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Joseph Stevens (painter)
Joseph Édouard Stevens (26 November 1816 – 2 August 1892) was a Belgian animalier painter and engraver. Life He was the son of Jean François Léopold Stevens (1791–1837), a Brussels art dealer and collector, and the elder brother of the painter Alfred Stevens and of the art critic Arthur Stevens (1825 – 1890). He frequented as a dilettante the Académie Royale des Beaux-Arts and followed courses by Louis Robbe and Eugène Verboeckhoven. Partly self-taught, he finished his training in Paris, without enrolling in a school, and frequented the studio of Alexandre-Gabriel Decamps, as well as painters of the Barbizon School and of the "Groupe du Restaurant du Havre" including Thomas Couture, Eugène Isabey, Théodore Rousseau and others. He exhibited at the Brussels Salon from 1842. In 1852 he joined his two brothers in Paris where he lived for several years, dividing his time between the worldliness of the Imperial Court, in particular the Jardin des Tuil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Belgians
Belgians ( nl, Belgen; french: Belges; german: Belgier) are people identified with the Kingdom of Belgium, a federal state in Western Europe. As Belgium is a multinational state, this connection may be residential, legal, historical, or cultural rather than ethnic. The majority of Belgians, however, belong to two distinct ethnic groups or ''communities'' ( nl, gemeenschap, links=no; french: communauté, links=no) native to the country, i.e. its historical regions: Flemings in Flanders, who speak Dutch; and Walloons in Wallonia, who speak French or Walloon. There is also a substantial Belgian diaspora, which has settled primarily in the United States, Canada, France, and the Netherlands. Etymology The 1830 revolution led to the establishment of an independent country under a provisional government and a national congress. The name "Belgium" was adopted for the country, the word being derived from ''Gallia Belgica'', a Roman province in the northernmost part of Gaul that, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dijon
Dijon (, , ) (dated) * it, Digione * la, Diviō or * lmo, Digion is the prefecture of the Côte-d'Or department and of the Bourgogne-Franche-Comté region in northeastern France. the commune had a population of 156,920. The earliest archaeological finds within the city limits of Dijon date to the Neolithic period. Dijon later became a Roman settlement named ''Divio'', located on the road between Lyon and Paris. The province was home to the Dukes of Burgundy from the early 11th until the late 15th centuries, and Dijon became a place of tremendous wealth and power, one of the great European centres of art, learning, and science. The city has retained varied architectural styles from many of the main periods of the past millennium, including Capetian, Gothic, and Renaissance. Many still-inhabited town-houses in the city's central district date from the 18th century and earlier. Dijon's architecture is distinguished by, among other things, '' toits bourguignons'' (Burgu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Léon Cladel
Léon Cladel (Montauban, 22 March 1834 – 21 July 1892, Sèvres) was a French novelist. The son of an artisan, he studied law at Toulouse and became a solicitor's clerk in Paris. Cladel made a limited reputation by his first book, ''Les Martyrs ridicules'' (1862), a novel for which Charles Baudelaire, whose literary disciple Cladel was, wrote a preface. He then returned to his native district of Quercy in southwestern France, where he produced a series of stories of peasant life in ''Eral le dompteur'' (1865), ''Le Nomm Qouael'' (1868) and other volumes, similar to the works of Émile Pouvillon. Returning to Paris he published the two novels which are generally acknowledged as his best work, ''Le Bouscassié'' (1869) and ''La Fête votive de Saint-Bartholomée Porte-Glaive'' (1872). ''Une Maudite'' (1876) was judged dangerous to public morals and cost its author a month's imprisonment. Other works by Cladel are ''Les Va-nu-pieds'' (1873), a volume of short stories; ''N'a-qu' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Realism (art Movement)
Realism was an artistic movement that emerged in France in the 1840s, around the 1848 Revolution. Realists rejected Romanticism, which had dominated French literature and art since the early 19th century. Realism revolted against the exotic subject matter and the exaggerated emotionalism and drama of the Romantic movement. Instead, it sought to portray real and typical contemporary people and situations with truth and accuracy, and not avoiding unpleasant or sordid aspects of life. The movement aimed to focus on unidealized subjects and events that were previously rejected in art work. Realist works depicted people of all classes in situations that arise in ordinary life, and often reflected the changes brought by the Industrial and Commercial Revolutions. Realism was primarily concerned with how things appeared to the eye, rather than containing ideal representations of the world. The popularity of such "realistic" works grew with the introduction of photography—a new visual ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romanticism
Romanticism (also known as the Romantic movement or Romantic era) was an artistic, literary, musical, and intellectual movement that originated in Europe towards the end of the 18th century, and in most areas was at its peak in the approximate period from 1800 to 1850. Romanticism was characterized by its emphasis on emotion and individualism, clandestine literature, paganism, idealization of nature, suspicion of science and industrialization, and glorification of the past with a strong preference for the medieval rather than the classical. It was partly a reaction to the Industrial Revolution, the social and political norms of the Age of Enlightenment, and the scientific rationalization of nature. It was embodied most strongly in the visual arts, music, and literature, but had a major impact on historiography, education, chess, social sciences, and the natural sciences. It had a significant and complex effect on politics, with romantic thinkers influencing conservatism, libe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sablon (Brussels)
The () or (Dutch) is a neighbourhood and hill in the historic upper town of Brussels, Belgium. At its heart are twin squares: the larger or ("Large Sablon") square in the north-west and the smaller or ("Small Sablon") square and garden in the south-east, divided by the Church of Our Blessed Lady of the Sablon. This area is served by Brussels-Chapel railway station and Brussels Central Station, as well as the tram stop / (on lines 92 and 93). History Early history The Sablon lies near the Mont des Arts/Kunstberg neighbourhood, and lay not far outside the first walls of Brussels. It was originally an unused open space, with areas of wetlands, grassland and sand, where a hermit made his home. The words in French and in Dutch both mean a fine-grained sand, halfway between silt and sand. Saint John's Hospital (french: Hôpital Saint-Jean, link=no, nl, Sint-Jansgasthuis, link=no) used the area as a cemetery in the 13th century, having run out of space in its own cemetery. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marollen
The ( French, ) or (Dutch, ) is a popular historic neighbourhood of downtown Brussels, Belgium, situated between the Palace of Justice to its south-east, the Chapel Church to its north and the Halle Gate to its south. Its inhabitants are called ''Marolliens''. Lying at the heart of Marolles are the Place du Jeu de Balle/Vossenplein, home to the ''Old Market'', and the Cité Hellemans collective housing complex. Major arteries of the district include the /, the / and the /. This area is served by Brussels-Chapel railway station and Brussels-South railway station, as well as by the metro and ''premetro'' (underground tram) station Porte de Hal/Hallepoort on lines 2, 3, 4 and 6. The traditional Brabantian dialect of Brussels (known as Brusselian, and also sometimes referred to as Marols or Marollien) was widely spoken in the Marolles until the 20th century. It still survives among a small minority of inhabitants called ''Brusseleers'' (or ''Brusseleirs''), many of them q ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
City Of Brussels
The City of Brussels (french: Ville de Bruxelles or alternatively ''Bruxelles-Ville'' ; nl, Stad Brussel or ''Brussel-Stad'') is the largest municipality and historical City centre, centre of the Brussels, Brussels-Capital Region, as well as the capital of the Flemish Region (from which it is List of capitals outside the territories they serve, separate) and Belgium. The City of Brussels is also the administrative centre of the European Union, as it hosts a number of principal Institutions of the European Union, EU institutions in its Brussels and the European Union#European Quarter, European Quarter. Besides the central historic town located within the Pentagon (Brussels), Pentagon, the City of Brussels covers some of the city's immediate outskirts within the greater Brussels-Capital Region, namely Haren, Belgium, Haren, Laeken, and Neder-Over-Heembeek to the north, as well as the Avenue Louise, Avenue Louise/Louizalaan and the Bois de la Cambre, Bois de la Cambre/Ter Kamer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernest Meissonier
Jean-Louis-Ernest Meissonier (; 21 February 181531 January 1891) was a French Classicist painter and sculptor famous for his depictions of Napoleon, his armies and military themes. He documented sieges and manoeuvres and was the teacher of Édouard Detaille. Meissonier enjoyed great success in his lifetime, and was acclaimed both for his mastery of fine detail and assiduous craftsmanship. The English art critic John Ruskin examined his work at length under a magnifying glass, "marvelling at Meissonier's manual dexterity and eye for fascinating minutiae". Meissonier's work commanded enormous prices and in 1846 he purchased a great mansion in Poissy, sometimes known as the Grande Maison. The Grande Maison included two large studios, the ''atelier d'hiver'', or ''winter workshop'', situated on the top floor of the house, and at ground level, a glass-roofed annexe, the ''atelier d'été'' or ''summer workshop''. Meissonier himself said that his house and temperament belonged to a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leopold II Of Belgium
* german: link=no, Leopold Ludwig Philipp Maria Viktor , house = Saxe-Coburg and Gotha , father = Leopold I of Belgium , mother = Louise of Orléans , birth_date = , birth_place = Brussels, Belgium , death_date = , death_place = Laeken, Brussels, Belgium , burial_place = Church of Our Lady of Laeken , religion = Roman Catholicism Leopold II (french: link=no, Léopold Louis Philippe Marie Victor, nl, Leopold Lodewijk Filips Maria Victor; 9 April 1835 – 17 December 1909) was the second King of the Belgians from 1865 to 1909 and the self-made autocratic ruler of the Congo Free State from 1885 to 1908. Born in Brussels as the second but eldest-surviving son of Leopold I and Louise of Orléans, Leopold succeeded his father to the Belgian throne in 1865 and reigned for exactly 44 years until his death, the longest reign of a Belgian monarch to date. He died without surviving legitimate sons. The current Belgian king descends from his ne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henri Van Cutsem
Henri-Émile Van Cutsem (1839–1904) was a Belgian patron of the arts, and also himself a painter Biography Van Cutsem was born in Brussels into a family of hoteliers who had become wealthy from their business. He studied law at Liège. During long stays in Paris he developed good relations with many of the artistic community. In 1890 he acquired two adjacent blocks of flats on the Avenue des Arts in Saint-Josse-ten-Noode which he had refurbished by Victor Horta. He died in Ochamps of pneumonia. Patronage Van Cutsem developed his father's art collections and gave his moral and financial support to many artists, notably the sculptor Guillaume Charlier, to whom Van Cutsem bequeathed his property on the Avenue des Arts, which after Charlier's death became the Charlier Museum, established on 21 October 1928. Among the many artists whom he supported were Édouard Agneessens, Théodore Baron, Géo Bernier, Jan Van Beers, Eugène Broerman, Albéric Collin, James Ensor, J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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