On The Floor
"On the Floor" is a song recorded by American singer Jennifer Lopez for her seventh studio album, ''Love?'' (2011). Featuring American rapper Pitbull (rapper), Pitbull, it was released by Island Records on February 8, 2011, as the lead single from the album. "On the Floor" was written by Kinnda, Kinnda "Kee" Hamid, AJ Junior, Teddy Sky, Bilal Hajji, Bilal "The Chef" Hajji, Pitbull, Los Kjarkas, Gonzalo Hermosa, Ulises Hermosa, along with the song's producer RedOne. It is a pop music, pop song combining techno music, techno, Latin music (genre), Latin, dance-pop and house music and with a common time tempo of 130 beats per minute. Lopez recorded a Spanish-language version of the song titled "Ven a Bailar" ( en, "Come to Dance"), which includes additional lyrical contributions from Julio Reyes Copello and Jimena Romero. The song's development was motivated by Lopez's Latin heritage and pays homage to her career-beginnings as a dancer. Interpolation (popular music), Interpolated w ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Jennifer Lopez
Jennifer Lynn Affleck (' Lopez; born July 24, 1969), also known as J.Lo, is an American singer, actress and dancer. In 1991, she began appearing as a Fly Girl dancer on the sketch comedy television series ''In Living Color'', where she remained a regular until she decided to pursue an acting career in 1993. For her first leading role in ''Selena'' (1997), she became the first Hispanic actress to earn over US$1 million for a film. She went on to star in ''Anaconda'' (1997) and ''Out of Sight'' (1998), and established herself as the highest-paid Hispanic actress in Hollywood. Lopez ventured into the music industry with her debut studio album ''On the 6'' (1999), which helped propel the Latin pop movement in American music, and later starred in the psychological horror '' The Cell'' (2000). With the simultaneous release of her second studio album ''J.Lo'' and her romantic comedy ''The Wedding Planner'' in 2001, she became the first woman to have a number-one album and film in ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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I'm Into You
"I'm Into You" is a song recorded by American singer Jennifer Lopez for her seventh studio album '' Love?'' (2011). It features American rapper Lil Wayne, who also co-wrote it alongside British singer-songwriter Taio Cruz and Norwegian musicians Mikkel S. Eriksen and Tor Erik Hermansen. The latter two also produced the song, credited as Stargate. A mid-tempo pop and R&B song, it depicts Lopez about being lost in love, while Lil Wayne's verses interject clever wordplay. The song was originally due for release as a promotional single in the US and Canada on April 5, 2011, but was unlocked and released in those markets four days earlier on April 1, 2011, through a campaign on Lopez's Facebook page. The song was later serviced to rhythmic and urban radio on April 26, 2011, as the second single from ''Love?''. "I'm Into You" received generally positive reviews from contemporary music critics, who complimented the song's catchy hook, island-flavored production and playful lyrics. T ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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American Idol (season 10)
The tenth season of ''American Idol'' premiered on January 19, 2011, and concluded on May 25, 2011, on the Fox television network. The show underwent a multitude of changes from the ninth season, including the return of Nigel Lythgoe as the executive producer. Randy Jackson returned as judge for his tenth season while Jennifer Lopez and Steven Tyler joined the judging panel following the departures of Simon Cowell, Kara DioGuardi and Ellen DeGeneres. Interscope Records, which is part of Universal Music Group, replaced Sony Music Entertainment as ''Idol''s official partner record label. Interscope's Chairman Jimmy Iovine, a songwriter and producer, was named as the in-house mentor to work with the contestants on a weekly basis. He was supported by associated producers Rodney Jerkins, Alex da Kid, Tricky Stewart, Don Was, will.i.am, and Timbaland, who all helped the contestants tailor their song choices to their chosen genre of performance, while also producing arrangements for the c ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Lambada (song)
"Lambada", also known as "Chorando Se Foi (Lambada)" or "Llorando Se Fue (Lambada)" (both meaning 'crying, he/she went away' in Portuguese and Spanish, respectively), is a song by French-Brazilian pop group Kaoma. It featured guest vocals by Brazilian vocalist Loalwa Braz, and was released as the first single from Kaoma's debut album, ''Worldbeat'' (1989). The accompanying music video, filmed on Cocos beach in the city of Trancoso, in the state of Bahia, Brazil featured the Brazilian child duo Chico & Roberta. The song in Portuguese was a mix cover of the 1986 hit "Chorando Se Foi" by Márcia Ferreira (with lyrics translated to Portuguese) and the Cuarteto Continental hit "Llorando Se Fue" (the first upbeat version of the song introducing the accordion), released in 1984 through the Peruvian record label INFOPESA and produced by Alberto Maraví; both songs were adapted from the 1981 Bolivian song "Llorando se fue" by Los Kjarkas. At the time of release, "Lambada" was regard ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Kaoma
Kaoma was a French-Brazilian band formed in 1988 by Loalwa Braz (lead vocals), Chyco Dru (bass), Jacky Arconte (guitar), Jean-Claude Bonaventure (keyboard), Michel Abihssira (drums and percussion) and Fania (backing vocals). Dru is from Martinique, Arconte from Guadeloupe, and Braz from Brazil. Career In 1989, they had a major chart-topping international hit with their dance music single "Lambada", a direct cover of the 1986 dance hit " Chorando Se Foi" by Brazilian singer-songwriter Márcia Ferreira, which itself was a legally authorized Portuguese-translated rendition of the original slow ballad "Llorando se fue" (1981) by Bolivian group Los Kjarkas. Given Kaoma's clear act of plagiarism and release of their single without Los Kjarkas' permission, Los Kjarkas successfully sued. " Dançando Lambada" and " Mélodie d'amour" were the next two singles and were also hits, although they failed to earn the same success as "Lambada", which itself peaked at number 46 in the US ''Bil ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Llorando Se Fue
"Llorando se fue" ( en, e/Sheleft in tears) is a Bolivian folk song recorded by Los Kjarkas in 1981 on the album ''Canto a la mujer de mi pueblo'' and released as a B-side of the "Wa ya yay" single in 1982. The song has been very popular in Latin America since the 1980s and has been covered several times. It obtained international fame with artists such as Wilkins in 1984, Argentine singer Juan Ramón in 1985, Brazilian singer Márcia Ferreira in 1986 and the French-Brazilian pop group Kaoma in 1989. Kaoma's cover "Lambada" was an unauthorized translation of the song and based on the music of Cuarteto Continental group and Márcia Ferreira's Portuguese version that led to a successful lawsuit against Kaoma's producers Olivier Lorsac and Jean Karakos. Recently, the song was adapted by several artists including Ivete Sangalo, Red Fox's "Pose Off", Jennifer Lopez for her 2011 single "On the Floor", Don Omar's "Taboo" and Wisin & Yandel's "Pam Pam". The song is alternately titled "' ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Interpolation (popular Music)
In popular music, interpolation (also called a replayed sample) refers to using a melody—or portions of a melody (often with modified lyrics)—from a previously recorded song but re-recording the melody instead of sampling it. Interpolation is often used when the artist or label who owns the piece of music declines to license the sample, or if licensing the piece of music is considered too costly. Interpolation examples Interpolation is prevalent in many genres of popular music; early examples are the Beatles interpolating "La Marseillaise" and "She Loves You", among three other interpolations in the 1967 song "All You Need Is Love", and Lyn Collins interpolating lyrics from the 5 Royales' "Think" in her similarly titled 1972 song "Think (About It)". One genre where interpolating (as well as sampling) is highly prevalent is hip hop music; prominent examples include Stevie Wonder's "Pastime Paradise" interpolated in Coolio's hit song "Gangsta's Paradise", and Sting's " ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Julio Reyes Copello
Julio Reyes Copello (born April 26, 1969) is a Colombian producer, songwriter and record engineer. Throughout his career he has worked with various artists such as Jennifer López, Marc Anthony, Thalía, Chayanne, Kany García, Alejandro Sanz, Paula Arenas, Laura Pausini and Pablo Alborán, among others, as well as receiving four Grammy Awards and seven Latin Grammy Awards. Early life Reyes Copello was born in 1969 in Cúcuta, Colombia and grew up in Bogotá, his interest for music started from an early age learning howto play the piano with his mother. He has two brothers, Gabriel, the president of the Colombian television network RCN, and Gerardo, an investigative journalist and one of the recipients of the Pulitzer Prize for Investigative Reporting in 1999. Career After graduating from the Colegio San Bartolomé La Merced, he entered to the Pontifical Xavierian University to study music. In 1996, he composed the music for the miniseries ''Leche'', for which he won the Indi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Tempo
In musical terminology, tempo (Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured in beats per minute (or bpm). In modern classical compositions, a "metronome mark" in beats per minute may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in BPM. Tempo may be separated from articulation and meter, or these aspects may be indicated along with tempo, all contributing to the overall texture. While the ability to hold a steady tempo is a vital skill for a musical performer, tempo is changeable. Depending on the genre of a piece of music and the performers' interpretation, a piece may be played with slight tempo rubato or drastic variances. In ensembles, the tempo is often ind ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Common Time
The time signature (also known as meter signature, metre signature, or measure signature) is a notational convention used in Western musical notation to specify how many beats (pulses) are contained in each measure (bar), and which note value is equivalent to a beat. In a music score, the time signature appears at the beginning as a time symbol or stacked numerals, such as or (read ''common time'' or ''four-four time'', respectively), immediately following the key signature (or immediately following the clef symbol if the key signature is empty). A mid-score time signature, usually immediately following a barline, indicates a change of meter. There are various types of time signatures, depending on whether the music follows regular (or symmetrical) beat patterns, including simple (e.g., and ), and compound (e.g., and ); or involves shifting beat patterns, including complex (e.g., or ), mixed (e.g., & or & ), additive (e.g., ), fractional (e.g., ), and irrational met ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Dance-pop
Dance-pop is a popular music subgenre that originated in the late 1970s to early 1980s. It is generally uptempo music intended for nightclubs with the intention of being danceable but also suitable for contemporary hit radio. Developing from a combination of dance and pop with influences of disco, post-discoSmay, David & Cooper, Kim (2001). ''Bubblegum Music Is the Naked Truth: The Dark History of Prepubescent Pop, from the Banana Splits to Britney Spears'': "... think about Stock-Aitken-Waterman and Kylie Minogue. Dance pop, that's what they call it now — Post-Disco, post-new wave and incorporating elements of both." Feral House: Publisher, p. 327. . and synth-pop, it is generally characterised by strong beats with easy, uncomplicated song structures which are generally more similar to pop music than the more free-form dance genre, with an emphasis on melody as well as catchy tunes. The genre, on the whole, tends to be producer-driven, despite some notable exceptions. Da ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Latin Music (genre)
Latin music (Portuguese and es, música latina) is a term used by the music industry as a catch-all category for various styles of music from Ibero-America (including Spain and Portugal) and the Latino United States inspired by Latin American, Spanish and Portuguese music genres, as well as music that is sung in either Spanish and/or Portuguese. Terminology and categorization Because the majority of Latino immigrants living in New York City in the 1950s were of Puerto Rican or Cuban descent, "Latin music" had been stereotyped as music simply originating from the Spanish Caribbean. The popularization of bossa nova and Herb Alpert's Mexican-influenced sounds in the 1960s did little to change the perceived image of Latin music. Since then, the music industry classifies all music sung in Spanish or Portuguese as Latin music, including musics from Spain and Portugal. Following protests from Latinos in New York, a category for Latin music was created by National Recording Ac ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |