Juan Antonio De Frías Y Escalante
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Juan Antonio De Frías Y Escalante
Juan Antonio de Frías y Escalante (1633 in Cordoba–1669 in Madrid) was a Spanish Baroque Golden Age painter. He was born in Córdoba, studied under Francisco Ricci in Madrid, and developed a career in the Spanish Court despite his early death. He was an admirer of Venetian paintings by Tintoretto and Veronese. His last paintings are in the rococo style. He is known for his religious paintings, e.g. Roman Catholic Marian art depicting the Immaculate Conception. References *Pérez Sánchez, Alfonso E. (1992). ''Baroque Paintings in Spain 1600-1750'', Madrid : Ediciones Cátedra. . * Palomino, Antonio (1988). ''El museo pictórico y escala óptica III. El parnaso español pintoresco laureado'', p. 333. Madrid : Aguilar S.A. de Ediciones. . *Requena Bravo de Laguna, José Luis, ''Nuevas aportaciones a la Juno de Alonso Cano Alonso Cano Almansa or Alonzo Cano (19 March 16013 September 1667) was a Spanish painter, architect, and sculptor born in Granada.
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Juan Antonio De Frías Y Escalante 001
''Juan'' is a given name, the Spanish and Manx versions of '' John''. It is very common in Spain and in other Spanish-speaking communities around the world and in the Philippines, and also (pronounced differently) in the Isle of Man. In Spanish, the diminutive form (equivalent to ''Johnny'') is , with feminine form (comparable to ''Jane'', ''Joan'', or ''Joanna'') , and feminine diminutive (equivalent to ''Janet'', ''Janey'', ''Joanie'', etc.). Chinese terms * ( or 娟, 隽) 'beautiful, graceful' is a common given name for Chinese women. * () The Chinese character 卷, which in Mandarin is almost homophonic with the characters for the female name, is a division of a traditional Chinese manuscript or book and can be translated as 'fascicle', 'scroll', 'chapter', or 'volume'. Notable people * Juan (footballer, born 1979), Brazilian footballer * Juan (footballer, born 1982), Brazilian footballer * Juan (footballer, born March 2002), Brazilian footballer * Juan (footbal ...
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Baroque
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. B ...
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Golden Age
The term Golden Age comes from Greek mythology, particularly the ''Works and Days'' of Hesiod, and is part of the description of temporal decline of the state of peoples through five Ages of Man, Ages, Gold being the first and the one during which the Golden Race of humanity ( ''chrýseon génos'') lived. After the end of the first age was the Silver age, Silver, then the Bronze Age (mythology), Bronze, after this the Greek Heroic Age, Heroic age, with the fifth and current age being Iron Age (mythology), Iron. By extension, "Golden Age" denotes a period of primordial peace, harmony, ecological stability, stability, and prosperity. During this age, peace and harmony prevailed in that people did not have to work to feed themselves for the earth provided food in abundance. They lived to a very old age with a youthful appearance, eventually dying peacefully, with spirits living on as "guardians". Plato in ''Cratylus (dialogue), Cratylus'' (397 e) recounts the golden race of human ...
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Francisco Rizi
Francisco Rizi, or Francisco Ricci de Guevara (9 April 1614 – 2 August 1685) was a Spanish painter of Italian ancestry. Biography He was born in Madrid. His father, Antonio Ricci, was an Italian painter, originally from Ancona, who had come to Spain in 1583 to do decorative work at El Escorial. His brother, Juan, also became a painter. After beginning his apprenticeship in his father's workshop, he studied with Vicente Carducho, who was also of Italian origin. Thanks to Carducho's influence, he was able to make contacts at the Royal Court in 1634. After Carducho's death in 1638, he joined with several other painters to create decorations for the Golden Salon at the Royal Alcázar of Madrid. These were destroyed in the Great Fire of 1734. Between 1640 and 1649, he became one of the earliest painters in Spain to adopt the Baroque style. A notable example is the large altarpiece made for the Capuchins, in a style reminiscent of Pieter Paul Rubens or Anthony van Dyck. In 1649 ...
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Tintoretto
Tintoretto ( , , ; born Jacopo Robusti; late September or early October 1518Bernari and de Vecchi 1970, p. 83.31 May 1594) was an Italian painter identified with the Venetian school. His contemporaries both admired and criticized the speed with which he painted, and the unprecedented boldness of his brushwork. For his phenomenal energy in painting he was termed Il Furioso ("The Furious"). His work is characterised by his muscular figures, dramatic gestures and bold use of perspective, in the Mannerist style. Life The years of apprenticeship Tintoretto was born in Venice in 1518. His father, Battista, was a dyer, or ''tintore''; hence the son got the nickname of Tintoretto, "little dyer", or "dyer's boy". Tintoretto is known to have had at least one sibling, a brother named Domenico, although an unreliable 17th-century account says his siblings numbered 22. The family was believed to have originated from Brescia, in Lombardy, then part of the Republic of Venice. Older studies ga ...
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Paolo Veronese
Paolo Caliari (152819 April 1588), known as Paolo Veronese ( , also , ), was an Italian Renaissance painter based in Venice, known for extremely large history paintings of religion and mythology, such as ''The Wedding at Cana'' (1563) and ''The Feast in the House of Levi'' (1573). Included with Titian, a generation older, and Tintoretto, a decade senior, Veronese is one of the "great trio that dominated Venetian painting of the ''cinquecento''" and the Late Renaissance in the 16th century.Rosand, 107 Known as a supreme colorist, and after an early period with Mannerism, Paolo Veronese developed a naturalist style of painting, influenced by Titian. His most famous works are elaborate narrative cycles, executed in a dramatic and colorful style, full of majestic architectural settings and glittering pageantry. His large paintings of biblical feasts, crowded with figures, painted for the refectories of monasteries in Venice and Verona are especially famous, and he was also the leadi ...
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Rococo
Rococo (, also ), less commonly Roccoco or Late Baroque, is an exceptionally ornamental and theatrical style of architecture, art and decoration which combines asymmetry, scrolling curves, gilding, white and pastel colours, sculpted moulding, and ''trompe-l'œil'' frescoes to create surprise and the illusion of motion and drama. It is often described as the final expression of the Baroque movement. The Rococo style began in France in the 1730s as a reaction against the more formal and geometric Louis XIV style. It was known as the "style Rocaille", or "Rocaille style". It soon spread to other parts of Europe, particularly northern Italy, Austria, southern Germany, Central Europe and Russia. It also came to influence the other arts, particularly sculpture, furniture, silverware, glassware, painting, music, and theatre. Although originally a secular style primarily used for interiors of private residences, the Rococo had a spiritual aspect to it which led to its widespread use in ...
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Roman Catholic Marian Art
Mary has been one of the major subjects of Western Art for centuries. There is an enormous quantity of Marian art in the Catholic Church, covering both devotional subjects such as the Virgin and Child and a range of narrative subjects from the ''Life of the Virgin'', often arranged in cycles. Most medieval painters, and from the Reformation to about 1800 most from Catholic countries, have produced works, including old masters such as Michelangelo and Botticelli. Marian art forms part of the fabric of Catholic Marian culture through their emotional impact on the veneration of the Blessed Virgin. Images such as Our Lady of Guadalupe and the many artistic renditions of it as statues are not simply works of art but are a central element of the daily lives of the Mexican people. Both Hidalgo and Zapata flew Guadalupan flags and depictions of the Virgin of Guadalupe continue to remain a key unifying element in the Mexican nation.''The Virgin of Guadalupe'' by Maxwell E. Johnson 2003 ...
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Immaculate Conception
The Immaculate Conception is the belief that the Virgin Mary was free of original sin from the moment of her conception. It is one of the four Marian dogmas of the Catholic Church, meaning that it is held to be a divinely revealed truth whose denial is heresy. Debated by medieval theologians, it was not defined as a dogma until 1854, by Pope Pius IX in the papal bull ''Ineffabilis Deus'', which states that Mary, through God's grace, was conceived free from the stain of original sin through her role as the Mother of God: We declare, pronounce, and define that the doctrine which holds that the most Blessed Virgin Mary, in the first instance of her conception, by a singular grace and privilege granted by Almighty God, in view of the merits of Jesus Christ, the Saviour of the human race, was preserved free from all stain of original sin, is a doctrine revealed by God and therefore to be believed firmly and constantly by all the faithful. While the Immaculate Conception ass ...
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Antonio Palomino
Acislo Antonio Palomino de Castro y Velasco (165513 April 1726) was a Spanish painter of the Baroque period, and a writer on art, author of ''El Museo pictórico y escala óptica'', which contains a large amount of important biographical material on Spanish artists. Life Antonio Palomino was born to a respectable family at Bujalance, near Córdoba in 1655. He studied philosophy, theology and law at Córdoba, and had lessons in painting from Juan de Valdés Leal, who visited there in 1672, and afterwards from Juan de Alfaro y Gamez in 1675. After taking minor orders Palomino moved to Madrid in 1678, where he associated with Alfaro, Claudio Coello, and Juan Carreño de Miranda, and executed some indifferent frescoes. He soon afterwards married a lady of rank, and, having been appointed ''alcalde'' of the ''mesta'', was himself ennobled; in 1688 he was appointed painter to King Charles II. The artist visited Valencia in 1697, and remained there for three or four years, agai ...
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Alonso Cano
Alonso Cano Almansa or Alonzo Cano (19 March 16013 September 1667) was a Spanish painter, architect, and sculptor born in Granada.Alonso Cano
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Biography

He learned architecture from his father, ;
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1633 Births
Events January–March * January 20 – Galileo Galilei, having been summoned to Rome on orders of Pope Urban VIII, leaves for Florence for his journey. His carriage is halted at Ponte a Centino at the border of Tuscany, where he is quarantined for 22 days because of an outbreak of the plague. * February 6 – The formal coronation of Władysław IV Vasa as King of Poland at the cathedral in Krakow. He had been elected as king on November 8. * February 9 – The Duchy of Hesse-Cassel captures Dorsten from the Electorate of Cologne without resistance. * February 13 ** Galileo Galilei arrives in Rome for his trial before the Inquisition. ** Fire engines are used for the first time in England in order to control and extinguish a fire that breaks out at London Bridge, but not before 43 houses are destroyed. "Fires, Great", in ''The Insurance Cyclopeadia: Being an Historical Treasury of Events and Circumstances Connected with the Origin and Progress of ...
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