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Jörn Peter Hiekel
Jörn Peter Hiekel (born 1963) is a German musicologist. Life Born in Göttingen, Hiekel first studied musicology, art history and history at the universities of Cologne and Bonn before he completed his double bass studies at the Musikhochschule Köln. Afterwards he received his doctorate at the Rheinische Friedrich-Wilhelms-Universität Bonn. He worked for many years as editor and publisher at the Breitkopf & Härtel music publishing house and as author for various ARD institutions and newspapers/magazines (including the ''Frankfurter Allgemeine Zeitung'' and ''Opernwelt''). Since 1992 a member of various early music ensembles, in 2002 he became a lecturer at the International Darmstadt Summer Courses for New Music and directed the composer seminars. From 2003 he was assistant professor for 20th century music at the Hochschule für Musik Carl Maria von Weber Dresden. In 2005 he took over the direction of the Institute for New Music at the Technische Universität Dresden and i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musicologist
Musicology (from Greek μουσική ''mousikē'' 'music' and -λογια ''-logia'', 'domain of study') is the scholarly analysis and research-based study of music. Musicology departments traditionally belong to the humanities, although some music research is scientific in focus (psychological, sociological, acoustical, neurological, computational). Some geographers and anthropologists have an interest in musicology so the social sciences also have an academic interest. A scholar who participates in musical research is a musicologist. Musicology traditionally is divided in three main branches: historical musicology, systematic musicology and ethnomusicology. Historical musicologists mostly study the history of the western classical music tradition, though the study of music history need not be limited to that. Ethnomusicologists draw from anthropology (particularly field research) to understand how and why people make music. Systematic musicology includes music theory, aesthe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sächsische Akademie Der Künste
The Sächsische Akademie der Künste (Saxon Academy of Arts) is a German cultural organisation for the state of Saxony, based in Dresden. Purpose The Academy is a statutory corporation to promote the arts in Saxony, make proposals for its promotion and maintain the traditions of the Saxon cultural area ("die Kunst zu fördern, Vorschläge zu ihrer Förderung zu machen und die Überlieferungen des sächsischen Kulturraums zu pflegen", Founding Act of 1994). Situated between the older academies in Berlin and Munich, the academy tries to enliven the intellectual and artistic richness of the East German cultural area, while simultaneously meeting the challenges associated with demographic, social and cultural changes. In immediate vicinity of the new member states of the European Union and historical leadership of Saxony in the Central and Eastern European cultural area, the Academy feels obliged to accompany the political unification culturally and artistically. History The init ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
21st-century German Musicologists
The 1st century was the century spanning AD 1 (Roman numerals, I) through AD 100 (Roman numerals, C) according to the Julian calendar. It is often written as the or to distinguish it from the 1st century BC (or BCE) which preceded it. The 1st century is considered part of the Classical era, epoch, or History by period, historical period. The 1st century also saw the Christianity in the 1st century, appearance of Christianity. During this period, Europe, North Africa and the Near East fell under increasing domination by the Roman Empire, which continued expanding, most notably conquering Britain under the emperor Claudius (AD 43). The reforms introduced by Augustus during his long reign stabilized the empire after the turmoil of the previous century's civil wars. Later in the century the Julio-Claudian dynasty, which had been founded by Augustus, came to an end with the suicide of Nero in AD 68. There followed the famous Year of Four Emperors, a brief period of civil war and inst ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adriana Hölszky
Adriana Hölszky (born 30 June 1953) is a Romanian-born German music educator, composer and pianist who has been living in Germany since 1976. Biography Hölszky was born in Bucharest. In the years 1959-1969 she studied piano with Olga Rosca-Berdan at the music school in Bucharest. In 1972, she began to study composition with Ştefan Niculescu as parallel to piano studies at the Bucharest Music Conservatory. In 1976 she moved with her family to Germany. Here she continued her studies, and in 1977-1980 she studied composition at the Musikhochschule in Stuttgart with Milko Kelemen, and chamber music with Günter Louegk. During her studies she performed as a pianist of the Trio Lipatti, together with her twin sister, violinist Monika Hölszky-Wiedemann and cellist Hertha Rosa-Herseni. In 1977 and 1978, she participated in the International Mozarteum Summer Academy, and in 1978-1984 regularly in the Darmstadt Summer Courses for New Music. In 1980 she received a teaching position ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Schumann
Robert Schumann (; 8 June 181029 July 1856) was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. His teacher, Friedrich Wieck, a German pianist, had assured him that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing. In 1840, Schumann married Friedrich Wieck's daughter Clara Wieck, after a long and acrimonious legal battle with Friedrich, who opposed the marriage. A lifelong partnership in music began, as Clara herself was an established pianist and music prodigy. Clara and Robert also maintained a close relationship with German composer Johannes Brahms. Until 1840, Schumann wrote exclusively for the piano. Later, he composed piano and orchestral works, and many Lieder (songs for voice and piano). He composed four symphonies ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dmitri Shostakovich
Dmitri Dmitriyevich Shostakovich, , group=n (9 August 1975) was a Soviet-era Russian composer and pianist who became internationally known after the premiere of his Symphony No. 1 (Shostakovich), First Symphony in 1926 and was regarded throughout his life as a major composer. Shostakovich achieved early fame in the Soviet Union, but had a complex relationship with its government. His 1934 opera ''Lady Macbeth of Mtsensk (opera), Lady Macbeth of Mtsensk'' was initially a success, but eventually was Muddle Instead of Music, condemned by the Soviet government, putting his career at risk. In 1948 his work was #Second denunciation, denounced under the Zhdanov Doctrine, with professional consequences lasting several years. Even after his censure was On the Cult of Personality and Its Consequences, rescinded in 1956, performances of his music were occasionally subject to state interventions, as with his Symphony No. 13 (Shostakovich), Thirteenth Symphony (1962). Shostakovich was a m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manuel Gervink
Manuel Gervink (born 29 May 1957) is a German musicologist and scholar who has worked at the Universities of Cologne and Dresden. Life Born in Münster, Gervink graduated from Gymnasium in 1976. From 1976 to 1984 he studied musicology, German language and literature and philosophy at the University of Münster, where he received his doctorate in 1984. From 1984 he worked for ten years as a research assistant at the Musicological Institute of the University of Cologne. From 1995 to 1999, he was professor for musicology at the Musikhochschule Köln. In 2000 he was appointed professor at the University of Cologne. In 2002 Gervink was appointed Professor of Musicology at the Hochschule für Musik Carl Maria von Weber as Director of the Institute of Musicology. His main focus is the field of Contemporary classical music. Publications * ''Die Symphonie in Deutschland und Österreich in der Zeit zwischen den beiden Weltkriegen'', Regensburg 1984 * ''Die musikalisch-poetischen Renais ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Helmut Lachenmann
Helmut Friedrich Lachenmann (born 27 November 1935) is a German composer of contemporary classical music. His work has been associated with "instrumental musique concrète". Life and works Lachenmann was born in Stuttgart and after the end of the Second World War (when he was 11) started singing in his local church choir. Showing an early aptitude for music, he was already composing in his teens. He studied piano with Jürgen Uhde and composition and theory with Johann Nepomuk David at the Musikhochschule Stuttgart from 1955 to 1958 and was the first private student of the Italian composer Luigi Nono in Venice from 1958 to 1960. He also worked briefly at the electronic music studio at the University of Ghent in 1965, composing his only published tape piece ''Szenario'' during that period, but thereafter focused almost exclusively on purely instrumental music. The brutality of his music led Francisco Estévez to compare his work to the paintings of Francis Bacon. Lachenmann has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wilfried Krätzschmar
Wilfried Krätzschmar (born 23 March 1944) is a German composer. Life Born in Dresden, Krätzschmar received piano lessons from 1952. After his Abitur at the he studied composition with Johannes Paul Thilman from 1962 to 1968, piano with Wolfgang Plehn and conducting with Klaus Zoephel at the Hochschule für Musik Carl Maria von Weber Dresden. In 1963 he conducted a trombone choir in Dresden. From 1968 to 1969 he took over the direction of incidental music at Theater Meiningen. After this time he returned to the Dresden Academy of Music as an aspirant of Fritz Geißler. In 1975 he took over artistically the Centre for the Promotion of Young Composers of the District of Dresden. In 1988 he was appointed extraordinary professor in Dresden. From 1991 to 2003 he was rector of the Dresden University of Music and from 1992 to 2009 full professor for musical composition. In 2003 he was appointed president of the . From 2011 to 2014 Krätzschmar was vice president and from 2014 to 2017 P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Archiv Für Musikwissenschaft
The ''Archiv für Musikwissenschaft'' is a quarterly German-English-speaking trade magazine devoted to music history and historical musicology, which publishes articles by well-known academics and young scholars. It was founded in 1918 as the successor of the ''Sammelbände der Internationalen Musikgesellschaft'' by Max Seiffert, Johannes Wolf and Max Schneider, who were also the first editors. It was under the patronage of the Fürstliches Institut für musikwissenschaftliche Forschung zu Bückeburg. The first two volumes 1918/1919 and 1919/1920 were published by Breitkopf & Härtel, then the volumes 1921 to 1926 by . With the 8th volume the publication of the journal was stopped in 1927, but resumed in 1952 with the 9th volume. Publisher of the quarterly was Wilibald Gurlitt (in connection with Heinrich Besseler, Walter Gerstenberg and Arnold Schmitz), who assigned the editorship to Hans Heinrich Eggebrecht. With the 19th/20th volume 1962/1963 the Archive for Musicology was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans Zender
Johannes Wolfgang Zender (22 November 1936 – 22 October 2019) was a German conductor and composer. He was the chief conductor of several opera houses, and his compositions, many of them vocal music, have been performed at international festivals. As a conductor, he worked at the Theater Freiburg, Theater Bonn, Opernhaus Kiel and Hamburg State Opera, and led the radio orchestra Deutsche Radio Philharmonie Saarbrücken Kaiserslautern. He taught at the Musikhochschule Frankfurt. His opera '' Stephen Climax'' premiered in 1986 at the Oper Frankfurt, and his third opera, ''Chief Joseph'', premiered in 2005 at the Staatsoper Unter den Linden. Career Born in Wiesbaden, Zender attended the Maifestspiele at age 13, listening to concerts conducted by Carl Schuricht, Karl Böhm and Günter Wand, among others. He took piano lessons and learned to play the organ. From 1949, he went each year to the Darmstädter Ferienkurse, where he got to know trends in new music by Karlheinz Stockha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
