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Johann Christoph Graupner
Christoph Graupner (13 January 1683 – 10 May 1760) was a German composer and harpsichordist of late Baroque music who was a contemporary of Johann Sebastian Bach, Georg Philipp Telemann and George Frideric Handel. Life Born in Hartmannsdorf near Kirchberg in Saxony, Graupner received his first musical instruction from his uncle, an organist named Nicolaus Kuester. Graupner went to the University of Leipzig where he studied law (as did many composers of the time) and then completed his musical studies with Johann Kuhnau, the cantor of the Thomasschule (St. Thomas School). In 1705, Graupner left Leipzig to play the harpsichord in the orchestra of the Hamburg Opera under the direction of Reinhard Keiser, alongside George Frideric Handel, then a young violinist. In addition to playing the harpsichord, Graupner composed six operas in Hamburg, some of them in collaboration with Keiser, a popular composer of operas in Germany. In 1709, Graupner accepted a post at the court of Hess ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hamburg State Opera
The Hamburg State Opera (in German: Staatsoper Hamburg) is a German opera company based in Hamburg. Its theatre is near the square of Gänsemarkt. Since 2015, the current ''Intendant'' of the company is Georges Delnon, and the current ''Generalmusikdirektor'' of the company is Kent Nagano. History Opera in Hamburg dates to 2 January 1678 when the Oper am Gänsemarkt was inaugurated with a performance of a biblical Singspiel by Johann Theile. It was not a court theatre but the first public opera house in Germany established by the art-loving citizens of Hamburg, a prosperous member of the Hanseatic League. The Hamburg ''Bürgeroper'' resisted the dominance of the Italianate style and rapidly became the leading musical center of the German Baroque. In 1703, George Friedrich Handel was engaged as violinist and harpsichordist and performances of his operas were not long in appearing. In 1705, Hamburg gave the world première of his opera ''Nero''. In 1721, Georg Philipp Telem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concerto
A concerto (; plural ''concertos'', or ''concerti'' from the Italian plural) is, from the late Baroque era, mostly understood as an instrumental composition, written for one or more soloists accompanied by an orchestra or other ensemble. The typical three- movement structure, a slow movement (e.g., lento or adagio) preceded and followed by fast movements (e.g. presto or allegro), became a standard from the early 18th century. The concerto originated as a genre of vocal music in the late 16th century: the instrumental variant appeared around a century later, when Italians such as Giuseppe Torelli started to publish their concertos. A few decades later, Venetian composers, such as Antonio Vivaldi, had written hundreds of violin concertos, while also producing solo concertos for other instruments such as a cello or a woodwind instrument, and concerti grossi for a group of soloists. The first keyboard concertos, such as George Frideric Handel's organ concertos and Johann Sebastia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ouverture
Overture (from French ''ouverture'', "opening") in music was originally the instrumental introduction to a ballet, opera, or oratorio in the 17th century. During the early Romantic era, composers such as Beethoven and Mendelssohn composed overtures which were independent, self-existing instrumental, programmatic works that foreshadowed genres such as the symphonic poem. These were "at first undoubtedly intended to be played at the head of a programme". History 17th century The idea of an instrumental opening to opera existed during the 17th century. Peri's '' Euridice'' opens with a brief instrumental ritornello, and Monteverdi's ''L'Orfeo'' (1607) opens with a toccata, in this case a fanfare for muted trumpets. More important, however, was the prologue, which comprised sung dialogue between allegorical characters which introduced the overarching themes of the stories depicted. French overture As a musical form, however, the French overture first appears in the court ballet a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sinfonia
Sinfonia (; plural ''sinfonie'') is the Italian word for symphony, from the Latin ''symphonia'', in turn derived from Ancient Greek συμφωνία ''symphōnia'' (agreement or concord of sound), from the prefix σύν (together) and ϕωνή (sound). In English it most commonly refers to a 17th- or 18th-century orchestral piece used as an introduction, interlude, or postlude to an opera, oratorio, cantata, or suite (, who gives the origin of the word as Italian) . The word is also found in other Romance languages such as Spanish or Portuguese. In the Middle Ages down to as late as 1588, it was also the Italian name for the hurdy-gurdy . Johann Sebastian Bach used the term for his keyboard compositions also known as '' Three-part Inventions'', and after about 1800, the term, when in reference to opera, meant "Overture" . In George Frideric Handel's oratorio Messiah (HWV 56), "Overture to the Messiah" ( French Overture in E minor) was originally titled "Sinfony". In the 20th and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kantor (North Europe)
In Christianity, the cantor, sometimes called the precentor or the protopsaltes (; from ), is the chief singer, and usually instructor, employed at a church, with responsibilities for the choir and the preparation of the Mass or worship service. Generally, a cantor must be competent to choose and conduct the vocals for the choir, to start any chant on demand, and to be able to identify and correct the missteps of singers placed under them. A cantor may be held accountable for the immediate rendering of the music, showing the course of the melody by movements of the hand(s) (''cheironomia''), similar to a conductor. Western Christianity Roman Catholicism Before and after the Second Vatican Council, a ''cantor'' in the Roman Catholic Church was the leading singer of the choir, a ''bona fide'' clerical role. The medieval cantor of the papal Schola Cantorum was called ''Prior scholae'' or ''Primicerius''. In medieval cathedrals, the cantor or precentor directed the music and c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernest Louis, Landgrave Of Hesse-Darmstadt
Ernest Louis of Hesse-Darmstadt (german: Ernst Ludwig) (15 December 1667 – 12 September 1739) was Landgrave of Hesse-Darmstadt from 1678 to 1739. His parents were Landgrave Louis VI of Hesse-Darmstadt and Elisabeth Dorothea of Saxe-Gotha-Altenburg (1640–1709). Ernest Louis's desire to emulate the French court under Louis XIV ran his country into debt. Among those patronized in this cultural milieu were the Baroque composer Christoph Graupner and the gambist Ernst Christian Hesse; also bringing into his service architect Louis Remy de la Fosse for his extensive building program. Upon his death in 1739, his country's debt was 4 million ''gulden'', ten times the annual revenue. Family Ernest Louis married Dorothea Charlotte of Brandenburg-Ansbach (1661–1705), daughter of Albert II, Margrave of Brandenburg-Ansbach (1620–1667) on December 1, 1687. Their children were: * Dorothea Sophie (1689–1723) : married in 1710 Count John Frederick of Hohenlohe-Öhringen (1683– ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Landgrave
Landgrave (german: Landgraf, nl, landgraaf, sv, lantgreve, french: landgrave; la, comes magnus, ', ', ', ', ') was a noble title used in the Holy Roman Empire, and later on in its former territories. The German titles of ', ' ("margrave"), and ' ("count palatine") are in the same class of ranks as ' ("duke") and above the rank of a ' ("count"). Etymology The English language, English word landgrave is the equivalent of the German language, German ''Landgraf'', a compound (linguistics), compound of the words ''Land'' and ''Graf'' (German: Count). Description The title referred originally to a count who had imperial immediacy, or feudal duty owed directly to the Holy Roman Emperor. His jurisdiction stretched over a sometimes quite considerable territory, which was not subservient to an intermediate power, such as a duke, a bishop or count palatine. The title survived from the times of the Holy Roman Empire (first recorded in Lower Lotharingia from 1086: Henry III, Count of Lou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Magnificat
The Magnificat (Latin for "[My soul] magnifies [the Lord]") is a canticle, also known as the Song of Mary, the Canticle of Mary and, in the Eastern Christianity, Byzantine tradition, the Ode of the Theotokos (). It is traditionally incorporated into the liturgical services of the Catholic Church, the Eastern Orthodox churches, and the Anglican Communion. Its name comes from the incipit of the Latin version of the text. The text of the canticle is taken from the Gospel of Luke () where it is spoken by Mary, mother of Jesus, Mary upon the occasion of her Visitation (Christianity), Visitation to her cousin Elizabeth (biblical figure), Elizabeth. In the narrative, after Mary greets Elizabeth, who is pregnant with John the Baptist, the latter moves within Elizabeth's womb. Elizabeth praises Mary for her Faith in Christianity, faith (using words partially reflected in the Hail Mary), and Mary responds with what is now known as the Magnificat. The Magnificat is one of the eight most a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomaskantor
(Cantor at St. Thomas) is the common name for the musical director of the , now an internationally known boys' choir founded in Leipzig in 1212. The official historic title of the Thomaskantor in Latin, ', describes the two functions of cantor and director. As the cantor, he prepared the choir for service in four Lutheran churches, Thomaskirche (St. Thomas), Nikolaikirche (St. Nicholas), Neue Kirche (New Church) and Peterskirche (St. Peter). As director, he organized music for city functions such as town council elections and homages. Functions related to the university took place at the Paulinerkirche. Johann Sebastian Bach was the most famous , from 1723 to 1750. Position Leipzig has had a university dating back to 1409, and is a commercial center, hosting a trade fair first mentioned in 1165. It has been mostly Lutheran since the Reformation. The position of Thomaskantor at Bach's time has been described as "one of the most respected and influential musical offices of P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arrears
Arrears (or arrearage) is a legal term for the part of a debt that is overdue after missing one or more required payments. The amount of the arrears is the amount accrued from the date on which the first missed payment was due. The term is usually used in relation with periodically recurring payments such as Renting, rent, Bill (payment), bills, royalties (or other contractual payments), and child support. Payment in arrear is a payment made after a service has been provided, as distinct from in advance, which are payments made at the ''start'' of a period. For instance, rent is usually paid in advance, but mortgages in arrear (the interest for the period is due at the end of the period). Employees' salaries are usually paid in arrear. Payment at the end of a period is referred to by the singular arrear, to distinguish from past due payments. For example, a housing tenant who is obliged to pay rent at the end of each month, is said to pay rent ''in arrear,'' while a tenant who has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Darmstadt
Darmstadt () is a city in the States of Germany, state of Hesse in Germany, located in the southern part of the Frankfurt Rhine Main Area, Rhine-Main-Area (Frankfurt Metropolitan Region). Darmstadt has around 160,000 inhabitants, making it the fourth largest city in the state of Hesse after Frankfurt am Main, Wiesbaden, and Kassel. Darmstadt holds the official title "City of Science" (german: link=no, Wissenschaftsstadt) as it is a major centre of scientific institutions, universities, and high-technology companies. The European Organisation for the Exploitation of Meteorological Satellites (EUMETSAT) and the European Space Operations Centre (ESOC) are located in Darmstadt, as well as Gesellschaft für Schwerionenforschung, GSI Centre for Heavy Ion Research, where several chemical elements such as bohrium (1981), meitnerium (1982), hassium (1984), darmstadtium (1994), roentgenium (1994), and copernicium (1996) were discovered. The existence of the following elements were also ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
