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Jirō Yoshihara
was a Japanese painter, art educator, curator, and businessman. Mainly known for his gestural abstract impasto paintings from the 1950s and Zen-painting inspired hard-edge ''Circles'' beginning in the 1960s, Yoshihara’s oeuvre also encompasses drawings, murals, sculptures, calligraphy, ink wash paintings, ceramics, watercolors, and stage design. Yoshihara was a key figure of postwar Japanese art and culture through his work as painter, art educator, promoter of the arts, and networker between the arts, commerce, and industry in the Kansai region, Kansai region and beyond, and, especially, as the leader of the postwar avant-garde art collective Gutai group, Gutai Art Association, which he co-founded in 1954. Under Yoshihara’s guidance, Gutai explored radically experimental approaches, including outdoor exhibitions, performances, onstage presentations, and interactive works. Fueled by Yoshihara’s global ambitions, Gutai developed artistic strategies to communicate internation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Osaka
is a designated city in the Kansai region of Honshu in Japan. It is the capital of and most populous city in Osaka Prefecture, and the third most populous city in Japan, following Special wards of Tokyo and Yokohama. With a population of 2.7 million in the 2020 census, it is also the largest component of the Keihanshin Metropolitan Area, which is the second-largest metropolitan area in Japan and the 10th largest urban area in the world with more than 19 million inhabitants. Osaka was traditionally considered Japan's economic hub. By the Kofun period (300–538) it had developed into an important regional port, and in the 7th and 8th centuries, it served briefly as the imperial capital. Osaka continued to flourish during the Edo period (1603–1867) and became known as a center of Japanese culture. Following the Meiji Restoration, Osaka greatly expanded in size and underwent rapid industrialization. In 1889, Osaka was officially established as a municipality. The construc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ohara-ryū
is a school of ''Ikebana'', or Japanese floral art. History Ohara Unshin (小原雲心) (1861–1916) started his own Ikebana school in 1895 when Japan opened up its economy to the West and began to import European flowers. The official founding date was in 1912. For the purpose of this art form, he developed shallow, circular, ceramic vases, which became known as the ''moribana'' style. Ohara's son Koun (小原光雲) (1880–1938) invented a descriptive teaching method and moved from individual lessons to group classes. For the first time, teaching certificates were awarded to women. Under Houn's guidance, the school grew. Its headquarters were in Tokyo and Kobe, with other centers in New York and São Paulo. He developed the typical landscape style, as well as the ''rimpa'' and '' bunjin'' floral arrangements. The inspirations for ''rimpa'' came to him from rolling picture scrolls, screens (''byōbu'') and painted subjects of the 17th century. Chinese poetry became the fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martha Jackson Gallery
Martha Jackson (; January 17, 1907 – July 4, 1969) was an American art dealer, gallery owner, and collector. Her New York City based Martha Jackson Gallery, founded in 1953, was groundbreaking in its representation of women and international artists, and in establishing the op art movement. Biography Jackson was born Martha Kellogg on January 17, 1907, in Buffalo, New York. She was born into two prominent Buffalo families, the daughter of Cyrena (née Case; 1884-1931) and Howard Kellogg (1881-1969). She had two brothers, Spencer Kellogg II and Howard Kellogg, Jr. Jackson's mother's family founded and operated W. A. Case & Son Manufacturing Company which was eventually purchased in 1952 by what is now Covanta. Jackson's father was president of Spencer Kellogg & Sons, Inc., a linseed oil firm founded by his father, which became a division of Textron in 1961. Jackson attended Smith College from 1925 to 1928 where she studied English. She moved to Baltimore during the wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michel Tapié
Michel Tapié (full name: Michel Tapié de Céleyran; 26 February 1909 – 30 July 1987) was a French art critic, curator, and collector. He was an early and influential theorist and practitioner of "tachisme", a French style of abstract painting popular in the 1940s and 1950s which is regarded as a European version of abstract expressionism. Tapié was a founder member of the Compagnie de l'Art Brut with Dubuffet and Breton In 1948, as well he managed the Foyer De l'Art Brut at the Galerie René Drouin.Tapié was from an aristocratic French family and was a second cousin once removed of the painter Henri de Toulouse-Lautrec. The painter's mother Adèle Tapié de Celeyran was Tapié's great-aunt. Art of Another Kind Michel Tapié's 1952 book entitled ''Un art autre'' (Art of Another Kind), influenced a distinctly European approach to American abstract expressionism, especially the subgenres of action painting and lyrical abstraction. Herschel B. Chipp's ''Theories of Modern Art: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Informalism
Informalism or Art Informel is a Painting, pictorial movement from the 1943–1950s, that includes all the Abstract painting, abstract and Action painting, gestural tendencies that developed in France and the rest of Europe during the World War II, similar to United States, American abstract expressionism started 1946. Several distinguishing trends are identified within the movement such as lyrical abstraction, Matterism, matter painting, Paris School, New Paris School, tachisme and art brut. The France, French art critic Michel Tapié coined the term "art autre" (other art) in the Homonym, homonymous book published in 1952 in relation to non-geometric abstract art. It was instrumental in improving the concept of abstract art in France during the Early 1950s. Its use in the expression of political ideologies in South America during the Early 1950s was quite common, as it was seen as the main way to show support for the changing political climate. Pictorial practices Within this t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sadamasa Motonaga
Sadamasa Motonaga (元永定正, Motonaga Sadamasa, born November, 26, 1922, in Iga Ueno, died October 3, 2011, in Takarazuka) was a Japanese visual artist and book illustrator, and a first-generation member of the postwar Japanese artist group Gutai Art Association, Gutai for short. Motonaga’s oeuvre, comprising paintings, objects, performances and stage art, ceramics, murals and installation artworks and picture books, is characterized by his humorous, enlivening (animating) use of biomorphic abstract shapes inspired by nature and manga cartoons, as well as the exploration of the materiality of color. He is most known for his ephemeral works from Gutai’s experimental exhibition projects, such as ''Liquid: Red'' and ''Works (Water)'' from 1955 and 1956, which used vinyl sheets and tubes filled with color-tinted water; his stage works from 1957 and 1958, which involved smoke as artistic material; and for his Informel-style paintings from the late 1950s that experimented with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kazuo Shiraga
was a Japanese abstract painter and the first-generation member of the postwar artists collective Gutai Art Association (Gutai). As a Gutai member, he was a prolific, inventive, and pioneering experimentalist who tackled a range of media: in addition to painting, he worked in performance art, three-dimensional object making, conceptual art, and installations, many of which are preserved only in documentary photos and films. Shiraga is best known for his abstract paintings, or the so-called “foot painting”, which he created by spreading oil paint initially on paper and later on canvas with his feet. Through this original method he had invented in 1954, he made a critical engagement with the tradition of painting, the result of which resonated with European and American gestural abstraction of the 1950s, such as Informel and Abstract Expressionism. In the 1960s and 1970s, he reintroduced tools such as boards and spatulas for spreading the paint. His experiments outside paintin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Atsuko Tanaka (artist)
Atsuko Tanaka (田中 敦子, ''Tanaka Atsuko''; February 10, 1932 – December 3, 2005) was a Japanese avant-garde artist. She was a central figure of the Gutai Art Association from 1955 to 1965. Her works have found increased curatorial and scholarly attention across the globe since the early 2000s, when she received her first museum retrospective in Ashiya, Japan, which was followed by the first retrospective abroad, in New York and Vancouver. Her work was featured in multiple exhibitions on Gutai art in Europe and North America. Biography Tanaka was born in Osaka, on February 10, 1932. She had four older sisters and four older brothers. She studied at the Department of Western Painting at Kyoto Municipal College of Art (now Kyoto City University of Arts) in 1950 and left to attend the Art Institute of Osaka Municipal Museum of Art from 1951.''Gutai shiryoshu: Dokyumento Gutai, 1954 -1972 /Document Gutai, 1954-1972'' (Ashiya: Ashiya City Museum of Art and History, 1993), edit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saburo Murakami
Saburo Murakami (村上三郎, Murakami Saburō, born June 27, 1925, in Kobe, died January 11, 1996 in Nishinomiya) was a Japanese visual and performance artist. He was a member of the Gutai Art Association and is best known for his paper-breaking performances (''kami-yaburi'') in which he burst through kraft paper stretched on large wooden frames. Paper-breaking is a canonical work in the history of Japanese post-war art and for the history of performance art. Murakami’s work includes paintings, three-dimensional objects and installation as well as performance, and is characterized by a highly conceptual approach that transcends dualistic thinking and materializes in playful interactive forms and often thematizes time, chance and intuition. Biography Saburo Murakami was born in Kobe, Japan, in 1925, as the third son of an English teacher at Kwansei Gakuin Junior High School. He entered Kwansei Gakuin University in 1943, joined the university’s painting club Gengetsu-kai a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Akira Kanayama
Akira Kanayama (金山明 ''Kanayama Akira''; 1924–2006) was a Japanese avant-garde artist and an early member of The Gutai Art Association. An active contributor to Gutai's exhibitions and performance events, Kanayama was one of the pivotal figures of the group. His artworks were characterised by witty experiments with unconventional materials such as toy cars and signal lights for level crossing. He left Gutai in 1965 with Atsuko Tanaka, whom he married later in the same year. Biography Kanayama was born in 1924 in Amagasaki, Hyogo Prefecture. He withdrew from Tama Art University in 1947 and attended the Osaka Municipal Institute of Art (an art school affiliated with Osaka City Museum of Fine Arts) instead, where he continued to study until 1954.''Gutai shiryoshu: Dokyumento Gutai, 1954–1972 /Document Gutai, 1954–1972'' (Ashiya: Ashiya City Museum of Art and History, 1993), edited by Ashiya City Museum of Art and History During this period, he participated in exhibitions ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tsuruko Yamazaki
was a Japanese artist, known for her bold artistic experiments with abstract visual styles and non-traditional materials. She was a co-founder and the longest-standing female member of the Gutai Art Association, an avant-garde artists' collective established by Jirō Yoshihara. Biography Yamazaki was born in 1925 in Ashiya, Hyōgo, Japan. In 1947, she attended a three-day summer art workshop directed by Yoshihara.Tiampo, Ming. "The Contents of 'Emptiness', Tsuruko Yamazaki's Gutai Years." In ''Tsuruko Yamazaki. Beyond Gutai: 1957-2009''. Paris: Almine Rech Gallery, 2010. Impressed by Yoshihara's radically novel approach to art, Yamazaki began studying with him and eventually became a member of Gutai upon its establishment under his leadership. Yamazaki had been an active member of the Gutai group since its founding in 1954. She regularly participated in Gutai's Outdoor Exhibitions, performance events, and Gutai Art Exhibitions. As Gutai gradually garnered interest in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shozo Shimamoto
was a Japanese artist. Having studied with Jirō Yoshihara, the future Gutai leader, from 1947, Shimamoto was a key founding member of Gutai along with Yoshihara and fifteen others in August, 1954. He was close to the leader Yoshihara and actively engaged in the early activities and group administrations. He xpand this here more in an evocative manner: holes poked on layered newspaper, bottle-throwing paintings, film experiments, stage experiments, sound art, etc. etc.He was particularly strong with performative innovations, anticipating the future performance art. Indeed, when Yoshihara turned to focus more on painting, upon his meeting with the French art critic Michel Tapié, Shimamoto continued to urge the leader to pursue this direction, wanting to work with Allan Kaprow, for example. After Gutai, he became known for his mail art activities with the group AU and the continuation of his painting performances which he staged around the world. He died of acute heart failure ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
