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Josef Wolfsthal
Josef Wolfsthal (12 June 1899 – 3 February 1931), born as Josef Wolfthal, was an Austrian violinist and a professor in Germany's capital Berlin. He was born into a musical family in Vienna. It was of Galician origin. His father and his older brother Max (born 1896) both played the violin. His father was an excellent violin teacher, and gave his sons their first lessons on that instrument. He also taught Sigmund Feuermann (1900–1952). From the age of 10, Wolfsthal studied for six years with famed Hungarian violin teacher Carl Flesch, and at age 16 started to perform in public. His debut was on 7 April 1916 with Berliner Philharmoniker conducted by Camillo Hildebrand (1876–1953). There he performed the '' Concerto for 2 Violins in D minor, BWV 1043'' by Johann Sebastian Bach with his teacher Carl Flesch, who then encouraged him to gain some experience as an orchestral player to make him a more disciplined ensemble player. In that capacity, he played in the first performance ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Josef Wolfsthal Um 1924 , a Japanese manufacturer of musical instruments
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Josef may refer to *Josef (given name) *Josef (surname) * ''Josef'' (film), a 2011 Croatian war film *Musik Josef Musik Josef is a Japanese manufacturer of musical instruments. It was founded by Yukio Nakamura, and is the only company in Japan specializing in producing oboe The oboe ( ) is a type of double reed woodwind instrument. Oboes are usually ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Berlin State Opera
The (), also known as the Berlin State Opera (german: Staatsoper Berlin), is a listed building on Unter den Linden boulevard in the historic center of Berlin, Germany. The opera house was built by order of Prussian king Frederick the Great from 1741 to 1743 according to plans by Georg Wenzeslaus von Knobelsdorff in the Palladian style. Damaged during the Allied bombing in World War II, the former Royal Prussian Opera House was rebuilt from 1951 to 1955 as part of the Forum Fridericianum square. Nicknamed ''Lindenoper'' in Berlin, it is "the first theater anywhere to be, by itself, a prominent, freestanding monumental building in a city." History Names Originally called the ''Königliche Oper'' (Royal Opera) from 1743, it was renamed as the ''Preußische Staatsoper'' (Prussian State Opera) in 1919, then as the ''Deutsche Staatsoper '' in 1955. Until 1990, it housed the state opera of East Germany. Since 1990, it is officially called the ''Staatsoper Unter den Linden'' (State Ope ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gregor Piatigorsky
Gregor Piatigorsky (, ''Grigoriy Pavlovich Pyatigorskiy''; August 6, 1976) was a Russian Empire-born American cellist. Biography Early life Gregor Piatigorsky was born in Ekaterinoslav (now Dnipro, Ukraine) into a Jewish family. As a child, he was taught violin and piano by his father. After seeing and hearing the cello, he was determined to become a cellist and was given his first cello when he was seven. Piatigorsky won a scholarship to the Moscow Conservatory, studying with Alfred von Glehn, Anatoliy Brandukov, and a certain Gubariov. At the same time, he was earning money for his family by playing in local cafés. Piatigorsky was 13 when the Russian Revolution took place. Shortly afterwards, he started playing in the Lenin Quartet. At 15, he was hired as the principal cellist for the Bolshoi Theater. The Soviet authorities, specifically Anatoly Lunacharsky, would not allow Piatigorsky to travel abroad to further his studies, so he smuggled himself and his cello into ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leonid Kreutzer
Leonid Kreutzer (13 March 1884 in St. Petersburg – 30 October 1953 in Tokyo) was a classical pianist. Life and career Kreutzer was born in St. Petersburg into a Jewish family. He studied composition under Alexander Glazunov and piano under Anna Yesipova. He was a highly influential piano teacher at the Berlin Academy of Music (Berliner Hochschule für Musik), together with Egon Petri. Amongst Kreutzer's students were Władysław Szpilman, Hans-Erich Riebensahm, Vladimir Horbowski, Karl-Ulrich Schnabel, Franz Osborn, Boris Berlin, Ignace Strasfogel, Franz Reizenstein and Grete Sultan. Leonid Kreutzer also gave musically and technically demanding solo recitals, mostly dedicated to specific composers or themes. At some of these, notably in June 1925, he performed works of contemporaries or modern, avant-garde composers of his time or of the recent past such as César Franck, Claude Debussy, Paul Hindemith and Paul Juon. The Nazis targeted him prominently as a cultural enemy: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kammermusik (Hindemith)
(''Chamber Music'') is the title for eight chamber music compositions by Paul Hindemith. He wrote them, each in several movements, during the 1920s. They are grouped in three opus numbers: Op. 24, Op. 36 and Op. 46. Six of these works, ''Kammermusik'' Nos. 2–7, are not what is normally considered chamber music – music for a few players with equally important parts such as a wind quintet – but rather concertos for a soloist and chamber orchestra. They are concertos for piano, cello, violin, viola, viola d'amore and organ. The works, for different ensembles, were premiered at different locations and times. The composer was the soloist in the premiere of the viola concertos, while his brother Rudolf Hindemith was the soloist in the premiere of the cello concerto. is reminiscent of Bach's '' Brandenburg Concertos'', also concertos for different solo and orchestra instruments, and in a neo-Bachian spirit of structure, polyphony and stability of motion. Background ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Otto Klemperer
Otto Nossan Klemperer (14 May 18856 July 1973) was a 20th-century conductor and composer, originally based in Germany, and then the US, Hungary and finally Britain. His early career was in opera houses, but he was later better known as a concert-hall conductor. A protégé of the composer Gustav Mahler, Klemperer was appointed to a succession of increasingly senior conductorships in opera houses in and around Germany. From 1929 to 1931 he was director of the Kroll Opera in Berlin, where he presented new works and avant-garde productions of classics. The rise of the Nazis caused him to leave Germany in 1933, and shortly afterwards he was appointed chief conductor of the Los Angeles Philharmonic, and guest-conducted other American orchestras, including the San Francisco Symphony, the New York Philharmonic and later the Pittsburgh Symphony, which he reorganised as a permanent ensemble. In the late 1930s Klemperer became ill with a brain tumour. An operation to remove it was succe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kroll Opera House
The Kroll Opera House (german: Krolloper, Kroll-Oper) in Berlin, Germany, was in the Tiergarten district on the western edge of the '' Königsplatz'' square (today ''Platz der Republik''), facing the Reichstag building. It was built in 1844 as an entertainment venue for the restaurant owner Joseph Kroll, and redeveloped as an opera house in 1851. It also served as the assembly hall of the Reichstag from 1933 to 1942. Severely damaged by the bombing of Berlin in World War II and the Battle of Berlin, it was demolished in 1951. History 1842–1848: Early years The Kroll story began in the Silesian capital Breslau, where the entrepreneur Joseph Kroll (1797–1848) had opened the "Kroll Winter Garden" in 1837. The Breslau authorities chose this reputable establishment to entertain the new Prussian King Frederick William IV when he visited the city in 1841. The King was impressed by the splendid, flower-decorated rooms and suggested that something similar should be initiated in B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Hindemith
Paul Hindemith (; 16 November 189528 December 1963) was a German composer, music theorist, teacher, violist and conductor. He founded the Amar Quartet in 1921, touring extensively in Europe. As a composer, he became a major advocate of the ''Neue Sachlichkeit'' (new objectivity) style of music in the 1920s, with compositions such as '' Kammermusik'', including works with viola and viola d'amore as solo instruments in a neo-Bachian spirit. Other notable compositions include his song cycle ''Das Marienleben'' (1923), ''Der Schwanendreher'' for viola and orchestra (1935), the opera ''Mathis der Maler'' (1938), the '' Symphonic Metamorphosis of Themes by Carl Maria von Weber'' (1943), and the oratorio ''When Lilacs Last in the Dooryard Bloom'd'', a requiem based on Walt Whitman's poem (1946). Life and career Hindemith was born in Hanau, near Frankfurt, the eldest child of the painter and decorator Robert Hindemith from Lower Silesia and his wife Marie Hindemith, née Warnecke. H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emmanuel Feuermann
Emanuel Feuermann (November 22, 1902 – May 25, 1942) was an internationally celebrated cellist in the first half of the 20th century. Life Feuermann was born in 1902 in Kolomyja, Galicia, Austro-Hungarian Empire (now Kolomyia, Ukraine) to Jewish parents. Both of his parents were amateur musicians. His father, who played the violin and cello, was his first teacher. His older brother Sigmund was also musically talented, and their little sister, Sophie (born January 1908) was the piano prodigy in the family. Their father decided to move the family to Vienna in 1907 for Sigmund to start his professional career there. At the age of nine, Emanuel received lessons from Friedrich Buxbaum, principal cello of the Vienna Philharmonic, and then studied with Anton Walter at the University of Music and Performing Arts Vienna. In February 1914, the eleven-year-old prodigy made his concert debut, playing Joseph Haydn's Cello Concerto in D major with the Vienna Philharmonic under Felix W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
String Trio
A string trio is a group of three string instruments or a piece written for such a group. From at least the 19th century on, the term "string trio" with otherwise unspecified instrumentation normally refers to the combination violin, viola and cello. The classical string trio emerged during the mid-18th century and later expanded into four subgenres: the grand trio, the concertant trio, the brilliant trio, and the Hausmusik trio. Early History The earliest string trio, found during the mid 18th century, consisted of two violins and a cello, a grouping which had grown out of the Baroque trio sonata. Over the course of the late 18th century, the string trio scored for violin, viola, and cello came to be the predominant type.Tilmouth, Michael (2001). “String trio”. ''Grove Music Online.'' Oxford University Press, 2001. String trios scored for two violins and viola were also used, although much less frequently.Brook, Barry S. (1983). “Haydn's String Trios: A Misunderstood Genre. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karl Weigl
Karl Ignaz Weigl (6 February 1881 – 11 August 1949) was a Jewish Austrian composer and pianist, who later became a naturalized American citizen in 1943. Biography Weigl was born in Vienna, Austria, the son of a bank official who was also a keen amateur musician. Alexander Zemlinsky took him as a private pupil in 1896. Weigl went to school at the Franz-Joseph-Gymnasium and graduated from there in 1899. After that, he continued his studies at the Vienna Music Academy, where he became a composition pupil of Robert Fuchs, and also enrolled at the University of Vienna, studying musicology under Guido Adler, with Anton Webern as his classmate. At the Vienna Hofoper between 1904 and 1906 he served as a rehearsal conductor for Gustav Mahler. In 1930 he was appointed professor of theory and composition at the University of Vienna, where he succeeded Hans Gal and taught composer Mimi Wagensonner. When the Nazis occupied Austria in 1938, Weigl's music could no longer be perform ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maria Lidka
Maria Lidka (27 May 1914–12 December 2013) was a German-born classical violinist. She was born Marianne Louise Liedtke in Berlin into a highly cultured Jewish family. Her father was an appellate court lawyer, a role he lost in April 1933 with the rise of the Nazis. She was a student of Josef Wolfsthal and Max Rostal. She fled to London in 1934 and taught German and violin lessons, as well as performing with the pianist Peter Gellhorn and her housemate, cellist Eva Heinitz. In 1939, she played at London's Wigmore Hall. In 1941, she joined the Czech Trio alongside Walter Susskind and Karel Horitz. To sound Czech, she changed her name to Maria Lidka. After the war, she performed work by a number of contemporary British composers including Franz Reizenstein, Michael Tippett, Richard Rodney Bennett and Peter Racine Fricker, as well as working with Benjamin Britten and performing with the Reizenstein Trio and the London String Trio. She also appeared on BBC radio on the Third Program ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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