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Kazuo Shiraga
was a Japanese abstract painter and the first-generation member of the postwar artists collective Gutai Art Association (Gutai). As a Gutai member, he was a prolific, inventive, and pioneering experimentalist who tackled a range of media: in addition to painting, he worked in performance art, three-dimensional object making, conceptual art, and installations, many of which are preserved only in documentary photos and films. Shiraga is best known for his abstract paintings, or the so-called “foot painting”, which he created by spreading oil paint initially on paper and later on canvas with his feet. Through this original method he had invented in 1954, he made a critical engagement with the tradition of painting, the result of which resonated with European and American gestural abstraction of the 1950s, such as Informel and Abstract Expressionism. In the 1960s and 1970s, he reintroduced tools such as boards and spatulas for spreading the paint. His experiments outside paintin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amagasaki
file:Amagasaki Castle Tenshu 20181125.jpg, 270px, Amagasaki Castle file:Amagasaki city center area Aerial photograph.1985.jpg, 270px, Aerial view of Amagasaki city center file:Amagasaki st03s3000.jpg, 270px, Amagasaki Station is an industrial Cities of Japan, city located in Hyōgo Prefecture, Japan. , the city had an estimated population of 455,555 in 223812 households, and a population density of 9000 persons per km². The total area of the city is . Geography Amagasaki is located in far southeastern Hyōgo Prefecture, next to Osaka. It has the fourth largest population in Hyōgo Prefecture after Kobe, Himeji, and Nishinomiya, Hyōgo, Nishinomiya. Residential areas account for most of the rest of the coastal areas, industrial areas along the Meishin Expressway and JR West Fukuchiyama Line, commercial areas around Amagasaki Station (Hanshin), Hanshin Amagasaki Station and JR Amagasaki Station (JR West), JR Amagasaki Station, and its population density is the highest among municip ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tendai
, also known as the Tendai Lotus School (天台法華宗 ''Tendai hokke shū,'' sometimes just "''hokke shū''") is a Mahāyāna Buddhist tradition (with significant esoteric elements) officially established in Japan in 806 by the Japanese monk Saichō ( posthumously known as Dengyō Daishi). The Tendai school, which has been based on Mount Hiei since its inception, rose to prominence during the Heian period (794-1185). It gradually eclipsed the powerful ''Hossō'' school and competed with the rival Shingon school to become the most influential sect at the Imperial court. By the Kamakura period (1185-1333), Tendai had become one of the dominant forms of Japanese Buddhism, with numerous temples and vast landholdings. During the Kamakura period, various monks left Tendai (seeing it as corrupt) to establish their own "new" or "Kamakura" Buddhist schools such as Jōdo-shū, Nichiren-shū and Sōtō Zen. The destruction of the head temple of Enryaku-ji by Oda Nobunaga in 1571, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Water Margin
''Water Margin'' (''Shuihu zhuan'') is one of the earliest Chinese novels written in vernacular Mandarin, and is attributed to Shi Nai'an. It is also translated as ''Outlaws of the Marsh'' and ''All Men Are Brothers''. The story, which is set in the Northern Song dynasty (around 1120), tells of how a group of 108 outlaws gather at Mount Liang (or ''Liangshan'' Marsh) to rebel against the government. Later they are granted amnesty and enlisted by the government to resist the nomadic conquest of the Liao dynasty and other rebels. While the book's authorship is traditionally attributed to Shi Nai'an (1296–1372), the first external reference to the novel only appeared in 1524 during the Jiajing reign of the Ming dynasty, sparking a long-lasting academic debate on when it was actually written and which historical events the author had witnessed that inspired him to write the book. It is considered one of the Four Great Classical Novels of Chinese literature.Yenna Wu, "Full-Le ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Restany
Pierre Restany (24 June 1930 – 29 May 2003), was an internationally known French art critic and cultural philosopher. Restany was born in Amélie-les-Bains-Palalda, Pyrénées-Orientales, and spent his childhood in Casablanca. On returning to France in 1949 he attended the Lycée Henri-IV before studying at universities in France, Italy and Ireland. From their first meeting in 1955, Restany maintained a strong tie with Yves Klein (to whom is attributed Klein-blue). Conceptions of New Realism / Nouveau Realisme In 1960 Pierre Restany created the idea and coined the term Nouveau Réalisme with Yves Klein during a group show in the Apollinaire gallery in Milan. It was an idea that united a group of French and Italian artists. Nouveau Realisme was the European answer to the American Neo-Dada of Fluxus and Pop Art. The group included Martial Raysse, Arman, Yves Klein, François Dufrene, Raymond Hains, Daniel Spoerri, Jean Tinguely, Jacques Villeglé - and was later joined by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Martial Arts
Japanese martial arts refers to the variety of martial arts native to the country of Japan. At least three Japanese terms (''budō'', ''bujutsu'', and ''bugei'') are used interchangeably with the English phrase Japanese martial arts. The usage of the term ''budō'' (武道) to mean martial arts is a modern one: historically the term meant a way of life encompassing physical, spiritual and moral dimensions with a focus on self-improvement, fulfillment or personal growth. The terms ''bujutsu'' (武術) and ''bugei'' (武芸) have different meanings from ''budō'', at least historically speaking. ''Bujutsu'' refers specifically to the practical application of martial tactics and techniques in actual combat. ''Bugei'' refers to the adaptation or refinement of those tactics and techniques to facilitate systematic instruction and dissemination within a formal learning environment. History The historical origin of Japanese martial arts can be found in the warrior traditio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Calligraphy
Calligraphy (from el, link=y, καλλιγραφία) is a visual art related to writing. It is the design and execution of lettering with a pen, ink brush, or other writing instrument. Contemporary calligraphic practice can be defined as "the art of giving form to signs in an expressive, harmonious, and skillful manner". Modern calligraphy ranges from functional inscriptions and designs to fine-art pieces where the letters may or may not be readable. Classical calligraphy differs from type design and non-classical hand-lettering, though a calligrapher may practice both. CD-ROM Calligraphy continues to flourish in the forms of wedding invitations and event invitations, font design and typography, original hand-lettered logo design, religious art, announcements, graphic design and commissioned calligraphic art, cut stone inscriptions, and memorial documents. It is also used for props and moving images for film and television, and also for testimonials, birth and death cert ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ink Wash Painting
Ink wash painting ( zh, t=水墨畫, s=水墨画, p=shuǐmòhuà; ja, 水墨画, translit=suiboku-ga or ja, 墨絵, translit=sumi-e; ko, 수묵화, translit=sumukhwa) is a type of Chinese ink brush painting which uses black ink, such as that used in Asian calligraphy, in different concentrations. It emerged during the Tang dynasty of China (618–907); it overturned earlier, more realistic techniques. It is typically monochrome, using only shades of black, with a great emphasis on virtuoso brushwork and conveying the perceived "spirit" or "essence" of a subject over direct imitation. Ink wash painting flourished from the Song dynasty in China (960–1279) onwards, as well as in Japan after it was introduced by Zen Buddhist monks in the 14th century. Some Western scholars divide Chinese painting (including ink wash painting) into three periods: times of representation, times of expression, and historical Oriental art. Chinese scholars have their own views which may be diffe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kanji
are the logographic Chinese characters taken from the Chinese family of scripts, Chinese script and used in the writing of Japanese language, Japanese. They were made a major part of the Japanese writing system during the time of Old Japanese and are still used, along with the subsequently-derived syllabic scripts of ''hiragana'' and ''katakana''. The characters have Japanese pronunciation, pronunciations; most have two, with one based on the Chinese sound. A few characters were invented in Japan by constructing character components derived from other Chinese characters. After World War II, Japan made its own efforts to simplify the characters, now known as shinjitai, by a process similar to China's simplified Chinese characters, simplification efforts, with the intention to increase literacy among the common folk. Since the 1920s, the Japanese government has published character lists periodically to help direct the education of its citizenry through the myriad Chinese characte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carmine
Carmine ()also called cochineal (when it is extracted from the cochineal insect), cochineal extract, crimson lake, or carmine lake is a pigment of a bright-red color obtained from the aluminium complex derived from carminic acid. Specific code names for the pigment include natural red 4, C.I. 75470, or E120. ''Carmine'' is also a general term for a particularly deep-red color. Etymology The English word "carmine" is derived from the French word ''carmin'' (12th century), from Medieval Latin ''carminium'', from Persian ''qirmiz'' ("crimson"), which itself derives from Middle Persian ''carmir'' ("red, crimson"). The Persian term ''carmir'' is likely cognate with Sanskrit ''krimiga'' ("insect-produced"), from ''krmi'' ("worm, insect"). The Persian word for "worm, insect" is ''kirm'', and in Iran (Persia) the red colorant carmine was extracted from the bodies of dead female insects such as ''Kermes vermilio'' and cochineal. The form of the term may also have been influen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Surrealism
Surrealism is a cultural movement that developed in Europe in the aftermath of World War I in which artists depicted unnerving, illogical scenes and developed techniques to allow the unconscious mind to express itself. Its aim was, according to leader André Breton, to "resolve the previously contradictory conditions of dream and reality into an absolute reality, a super-reality", or ''surreality.'' It produced works of painting, writing, theatre, filmmaking, photography, and other media. Works of Surrealism feature the element of surprise, unexpected juxtapositions and '' non sequitur''. However, many Surrealist artists and writers regard their work as an expression of the philosophical movement first and foremost (for instance, of the "pure psychic automatism" Breton speaks of in the first Surrealist Manifesto), with the works themselves being secondary, i.e. artifacts of surrealist experimentation. Leader Breton was explicit in his assertion that Surrealism was, above all, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Post-Impressionism
Post-Impressionism (also spelled Postimpressionism) was a predominantly French art movement that developed roughly between 1886 and 1905, from the last Impressionist exhibition to the birth of Fauvism. Post-Impressionism emerged as a reaction against Impressionists' concern for the naturalistic depiction of light and colour. Its broad emphasis on abstract qualities or symbolic content means Post-Impressionism encompasses Les Nabis, Neo-Impressionism, Symbolism, Cloisonnism, the Pont-Aven School, and Synthetism, along with some later Impressionists' work. The movement's principal artists were Paul Cézanne (known as the father of Post-Impressionism), Paul Gauguin, Vincent van Gogh and Georges Seurat. The term Post-Impressionism was first used by art critic Roger Fry in 1906.Peter Morrin, Judith Zilczer, William C. Agee, ''The Advent of Modernism. Post-Impressionism and North American Art, 1900-1918'', High Museum of Art, 1986 Critic Frank Rutter in a review of the Salon d'Automne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acala
or Achala ( sa, अचल, "The Immovable", ), also known as (, "Immovable Lord") or (, "Noble Immovable Lord"), is a wrathful deity and ''dharmapala'' (protector of the Dharma) prominent in Vajrayana Buddhism and East Asian Buddhism., Jp. rel. dict., pp. 242–246 Originally a minor deity described as a messenger or acolyte of the buddha Vairocana, Acala later rose to prominence as an object of veneration in his own right as a remover of obstacles and destroyer of evil, eventually becoming seen as the wrathful manifestation of either Vairocana, the buddha Akṣobhya, or the bodhisattva Mañjuśrī. In later texts, he is also called (, "Violent Wrathful One", ) or (, "Violent One of Great Wrath", ), the names by which he is more commonly known in countries like Nepal and Tibet. In East Asian esoteric Buddhism, Acala is classed among the Wisdom Kings () and is preeminent among the five Wisdom Kings of the Womb Realm. Accordingly, he occupies an important hierarchical positio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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