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Jake Carter (singer)
Jake Carter (born Jacob Carter; 11 August 1998) is a singer and the winner of series 2 of the Irish television dance competition ''Dancing with the Stars''. He is the younger brother of country music singer Nathan Carter. Career In 2017, Carter burst on to the Irish music scene after a performance on '' The Late Late Show'' with Ryan Tubridy, performing his first single, "Trouble". The single accompanied with a music video received a lot of air play on Irish country music radio stations and reached number one on the Irish Country Music iTunes chart. He followed up "Trouble" with an EP titled ''Three Things''. Appearances ''Aladdin'' In December 2017, Carter appeared as the title character Aladdin in the Belfast SSE Arena pantomime production of ''Aladdin''. ''Dancing with the Stars'' In December 2017, Carter was confirmed as one of the eleven celebrities taking part in the second series of the Irish version of ''Dancing with the Stars''. Carter was paired with Irish p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Liverpool
Liverpool is a city and metropolitan borough in Merseyside, England. With a population of in 2019, it is the 10th largest English district by population and its metropolitan area is the fifth largest in the United Kingdom, with a population of 2.24 million. On the eastern side of the Mersey Estuary, Liverpool historically lay within the ancient hundred of West Derby in the county of Lancashire. It became a borough in 1207, a city in 1880, and a county borough independent of the newly-created Lancashire County Council in 1889. Its growth as a major port was paralleled by the expansion of the city throughout the Industrial Revolution. Along with general cargo, freight, and raw materials such as coal and cotton, merchants were involved in the slave trade. In the 19th century, Liverpool was a major port of departure for English and Irish emigrants to North America. It was also home to both the Cunard and White Star Lines, and was the port of registry of the ocean li ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samba
Samba (), also known as samba urbano carioca (''urban Carioca samba'') or simply samba carioca (''Carioca samba''), is a Brazilian music genre that originated in the Afro-Brazilian communities of Rio de Janeiro in the early 20th century. Having its roots in Brazilian folk traditions, especially those linked to the primitive rural samba of the colonial and imperial periods, it is considered one of the most important cultural phenomena in Brazil and one of the country's symbols. Present in the Portuguese language at least since the 19th century, the word "samba" was originally used to designate a "popular dance". Over time, its meaning has been extended to a "batuque-like circle dance", a dance style, and also to a "music genre". This process of establishing itself as a musical genre began in the 1910s and it had its inaugural landmark in the song " Pelo Telefone", launched in 1917. Despite being identified by its creators, the public, and the Brazilian music industry as "samba", ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhumba
Rhumba, also known as ballroom rumba, is a genre of ballroom music and dance that appeared in the East Coast of the United States during the 1930s. It combined American big band music with Afro-Cuban rhythms, primarily the son cubano, but also conga and rumba. Although taking its name from the latter, ballroom rumba differs completely from Cuban rumba in both its music and its dance. Hence, authors prefer the Americanized spelling of the word (''rhumba'') to distinguish between them. Music Although the term ''rhumba'' began to be used by American record companies to label all kinds of Latin music between 1913 and 1915, the history of rhumba as a specific form of ballroom music can be traced back to May 1930, when Don Azpiazú and his Havana Casino Orchestra recorded their song "El manisero" (The Peanut Vendor) in New York City. This single, released four months later by Victor, became a hit, becoming the first Latin song to sell 1 million copies in the United States. The song, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
You Can't Stop The Beat
"You Can't Stop The Beat" is the finale number in the 2002 musical ''Hairspray''. It is sung by Tracy, Link, Penny, Seaweed, Edna, Motor Mouth, Velma, and Amber with Corny and Wilbur as backing singers. Although the lyrics touch on sizeism and racism, the song also references broader themes of change and progression. The song pays tribute to the Phil Spector-produced 1966 Ike & Tina Turner hit "River Deep – Mountain High". Members of the Hairspray Live! cast have lovingly mocked the song as "You Can't Stop to Breathe" Production The song was edited for the 2007 film. Notably the Von Tussle section was removed. It was shot however, and is featured as a bonus feature on the DVD. Critical reception The ''New York Times'' deemed it a "contagiously elating finale". Reviewing the stage show, the Leicester Mercury described the song as "infectiously catchy" and added "you can't fail to leave singing You Can't Stop The Beat". The Boston Globe called it "the show's splashy closing num ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Friend Like Me
"Friend Like Me" is a song from the 1992 Disney film ''Aladdin (1992 Disney film), Aladdin''. It was performed by Robin Williams in his role as the Genie (Disney character), Genie. The song is also performed by Will Smith in Aladdin (2019 film), the remake. It was nominated for the Academy Award for Best Original Song at the 65th Academy Awards and the Golden Globe Award for Best Original Song at the 50th Golden Globe Awards in 1993. Production The song was originally designed as a Cab Calloway-style big band number. After Robin Williams was cast, it was retooled as a more comedic, pop-culture-filled song. ScreenCrush stated that remnants of the previous version of the film can be seen in this sequence: Synopsis After Aladdin releases the Genie from his lamp and the Genie considers that he can give Aladdin almost anything within a limit of three wishes, the Genie proves his nigh-omnipotent power to the skeptical thief with an impressive musical number, stressing that he is a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charleston (dance)
The Charleston is a dance named after the harbor city of Charleston, South Carolina. The rhythm was popularized in mainstream dance music in the United States by a 1923 tune called "The Charleston" by composer/pianist James P. Johnson, which originated in the Broadway show '' Runnin' Wild'' and became one of the most popular hits of the decade. ''Runnin' Wild'' ran from October 28, 1923, through June 28, 1924. The peak year for the Charleston as a dance by the public was mid-1926 to 1927. Origins While the dance probably came from the "star" or challenge dances that were all part of the African-American dance called Juba, the particular sequence of steps which appeared in ''Runnin' Wild'' were probably newly devised for popular appeal. "At first, the step started off with a simple twisting of the feet, to rhythm in a lazy sort of way. his could well be the Jay-Bird.When the dance hit Harlem, a new version was added. It became a fast kicking step, kicking the feet, both forwar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
On The Floor
"On the Floor" is a song recorded by American singer Jennifer Lopez for her seventh studio album, ''Love?'' (2011). Featuring American rapper Pitbull (rapper), Pitbull, it was released by Island Records on February 8, 2011, as the lead single from the album. "On the Floor" was written by Kinnda, Kinnda "Kee" Hamid, AJ Junior, Teddy Sky, Bilal Hajji, Bilal "The Chef" Hajji, Pitbull, Los Kjarkas, Gonzalo Hermosa, Ulises Hermosa, along with the song's producer RedOne. It is a pop music, pop song combining techno music, techno, Latin music (genre), Latin, dance-pop and house music and with a common time tempo of 130 beats per minute. Lopez recorded a Spanish-language version of the song titled "Ven a Bailar" ( en, "Come to Dance"), which includes additional lyrical contributions from Julio Reyes Copello and Jimena Romero. The song's development was motivated by Lopez's Latin heritage and pays homage to her career-beginnings as a dancer. Interpolation (popular music), Interpolated w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Freestyle Dance
Dance improvisation is the process of spontaneously creating movement. Development of movement material is facilitated through a variety of creative explorations including body mapping through levels, shape and dynamics schema. Improvisation is a free, seemingly unstructured, less technically strict and impulsive form that draws inspiration from everyday dance practices and influences. It is a movement technique that is capable of evoking dramatic and thought-provoking content just as well as more codified western dance techniques such as ballet and non-western movement forms. Dance improvisation is not only about creating ''new'' movement but is also defined as freeing the body from habitual movement patterns (see Postmodern dance and Judson Dance Theater). Dancer and singer Michael Jackson combined improvisation in both of those definitions, insisting that he had an interest in performing a dance to ''Billie Jean'' only if he could do it a new way each time. A lot of improvisatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rock Around The Clock
"Rock Around the Clock" is a rock and roll song in the 12-bar blues format written by Max C. Freedman and James E. Myers (the latter being under the pseudonym "Jimmy De Knight") in 1952. The best-known and most successful rendition was recorded by Bill Haley & His Comets in 1954 for American Decca. It was a number one single for two months and did well on the United Kingdom charts; the recording also reentered the UK Singles Chart in the 1960s and 1970s. This is the first Rock and Roll record to top the Pop Charts in both the US and UK. (Bill Haley had American chart success with "Crazy Man, Crazy" in 1953, and in 1954, "Shake, Rattle and Roll" sung by Big Joe Turner reached No. 1 on the ''Billboard'' R&B chart). Haley's recording became an anthem for rebellious 1950s youth, particularly after it was included in the 1955 film ''Blackboard Jungle''. It was Number 1 on the pop charts for two months and went to Number 3 on the R&B chart. The recording is widely considered to b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jive (dance)
The jive is a dance style that originated in the United States from the African Americans in the early 1930s. The name of the dance comes from the name of a form of African-American vernacular slang, popularized in the 1930s by the publication of a dictionary by Cab Calloway, the famous jazz bandleader and singer. In competition ballroom dancing, the jive is often grouped with the Latin-inspired ballroom dances, though its roots are based on swing dancing and not Latin dancing. History To the players of swing music in the 1930s and 1940s, "jive" was an expression denoting glib or foolish talk. American soldiers brought Lindy Hop/jitterbug to Europe around 1940, where this dance swiftly found a following among the young. In the United States, "swing" became the most common word for the dance, and the term "jive" was adopted in the UK. Variations in technique led to styles such as boogie-woogie and swing boogie, with "jive" gradually emerging as the generic term in the UK.Pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
You'll Never Walk Alone
"You'll Never Walk Alone" is a show tune from the 1945 Rodgers and Hammerstein musical ''Carousel''. In the second act of the musical, Nettie Fowler, the cousin of the protagonist Julie Jordan, sings "You'll Never Walk Alone" to comfort and encourage Julie when her husband, Billy Bigelow, the male lead, stabs himself with a knife whilst trying to run away after attempting a robbery with his mate Jigger and dies in her arms. The song is reprised in the final scene to encourage a graduation class of which Louise (Billy and Julie's daughter) is a member. The now invisible Billy, who has been granted the chance to return to Earth for one day in order to redeem himself, watches the ceremony and is able to silently motivate Louise and Julie to join in with the song. The song is also sung at association football clubs around the world, where it is performed by a massed chorus of supporters on match day; this tradition developed at Liverpool F.C. after the chart success of the 1963 sing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Viennese Waltz
Viennese waltz (german: Wiener Walzer) is a genre of ballroom dance. At least four different meanings are recognized. In the historically first sense, the name may refer to several versions of the waltz, including the earliest waltzes done in ballroom dancing, danced to the music of Viennese waltz. What is now called the Viennese waltz is the original form of the waltz. It was the first ballroom dance performed in the closed hold or "waltz" position. The dance that is popularly known as the waltz is actually the English or slow waltz, danced at approximately 90 beats per minute with 3 beats to the bar (the international standard of 30 measures per minute), while the Viennese waltz is danced at about 180 beats (58-60 measures) per minute. To this day however, in Germany, Austria, Scandinavia, and France, the words (German), (Danish, Norwegian, and Swedish), and (French) still implicitly refer to the original dance and not the slow waltz. The Viennese waltz is a rotary dan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
