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June Brae
June Brae (17 May 1917 - 3 January 2000) was a British ballet dancer, who created leading roles for Frederick Ashton, Ninette de Valois and other choreographers. She was born June Bear on 17 May 1917 and brought up in Shanghai, where she studied alongside Margot Fonteyn under the Russian George Gontcharov. She returned to London to study under Nicholas Legat, staying with her mother at the Women's Residence Club in Barkston Gardens, Earls' Court. In 1933 she joined the school of the Vic-Wells Ballet and in 1935 progressed to the Company, directed by Ninette de Valois. Soon after, she changed her name from Bear to Brae after de Valois declared "I can't have performing bears in the Company." Brae was soon taking leading roles, including the Rich Girl in Nocturne (1936), a skater in Les Patineurs (1937), Josephine in Wedding Bouquet (1937), the Black Queen in Checkmate (1937) and La Superbe in Harlequin in the Street (1938). She was the Lilac Fairy in the 1939 revival of The Sle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frederick Ashton
Sir Frederick William Mallandaine Ashton (17 September 190418 August 1988) was a British ballet dancer and choreographer. He also worked as a director and choreographer in opera, film and revue. Determined to be a dancer despite the opposition of his conventional middle-class family, Ashton was accepted as a pupil by Léonide Massine and then by Marie Rambert. In 1926 Rambert encouraged him to try his hand at choreography, and though he continued to dance professionally, with success, it was as a choreographer that he became famous. Ashton was chief choreographer to Ninette de Valois, from 1935 until her retirement in 1963, in the company known successively as the Vic-Wells Ballet, the Sadler's Wells Ballet and the Royal Ballet. He succeeded de Valois as director of the company, serving until his own retirement in 1970. Ashton is widely credited with the creation of a specifically English genre of ballet. Among his best-known works are ''Façade'' (1931), '' Symphonic Varia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pamela May
Pamela May OBE (30 May 1917 – 6 June 2005) was a Trinidad-born British dancer and teacher of classical ballet. Most noted as one of the earliest members of The Royal Ballet, she was regarded as a versatile dancer; dancing all the established 19th-century classical repertoire, and creating roles in new ballets by Ninette de Valois and Frederick Ashton. After retiring from professional ballet, she became a teacher at the Royal Ballet School, and also served as vice-president of the Royal Academy of Dance. Biography Pamela May was born Doris May, in the city of San Fernando, Trinidad, on 30 May 1917. Her parents were British, but had moved to the Caribbean for the purposes of her father's work as an oil engineer. The family returned to London when May was four-years-old. May began studying ballet with Freda Grant. At the age of 16, she progressed to the Sadler's Wells Ballet School, where she studied under the direction of Ninette de Valois. A year later in 1934, she made her ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1917 Births
Events Below, the events of World War I have the "WWI" prefix. January * January 9 – WWI – Battle of Rafa: The last substantial Ottoman Army garrison on the Sinai Peninsula is captured by the Egyptian Expeditionary Force's Desert Column. * January 10 – Imperial Trans-Antarctic Expedition: Seven survivors of the Ross Sea party were rescued after being stranded for several months. * January 11 – Unknown saboteurs set off the Kingsland Explosion at Kingsland (modern-day Lyndhurst, New Jersey), one of the events leading to United States involvement in WWI. * January 16 – The Danish West Indies is sold to the United States for $25 million. * January 22 – WWI: United States President Woodrow Wilson calls for "peace without victory" in Germany. * January 25 ** WWI: British armed merchantman is sunk by mines off Lough Swilly (Ireland), with the loss of 354 of the 475 aboard. ** An anti- prostitution drive in San Francisco occurs, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrée Howard
Andrée Howard (3 October 1910 – 18 April 1968), originally Andrea, was a British ballet dancer and choreographer. She created over 30 ballets, of which almost nothing remains. Early life Andrée Howard was born in London on 3 October 1910. Her career as a dancer began as a pupil of Marie Rambert and she also studied in Paris where she danced in early performances of Léonide Massine's '. Career Her ballet ''Death and the Maiden'' (choreography and costumes) for Ballet Rambert based on the music by Franz Schubert was premiered at the Duchess Theatre, London, on 23 February 1937, danced by herself as The Maiden, and John Bryon as Death. On 18 January 1940, it received its American Ballet Theatre premiere at The Center Theatre, New York, danced by Howard, and with Kurt Karnakoski as Death. Her 1939 ''Lady into Fox'' was based on David Garnett's 1922 first novel under his own name ''Lady into Fox''. Reviewing the 2006 reinterpretation, Judith Mackrell of The Guardian called it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Opera House
The Royal Opera House (ROH) is an opera house and major performing arts venue in Covent Garden, central London. The large building is often referred to as simply Covent Garden, after a previous use of the site. It is the home of The Royal Opera, The Royal Ballet, and the Orchestra of the Royal Opera House. The first theatre on the site, the Theatre Royal (1732), served primarily as a playhouse for the first hundred years of its history. In 1734, the first ballet was presented. A year later, the first season of operas, by George Frideric Handel, began. Many of his operas and oratorios were specifically written for Covent Garden and had their premieres there. The current building is the third theatre on the site, following disastrous fires in 1808 and 1856 to previous buildings. The façade, foyer, and auditorium date from 1858, but almost every other element of the present complex dates from an extensive reconstruction in the 1990s. The main auditorium seats 2,256 people, mak ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Birmingham Royal Ballet
Birmingham Royal Ballet (BRB) is one of the five major ballet companies of the United Kingdom, alongside The Royal Ballet, the English National Ballet, Northern Ballet and Scottish Ballet. Founded as the Sadler's Wells Theatre Ballet, the company was established in 1946 as a sister company to the earlier Sadler's Wells company, which moved to the Royal Opera House that same year, subsequently becoming known as The Royal Ballet. The new company was formed under the direction of John Field and remained at Sadler's Wells for many years, becoming known as the Sadler's Wells Royal Ballet in 1977. It also toured the UK and abroad, before relocating to Birmingham in 1990, where it uses the Birmingham Hippodrome stage when performing in the city. Birmingham Royal Ballet has extensive custom-built facilities, including a suite of dance studios, the ''Jerwood Centre for the Prevention and Treatment of Dance Injuries'' and a studio theatre known as the '' Patrick Centre''. In 1997, the Birm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adam Zero
''Adam Zero'' is a ballet with music composed by Arthur Bliss and choreographed by Robert Helpmann in 1946. Background After World War I, Bliss developed an interest in ballet after seeing the Ballets Russes of Sergei Diaghilev in London. Bliss composed ''Adam Zero'' for the Sadler's Wells Ballet, in collaboration with Michael Benthall and Robert Helpmann, with whom he had seen success with ''Miracle in the Gorbals''. The first performance at the Royal Opera House, Covent Garden in London on 6 April 1946 was conducted by Constant Lambert.Bliss A. ''Adam Zero – A Ballet. Piano Score.'' Novello, London, 1946. The premiere dancers included the following: * David Paltenghi (The Stage Director) * June Brae (The Choreographer / The Ballerina) * Robert Helpmann (Adam Zero) * Jean Bedells (The Designer) * Julia Farron (The Wardrobe Mistress) * Gillian Lynne (The Daughter) * Palma Nye (The Dresser) * Leslie Edwards (The Mime) * Gordon Hamilton (The Dog) Bliss considered ''Adam Z ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Helpmann
Sir Robert Murray Helpmann CBE ( Helpman, 9 April 1909 – 28 September 1986) was an Australian ballet dancer, actor, director, and choreographer. After early work in Australia he moved to Britain in 1932, where he joined the Vic-Wells Ballet (now The Royal Ballet) under its creator, Ninette de Valois. He became one of the company's leading men, partnering Alicia Markova and later Margot Fonteyn. When Frederick Ashton, the company's chief choreographer, was called up for military service in the Second World War Helpmann took over from him while continuing as a principal dancer. Helpmann, from the outset of his career was an actor as well as a dancer, and in the 1940s he turned increasingly to acting in plays, at the Old Vic and in the West End. Most of his roles were in Shakespeare plays but he also appeared in works by Shaw, Coward, Sartre and others. As a director his range was wide, from Shakespeare to opera, musicals and pantomime. Helpmann became co-director of the Austra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sadler's Wells Ballet
The Royal Ballet is a British internationally renowned classical ballet company, based at the Royal Opera House in Covent Garden, London, England. The largest of the five major ballet companies in Great Britain, the Royal Ballet was founded in 1931 by Dame Ninette de Valois. It became the resident ballet company of the Royal Opera House in 1946, and has purpose-built facilities within these premises. It was granted a royal charter in 1956, becoming recognised as Britain's flagship ballet company. The Royal Ballet was one of the foremost ballet companies of the 20th century, and continues to be one of the world's most famous ballet companies to this day, generally noted for its artistic and creative values. The company employs approximately 100 dancers. The official associate school of the company is the Royal Ballet School, and it also has a sister company, the Birmingham Royal Ballet, which operates independently. The Prima ballerina assoluta of the Royal Ballet is the late Dam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ninette De Valois
Dame Ninette de Valois (born Edris Stannus; 6 June 1898 – 8 March 2001) was an Irish-born British dancer, teacher, choreographer, and director of classical ballet. Most notably, she danced professionally with Serge Diaghilev's Ballets Russes, later establishing the Royal Ballet, one of the foremost ballet companies of the 20th century and one of the leading ballet companies in the world. She also established the Royal Ballet School and the touring company which became the Birmingham Royal Ballet. She is widely regarded as one of the most influential figures in the history of ballet and as the "godmother" of English and Irish ballet. Life Early life and family Ninette de Valois was born as Edris Stannus on 6 June 1898 at Baltyboys House, an 18th-century manor house near the town of Blessington, County Wicklow, Ireland, then still part of the United Kingdom. A member of a gentry family, she was the second daughter of Lieutenant Colonel Thomas Stannus DSO,Montgomery-Massingber ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cupid And Psyche
Cupid and Psyche is a story originally from ''Metamorphoses'' (also called ''The Golden Ass''), written in the 2nd century AD by Lucius Apuleius Madaurensis (or Platonicus). The tale concerns the overcoming of obstacles to the love between Psyche (; , , "Soul" or "Breath of Life") and Cupid (Latin ''Cupido'', "Desire") or Amor ("Love", Greek Eros, Ἔρως), and their ultimate union in a sacred marriage. Although the only extended narrative from antiquity is that of Apuleius from 2nd century AD, Eros and Psyche appear in Greek art as early as the 4th century BC. The story's Neoplatonic elements and allusions to mystery religions accommodate multiple interpretations, and it has been analyzed as an allegory and in light of folktale, '' Märchen'' or fairy tale, and myth. The story of Cupid and Psyche was known to Boccaccio in c. 1370, but the '' editio princeps'' dates to 1469. Ever since, the reception of ''Cupid and Psyche'' in the classical tradition has been extensive. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_-_1914_-_Ritratto_da_Leon_Bakst.jpg "Click for more on -> Frederick Ashton")
