Julian Gavin
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Julian Gavin
Julian Gavin (born 1965) is an Australian-born British operatic tenor who has sung leading roles both in the United Kingdom and internationally. His full-length opera recordings include Don José in ''Carmen'' and the title roles in ''Ernani'' and ''Don Carlos'' for Chandos Records. Life and career Julian Gavin was born in Melbourne to a musical family. His mother Val was a concert pianist and composer and his father Paul Gavin had been a professional singer before becoming a teacher. He received his Bachelor's degree in music from the University of Melbourne and then studied conducting at the Victorian College of the Arts in Melbourne before training as an opera singer, at first with his father, and then at the National Opera Studio in London. He initially covered roles for Opera North before making his UK debut as Alvaro in ''La forza del destino'' for English National Opera. He went on to sing for the company as its resident Principal Tenor in roles that included Alfredo in ''L ...
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Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ...
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The Tales Of Hoffmann
''The Tales of Hoffmann'' (French: ) is an by Jacques Offenbach. The French libretto was written by Jules Barbier, based on three short stories by E. T. A. Hoffmann, who is the protagonist of the story. It was Offenbach's final work; he died in October 1880, four months before the premiere. Composition history and sources Offenbach saw a play, , written by Barbier and Michel Carré and produced at the Odéon Theatre in Paris in 1851. After returning from America in 1876, Offenbach learned that Barbier had adapted the play, which had now set to music at the Opéra. Salomon handed the project to Offenbach. Work proceeded slowly, interrupted by the composition of profitable lighter works. Offenbach had a premonition, like Antonia, the heroine of Act 2, that he would die prior to its completion. Offenbach continued working on the opera throughout 1880, attending some rehearsals. On 5 October 1880, he died with the manuscript in his hand, just four months before the opening. ...
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Roberto Alagna
Roberto Alagna (; born 7 June 1963) is a French operatic tenor. He obtained French citizenship in 1981, while also retaining his previous Italian citizenship. Early years Alagna was born in Clichy-sous-Bois, outside the city of Paris, in 1963 to a family of Sicilian immigrants. As a teenager, the young Alagna began busking and singing pop in Parisian cabarets, mostly for tips. Influenced primarily by the films of Mario Lanza and learning from recordings of many historic tenors, he then switched to opera, but remained largely self-taught. He was discovered by Gabriel Dussurget, the co-founder of the Aix-en-Provence Festival. Career After winning the Luciano Pavarotti International Voice Competition, an initiative backed by the Italian Ministry of Cultural Heritage and Activities, that started in Modena in 1988, Alagna made his professional debut as Alfredo Germont in '' La traviata'' with the Glyndebourne touring company. This led to many engagements throughout the smaller cit ...
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Royal Opera House
The Royal Opera House (ROH) is an opera house and major performing arts venue in Covent Garden, central London. The large building is often referred to as simply Covent Garden, after a previous use of the site. It is the home of The Royal Opera, The Royal Ballet, and the Orchestra of the Royal Opera House. The first theatre on the site, the Theatre Royal (1732), served primarily as a playhouse for the first hundred years of its history. In 1734, the first ballet was presented. A year later, the first season of operas, by George Frideric Handel, began. Many of his operas and oratorios were specifically written for Covent Garden and had their premieres there. The current building is the third theatre on the site, following disastrous fires in 1808 and 1856 to previous buildings. The façade, foyer, and auditorium date from 1858, but almost every other element of the present complex dates from an extensive reconstruction in the 1990s. The main auditorium seats 2,256 people, mak ...
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Opera Queensland
Opera Queensland is an opera company based in Brisbane, Queensland. The company was founded with funding from the Queensland State Government in 1981 under the name ''Lyric Opera of Queensland'' after the Queensland Opera Company was closed in December 1980. Opera Queensland is the state’s major creator of opera and music theatre, and delivers opera productions and related projects including three mainstage productions annually at the Queensland Performing Arts Centre (QPAC). Based in Brisbane the company presents works throughout the state. History For the first two years of operation (1982–1983) the ''Lyric Opera of Queensland'' performed at Her Majesty's Theatre in Brisbane. The first production, Gilbert and Sullivan's ''Iolanthe'', opened on 31 July 1982. In 1985, the Lyric Opera moved its productions to the newly opened Queensland Performing Arts Centre, where it continues to present its main stage productions each year. In 1996 the company changed its name to Opera Q ...
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Aida
''Aida'' (or ''Aïda'', ) is an opera in four acts by Giuseppe Verdi to an Italian libretto by Antonio Ghislanzoni. Set in the Old Kingdom of Egypt, it was commissioned by Cairo's Khedivial Opera House and had its première there on 24 December 1871, in a performance conducted by Giovanni Bottesini. Today the work holds a central place in the operatic canon, receiving performances every year around the world; at New York's Metropolitan Opera alone, ''Aida'' has been sung more than 1,100 times since 1886. Ghislanzoni's scheme follows a scenario often attributed to the French Egyptologist Auguste Mariette, but Verdi biographer Mary Jane Phillips-Matz argues that the source is actually Temistocle Solera. Elements of the opera's genesis and sources Isma'il Pasha, Khedive of Egypt, commissioned Verdi to write an opera to celebrate the opening of the Suez Canal, but Verdi declined. However, Auguste Mariette, a French Egyptologist, proposed to Khedive Pasha a plot for a celebratory ...
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Opéra De Montréal
LOpéra de Montréal is an opera company in Montreal, Canada. It performs at the Place des Arts theatre complex in downtown Montreal, in the borough of Ville-Marie. It was founded in 1980 as a company focused on productions in French. History Before the Opéra de Montréal was established in 1980 there had been a number of previous attempts to establish an opera company in the city. L'Opéra français de Montréal operated from 1893 to 1896, and gave almost 600 performances, principally of operetta. The Montreal Opera Company was started in 1910 by Albert Clerk-Jeannotte with financing from Frank S. Meighen, and ran for three years. The was started by in 1921, and gave some 300 performances in the following ten years. Another light opera company, the Variétés Lyriques, was established in 1936, and between then and 1955 gave more than 1000 performances; 13 of the 83 works presented were serious operas. From 1942 until 1950 the Opera Guild of Montreal gave two performanc ...
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La Fanciulla Del West
''La fanciulla del West'' (''The Girl of the West'') is an opera in three acts by Giacomo Puccini to an Italian libretto by and , based on the 1905 play '' The Girl of the Golden West'' by the American author David Belasco. ''Fanciulla'' followed ''Madama Butterfly'', which was also based on a Belasco play. The opera has fewer of the show-stopping highlights that characterize Puccini's other works, but is admired for its impressive orchestration and for a score that is more melodically integrated than is typical of his previous work. ''Fanciulla'' displays influences from composers Claude Debussy and Richard Strauss, without being in any way imitative. Similarities between the libretto and the work of Richard Wagner have also been found, though some attribute this more to the original plot of the play, and have asserted that the opera remains quintessentially Italian. The opera had a successful and highly publicised premiere at the Metropolitan Opera, New York City, in 1910. Neve ...
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Boston Lyric Opera
Boston Lyric Opera (BLO) is an American opera company based in Boston, Massachusetts, founded in 1976. BLO is the largest and longest-lived opera company in New England. BLO employs nearly 350 artists and creative professionals annually—vocalists, artisans, stagehands, costumers, and scenic designers—many of whom are members of the Boston community. Productions Each season, BLO produces four mainstage productions in the Greater-Boston area, one of which is a featured new work. BLO receives partial funding from a grant from the Massachusetts Cultural Council. BLO regularly invests in co-productions with other U.S. companies including New York City Opera, the Opera Theatre of St. Louis, Houston Grand Opera, and Glimmerglass Opera. BLO's community work has included participation in the "Egypt in Boston" thematic season that celebrated Egypt at several of Boston's leading cultural institutions in 1999–2000. In the summer of 2002, BLO produced "Carmen on the Common", a commu ...
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Un Ballo In Maschera
''Un ballo in maschera'' ''(A Masked Ball)'' is an 1859 opera in three acts by Giuseppe Verdi. The text, by Antonio Somma, was based on Eugène Scribe's libretto for Daniel Auber's 1833 five act opera, '' Gustave III, ou Le bal masqué''. The plot concerns the assassination in 1792 of King Gustav III of Sweden who was shot, as the result of a political conspiracy, while attending a masked ball, dying of his wounds thirteen days later. It was to take over two years between the commission from Naples, planned for a production there, and its premiere performance at the Teatro Apollo in Rome on 17 February 1859. In becoming the ''Un ballo in maschera'' which we know today, Verdi's opera (and his libretto) underwent a significant series of transformations and title changes, caused by a combination of censorship regulations in both Naples and Rome, as well as by the political situation in France in January 1858. Based on the Scribe libretto and begun as ''Gustavo III'' set in Stockho ...
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Washington National Opera
The Washington National Opera (WNO) is an American opera company in Washington, D.C. Formerly the Opera Society of Washington and the Washington Opera, the company received Congressional designation as the National Opera Company in 2000. Performances are now given in the Opera House of the John F. Kennedy Center for the Performing Arts. Opera in Washington, DC had become established after World War I and it did flourish for a time as the Washington National Opera Association until the Depression and World War Two years, and into the 1960s in various outdoor opera venues. However, with the establishment of the Opera Society of Washington in 1956–57, the way was laid for a company to function in the city, especially after the opening of the Kennedy Center in 1971 and its move there in 1979. After making initial appearances with the company from 1986 onwards, tenor Plácido Domingo took over as general director in 1996, a post which he held until June 2011, after which the compa ...
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Green Room Award
The Green Room Awards are peer awards which recognise excellence in cabaret, dance, drama, fringe theatre, musical theatre and opera in Melbourne. The awards were started in 1982 when Blair Edgar and Steven Tandy formed the Green Room Awards Association. The inaugural awards ceremony was held in 1984 at the Melbourne Concert Hall. The association today is composed of members of Melbourne's performing arts community, including journalists, performers, writers, directors, choreographers, academics, theatre technicians and administrators. The current patrons of the association are Rachel Griffiths and David Atkins. Previous winners include Dale Ferguson, David Hersey, Stephen Baynes, Greg Horsman, Eddie Perfect, Laurie Cadevida, Stephen Daldry, Genevieve Lemon, Michael Dameski, Julian Gavin, and Steve Mouzakis. Award categories As of 2013, award categories include: Theatre (companies) *Production *Direction *Female actor *Male actor *Ensemble *Set/costume *Lighting *Sound/c ...
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