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JSL Romanization
JSL is a romanization system for transcribing the Japanese language into the Latin script. It was devised by Eleanor Jorden for (and named after) her 1987 book '' Japanese: The Spoken Language''. The system is based on Kunrei-shiki romanization.Jorden 1987: 21 Japanese Yale is a less well-known alternative name for the JSL system. It is designed for teaching spoken Japanese, and so, it follows Japanese phonology fairly closely. For example, different conjugations of a verb may be achieved by changing the final vowel (as in the chart on the right), thus "bear nga direct relation to Japanese structure" (in Jorden's words), whereas the common Hepburn romanization may require exceptions in some cases, in order to more clearly illustrate pronunciation to native English speakers. JSL differs from Hepburn particularly in that it uses doubled vowels, rather than macrons, to represent the long vowels and . Tokyo (Tōkyō) and Osaka (Ōsaka), for instance, would be written (Tookyoo) an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romanization
Romanization or romanisation, in linguistics, is the conversion of text from a different writing system to the Roman (Latin) script, or a system for doing so. Methods of romanization include transliteration, for representing written text, and transcription, for representing the spoken word, and combinations of both. Transcription methods can be subdivided into ''phonemic transcription'', which records the phonemes or units of semantic meaning in speech, and more strict ''phonetic transcription'', which records speech sounds with precision. Methods There are many consistent or standardized romanization systems. They can be classified by their characteristics. A particular system’s characteristics may make it better-suited for various, sometimes contradictory applications, including document retrieval, linguistic analysis, easy readability, faithful representation of pronunciation. * Source, or donor language – A system may be tailored to romanize text from a particular lan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hiragana
is a Japanese syllabary, part of the Japanese writing system, along with ''katakana'' as well as ''kanji''. It is a phonetic lettering system. The word ''hiragana'' literally means "flowing" or "simple" kana ("simple" originally as contrasted with kanji). Hiragana and katakana are both kana systems. With few exceptions, each mora in the Japanese language is represented by one character (or one digraph) in each system. This may be either a vowel such as ''"a"'' (hiragana あ); a consonant followed by a vowel such as ''"ka"'' (か); or ''"n"'' (ん), a nasal sonorant which, depending on the context, sounds either like English ''m'', ''n'' or ''ng'' () when syllable-final or like the nasal vowels of French, Portuguese or Polish. Because the characters of the kana do not represent single consonants (except in the case of ん "n"), the kana are referred to as syllabic symbols and not alphabetic letters. Hiragana is used to write ''okurigana'' (kana suffixes following a kanji ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yale Romanization Of Korean
The Yale romanization of Korean was developed by Samuel Elmo Martin and his colleagues at Yale University about half a decade after McCune–Reischauer. It is the standard romanization of the Korean language in linguistics. The Yale system places primary emphasis on showing a word's morphophonemic structure. This distinguishes it from the other two widely used systems for romanizing Korean, the Revised Romanization of Korean (RR) and McCune–Reischauer. These two usually provide the pronunciation for an entire word, but the morphophonemic elements accounting for that pronunciation often cannot be recovered from the romanizations, which makes them ill-suited for linguistic use. In terms of morphophonemic content, the Yale system's approach can be compared to North Korea's former New Korean Orthography. The Yale system tries to use a single consistent spelling for each morphophonemic element irrespective of its context. But Yale and Hangul differ in how back vowels are handled ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yale Romanization Of Cantonese
The Yale romanization of Cantonese was developed by Gerard P. Kok for his and Parker Po-fei Huang's textbook ''Speak Cantonese'' initially circulated in looseleaf form in 1952 but later published in 1958. Unlike the Yale romanization of Mandarin, it is still widely used in books and dictionaries, especially for foreign learners of Cantonese. It shares some similarities with Hanyu Pinyin in that unvoiced, unaspirated consonants are represented by letters traditionally used in English and most other European languages to represent voiced sounds. For example, is represented as ''b'' in Yale, whereas its aspirated counterpart, is represented as ''p''. Students attending The Chinese University of Hong Kong's New-Asia Yale-in-China Chinese Language Center are taught using Yale romanization. Despite originally being a romanisation scheme to indicate pronunciations, some enthusiasts actually employ the Yale romanisation to explore writing Cantonese as an alphabetic language, elevati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Circumflex
The circumflex () is a diacritic in the Latin and Greek scripts that is also used in the written forms of many languages and in various romanization and transcription schemes. It received its English name from la, circumflexus "bent around"a translation of the el, περισπωμένη (). The circumflex in the Latin script is chevron-shaped (), while the Greek circumflex may be displayed either like a tilde () or like an inverted breve (). For the most commonly encountered uses of the accent in the Latin alphabet, precomposed characters are available. In English, the circumflex, like other diacritics, is sometimes retained on loanwords that used it in the original language (for example, ''crème brûlée''). In mathematics and statistics, the circumflex diacritic is sometimes used to denote a function and is called a ''hat operator''. A free-standing version of the circumflex symbol, , has become known as ''caret'' and has acquired special uses, particularly in computing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grave Accent
The grave accent () ( or ) is a diacritical mark used to varying degrees in French, Dutch, Portuguese, Italian and many other western European languages, as well as for a few unusual uses in English. It is also used in other languages using the Latin alphabet, such as Mohawk and Yoruba, and with non-Latin writing systems such as the Greek and Cyrillic alphabets and the Bopomofo or Zhuyin Fuhao semi-syllabary. It has no single meaning, but can indicate pitch, stress, or other features. For the most commonly encountered uses of the accent in the Latin and Greek alphabets, precomposed characters are available. For less-used and compound diacritics, a combining character facility is available. A free-standing version of the symbol, commonly called a backtick, also exists and has acquired other uses. Uses Pitch The grave accent first appeared in the polytonic orthography of Ancient Greek to mark a lower pitch than the high pitch of the acute accent. In modern practice, it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acute Accent
The acute accent (), , is a diacritic used in many modern written languages with alphabets based on the Latin, Cyrillic, and Greek scripts. For the most commonly encountered uses of the accent in the Latin and Greek alphabets, precomposed characters are available. Uses History An early precursor of the acute accent was the apex, used in Latin inscriptions to mark long vowels. Pitch Ancient Greek The acute accent was first used in the polytonic orthography of Ancient Greek, where it indicated a syllable with a high pitch. In Modern Greek, a stress accent has replaced the pitch accent, and the acute marks the stressed syllable of a word. The Greek name of the accented syllable was and is (''oxeîa'', Modern Greek ''oxía'') "sharp" or "high", which was calqued (loan-translated) into Latin as "sharpened". Stress The acute accent marks the stressed vowel of a word in several languages: * Blackfoot uses acute accents to show the place of stress in a word: soyópokists ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mora (linguistics)
A mora (plural ''morae'' or ''moras''; often symbolized μ) is a basic timing unit in the phonology of some spoken languages, equal to or shorter than a syllable. For example, a short syllable such as ''ba'' consists of one mora (''monomoraic''), while a long syllable such as ''baa'' consists of two (''bimoraic''); extra-long syllables with three moras (''trimoraic'') are relatively rare. Such metrics are also referred to as syllable weight. The term comes from the Latin word for "linger, delay", which was also used to translate the Greek word χρόνος : ''chrónos'' (time) in its metrical sense. Formation The general principles for assigning moras to segments are as follows (see Hayes 1989 and Hyman 1985 for detailed discussion): # A syllable onset (the first consonant or consonants of the syllable) does not represent any mora. # The syllable nucleus represents one mora in the case of a short vowel, and two morae in the case of a long vowel or diphthong. Consonants se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Pitch Accent
is a feature of the Japanese language that distinguishes words by accenting particular morae in most Japanese dialects. The nature and location of the accent for a given word may vary between dialects. For instance, the word for "now" is in the Tokyo dialect, with the accent on the first mora (or equivalently, with a downstep in pitch between the first and second morae), but in the Kansai dialect it is . A final or is often devoiced to or after a downstep and an unvoiced consonant. Standard Japanese Normative pitch accent, essentially the pitch accent of the Tokyo Yamanote dialect, is considered essential in jobs such as broadcasting. The current standards for pitch accent are presented in special accent dictionaries for native speakers such as the ''Shin Meikai Nihongo Akusento Jiten'' () and the ''NHK Nihongo Hatsuon Akusento Jiten'' (). Newsreaders and other speech professionals are required to follow these standards. Foreign learners of Japanese are often not taugh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allophone
In phonology, an allophone (; from the Greek , , 'other' and , , 'voice, sound') is a set of multiple possible spoken soundsor ''phones''or signs used to pronounce a single phoneme in a particular language. For example, in English, (as in ''stop'' ) and the aspirated form (as in ''top'' ) are allophones for the phoneme , while these two are considered to be different phonemes in some languages such as Thai. On the other hand, in Spanish, (as in ''dolor'' ) and (as in ''nada'' ) are allophones for the phoneme , while these two are considered to be different phonemes in English. The specific allophone selected in a given situation is often predictable from the phonetic context, with such allophones being called positional variants, but some allophones occur in free variation. Replacing a sound by another allophone of the same phoneme usually does not change the meaning of a word, but the result may sound non-native or even unintelligible. Native speakers of a given languag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Velar Nasal
The voiced velar nasal, also known as agma, from the Greek word for 'fragment', is a type of consonantal sound used in some spoken languages. It is the sound of ''ng'' in English ''sing'' as well as ''n'' before velar consonants as in ''English'' and ''ink''. The symbol in the International Phonetic Alphabet that represents this sound is , and the equivalent X-SAMPA symbol is N. The IPA symbol is similar to , the symbol for the retroflex nasal, which has a rightward-pointing hook extending from the bottom of the right stem, and to , the symbol for the palatal nasal, which has a leftward-pointing hook extending from the bottom of the left stem. Both the IPA symbol and the sound are commonly called ' eng' or 'engma'. As a phoneme, the velar nasal does not occur in many of the indigenous languages of the Americas or in many European, Middle Eastern or Caucasian languages, but it is extremely common in Australian Aboriginal languages and is also common in many languages of Sub-S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orthography
An orthography is a set of conventions for writing a language, including norms of spelling, hyphenation, capitalization, word breaks, emphasis, and punctuation. Most transnational languages in the modern period have a writing system, and most of these systems have undergone substantial standardization, thus exhibiting less dialect variation than the spoken language. These processes can fossilize pronunciation patterns that are no longer routinely observed in speech (e.g., "would" and "should"); they can also reflect deliberate efforts to introduce variability for the sake of national identity, as seen in Noah Webster's efforts to introduce easily noticeable differences between American and British spelling (e.g., "honor" and "honour"). Some nations (e.g. France and Spain) have established language academies in an attempt to regulate orthography officially. For most languages (including English) however, there are no such authorities and a sense of 'correct' orthography evol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
