|
Andrée Howard
Andrée Howard (3 October 1910 – 18 April 1968), originally Andrea, was a British ballet dancer and choreographer. She created over 30 ballets, of which almost nothing remains. Early life Andrée Howard was born in London on 3 October 1910. Her career as a dancer began as a pupil of Marie Rambert and she also studied in Paris where she danced in early performances of Léonide Massine's '. Career Her ballet ''Death and the Maiden'' (choreography and costumes) for Ballet Rambert based on the music by Franz Schubert was premiered at the Duchess Theatre, London, on 23 February 1937, danced by herself as The Maiden, and John Bryon as Death. On 18 January 1940, it received its American Ballet Theatre premiere at The Center Theatre, New York, danced by Howard, and with Kurt Karnakoski as Death. Her 1939 ''Lady into Fox'' was based on David Garnett's 1922 first novel under his own name ''Lady into Fox''. Reviewing the 2006 reinterpretation, Judith Mackrell of The Guardian called it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marylebone
Marylebone (usually , also , ) is a district in the West End of London, in the City of Westminster. Oxford Street, Europe's busiest shopping street, forms its southern boundary. An Civil parish#Ancient parishes, ancient parish and latterly a metropolitan borough, it merged with the boroughs of Metropolitan Borough of Westminster, Westminster and Metropolitan Borough of Paddington, Paddington to form the new City of Westminster in 1965. Marylebone station lies two miles north-west of Charing Cross. History Marylebone was originally an Civil parish#ancient parishes, Ancient Parish formed to serve the manors (landholdings) of Lileston (in the west, which gives its name to modern Lisson Grove) and Tyburn in the east. The parish is likely to have been in place since at least the twelfth century and will have used the boundaries of the pre-existing manors. The boundaries of the parish were consistent from the late twelfth century to the creation of the Metropolitan Borough which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sophie Fedorovitch
Sophie Fedorovitch ( be, Сафія Федаровіч; 3 December 1893 – 25 January 1953) was a Russian-born theatrical designer who worked with ballet choreographer Sir Frederick Ashton from his first choreographed ballet in 1926 until her accidental death in 1953. Fedorovitch designed for several British choreographers including Ninette de Valois and Antony Tudor, as well as for opera and theatre. From 1951 until her death in 1953, she was a member of the artistic advisory panel of Sadler's Wells Ballet, a role she had unofficially undertaken for many years. In her 2012 article in ''Research in Dance Education'', Elizabeth McLean's view was that Fedorovitch had a "formative influence" on British ballet design of the 1930s and 1940s, and that she should be considered the equal of her contemporary, Christian Bérard. Early life Fedorovitch was born and raised in Minsk, Russian Empire (now Belarus) and studied painting in Kraków, Moscow, and St Petersburg. She migrated from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kenneth MacMillan
Sir Kenneth MacMillan (11 December 192929 October 1992) was a British ballet dancer and choreographer who was artistic director of the Royal Ballet in London between 1970 and 1977, and its principal choreographer from 1977 until his death. Earlier he had served as director of ballet for the Deutsche Oper in Berlin. He was also associate director of the American Ballet Theatre from 1984 to 1989, and artistic associate of the Houston Ballet from 1989 to 1992. From a family with no background of ballet or music, MacMillan was determined from an early age to become a dancer. The director of Sadler's Wells Ballet, Ninette de Valois, accepted him as a student and then a member of her company. In the late 1940s, MacMillan built a successful career as a dancer, but, plagued by stage fright, he abandoned it while still in his twenties. After this he worked entirely as a choreographer; he created ten full-length ballets and more than fifty one-act pieces. In addition to his work for bal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Cranko
John Cyril Cranko (15 August 1927 – 26 June 1973) was a South African ballet dancer and choreographer with the Royal Ballet and the Stuttgart Ballet. Life and career Early life Cranko was born in Rustenburg in the former province of Transvaal, Union of South Africa. As a child, he would put on puppet shows as a creative outlet. Cranko received his early ballet training in Cape Town under the leading South African ballet teacher and director, Dulcie Howes, of the University of Cape Town Ballet School. In 1945 he choreographed his first work (using Stravinsky's Suite from ''L'Histoire du soldat'') for the Cape Town Ballet Club. He then moved to London, studying with the Sadler's Wells Ballet School (later called the Royal Ballet) in 1946Dromgoole, Nicholas"John Cranko" ''Oxford Dictionary of National Biography'', retrieved 19 March 2015, and dancing his first role with the Sadler's Wells Ballet in November 1947. London Cranko collaborated with the designer John Piper ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nadia Nerina
Nadia is a female name. Variations include Nadja, Nadya, Nadine, Nadiya, and Nadiia. Most variations of the name are derived from Arabic, Slavic languages, or both. In Slavic, names similar to ''Nadia'' mean "hope" in many Slavic languages: Ukrainian ''Nadiya'' (Надія, accent on the ''i''), Belarusian ''Nadzieja'' (Надзея, accent on the ''e''), and Old Polish ''Nadzieja'', all of which are derived from Proto-Slavic ''*naděja'', the first three from Old East Slavic. In Bulgarian and Russian, on the other hand, Nadia or Nadya (Надя, accent on first syllable) is the diminutive form of the full name Nadyezhda (Надежда), meaning "hope" and derived from Old Church Slavonic, which it entered as a translation of the Greek word ''ἐλπίς'' (Elpis (mythology), Elpis), with the same meaning. In Arabic Arabic (, ' ; , ' or ) is a Semitic languages, Semitic language spoken primarily across the Arab world.Semitic languages: an international handbook / edi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucia Chase
Lucia Hosmer Chase (24 March 1897 – 9 January 1986) was an American dancer, actress, ballet director and also the co-founder of the American Ballet Theatre. Life and career Chase was born in Waterbury, Connecticut, the daughter of Elizabeth Hosmer (Kellogg) and Irving Hall Chase. She attended St. Margaret's School and later Bryn Mawr College. After deciding to focus on theater, she studied drama at New York's Theater Guild School where she also took ballet lessons. Though her first love was the theatre, after she decided that dance was to be her life, she studied seriously with Mikhail Mordkin, Michel Fokine, Antony Tudor, Anatole Vilzak, and Bronislava Nijinska. She performed with the Mordkin Ballet from 1937 to 1939, where she danced the title roles in '' The Sleeping Beauty'' and '' Giselle''. In 1940 she and Richard Pleasant founded Ballet Theatre (later American Ballet Theatre), with Lucia Chase as principal dancer (and prime financial backer), although she concentra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walter Gore
Walter Gore (8 October 1910 – 16 April 1979) was a British ballet dancer, company director and choreographer. Early life Walter Gore was born in Waterside, East Ayrshire Scotland in 1910 into a theatrical family. From 1924, he studied acting at the Italia Conti Academy, and dance with Léonide Massine and with Marie Rambert. Career Gore was a dancer with Ballet Rambert from 1930 to 1935. He returned as a choreographer in 1938 with his first ballet ''Final Waltz''. In 1944, whilst on leave from Army duty in France, Gore created a ballet based on Benjamin Britten's Simple Symphony also entitled ''Simple Symphony'' for the Ballet Rambert. The work was largely created on Sally Gilmour and Margaret Scott. He remained at Ballet Rambert until 1950 and then worked occasionally with the Ballets des Champs-Elysées and the Sadler's Wells Ballet. He founded his own company, The Walter Gore Ballet, in 1953. He led the Frankfurt Ballet from 1957 to 1959, then became the founder a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maude Lloyd
Maude may refer to: Places *Maude, New South Wales, a village on the lower Murrumbidgee River in Australia *Maude, South Australia, a locality in South Australia *Maude, Victoria, a town in Australia *Cape Maude, a high ice-covered cape forming the east end of Vaughan promontory in Antarctica * Mount Maude, a peak in the Entiat Mountains, a subrange of the North Cascades, in Washington state Other uses * Maude (name) * ''Maude'' (TV series), a 1972–1978 CBS television situation comedy starring Beatrice Arthur *Maude Flanders (fictional), wife of Ned Flanders from ''The Simpsons'' * Maude system, implementing reflective logic and rewriting logic See also *'' Harold and Maude'', a 1971 cult classic movie *Matilda (other) Matilda or Mathilda may refer to: Animals * Matilda (chicken) (1990–2006), World's Oldest Living Chicken record holder * Matilda (horse) (1824–1846), British Thoroughbred racehorse * Matilda, a dog of the professional wrestling tag-team The . ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peggy Van Praagh
Dame Margaret van Praagh (1 September 1910 – 15 January 1990) was a British ballet dancer, choreographer, teacher, repetiteur, producer, advocate and director, who spent much of her later career in Australia. Early life Peggy van Praagh was born in London and was of Dutch, Scottish and English descent. Her father, Harold John van Praagh, was a British physician with a Jewish background and her mother was Ethel Louise née Shanks. She was educated at King Alfred School, London where she meet A.S. Neill who heavily influenced her passion for dance through artistic thinking and creativity which aided her in the dance community. Throughout the course her schooling, she was involved in a series of plays and productions. Dancing She began dancing very early in London at the age of 4. One review stated: "At last night's concert a dainty extra was a very charming dance by little Peggy van Praagh ... Peggy is only six but she is quite a clever little artiste and is booked again ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agnes De Mille
Agnes George de Mille (September 18, 1905 – October 7, 1993) was an American dancer and choreographer. Early years Agnes de Mille was born in New York City into a well-connected family of theater professionals. Her father William C. deMille and her uncle Cecil B. DeMille were both Hollywood directors. Her mother, Anna Angela George, was the daughter of Henry George, the economist. On her father's side, Agnes was the granddaughter of playwrights Henry Churchill de Mille and Matilda Beatrice deMille. Her paternal grandmother was of German-Jewish descent. She had a love for acting and originally wanted to be an actress, but was told that she was "not pretty enough", so she turned her attention to dance. As a child, she had longed to dance, but dance at this time was considered more of an activity, rather than a viable career option, so her parents refused to allow her to dance. She did not seriously consider dancing as a career until after she graduated from college. When de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hugh Laing
Hugh Laing (6 June 191110 May 1988) was one of the most significant dramatic ballet dancers of the 20th-century. He danced with Marie Rambert's Ballet Club and New York City Ballet. He was the partner of choreographer Antony Tudor. Biography Hugh Laing was born in Barbados in the then British West Indies. He moved to London in 1931 to study art, but soon became interested in ballet. After taking ballet classes with Marie Rambert, Margaret Craske and Olga Preobrajenska, he joined Miss Rambert's experimental Ballet Club in 1933, and it was there that he met Antony Tudor. He remained Tudor's artistic collaborator and companion until the choreographer's death in 1987. For the Ballet Club, Tudor created roles for Laing in ''The Planets'', ''The Descent of Hebe'', ''Jardin aux Lilas'' and ''Dark Elegies''. In 1938, Laing became a member of Tudor's London Ballet, a short-lived troupe for which he danced in Tudor's ''Gala Performance'' and ''Judgment of Paris''. Hugh Laing accompani ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antony Tudor
Antony Tudor (born William Cook; 4 April 1908 – 19 April 1987) was an English ballet choreographer, teacher and dancer. He founded the London Ballet, and later the Philadelphia Ballet Guild in Philadelphia, Pennsylvania, U.S., in the mid-1950s. Early life and education Tudor was born William Cook in East London, and grew up in the Finsbury area. He discovered dance accidentally. Tudor's first exposure to professional ballet was in his late teens when he first saw Sergei Diaghilev's Ballet Russes. He witnessed the dancer Serge Lifar of the Diaghilev Ballet in Balanchine's ''Apollon Musagète'' in 1928. Later, the Ballet Russes would introduce him to Anna Pavlova, who further inspired his journey into the world of dance. Tudor reached out to Cyril W. Beaumont, the owner of a ballet book shop in the Charing Cross Road district in London, to seek advice regarding training and was instructed to study with Marie Rambert, a former Diaghilev Ballet dancer who taught the Cecchetti m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Kenneth MacMillan")
