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Júlia Várady
Júlia Várady ( hu, Várady Júlia; born 1 September 1941) is a Hungarian-born German soprano who started out as a mezzo-soprano. Life and career Júlia Várady was born Tőzsér Júlia in Nagyvárad, Hungary (today Oradea, Romania). At the age of six she began violin lessons at the Conservatory in Cluj and then, aged fourteen, voice training with Emilia Popp. She later studied voice with Arta Florescu at the Ciprian Porumbescu Conservatory in Bucharest. She made her debut, as a mezzo-soprano, with the Cluj Opera in 1962, singing in Gluck's ''Orfeo ed Euridice'' and as Fiordiligi in Mozart's ''Così fan tutte''. In 1970, she joined the Frankfurt-am-Main Opera and thereafter sang mostly in Western Europe. In 1973, she moved from Frankfurt to the Bayerische Staatsoper (the Bavarian State Opera) in Munich and later joined the Deutsche Oper Berlin. She has appeared at the Royal Opera House, Covent Garden, London; at the Vienna State Opera; at the Metropolitan Opera in New York ...
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Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261  Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano"
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Vienna State Opera
The Vienna State Opera (, ) is an opera house and opera company based in Vienna, Austria. The 1,709-seat Renaissance Revival venue was the first major building on the Vienna Ring Road. It was built from 1861 to 1869 following plans by August Sicard von Sicardsburg and Eduard van der Nüll, and designs by Josef Hlávka. The opera house was inaugurated as the "Vienna Court Opera" (''Wiener Hofoper'') in the presence of Emperor Franz Joseph I and Empress Elisabeth of Austria. It became known by its current name after the establishment of the First Austrian Republic in 1921. The Vienna State Opera is the successor of the old Vienna Court Opera (built in 1636 inside the Hofburg). The new site was chosen and the construction paid by Emperor Franz Joseph in 1861. The members of the Vienna Philharmonic are recruited from the Vienna State Opera's orchestra. The building is also the home of the Vienna State Ballet, and it hosts the annual Vienna Opera Ball during the carnival season. ...
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Die Frau Ohne Schatten
' (''The Woman without a Shadow''), Op. 65, is an opera in three acts by Richard Strauss with a libretto by his long-time collaborator, the poet Hugo von Hofmannsthal. It was written between 1911 and either 1915 or 1917. When it premiered at the Vienna State Opera on 10 October 1919, critics and audiences were unenthusiastic. Many cited problems with Hofmannsthal's complicated and heavily symbolic libretto. However, it is now a standard part of the operatic repertoire. Composition history Work on the opera began in 1911. Hofmannsthal's earliest sketches for the libretto are based on a piece by Goethe, ' (1795). Hofmannsthal handles Goethe's material freely, adding the idea of two couples, the emperor and empress who come from another realm, and the dyer and his wife who belong to the ordinary world. Hofmannsthal also drew on portions of ''The Arabian Nights'', ''Grimms' Fairy Tales'', and even quotes Goethe's ''Faust''. The opera is conceived as a fairy tale on the theme of lo ...
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Richard Strauss
Richard Georg Strauss (; 11 June 1864 – 8 September 1949) was a German composer, conductor, pianist, and violinist. Considered a leading composer of the late Romantic and early modern eras, he has been described as a successor of Richard Wagner and Franz Liszt. Along with Gustav Mahler, he represents the late flowering of German Romanticism, in which pioneering subtleties of orchestration are combined with an advanced harmonic style. Strauss's compositional output began in 1870 when he was just six years old and lasted until his death nearly eighty years later. While his output of works encompasses nearly every type of classical compositional form, Strauss achieved his greatest success with tone poems and operas. His first tone poem to achieve wide acclaim was ''Don Juan'', and this was followed by other lauded works of this kind, including ''Death and Transfiguration'', ''Till Eulenspiegel's Merry Pranks'', ''Also sprach Zarathustra'', ''Don Quixote'', ''Ein Heldenleben' ...
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Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ...
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Hochschule Für Musik "Hanns Eisler"
' (, plural: ') is the generic term in German language, German for institutions of higher education, corresponding to ''universities'' and ''colleges'' in English. The term ''Universität'' (plural: ''Universitäten'') is reserved for institutions with the right to confer doctorates. In contrast, ''Hochschule'' encompasses ''Universitäten'' as well as institutions that are not authorized to confer doctorates. Roughly equivalent terms to ''Hochschule'' are used in some other European countries, such as ''högskola'' in Sweden and Finland, ''hogeschool'' in the Netherlands and Flanders, and ' (literally "main school") in Education in Hungary, Hungary, as well as in post-Soviet countries (deriving from :ru:высшее учебное заведение, высшее учебное заведение) in Central Europe, in Bulgaria (:bg:висше училище, висше училище) and Romania. Generic term The German education system knows two different types of universitie ...
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Dietrich Fischer-Dieskau
Dietrich Fischer-Dieskau (28 May 1925 – 18 May 2012) was a German lyric baritone and conductor of classical music, one of the most famous Lieder (art song) performers of the post-war period, best known as a singer of Franz Schubert's Lieder, particularly ''"Winterreise"'' of which his recordings with accompanists Gerald Moore and Jörg Demus are still critically acclaimed half a century after their release. Recording an array of repertoire (spanning centuries) as musicologist Alan Blyth asserted, "No singer in our time, or probably any other has managed the range and versatility of repertory achieved by Dietrich Fischer-Dieskau. Opera, Lieder and oratorio in German, Italian or English came alike to him, yet he brought to each a precision and individuality that bespoke his perceptive insights into the idiom at hand." In addition, he recorded in French, Russian, Hebrew, Latin and Hungarian. He was described as "one of the supreme vocal artists of the 20th century" and "the most ...
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Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ...
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Aribert Reimann
Aribert Reimann (born 4 March 1936) is a German composer, pianist and accompanist, known especially for his literary operas. His version of Shakespeare's ''King Lear'', the opera ''Lear (opera), Lear'', was written at the suggestion of Dietrich Fischer-Dieskau, who sang the title role. His opera ''Medea (Reimann), Medea'' after Grillparzer's play premiered in 2010 at the Vienna State Opera. He was a professor of contemporary Lied in Hamburg and Berlin. In 2011, he was awarded the Ernst von Siemens Music Prize for his life's work. Life and career Reimann was born in Berlin. He studied musical composition, composition, counterpoint and piano at the Berlin University of the Arts, Musikhochschule Berlin with Boris Blacher and Ernst Pepping, among others. During his studies, he worked as a repetiteur at the Deutsche Oper Berlin, Städtische Oper. His first appearances as a pianist and accompanist were in 1957. In the early 1970s, he became a member of the Akademie der Künste in Berli ...
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Edinburgh Festival
__NOTOC__ This is a list of arts and cultural festivals regularly taking place in Edinburgh, Scotland. The city has become known for its festivals since the establishment in 1947 of the Edinburgh International Festival and the Edinburgh Festival Fringe which runs alongside it. The latter is the largest event of its kind in the world. The term ''Edinburgh Festival'' is commonly used, but there is no single festival; the various festivals are put on by separate, unrelated organisations. However they are widely regarded as part of the same event, particularly the various festivals that take place simultaneously in August each year. The term ''Edinburgh Festival'' is often used to refer more specifically to the Fringe, being the largest of the festivals; or sometimes to the International Festival, being the original "official" arts festival. Within the industry, people refer to all the festivals collectively as the ''Edinburgh Festivals'' (plural). The festivals Listed in ...
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Salzburg Festival
The Salzburg Festival (german: Salzburger Festspiele) is a prominent festival of music and drama established in 1920. It is held each summer (for five weeks starting in late July) in the Austrian town of Salzburg, the birthplace of Wolfgang Amadeus Mozart. One highlight is the annual performance of the play '' Jedermann'' (''Everyman'') by Hugo von Hofmannsthal. Since 1967, an annual Salzburg Easter Festival has also been held, organized by a separate organization. History Music festivals had been held in Salzburg at irregular intervals since 1877 held by the International Mozarteum Foundation but were discontinued in 1910. Although a festival was planned for 1914, it was cancelled at the outbreak of World War I. In 1917, Friedrich Gehmacher and Heinrich Damisch formed an organization known as the ''Salzburger Festspielhaus-Gemeinde'' to establish an annual festival of drama and music, emphasizing especially the works of Mozart. At the close of the war in 1918, the festival's re ...
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Opéra Bastille
The Opéra Bastille (, "Bastille Opera House") is a modern opera house in the 12th arrondissement of Paris, France. Inaugurated in 1989 as part of President François Mitterrand's '' Grands Travaux'', it became the main facility of the Paris National Opera, France's principal opera company, alongside the older Palais Garnier; most opera performances are shown at the Bastille along with some ballet performances and symphony concerts, while Palais Garnier presents a mix of opera and ballet performances. Designed by Uruguayan architect Carlos Ott, it is situated facing Place de la Bastille. It may seat 2,723 people in total, with a main theatre, concert hall and studio theatre. History Background and construction The idea of a new "popular and modern" opera house in Paris first arose in the 1880s, only years after the opening of the Palais Garnier. It would remain virtual for a century and reemerge periodically due to the recurrent "crisis at the Opera" and to the limita ...
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