Judith (Palma Vecchio)
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Judith (Palma Vecchio)
''Judith'' is an oil on panel painting, attributed to Palma Vecchio, and created in 1525-1528. It is held in the Uffizi, in Florence. The attribution to Palma Vecchio was questioned in the past but is now usually accepted. Art historians Giovanni Battista Cavalcaselle and Joseph Archer Crowe have attributed it to Palma Vecchio, also identifying damage from heavy-handed cleaning, especially on the head of Holofernes. This attribution has been confirmed by György Gombosi and Giovanni Mariacher,Giovanni Mariacher, ''Palma il Vecchio'', Milano, Bramante, 1968 who identified it as a mature work of that artist. History The painting is now exhibited in a later baroque frame with gold leaf gilding. The work was originally in the Della Rovere collection at the Ducal Palace, Urbino. Attributed to both Titian and Palma there, it remained in that collection from 1526 to 1631, after which it entered the Medici collection following Vittoria della Rovere's marriage to Ferdinando II de' Medici, ...
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Palma Il Vecchio - Judith - WGA16936
Palma or La Palma means Arecaceae, palm in a number of languages and may also refer to: Geography Africa *Palma, Mozambique, city **Palma District *La Palma, one of the Canary Islands, Spain **La Palma (DO), a ''Denominación de Origen'' for wines from the island of La Palma **La Palma Airport The Americas *Palma, Santa Maria, a district of Rio Grande do Sul, Brazil *Palma, Minas Gerais, a municipality in Brazil *Palma River, Brazil *La Palma, Cundinamarca, a municipality and town in Colombia *La Palma, Cuba, a city *Río de la Palma, a river in Cuba *La Palma, Chalatenango, a municipality of El Salvador *La Palma, Darién, a city of Panama *La Palma, Los Santos, a corregimiento of Panama *La Palma, Arizona, an unincorporated place in the United States *La Palma, California, a city in the United States **La Palma Intercommunity Hospital *La Palma (Mexico City Metrobús), a BRT station in Mexico City Europe *Palma de Mallorca *Palma di Montechiaro *Bay of Palma, south of Palma, Maj ...
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Medici
The House of Medici ( , ) was an Italian banking family and political dynasty that first began to gather prominence under Cosimo de' Medici, in the Republic of Florence during the first half of the 15th century. The family originated in the Mugello region of Tuscany, and prospered gradually until it was able to fund the Medici Bank. This bank was the largest in Europe during the 15th century and facilitated the Medicis' rise to political power in Florence, although they officially remained citizens rather than monarchs until the 16th century. The Medici produced four popes of the Catholic Church—Pope Leo X (1513–1521), Pope Clement VII (1523–1534), Pope Pius IV (1559–1565) and Pope Leo XI (1605)—and two queens of France—Catherine de' Medici (1547–1559) and Marie de' Medici (1600–1610). In 1532, the family acquired the hereditary title Duke of Florence. In 1569, the duchy was elevated to the Grand Duchy of Tuscany after territorial expansion. The Medici ruled the G ...
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Paintings In The Uffizi
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, sy ...
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1528 Paintings
Fifteen or 15 may refer to: *15 (number), the natural number following 14 and preceding 16 *one of the years 15 BC, AD 15, 1915, 2015 Music *Fifteen (band), a punk rock band Albums * ''15'' (Buckcherry album), 2005 * ''15'' (Ani Lorak album), 2007 * ''15'' (Phatfish album), 2008 * ''15'' (mixtape), a 2018 mixtape by Bhad Bhabie * ''Fifteen'' (Green River Ordinance album), 2016 * ''Fifteen'' (The Wailin' Jennys album), 2017 * ''Fifteen'', a 2012 album by Colin James Songs * "Fifteen" (song), a 2008 song by Taylor Swift *"Fifteen", a song by Harry Belafonte from the album '' Love Is a Gentle Thing'' *"15", a song by Rilo Kiley from the album ''Under the Blacklight'' *"15", a song by Marilyn Manson from the album ''The High End of Low'' *"The 15th", a 1979 song by Wire Other uses *Fifteen, Ohio, a community in the United States * ''15'' (film), a 2003 Singaporean film * ''Fifteen'' (TV series), international release name of ''Hillside'', a Canadian-American teen drama *Fi ...
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Castel Giovo (San Leonardo In Passiria)
Castel may refer to the following places: in France Castel is the Occitan word for the Latin ''Castrum'' (small caserna military castrum) and occurs very often in southern France toponyms especially mixed with the adjective ''nau'' (which means ''new'' written ''nòu'' in Occitan). * , a village and former commune in Picardy, since 1965 part of Moreuil *Belcastel (other), ''Great Castle'' *Castelnaudary, ''Newcastle of Arry'' * Castelnau-le-Lez, ''Newcastle upon Lez'' * Castelsagrat, ''Holy castle'' *Castelsarrasin, ''Sarracen castle'' in Italy Castel, a short form of castello (''castle''), is a very common component in Italian place names: *Castel Baronia, in the province of Avellino *Castel Boglione, in the province of Asti *Castel Bolognese, in the province of Ravenna *Castel Campagnano, in the province of Caserta *Castel Castagna, in the province of Teramo *Castel Colonna, in the province of Ancona *Castel Condino, in the province of Trento * Castel d'Aiano, in th ...
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Villa Medicea Di Poggio A Caiano
The Medici Villa of Poggio a Caiano, also called Ambra, is one of the most famous Medici villas and is located in Poggio a Caiano (Province of Prato, Prato). Today it is state owned and it houses two museums: one of the historic apartments (ground floor and first floor) and the Museum of Still Life (second floor). The villa is perhaps the best example of architecture commissioned by Lorenzo il Magnifico, in this case to Giuliano da Sangallo towards 1480. It is no coincidence that this is a private building, where there are elements that later modeled for the future developments of the type of villas: internal and external penetration through filters such as loggias, symmetrical distribution of environments around a central salon ("Centrifugal" space), dominant position in the landscape, conscious recovery of classical architectural elements (such as the barrel vault and the Ionic order, ionic temple facade). History Fifteenth Century The villa is located in the middle of a ...
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Pordenone
Pordenone (; Venetian and fur, Pordenon) is the main ''comune'' of Pordenone province of northeast Italy in the Friuli Venezia Giulia region. The name comes from Latin ''Portus Naonis'', meaning 'port on the Noncello (Latin ''Naon'') River'. History Pordenone was created at the beginning of the High Middle Ages as a river port on the Noncello, with the name ''Portus Naonis.'' In the area, however, there were already villas and agricultural settlements from the Roman age, especially in the area of the town of Torre. Between 1257 and 1270 Pordenone was conquered by Ottokar II of Bohemia, who was eventually defeated in 1277, when the city was brought back to the Empire, under Rodolph I of Habsburg. In 1278, after having been administrated by several feudatories, the city was handed over to the Habsburg family, forming an Austrian enclave within the territory of the Patriarchal State of Friuli. In the 14th century, Pordenone grew substantially due to the flourishing river t ...
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Palazzo Pitti
The Palazzo Pitti (), in English sometimes called the Pitti Palace, is a vast, mainly Renaissance, palace in Florence, Italy. It is situated on the south side of the River Arno, a short distance from the Ponte Vecchio. The core of the present palazzo dates from 1458 and was originally the town residence of Luca Pitti, an ambitious Florentine banker. The palace was bought by the Medici family in 1549 and became the chief residence of the ruling families of the Grand Duchy of Tuscany. It grew as a great treasure house as later generations amassed paintings, plates, jewelry and luxurious possessions. In the late 18th century, the palazzo was used as a power base by Napoleon and later served for a brief period as the principal royal palace of the newly united Italy. The palace and its contents were donated to the Italian people by King Victor Emmanuel III in 1919. The palazzo is now the largest museum complex in Florence. The principal palazzo block, often in a building of this ...
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Ferdinando II De' Medici, Grand Duke Of Tuscany
Ferdinando II de' Medici (14 July 1610 – 23 May 1670) was grand duke of Tuscany from 1621 to 1670. He was the eldest son of Cosimo II de' Medici and Maria Maddalena of Austria. He was remembered by his contemporaries as a man of culture and science, actively participating in the Accademia del Cimento, the first scientific society in Italy, formed by his younger brother, Leopoldo de' Medici. His 49-year rule was punctuated by the beginning of Tuscany's long economic decline, which was further exacerbated by his successor, Cosimo III de' Medici. He married Vittoria della Rovere, a first cousin, with whom he had two children who reached adulthood: the aforementioned Cosimo III, and Francesco Maria de' Medici, Duke of Rovere and Montefeltro, a cardinal. Reign Ferdinando was only 10 years of age when his father Cosimo II died. Because he had not yet reached maturity, his mother Maria Maddalena and paternal grandmother, Christina of Lorraine, acted as joint regents. His two rege ...
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Vittoria Della Rovere
Vittoria della Rovere (7 February 1622 – 5 March 1694) was Grand Duchess of Tuscany as the wife of Grand Duke Ferdinando II. She had four children with her husband, two of whom would survive infancy: the future Cosimo III, Tuscany's longest-reigning monarch, and Francesco Maria, a prince of the Church. At the death of her grandfather Francesco Maria della Rovere, she inherited the Duchies of Rovere and Montefeltro, which reverted to her second son, Francesco Maria, at her death. She was later entrusted with the care of her three grandchildren. Her marriage brought a wealth of treasures to the House of Medici, which can today be seen in the Palazzo Pitti and the Uffizi Gallery in Florence. Infancy Vittoria della Rovere was the only child of Federico Ubaldo della Rovere, son of the then incumbent Duke of Urbino, Francesco Maria. Her mother was Claudia de' Medici, a sister of Cosimo II de' Medici, Grand Duke of Tuscany and the Duchess of Mantua. As an infant it was expected ...
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Titian
Tiziano Vecelli or Vecellio (; 27 August 1576), known in English as Titian ( ), was an Italians, Italian (Republic of Venice, Venetian) painter of the Renaissance, considered the most important member of the 16th-century Venetian school (art), Venetian school. He was born in Pieve di Cadore, near Belluno. During his lifetime he was often called ''da Cadore'', 'from Cadore', taken from his native region. Recognized by his contemporaries as "The Sun Amidst Small Stars" (recalling the final line of Dante Alighieri, Dante's ''Paradiso (Dante), Paradiso''), Titian was one of the most versatile of Italian painters, equally adept with portraits, landscape backgrounds, and mythological and religious subjects. His painting methods, particularly in the application and use of colour, exercised a profound influence not only on painters of the late Italian Renaissance, but on future generations of Art of Europe, Western artists. His career was successful from the start, and he became sought ...
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Palma Vecchio
Palma Vecchio (c. 1480 – 30 July 1528), born Jacopo Palma, also known as Jacopo Negretti, was a Venetian painter of the Italian High Renaissance. He is called Palma Vecchio in English and Palma il Vecchio in Italian ("Palma the Elder") to distinguish him from Palma il Giovane ("Palma the Younger"), his great-nephew, who was also a painter. Life Palma was born at Serina Alta near Bergamo, a dependency of the Republic of Venice, but his recorded career all took place in or near Venice. He is first recorded in Venice in 1510, but had probably already been there for some time. He was perhaps apprenticed to Andrea Previtali, who also came from Bergamo, and who returned there in 1511. Palma's earlier works show the influence of Giovanni Bellini, Previtali's master and by then the aged ''doyen'' of Venetian painting, but Palma came to follow the new style and subjects pioneered by Giorgione and Titian. After the deaths of Bellini and Giorgione, and the removal from Venice o ...
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