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Jailhouse Rock (EP)
''Jailhouse Rock'' is an EP by American singer Elvis Presley, featuring songs from the movie of the same name. It was released by RCA Victor, with catalogue EPA 4114, on October 30, 1957. Recording sessions took place at Radio Recorders in Hollywood on April 30 and May 3, 1957, with an additional session at the Metro-Goldwyn-Mayer Soundstage in Hollywood on May 9 for " Don't Leave Me Now". It peaked at #1 on the newly inaugurated ''Billboard'' EP chart where it remained at #1 for 28 weeks. The EP album was the best selling EP album of 1958 according to Billboard. Content Unlike '' Loving You'' (1957) but like '' Love Me Tender'' (1956), a full long-playing album soundtrack was not devised for ''Jailhouse Rock''. The title song " Jailhouse Rock" had already been released as a single on September 24, 1957, and went to #1 on the singles chart. The sixth soundtrack song " Treat Me Nice" was not included on the EP, a new recording from September 5 at Radio Recorders was instead pla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soundtrack Album
A soundtrack album is any album that incorporates music directly recorded from the soundtrack of a particular feature film or television show. The first such album to be commercially released was Walt Disney's ''Snow White and the Seven Dwarfs'', the soundtrack to the film of the same name, in 1938. The first soundtrack album of a film's orchestral score was that for Alexander Korda's 1942 film '' Rudyard Kipling's Jungle Book'', composed by Miklós Rózsa. Overview When a feature film is released, or during and after a television series airs, an album in the form of a soundtrack is frequently released alongside it. A soundtrack typically contains instrumentation or alternatively a film score. But it can also feature songs that were sung or performed by characters in a scene (or a cover version of a song in the media, rerecorded by a popular artist), songs that were used as intentional or unintentional background music in important scenes, songs that were heard in the cl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don't Leave Me Now (1957 Song)
Don't Leave Me Now may refer to: * "Don't Leave Me Now" (Pink Floyd song), 1979 * "Don't Leave Me Now", a song by Elvis Presley from '' Loving You'', 1957 * "Don't Leave Me Now", a song by Supertramp from '' ...Famous Last Words...'', 1982 * "Don't Leave Me Now", a song by Lost Frequencies featuring Mathieu Koss from ''Cup of Beats'', 2020 {{Disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddy Holly
Charles Hardin Holley (September 7, 1936 – February 3, 1959), known as Buddy Holly, was an American singer and songwriter who was a central and pioneering figure of mid-1950s rock and roll. He was born to a musical family in Lubbock, Texas during the Great Depression, and learned to play guitar and sing alongside his siblings. His style was influenced by gospel music, country music, and rhythm and blues acts, which he performed in Lubbock with his friends from high school. He made his first appearance on local television in 1952, and the following year he formed the group "Buddy and Bob" with his friend Bob Montgomery. In 1955, after opening for Elvis Presley, he decided to pursue a career in music. He opened for Presley three times that year; his band's style shifted from country and western to entirely rock and roll. In October that year, when he opened for Bill Haley & His Comets, he was spotted by Nashville scout Eddie Crandall, who helped him get a contract wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Standard (music)
In music, a standard is a musical composition of established popularity, considered part of the "standard repertoire" of one or several genres. Even though the standard repertoire of a given genre consists of a dynamic and partly subjective set of songs, these can be identified by having been performed or recorded by a variety of musical acts, often with different arrangements. In addition, standards are extensively quoted by other works and commonly serve as the basis for musical improvisation. Standards may " cross over" from one genre's repertoire to another's; for example, many jazz standards have entered the pop repertoire, and many blues standards have entered the rock repertoire. Standards exist in the classical, popular and folk music traditions of all cultures. In the context of Western classical music, the standard repertoire constitutes most of what is considered the "teaching canon", i.e. the compositions that students learn in their academic training. The standar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
(You're So Square) Baby I Don't Care
"(You're So Square) Baby I Don't Care" is a 1957 song recorded by Elvis Presley and performed in the MGM film '' Jailhouse Rock''. It was written by Jerry Leiber and Mike Stoller for the film. Presley plays electric bass on the song. Background Elvis Presley's version, one of the few songs in which he plays the electric bass, was recorded on May 3, with the vocal track added on May 9, 1957, and released on his '' Jailhouse Rock'' EP. It reached number fourteen on the R&B charts. It later become a minor pop standard, with notable versions being performed by Buddy Holly, who included the song on his eponymous second album, and his version made the British singles chart in 1961, reaching no. 12. A 1983 re-release of the Elvis Presley version reached no. 61 on the UK singles chart. The song's narrator addresses the object of their affection, and points out all the ways that the addressee is square, how they are out of touch with modern trends in music and romance. Then the narra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Want To Be Free (Elvis Presley Song)
"I Want to Be Free" is a song first recorded by Elvis Presley as part of the soundtrack for his 1957 motion picture '' Jailhouse Rock''. Its first release on record was on the soundtrack EP '' Jailhouse Rock'' in 1957. In some countries in 1958 the song was released on a single as the reverse side to "(You're So Square) Baby I Don't Care". Writing The song was written by Jerry Leiber and Mike Stoller specially for Presley's 1957 film ''Jailhouse Rock''. They wrote several famous songs: " Jailhouse Rock", "(You're So Square) Baby I Don't Care", " Treat Me Nice" and "I Want to Be Free" in one afternoon. Recording Presley recorded "I Want to Be Free" on May 3, 1957, at the soundtrack recordings for the MGM movie ''Jailhouse Rock'' (that took place on April 30 and May 3, 1957, at the Radio Recorders Studio and on May 9 at the MGM Soundstage in Hollywood, California). Track listing 7" single (1958) # "(You're So Square) Baby I Don't Care" # "I Want to Be Free" References ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jerry Leiber And Mike Stoller
Lyricist Jerome Leiber (April 25, 1933 – August 22, 2011) and composer Michael Stoller (born March 13, 1933) were American songwriting and record producing partners. They found success as the writers of such crossover hit songs as " Hound Dog" (1952) and "Kansas City" (1952). Later in the 1950s, particularly through their work with The Coasters, they created a string of ground-breaking hits—including " Young Blood" (1957), " Searchin'" (1957), and "Yakety Yak" (1958)—that used the humorous vernacular of teenagers sung in a style that was openly theatrical rather than personal. Leiber and Stoller wrote hits for Elvis Presley, including " Love Me" (1956), " Jailhouse Rock" (1957), " Loving You", " Don't", and " King Creole". They also collaborated with other writers on such songs as " On Broadway", written with Barry Mann and Cynthia Weil; " Stand By Me", written with Ben E. King; "Young Blood", written with Doc Pomus; and "Spanish Harlem", co-written by Leiber and Phil Spect ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
B-side
The A-side and B-side are the two sides of phonograph records and cassettes; these terms have often been printed on the labels of two-sided music recordings. The A-side usually features a recording that its artist, producer, or record company intends to be the initial focus of promotional efforts and radio airplay and hopefully become a hit record. The B-side (or "flip-side") is a secondary recording that typically receives less attention, although some B-sides have been as successful as, or more so than, their A-sides. Use of this language has largely declined in the 21st century as the music industry has transitioned away from analog recordings towards digital formats without physical sides, such as CDs, downloads and streaming. Nevertheless, some artists and labels continue to employ the terms ''A-side'' and ''B-side'' metaphorically to describe the type of content a particular release features, with ''B-side'' sometimes representing a "bonus" track or other material. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard Hot 100
The ''Billboard'' Hot 100 is the music industry standard record chart in the United States for songs, published weekly by '' Billboard'' magazine. Chart rankings are based on sales (physical and digital), radio play, and online streaming in the United States. The weekly tracking period for sales was initially Monday to Sunday when Nielsen started tracking sales in 1991, but was changed to Friday to Thursday in July 2015. This tracking period also applies to compiling online streaming data. Radio airplay, which, unlike sales figures and streaming, is readily available on a real-time basis, is also tracked on a Friday to Thursday cycle effective with the chart dated July 17, 2021 (previously Monday to Sunday and before July 2015, Wednesday to Tuesday). A new chart is compiled and officially released to the public by ''Billboard'' on Tuesdays but post-dated to the following Saturday. The first number-one song of the ''Billboard'' Hot 100 was " Poor Little Fool" by Ricky N ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Single (music)
In music, a single is a type of release, typically a song recording of fewer tracks than an LP record or an album. One can be released for sale to the public in a variety of formats. In most cases, a single is a song that is released separately from an album, although it usually also appears on an album. In other cases a recording released as a single may not appear on an album. Despite being referred to as a single, in the era of music downloads, singles can include up to as many as three tracks. The biggest digital music distributor, the iTunes Store, accepts as many as three tracks that are less than ten minutes each as a single. Any more than three tracks on a musical release or thirty minutes in total running time is an extended play (EP) or, if over six tracks long, an album. Historically, when mainstream music was purchased via vinyl records, singles would be released double-sided, i.e. there was an A-side and a B-side, on which two songs would appear, one on each s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soundtrack
A soundtrack is recorded music accompanying and synchronised to the images of a motion picture, drama, book, television program, radio program, or video game; a commercially released soundtrack album of music as featured in the soundtrack of a film, video, or television presentation; or the physical area of a film that contains the synchronised recorded sound. In movie industry terminology usage, a sound track is an audio recording created or used in film production or post-production. Initially, the dialogue, sound effects, and music in a film each has its own separate track (''dialogue track'', ''sound effects track'', and '' music track''), and these are mixed together to make what is called the ''composite track,'' which is heard in the film. A ''dubbing track'' is often later created when films are dubbed into another language. This is also known as an M&E (music and effects) track. M&E tracks contain all sound elements minus dialogue, which is then supplied by th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
LP Album
The LP (from "long playing" or "long play") is an analog sound storage medium, a phonograph record format characterized by: a speed of rpm; a 12- or 10-inch (30- or 25-cm) diameter; use of the "microgroove" groove specification; and a vinyl (a copolymer of vinyl chloride acetate) composition disk. Introduced by Columbia in 1948, it was soon adopted as a new standard by the entire record industry. Apart from a few relatively minor refinements and the important later addition of stereophonic sound, it remained the standard format for record albums (during a period in popular music known as the album era) until its gradual replacement from the 1980s to the early 2000s, first by cassettes, then by compact discs, and finally by digital music distribution. Beginning in the late 2000s, the LP has experienced a resurgence in popularity. Format advantages At the time the LP was introduced, nearly all phonograph records for home use were made of an abrasive shellac compou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
