Jocasta Complex
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Jocasta Complex
In psychoanalytic theory, the Jocasta complex is the incestuous sexual desire of a mother towards her son. Raymond de Saussure introduced the term in 1920 by way of analogy to its logical converse in psychoanalysis, the Oedipus complex, and it may be used to cover different degrees of attachment, including domineering but asexual mother love – something perhaps particularly prevalent with an absent father. Origins The Jocasta complex is named for Jocasta, a Greek queen who unwittingly married her son, Oedipus. The Jocasta complex is similar to the Oedipus complex, in which a child has sexual desire towards their parent(s). The term is a bit of an extrapolation, since in the original story Oedipus and Jocasta were unaware that they were mother and son when they married. The usage in modern contexts involves a son with full knowledge of who his mother is. Analytic discussion Theodor Reik saw the "Jocasta mother", with an unfulfilled adult relationship of her own and an over-con ...
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Cabanel Oedipus Separating From Jocasta
Alexandre Cabanel (; 28 September 1823 – 23 January 1889) was a French painter. He painted historical, classical and religious subjects in the academic style. He was also well known as a portrait painter. According to ''Diccionario Enciclopedico Salvat'', Cabanel is the best representative of ''L'art pompier'', and was Napoleon III's preferred painter. Biography Cabanel entered the École des Beaux-Arts in Paris at the age of seventeen, and studied with François-Édouard Picot. He exhibited at the Paris Salon for the first time in 1844, and won the Prix de Rome scholarship in 1845 at the age of 22. Cabanel was elected a member of the Institute in 1863. He was appointed professor at the École des Beaux-Arts in 1864 and taught there until his death. He was closely connected to the Paris Salon: "He was elected regularly to the Salon jury and his pupils could be counted by the hundred at the Salons. Through them, Cabanel did more than any other artist of his generation to ...
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Franz Kafka
Franz Kafka (3 July 1883 – 3 June 1924) was a German-speaking Bohemian novelist and short-story writer, widely regarded as one of the major figures of 20th-century literature. His work fuses elements of realism and the fantastic. It typically features isolated protagonists facing bizarre or surrealistic predicaments and incomprehensible socio-bureaucratic powers. It has been interpreted as exploring themes of alienation, existential anxiety, guilt, and absurdity. His best known works include the short story "The Metamorphosis" and novels ''The Trial'' and '' The Castle''. The term ''Kafkaesque'' has entered English to describe absurd situations, like those depicted in his writing. Kafka was born into a middle-class German-speaking Czech Jewish family in Prague, the capital of the Kingdom of Bohemia, then part of the Austro-Hungarian Empire, today the capital of the Czech Republic. He trained as a lawyer and after completing his legal education was employed full-ti ...
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Phrases And Idioms Derived From Greek Mythology
In syntax and grammar, a phrase is a group of words or singular word acting as a grammatical unit. For instance, the English expression "the very happy squirrel" is a noun phrase which contains the adjective phrase "very happy". Phrases can consist of a single word or a complete sentence. In theoretical linguistics, phrases are often analyzed as units of syntactic structure such as a constituent. Common and technical use There is a difference between the common use of the term ''phrase'' and its technical use in linguistics. In common usage, a phrase is usually a group of words with some special idiomatic meaning or other significance, such as "all rights reserved", "economical with the truth", "kick the bucket", and the like. It may be a euphemism, a saying or proverb, a fixed expression, a figure of speech, etc.. In linguistics, these are known as phrasemes. In theories of syntax, a phrase is any group of words, or sometimes a single word, which plays a particular role w ...
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Complex (psychology)
A complex is a structure in the unconscious that is objectified as an underlying theme—like a power or a status—by grouping clusters of emotions, memories, perceptions and wishes in response to a threat to the stability of the self. In psychoanalysis, it is antithetical to drives. Overview An example of a complex would be as follows: if one had a leg amputated when one was a child, this would influence one's life in profound ways, even if they overcame the physical handicap. A person may have many thoughts, emotions, memories, feelings of inferiority, triumphs, bitterness, and determinations centering on that one aspect of their life. If these thoughts were troubling and pervasive, Jung might say they had a complex about the leg. The reality of complexes is widely agreed upon in the area of depth psychology, a branch of psychology asserting that the vast majority of the personality is determined and influenced by unconscious processes. Complexes are common features o ...
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Psychoanalytic Terminology
PsychoanalysisFrom Greek language, Greek: + . is a set of Theory, theories and Therapy, therapeutic techniques"What is psychoanalysis? Of course, one is supposed to answer that it is many things — a theory, a research method, a therapy, a body of knowledge. In what might be considered an unfortunately abbreviated description, Freud said that anyone who recognizes transference and resistance is a psychoanalyst, even if he comes to conclusions other than his own.… I prefer to think of the analytic situation more broadly, as one in which someone seeking help tries to speak as freely as he can to someone who listens as carefully as he can with the aim of articulating what is going on between them and why. David Rapaport (1967a) once defined the analytic situation as carrying the method of interpersonal relationship to its last consequences." Gill, Merton M. 1999.Psychoanalysis, Part 1: Proposals for the Future" ''The Challenge for Psychoanalysis and Psychotherapy: Solutions for ...
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Electra Complex
In neo-Freudian psychology, the Electra complex, as proposed by Carl Jung in his ''Theory of Psychoanalysis'', is a girl's psychosexual competition with her mother for possession of her father. In the course of her psychosexual development, the complex is the girl's phallic stage; a boy's analogous experience is the Oedipus complex. The Electra complex occurs in the third—phallic stage (ages 3–6)—of five psychosexual development stages: the oral, the anal, the phallic, the latent, and the genital—in which the source of libido pleasure is in a different erogenous zone of the infant's body. In classical psychoanalytic theory, the child's identification with the same-sex parent is the successful resolution of the Electra complex and of the Oedipus complex; his and her key psychological experience to developing a mature sexual role and identity. Sigmund Freud instead proposed that girls and boys resolved their complexes differently—she via penis envy, he via castration ...
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Phaedra Complex
The Phaedra complex (pronounced ) is an informal, non-scientific designation to the sexual desire of a stepmother for her stepson, though the term has been extended to cover difficult relationships between stepparents and stepchildren in general. Origins The complex takes its name from Greek mythology. Phaedra was the daughter of Minos and Pasiphaë, wife of Theseus, sister of Ariadne, and the mother of Demophon of Athens and Acamas. Though married to Theseus, Phaedra fell in love with Hippolytus, Theseus' son born by either Hippolyta, queen of the Amazons, or Antiope, her sister. When Hippolytus refused Phaedra's advances, she falsely accused him of propositioning her. Phaedra eventually killed herself in remorse after his subsequent death. Cultural analogues * Amata in the Aeneid has been seen as cognate to Phaedra in her love for her future son-in-law Turnus and her eventual suicide at the news of his death. * In the Hebrew Bible Zuleikha made a pass at her adoptive son ...
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Parentification
Parentification or parent–child role reversal is the process of role reversal whereby a child or adolescent is obliged to act as parent to their own parent or sibling. Two distinct types of parentification have been identified technically: instrumental parentification and emotional parentification. Instrumental parentification involves the child completing physical tasks for the family, such as looking after a sick relative, paying bills, or providing assistance to younger siblings that would normally be provided by a parent. Emotional parentification occurs when a child or adolescent must take on the role of a confidante or mediator for (or between) parents or family members. Background Melitta Schmideberg noted in 1948 how emotional deprivation could lead parents to treat their children (unconsciously) as substitute parent figures. Minuchin et al. introduced the term ''parentification'' in 1967. Boszormenyi-Nagy et al. defined it in 1973 as "a parental figure's expectation t ...
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Covert Incest
Covert incest, also known as emotional incest, is a type of abuse in which a parent looks to their child for the emotional support that would be normally provided by another adult. The effects of covert incest on children when they become adults are thought to mimic actual incest, although to a lesser degree. This term describes interactions between a parent and child that are exclusive of sexual abuse. Concept ''Covert incest'' was defined in the 1980s as an emotionally abusive relationship between a parental figure and child that does not involve incest or sexual intercourse, though it involves similar interpersonal dynamics as a relationship between sexual partners. Defining such relationships as "incest" has led to criticism of the concept for dramatically loosening the definition of incest, making child abuse seem more prevalent than it actually is and being overused and unsubstantiated. Covert incest is described as occurring when a parent is unable or unwilling to maintain ...
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The Persians
''The Persians'' ( grc, Πέρσαι, ''Persai'', Latinised as ''Persae'') is an ancient Greek tragedy written during the Classical period of Ancient Greece by the Greek tragedian Aeschylus. It is the second and only surviving part of a now otherwise lost trilogy that won the first prize at the dramatic competitions in Athens' City Dionysia festival in 472 BC, with Pericles serving as ''choregos''. Place in Aeschylus' work The first play in the trilogy, called ''Phineus'', presumably dealt with Jason and the Argonauts' rescue of King Phineus from the torture that the monstrous harpies inflicted at the behest of Zeus. The subject of the third play, ''Glaucus'', was either a mythical Corinthian king who was devoured by his horses because he angered the goddess Aphrodite (see Glaucus (son of Sisyphus)) or else a Boeotian farmer who ate a magical herb that transformed him into a sea deity with the gift of prophecy (see Glaucus). In ''The Persians'', Xerxes invites the gods' enmity ...
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Atossa
Atossa ( Old Persian: ''Utauθa'', or Old Iranian: ''Hutauθa''; 550–475 BC) was an Achaemenid empress. She was a daughter of Cyrus the Great, and a wife of Darius I. Name The name "Atossa" (or "Atusa") means "bestowing very richly" or "well trickling" or "well granting". Atossa is the Greek ( grc, Ἄτοσσα) transliteration of the Old Persian name ''Utauθa.'' Her name in Avestan is ''Hutaosā''. Life Atossa was born in . She was eldest daughter of Cyrus the Great; her mother may have been Cassandane. According to Greek sources she married her brother Cambyses II after her father's death, yet it remains problematic to determine the reliability of these accounts.Brosius, Maria (2000). "Women i. In Pre-Islamic Persia"Archived copy Encyclopaedia Iranica, Vol. London et al. Archived frothe originalon 2020-03-13. Retrieved 2019-09-21. According to Herodotus, Cambyses supposedly married two of his sisters, Atossa and Roxane. This would have been regarded as illegal. H ...
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Bracha L
In Judaism, a ''berakhah'', ''bracha'', ', ' ( he, בְּרָכָה; pl. , ''berakhot'', '; "benediction," "blessing") is a formula of blessing or thanksgiving, recited in public or private, usually before the performance of a Mitzvah, commandment, or the enjoyment of food or fragrance, and in praise on various occasions. The function of a ''berakhah'' is to acknowledge God as the source of all blessing. Berakhot also have an educational function to transform a variety of everyday actions and occurrences into religious experiences designed to increase awareness of God at all times. For this purpose, the Chazal, Talmudic sage, Rabbi Meir, declared that it was the duty of every Jew to recite one hundred ''berakhot'' every day. The Mishnah of Berakhot (Talmud), tractate Berakhot, and the gemara in Talmuds#Babylonian and Jerusalem, both Talmuds contain detailed rabbinical discussions of ''berakhot'', upon which the laws and practice of reciting blessings are founded. ''Berakhot'' ty ...
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