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Joseph Servières
Joseph Servières (20 July 1781 – 3 February 1826online archive of the City of Paris, reconstructed civil status, fiche n° 6/5/ref>) was an early 19th-century French playwright. Biography Servieres made good studies in his hometown and came very young to Paris, where upon his arrival he gave several Play (theatre), theatre plays which had some success. He was noticed by Lucien Bonaparte, then interior minister, but soon fell into Napoleon's disfavor. In 1807, he married Eugénie Charen, the stepdaughter of the painter Lethière, who was herself a distinguished artist. He then accompanied to Italy his stepfather who had been appointed director of the French School in Rome, where he met Lucien, a longtime friend and confidant of Lethière. Servières returned to Paris in 1812 and obtained a position in the public treasury. Under the Restoration, he was appointed a public auditor at the Court of Audit on 8 September 1818. He kept on writing plays until his death. Works *1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Baptiste Wicar
Jean-Baptiste Wicar (22 January 1762 – 27 February 1834) was a French Neoclassical painter and art collector. Life The son of a carpenter, Wicar was born in Lille. He studied drawing at the free school in Lille before further honing his talents in the studio of David. The drawings Wicar created of ''Tableaux, statues, bas-reliefs et camées de la Galerie de Florence et du palais Pitti'' (''Paintings, statues, bas-reliefs and cameos in the Gallery of Florence and the Pitti Palace'') were published in Paris in 4 volumes at the Lacombe publishing house from 1789 to 1807. Wicar headed the commission set up to loot artworks from the Austrian Netherlands to enrich museums in France. An initial convoy left Antwerp on 11 August 1794, notably with paintings by Rubens, for the Louvre. Abbeys and castles were systematically emptied of their contents, furniture and works of art. Wicar was also a member of the commission des sciences et des arts on the Italian campaign, in the ento ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Aude
Joseph Aude (10 December 1755 – 5 October 1841) was a familiar of Necker and Buffon whose biography he wrote as well as a comédie en vaudeville about his marriage, presented at the ''Société littéraire et scientifique d'Apt''. Aude Joseph is considered an important author of the traveling theater of the early nineteenth, thanks to his Cadet Rousselle. Biography He made his literary debut in 1776, with ''Fête des Muses'', an ''à-propos'' in verse played at the Château de Versailles before the king and the court. He met Buffon at the '' Jardin du Roi'', where chevalier de Mouchy, of the House of Noailles, a novelist and correspondent of Voltaire, had led him. Having become familiar with him in Paris, he was his guest at Montbard, but was not, contrary to popular belief, his personal secretary. He stroke a friendship with the marquis Domenico Caracciolo, ambassador of the Kingdom of Naples in France. In 1781, he was appointed viceroy of the Kingdom of the Two Sicilie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
19th-century French Dramatists And Playwrights
The 19th (nineteenth) century began on 1 January 1801 ( MDCCCI), and ended on 31 December 1900 ( MCM). The 19th century was the ninth century of the 2nd millennium. The 19th century was characterized by vast social upheaval. Slavery was abolished in much of Europe and the Americas. The First Industrial Revolution, though it began in the late 18th century, expanding beyond its British homeland for the first time during this century, particularly remaking the economies and societies of the Low Countries, the Rhineland, Northern Italy, and the Northeastern United States. A few decades later, the Second Industrial Revolution led to ever more massive urbanization and much higher levels of productivity, profit, and prosperity, a pattern that continued into the 20th century. The Islamic gunpowder empires fell into decline and European imperialism brought much of South Asia, Southeast Asia, and almost all of Africa under colonial rule. It was also marked by the collapse of the la ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Data
In the pursuit of knowledge, data (; ) is a collection of discrete values that convey information, describing quantity, quality, fact, statistics, other basic units of meaning, or simply sequences of symbols that may be further interpreted. A datum is an individual value in a collection of data. Data is usually organized into structures such as tables that provide additional context and meaning, and which may themselves be used as data in larger structures. Data may be used as variables in a computational process. Data may represent abstract ideas or concrete measurements. Data is commonly used in scientific research, economics, and in virtually every other form of human organizational activity. Examples of data sets include price indices (such as consumer price index), unemployment rates, literacy rates, and census data. In this context, data represents the raw facts and figures which can be used in such a manner in order to capture the useful information out of it. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georges Duval
Georges-Louis-Jacques Labiche (26 October 1772 – 21 May 1853), better known as Georges Duval, was an early 19th-century French playwright. Biography Duval was originally expected to become a priest, but the French Revolution occurred when he was 17. Afterwards he joined a notary and began at the same time writing plays for small theaters.Gustave Vapereau, ''Dictionnaire universel des littératures'', t.1, Paris, Hachette, 1876, p. 687 From 1805 to 1835, he was employed in public service as an office manager at the Interior Ministry, which left him time to devote to playwriting under the pen name Georges Duval. Working especially for small theaters, for which he wrote 70 plays, Duval composed a large number of Comédie en vaudevilles, including many in collaboration with Armand Gouffé, Gouffé, Pierre-Ange Vieillard, Vieillard, Théophile Marion Dumersan, Dumersan, Marc-Antoine-Madeleine Désaugiers, Desaugiers, Dorvigny, Edmond Rochefort, Rochefort, Frédéric Gaëtan, marq ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madame Scarron
Madame may refer to: * Madam, civility title or form of address for women, derived from the French * Madam (prostitution), a term for a woman who is engaged in the business of procuring prostitutes, usually the manager of a brothel * ''Madame'' (1961 film), a Spanish-Italian-French film * ''Madame'' (2017 film), a French comedy-drama film * Madame (singer) (born 2002), Italian singer and rapper * Madame, puppet made famous by entertainer Wayland Flowers ** Madame's Place, a 1982 sitcom starring Madame * Madame (clothing), an Indian clothing company Places * Île Madame, French island on the Atlantic coast * Palazzo Madama, seat of the Senate of the Italian Republic in Rome * Palazzo Madama, Turin, Italian palace See also * Madam (other) Madam is a respectful title for a woman (often "Ma'am" or "Madame"). Madam may also refer to: * Madam (prostitution), a term for a woman who is engaged in the business of procuring prostitutes, usually the manager of a brothel * MADA ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théophile Marion Dumersan
Théophile Marion Dumersan (4 January 1780, Plou, Cher – 13 April 1849, Paris) was a French writer of plays, vaudevilles, poetry, novels, chanson collections, librettos, and novels, as well as a numismatist and curator attached to the Cabinet des médailles et antiques of the Bibliothèque royale. Life The family's real surname was Marion but – to distinguish himself from his brothers – Théophile's brother altered his surname to "du Mersan", after the name of one of its lands. The young Théophile had already found a taste for the theatre by 1795 by learning to read Racine and Molière. In that year, aged 16, whilst his family was distressed by the Reign of Terror, Théophile found work under Aubin-Louis Millin de Grandmaison, curator of the Cabinet des médailles et antiques de la Bibliothèque royale. With his colleague Théodore-Edme Mionnet, future member of the Académie des inscriptions et belles-lettres, he perfected a new system for classifying medals into geogra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stéphanie Félicité, Comtesse De Genlis
Caroline-Stéphanie-Félicité, Madame de Genlis (25 January 174631 December 1830) was a French writer of the late 18th and early 19th century, known for her novels and theories of children's education. She is now best remembered for her journals and the historical perspective they provide on her life and times. Life Caroline-Stéphanie-Félicité du Crest de Saint-Aubin was born on 25 April 1746 at Champcéry near Autun, in the Saône-et-Loire region. Her parents were Pierre César du Crest (1711-1763), later Marquis de Saint Aubin, and Marie Françoise Félicité Mauget de Mézières (1717-1790). Her father's debts forced them to sell their home in 1757 and move to Paris. She and her mother spent interludes at the estates of Charles Guillaume Le Normant d'Étiolles and Alexandre Le Riche de La Poupelinière, where she studied dancing from a ballet master of the Comédie-Française, singing by Ferdinando Pellegrini, and learned to play the harp. Later in Paris they survived ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles-François-Jean-Baptiste Moreau De Commagny
Charles-François-Jean-Baptiste Moreau de Commagny (Paris, 1783 – Paris, 1 July 1832) was a French playwright, librettist, poet and chansonnier. His plays, sometimes signed with different names (C.-F.-J.-B. Moreau, C.-A. Moreau, A. Moreau, Eustache Lasticot or simply M), were presented on the most important Parisian stages of his time: (Théâtre du Vaudeville, Théâtre du Palais-Royal, Gymnase dramatique, Théâtre des Variétés, etc.) Works *1801: ''Les Portraits au salon, ou le Mariage imprévu'', comédie en vaudeville in 1 act, with Michel-Nicolas Balisson de Rougemont, *1801: ''La Vaccine'', folie-vaudeville in 1 act and in prose, with Théophile Marion Dumersan *1802: ''Les Amours de la halle'', vaudeville poissard in 1 act, with Charles Henrion *1802: ''Allons en Russie'', vaudeville épisodique in 1 act, with Henrion *1803: ''Cassandre aveugle, ou le Concert d'Arlequin'', comédie-parade in 1 act, mingled with vaudevilles, with René de Chazet and Dumersan *180 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Extravaganza
An extravaganza is a literary or musical work (often musical theatre) usually containing elements of burlesque, pantomime, music hall and parody in a spectacular production and characterized by freedom of style and structure. It sometimes also has elements of cabaret, circus, revue, variety, vaudeville and mime. ''Extravaganza'' may more broadly refer to an elaborate, spectacular, and expensive theatrical production. 19th-century British dramatist, James Planché, was known for his extravaganzas. Planché defined the genre as "the whimsical treatment of a poetical subject."Planché. ''The recollections and reflections of J.R. Planché (Somerset herald): a professional biography'' (1872), Vol. II, p. 43 The term is derived from the Italian word ''stravaganza'', meaning extravagance. See also *Spectacle *Victorian burlesque Victorian burlesque, sometimes known as travesty or extravaganza, is a genre of theatrical entertainment that was popular in Victorian era, Victorian Eng ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melodrama
A modern melodrama is a dramatic work in which the plot, typically sensationalized and for a strong emotional appeal, takes precedence over detailed characterization. Melodramas typically concentrate on dialogue that is often bombastic or excessively sentimental, rather than action. Characters are often flat, and written to fulfill stereotypes. Melodramas are typically set in the private sphere of the home, focusing on morality and family issues, love, and marriage, often with challenges from an outside source, such as a "temptress", a scoundrel, or an aristocratic villain. A melodrama on stage, filmed, or on television is usually accompanied by dramatic and suggestive music that offers cues to the audience of the drama being presented. In scholarly and historical musical contexts, ''melodramas'' are Victorian dramas in which orchestral music or song was used to accompany the action. The term is now also applied to stage performances without incidental music, novels, films, tel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dumaniant
Antoine-Jean Bourlin, better known as Dumaniant, (11 April 1752 – 26 September 1828) was a French comedian, playwright and goguettier. First a lawyer, he was a comedian in Paris until 1798, then patented entrepreneur of shows in the province. In 1802, he was a member of the Parisian goguette ''Déjeuners des Garçons de bonne humeur''The first volume published by the goguette ''Déjeuners des Garçons de bonne humeur'' opens with a nominative list of the 14 members, that is 11 chansonniers, including him: Dumaniant, Désaugiers, Étienne, Francis, Gosse, Ligier, Martainville, Morel, Serviere, Sewrin, and 3 musicians: Plantade, Persuis and Piccini fils. See the original of the list omembers of the ''Déjeuners de bonne humeur'' Works ;Theatre * ''Le Médecin malgré tout le monde'', three-act comedy, in prose, Paris, Théâtre du Palais-Royal, 20 February 1786 * ''Le Dragon de Thionville'', historical fact in 1 act and in prose, Théâtre du Palais-Royal, 26 July 1786 * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
