). Roles References {{DEFAULTSORT:Ambassadrice French-language operas Opéras comiques Operas by Daniel Auber Operas 1836 operas Opera world pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
