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Opéra De Montréal
LOpéra de Montréal is an opera company in Montreal, Canada. It performs at the Place des Arts theatre complex in downtown Montreal, in the borough of Ville-Marie. It was founded in 1980 as a company focused on productions in French. History Before the Opéra de Montréal was established in 1980 there had been a number of previous attempts to establish an opera company in the city. L'Opéra français de Montréal operated from 1893 to 1896, and gave almost 600 performances, principally of operetta. The Montreal Opera Company was started in 1910 by Albert Clerk-Jeannotte with financing from Frank S. Meighen, and ran for three years. The was started by in 1921, and gave some 300 performances in the following ten years. Another light opera company, the Variétés Lyriques, was established in 1936, and between then and 1955 gave more than 1000 performances; 13 of the 83 works presented were serious operas. From 1942 until 1950 the Opera Guild of Montreal gave two performanc ...
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Salle Wilfrid-Pelletier
Salle Wilfrid-Pelletier is a large multipurpose venue in Montreal, Quebec equipped with sophisticated technical equipment. It seats 2,982 people and is part of the Place des Arts cultural complex in Montréal's Quartier des Spectacles entertainment district. It is the largest multipurpose stage in Canada. It is the home of the Opéra de Montréal, Les Grands Ballets Canadiens, and hosts concerts during the Montreal International Jazz Festival. Built in 1963 by Hazen Sise, Dimitri Dimakopoulos and Fred Lebensold (of the Montréal architectural partnership Arcop), the theatre was initially called the Grande Salle before being named in honor of the famous head of the Montréal Symphony Orchestra, Wilfrid Pelletier Joseph Louis Wilfrid Pelletier (sometimes spelled Wilfred), (20 June 1896 – 9 April 1982) was a Canadian conductor, pianist, composer, and arts administrator. He was instrumental in establishing the Montreal Symphony Orchestra, serving .... It is an adaptabl ...
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Ministère Des Affaires Culturelles Du Québec
The Ministry of Culture and Communications (french: Ministère de la Culture et des Communications ) is responsible for promoting and protecting the culture in the Canadian province of Quebec. The current Minister is Nathalie Roy.
, accessed 3 February 2019. The minister was formed in 2012 after the Immigration portfolio was transferred from the former Minister of Culture and Immigration (Minister of Immigration and Cultural Communities) created in 2005 to the new

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Canadian Opera Companies
Canadians (french: Canadiens) are people identified with the country of Canada. This connection may be residential, legal, historical or cultural. For most Canadians, many (or all) of these connections exist and are collectively the source of their being ''Canadian''. Canada is a multilingual and multicultural society home to people of groups of many different ethnic, religious, and national origins, with the majority of the population made up of Old World immigrants and their descendants. Following the initial period of French and then the much larger British colonization, different waves (or peaks) of immigration and settlement of non-indigenous peoples took place over the course of nearly two centuries and continue today. Elements of Indigenous, French, British, and more recent immigrant customs, languages, and religions have combined to form the culture of Canada, and thus a Canadian identity. Canada has also been strongly influenced by its linguistic, geographic, and ec ...
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Bernard Labadie
Bernard Labadie (born March 27, 1963) is a conductor of classical and baroque music, artistic director, and musical director. He was born in Quebec City, Canada and graduated from the School of Music at Laval University. During Labadie's education at Laval University in 1983, Labadie directed his first orchestras as a student project. He studied Gregorian chant with Dom Jean Claire at the Saint-Pierre de Solesmes Abby in France and conducted privately with Simon Streatfeild (1983–87), Pierre Dervaux at the Domaine Forget (1986, 1987), in Saumur, France (1987), and briefly at the Bachakademie in Stuttgart, Germany with John Eliot Gardiner (1991). Career After Labadie's graduation at Laval University, he founded the ensembles Les Violons du Roy in 1984 and the choir La Chapelle de Québec (under the original name ''l'Ensemble vocal Bernard Labadie'') in 1985. Labadie would be the musical director of Les Violons du Roy from its creation in 1985 to 2014 and is the musical d ...
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Dead Man Walking (opera)
''Dead Man Walking'' is the first opera composed by American Jake Heggie, with a libretto by playwright Terrence McNally. Based on the book of the same name by Sister Helen Prejean, C.S.J., the work premiered on October 7, 2000, at the War Memorial Opera House, produced by the San Francisco Opera. Performance history The 2000 premiere production was commissioned by then-General Director Lotfi Mansouri. The stage director was Joe Mantello, Conductor was Patrick Summers. Sets, costumes and lighting were designed by Michael Yeargan, Sam Fleming, and Jennifer Tipton, respectively. Susan Graham created the role of Sister Helen, with John Packard as Joseph De Rocher. Frederica von Stade performed the role of Mrs De Rocher, the convict’s mother. The Australian premiere and first performance outside the United StatesMichael Shmith, "The sister of mercy", ''Sunday Age'', 17 August 2003, Agenda, p. 5 took place in August 2003 at the State Opera of South Australia, with Kirsti Harms ...
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Gianni Schicchi
() is a comic opera in one act by Giacomo Puccini to an Italian libretto by Giovacchino Forzano, composed in 1917–18. The libretto is based on an incident mentioned in Dante's ''Divine Comedy''. The work is the third and final part of Puccini's (The Triptych)three one-act operas with contrasting themes, originally written to be presented together. Although it continues to be performed with one or both of the other operas, is now more frequently staged either alone or with short operas by other composers. The aria is one of Puccini's best known, and one of the most popular arias in opera. Puccini had long considered writing a set of one-act operas which would be performed together in a single evening, but faced with a lack of suitable subjects and opposition from his publisher, he repeatedly put the project aside. However, by 1916 Puccini had completed the one-act tragedy and, after considering various ideas, he began work the following year on the solemn, religious, all- ...
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Pagliacci
''Pagliacci'' (; literal translation, "Clowns") is an Italian opera in a prologue and two acts, with music and libretto by Ruggero Leoncavallo. The opera tells the tale of Canio, actor and leader of a commedia dell'arte theatrical company, who murders his wife Nedda and her lover Silvio on stage during a performance. ''Pagliacci'' premiered at the Teatro Dal Verme in Milan on 21 May 1892, conducted by Arturo Toscanini, with Adelina Stehle as Nedda, Fiorello Giraud as Canio, Victor Maurel as Tonio, and Mario Ancona as Silvio. Soon after its Italian premiere, the opera played in London (with Nellie Melba as Nedda) and in New York (on 15 June 1893, with Agostino Montegriffo as Canio). ''Pagliacci'' is the composer's only opera that is still widely performed. ''Pagliacci'' is often staged with ''Cavalleria rusticana'' by Pietro Mascagni, a double bill known colloquially as "Cav and Pag". Origin and disputes Leoncavallo was a little-known composer when Pietro Mascagni's ''Cavalleria ...
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Madame Butterfly
''Madama Butterfly'' (; ''Madame Butterfly'') is an opera in three acts (originally two) by Giacomo Puccini, with an Italian libretto by Luigi Illica and Giuseppe Giacosa. It is based on the short story "Madame Butterfly" (1898) by John Luther Long, which in turn was based on stories told to Long by his sister Jennie Correll and on the semi-autobiographical 1887 French novel '' Madame Chrysanthème'' by Pierre Loti.Chadwick Jenna"The Original Story: John Luther Long and David Belasco" on columbia.edu Long's version was dramatized by David Belasco as the one-act play '' Madame Butterfly: A Tragedy of Japan'', which, after premiering in New York in 1900, moved to London, where Puccini saw it in the summer of that year. The original version of the opera, in two acts, had its premiere on 17 February 1904 at La Scala in Milan. It was poorly received, despite having such notable singers as soprano Rosina Storchio, tenor Giovanni Zenatello and baritone Giuseppe De Luca in lead roles ...
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Lakmé
''Lakmé'' is an opera in three acts by Léo Delibes to a French libretto by Edmond Gondinet and Philippe Gille. The score, written from 1881 to 1882, was first performed on 14 April 1883 by the Opéra-Comique at the (second) Salle Favart in Paris, with stage decorations designed by Auguste Alfred Rubé and Philippe Chaperon (act 1), Eugène Carpezat and (Joseph-)Antoine Lavastre (act 2), and Jean-Baptiste Lavastre (act 3). Set in British India in the mid-19th century, ''Lakmé'' is based on Théodore Pavie's story "Les babouches du Brahmane" and the novel ' by Pierre Loti. Gondinet proposed it as a vehicle for the American soprano Marie van Zandt. The opera includes the popular Flower Duet ("Sous le dôme épais") for a soprano and mezzo-soprano, performed in act 1 by Lakmé, the daughter of a Brahmin priest, and her servant Mallika.
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Opera Australia
Opera Australia is the principal opera company in Australia. Based in Sydney, its performance season at the Sydney Opera House accompanied by the Opera Australia Orchestra runs for approximately eight months of the year, with the remainder of its time spent in the Arts Centre Melbourne, where it is accompanied by Orchestra Victoria. In 2004, the company gave 226 performances in its subscription seasons in Sydney and Melbourne, attended by more than 294,000 people. It is funded by government grants, corporate sponsorship, private philanthropy, and ticket sales. The proportion of its revenue from ticket sales is considerably higher than that of most companies, approximately 75 per cent. The company is perhaps best known internationally for its association with Dame Joan Sutherland, for Baz Luhrmann's production of Puccini's ''La bohème'' in the early 1990s and more recently, for, apart from performances inside the opera house, large scale outdoor performances on Sydney Harbour. ...
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Bluebeard's Castle
''Duke Bluebeard's Castle'' ( hu, A kékszakállú herceg vára, link=no, or ''The Blue-Bearded Duke's Castle'') is a one-act expressionism, expressionist opera by Hungarian composer Béla Bartók. The libretto was written by Béla Balázs, a poet and friend of the composer, and is written in Hungarian, based on the French literary tale ''Bluebeard, La Barbe bleue'' by Charles Perrault. The opera lasts only a little over an hour and there are just two singing characters onstage: Bluebeard (), and his new wife Judith (); the two have just eloped and Judith is coming home to Bluebeard's castle for the first time. ''Bluebeard's Castle'', András Szőllősy, Sz. 48, was composed in 1911 (with modifications made in 1912 and a new ending added in 1917) and first performed on 24 May 1918 at the Royal Hungarian Opera House in Budapest. Universal Edition published the vocal (1921) and full score (1925). The Boosey & Hawkes full score includes only the German and English singing translations ...
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Jenůfa
''Její pastorkyňa'' (''Her Stepdaughter''; commonly known as ''Jenůfa'' ) is an opera in three acts by Leoš Janáček to a Czech libretto by the composer, based on the play ''Její pastorkyňa'' by Gabriela Preissová. It was first performed at the National Theatre, Brno on 21 January 1904. Composed between 1896 and 1902, it is among the first operas written in prose. The first of Janáček's operas in which his distinctive voice can clearly be heard, it is a grim story of infanticide and redemption. Like the playwright's original work, it is known for its unsentimental realism. While today it is heard in the composer's original version, ''Jenůfas early popularity was due to a revised version by Karel Kovařovic, altering what was considered its eccentric style and orchestration. Thus altered, it was well-received, first in Prague, and particularly after its Vienna première also worldwide. More than 70 years passed before audiences again heard it in Janáček's original ve ...
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