|
Jamasp Namag
The Jamasp Nameh (var: ''Jāmāsp Nāmag'', ''Jāmāsp Nāmeh'', "Story of Jamasp") is a Middle Persian book of revelations. In an extended sense, it is also a primary source on Medieval Zoroastrian doctrine and legend. The work is also known as the ''Ayādgār ī Jāmāspīg'' or ''Ayātkār-ī Jāmāspīk'', meaning " nMemoriam of Jamasp". The text takes the form of a series of questions and answers between Vishtasp and Jamasp, both of whom were amongst Zoroaster's immediate and closest disciples. Vishtasp was the princely protector and patron of Zoroaster while Jamasp was a nobleman at Vishtasp's court. Both are figures mentioned in the Gathas, the oldest hymns of Zoroastrianism and believed to have been composed by Zoroaster. Here (chap. 3.6-7) there occurs a striking theological statement, that Ohrmazd’s creation of the seven Amašaspands was like lamps being lit one from another, none being diminished thereby. The question-answer series is a common literary technique in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jamasp (sage)
Jamasp was an Iranian philosopher in the time of Zoroaster. Jamasp was the Grand Vizier of Vishtaspa, Gushtasp. The book ''Jamasp Namag'' is about him. Sources دوستخواه، جلیل: اوستا، کهنترین سرودهای ایرانیان، چاپ دوم، انتشارات مروارید، تهران ۱۳۷۴. Iranian philosophers Shahnameh characters {{Shahnameh-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ideogram
An ideogram or ideograph (from Greek "idea" and "to write") is a graphic symbol that represents an idea or concept, independent of any particular language, and specific words or phrases. Some ideograms are comprehensible only by familiarity with prior convention; others convey their meaning through pictorial resemblance to a physical object, and thus may also be referred to as ''pictograms''. The numerals and mathematical symbols are ideograms – 1 'one', 2 'two', + 'plus', = 'equals', and so on (compare the section "Mathematics" below). In English, the ampersand & is used for 'and' and (as in many languages) for Latin ' (as in &c for '), % for ' percent' ('per cent'), # for 'number' (or 'pound', among other meanings), § for 'section', $ for 'dollar', € for 'euro', £ for 'pound', ° for 'degree', @ for 'at', and so on. The reason they are ideograms rather than logograms is that they do not denote fixed morphemes: they can be read in many different languages, not just ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frashokereti
''Frashokereti'' ( ae, 𐬟𐬭𐬀𐬴𐬋⸱𐬐𐬆𐬭𐬆𐬙𐬌 ') is the Avestan language term (corresponding to Middle Persian ''fraš(a)gird'' ) for the Zoroastrian doctrine of a final renovation of the universe, when evil will be destroyed, and everything else will be then in perfect unity with God (Ahura Mazda). The doctrinal premises are (1) good will eventually prevail over evil; (2) creation was initially perfectly good, but was subsequently corrupted by evil; (3) the world will ultimately be restored to the perfection it had at the time of creation; (4) the "salvation for the individual depended on the sum of hat person'sthoughts, words and deeds, and there could be no intervention, whether compassionate or capricious, by any divine being to alter this." Thus, each human bears the responsibility for the fate of his own soul, and simultaneously shares in the responsibility for the fate of the world.. Etymology and meaning The name suggests "making wonderful, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ayadgar-i Zariran
''Ayādgār ī Zarērān'' (and other approximations of ambiguous Book Pahlavi ''ʾbyʾtkʾr y zlyln''), meaning "Memorial of Zarēr", is a Zoroastrian Middle Persian heroic poem that, in its surviving manuscript form, represents one of the earliest surviving examples of Iranian epic poetry. The poem of about 346 lines is a tale of the death in battle of the mythical hero Zarēr (< Avestan Zairi.vairi), and of the revenge of his death. The figures and events of the poem's story are embellishments of mythological characters and events alluded to in the '' Gāthās'', which are a set of autobiographical hymns in the '''' that are attributed to the prophet |
Cosmology
Cosmology () is a branch of physics and metaphysics dealing with the nature of the universe. The term ''cosmology'' was first used in English in 1656 in Thomas Blount (lexicographer), Thomas Blount's ''Glossographia'', and in 1731 taken up in Latin by German philosophy, German philosopher Christian Wolff (philosopher), Christian Wolff, in ''Cosmologia Generalis''. Religious cosmology, Religious or mythological cosmology is a body of beliefs based on Mythology, mythological, Religion, religious, and Esotericism, esoteric literature and traditions of Cosmogony, creation myths and eschatology. In the science of astronomy it is concerned with the study of the chronology of the universe. Physical cosmology is the study of the observable universe's origin, its large-scale structures and dynamics, and the ultimate fate of the universe, including the laws of science that govern these areas. It is investigated by scientists, such as astronomers and physicists, as well as Philosophy, ph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cosmogony
Cosmogony is any model concerning the origin of the cosmos or the universe. Overview Scientific theories In astronomy, cosmogony refers to the study of the origin of particular astrophysical objects or systems, and is most commonly used in reference to the origin of the universe, the Solar System, or the Earth–Moon system. The prevalent cosmological model of the early development of the universe is the Big Bang theory. Sean M. Carroll, who specializes in theoretical cosmology and field theory, explains two competing explanations for the origins of the singularity, which is the center of a space in which a characteristic is limitless. (One example of a singularity is the singularity of a black hole, where gravity becomes infinite.) It is generally accepted that the universe began at a point of singularity. When the singularity of the universe started to expand, the Big Bang occurred, which evidently began the universe. The other explanation, held by proponents such ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bundahishn
''Bundahishn'' (Avestan: , "Primal Creation") is the name traditionally given to an encyclopedic collection of Zoroastrian cosmogony and cosmology written in Book Pahlavi. The original name of the work is not known. Although the ''Bundahishn'' draws on the Avesta and develops ideas alluded to in those texts, it is not itself scripture. The content reflects Zoroastrian scripture, which, in turn, reflects both ancient Zoroastrian and pre-Zoroastrian beliefs. In some cases, the text alludes to contingencies of post-7th century Islam in Iran, and in yet other cases, such as the idea that the Moon is farther than the stars, it reiterates scripture even though science had, by then, determined otherwise. Structure The ''Bundahishn'' survives in two recensions: an Indian and an Iranian version. The shorter version was found in India and contains only 30 chapters, and is thus known as the ''Lesser Bundahishn'', or '' Indian Bundahishn''. A copy of this version was brought to Europe by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Denkard
The ''Dēnkard'' or ''Dēnkart'' (Middle Persian: 𐭣𐭩𐭭𐭪𐭠𐭫𐭲 "Acts of Religion") is a 10th-century compendium of Zoroastrian beliefs and customs during the time. The Denkard is to a great extent considered an "Encyclopedia of Mazdaism" and is a valuable source of information on the religion especially during its Middle Persian iteration. The ''Denkard'' is not considered a sacred text by a majority of Zoroastrians, but is still considered worthy of study. Name The name traditionally given to the compendium reflects a phrase from the colophons, which speaks of the ''kart''/''kard'', from Avestan ''karda'' meaning "acts" (also in the sense of "chapters"), and ''dēn'', from Avestan ''daena'', literally "insight" or "revelation," but more commonly translated as "religion." Accordingly, ''dēn-kart'' means "religious acts" or "acts of religion." The ambiguity of ''-kart'' or ''-kard'' in the title reflects the orthography of Pahlavi writing, in which the letter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Persian Language
Persian (), also known by its endonym Farsi (, ', ), is a Western Iranian language belonging to the Iranian branch of the Indo-Iranian subdivision of the Indo-European languages. Persian is a pluricentric language predominantly spoken and used officially within Iran, Afghanistan, and Tajikistan in three mutually intelligible standard varieties, namely Iranian Persian (officially known as ''Persian''), Dari Persian (officially known as ''Dari'' since 1964) and Tajiki Persian (officially known as ''Tajik'' since 1999).Siddikzoda, S. "Tajik Language: Farsi or not Farsi?" in ''Media Insight Central Asia #27'', August 2002. It is also spoken natively in the Tajik variety by a significant population within Uzbekistan, as well as within other regions with a Persianate history in the cultural sphere of Greater Iran. It is written officially within Iran and Afghanistan in the Persian alphabet, a derivation of the Arabic script, and within Tajikistan in the Tajik alphabet, a der ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pazend
Pazend () or Pazand ( pal, 𐭯𐭠𐭰𐭭𐭣; ae, 𐬞𐬀𐬌𐬙𐬌 𐬰𐬀𐬌𐬥𐬙𐬌) is one of the writing systems used for the Middle Persian language. It was based on the Avestan alphabet, a phonetic alphabet originally used to write Avestan, the language of the Avesta, the primary sacred texts of Zoroastrianism. Pazend's principal use was for writing the commentaries (''Zend'') on and/or translations of the Avesta. The word "Pazend" ultimately derives from the Avestan words ''paiti zainti'', which can be translated as either "for commentary purposes" or "according to understanding" (phonetically). Pazend had the following characteristics, both of which are to be contrasted with Pahlavi, which is one of the other systems used to write Middle Persian: * Pazend was a variant of the Avestan alphabet (''Din dabireh''), which was a phonetic alphabet. In contrast, Pahlavi script was only an abjad. * Pazend did not have ideograms. In contrast, ideograms were an identi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pazand
Pazend () or Pazand ( pal, 𐭯𐭠𐭰𐭭𐭣; ae, 𐬞𐬀𐬌𐬙𐬌 𐬰𐬀𐬌𐬥𐬙𐬌) is one of the writing systems used for the Middle Persian language. It was based on the Avestan alphabet, a phonetic alphabet originally used to write Avestan, the language of the Avesta, the primary sacred texts of Zoroastrianism. Pazend's principal use was for writing the commentaries (''Zend'') on and/or translations of the Avesta. The word "Pazend" ultimately derives from the Avestan words ''paiti zainti'', which can be translated as either "for commentary purposes" or "according to understanding" (phonetically). Pazend had the following characteristics, both of which are to be contrasted with Pahlavi, which is one of the other systems used to write Middle Persian: * Pazend was a variant of the Avestan alphabet (''Din dabireh''), which was a phonetic alphabet. In contrast, Pahlavi script was only an abjad. * Pazend did not have ideograms. In contrast, ideograms were an identi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_2088.jpg "Click for more on -> Ideogram")
