Josef Schildkraut
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Josef Schildkraut
Joseph Schildkraut (22 March 1896 – 21 January 1964) was an Austrian-American actor. He won an Oscar for his performance as Captain Alfred Dreyfus in the film '' The Life of Emile Zola'' (1937); later, he was nominated for a Golden Globe for his performance as Otto Frank in the film ''The Diary of Anne Frank'' (1959) and a Primetime Emmy for his performance as Rabbi Gottlieb in a 1962 episode of the television series '' Sam Benedict''. Early life Schildkraut was born in Vienna, Austria, the son of Erna (née Weinstein) and stage (and later motion picture) actor Rudolph Schildkraut. His family was Jewish. In 1910, he accompanied his father on his tour to the U.S. and returned to Europe in 1913. He began stage training with Max Reinhardt in Berlin shortly afterward, began his career on the stages of Germany and Austria, then made the transition to film. Schildkraut moved to the U.S. in 1920 and appeared in many Broadway productions. Among the plays in which he starred ...
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Vienna
en, Viennese , iso_code = AT-9 , registration_plate = W , postal_code_type = Postal code , postal_code = , timezone = CET , utc_offset = +1 , timezone_DST = CEST , utc_offset_DST = +2 , blank_name = Vehicle registration , blank_info = W , blank1_name = GDP , blank1_info = € 96.5 billion (2020) , blank2_name = GDP per capita , blank2_info = € 50,400 (2020) , blank_name_sec1 = HDI (2019) , blank_info_sec1 = 0.947 · 1st of 9 , blank3_name = Seats in the Federal Council , blank3_info = , blank_name_sec2 = GeoTLD , blank_info_sec2 = .wien , website = , footnotes = , image_blank_emblem = Wien logo.svg , blank_emblem_size = Vienna ( ; german: Wien ; ba ...
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Ferenc Molnár
Ferenc Molnár ( , ; born Ferenc Neumann; 12 January 18781 April 1952), often anglicized as Franz Molnar, was a Hungarian-born author, stage-director, dramatist, and poet, widely regarded as Hungary’s most celebrated and controversial playwright. His primary aim through his writing was to entertain by transforming his personal experiences into literary works of art. He was never connected to any one literary movement but he did utilize the precepts of naturalism, Neo-Romanticism, Expressionism, and the Freudian psychoanalytical concepts, but only as long as they suited his desires. “By fusing the realistic narrative and stage tradition of Hungary with Western influences into a cosmopolitan amalgam, Molnár emerged as a versatile artist whose style was uniquely his own.” As a novelist, Molnár may best be remembered for ''The Paul Street Boys'', the story of two rival gangs of youths in Budapest. It has been translated into fourteen languages and adapted for the stage ...
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Marie Antoinette (1938 Film)
''Marie Antoinette'' is a 1938 American historical drama film produced by Metro-Goldwyn-Mayer. It was directed by W. S. Van Dyke and starred Norma Shearer as Marie Antoinette. Based upon the 1932 biography of the ill-fated Queen of France by the Austrian writer Stefan Zweig, it had its Los Angeles premiere at the legendary Carthay Circle Theatre, where the landscaping was specially decorated for the event. The film was the last project of Irving Thalberg who died in 1936 while it was in the planning stage. His widow, Norma Shearer, remained committed to the project even while her enthusiasm for her film career in general was waning following his death. With a budget over two million dollars, it was one of the more expensive films of the 1930s, but also one of the bigger successes. Plot In 1769 Vienna, Empress Maria Theresa of Austria tells her daughter Maria Antonia she is to marry the Dauphin Louis-Auguste. Marie is excited to become the future Queen of France but grows di ...
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Show Boat
''Show Boat'' is a musical with music by Jerome Kern and book and lyrics by Oscar Hammerstein II. It is based on Edna Ferber's best-selling 1926 novel of the same name. The musical follows the lives of the performers, stagehands and dock workers on the ''Cotton Blossom'', a Mississippi River show boat, over 40 years from 1887 to 1927. Its themes include racial prejudice and tragic, enduring love. The musical contributed such classic songs as "Ol' Man River", " Make Believe", and " Can't Help Lovin' Dat Man". The musical was first produced in 1927 by Florenz Ziegfeld. The premiere of ''Show Boat'' on Broadway was an important event in the history of American musical theatre. It "was a radical departure in musical storytelling, marrying spectacle with seriousness", compared with the trivial and unrealistic operettas, light musical comedies and "Follies"-type musical revues that defined Broadway in the 1890s and early 20th century. According to ''The Complete Book of Light Opera ...
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Show Boat (1929 Film)
''Show Boat'' is a 1929 American romantic drama film based on the 1926 novel ''Show Boat (novel), Show Boat'' by Edna Ferber. The film initially did not use the Show Boat, 1927 stage musical of the same name as a source, but scenes were later added into the film incorporating two of the songs from the musical as well as other songs. This version was released by Universal Studios, Universal in two editions, one a silent film for movie theatres still not equipped for sound, and one a part-talkie with a sound prologue. The film was long believed to be lost, but most of it has been found and released on LaserDisc and shown on Turner Classic Movies. A number of sections of the soundtrack were found in the mid-1990s on Vitaphone records, although the film was made with a Movietone sound system, Movietone soundtrack. Two more records were discovered in 2005. Plot The eighteen-year-old Magnolia meets, falls in love with, and elopes with riverboat gambler Gaylord Ravenal. After her ...
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Gaylord Ravenal
Gaylord Ravenal is the leading male character in Edna Ferber's 1926 novel ''Show Boat'', in the famous Jerome Kern-Oscar Hammerstein II 1927 musical play of the same name based on the novel, and in the films made from it. He is a handsome, compulsive riverboat gambler, and he becomes leading man of the show boat ''Cotton Blossom'' at the same time that Magnolia Hawks, the captain's daughter, becomes the leading lady. In the novel, this happens after several of the company's leading men and ladies have left, including the illegally married mulatto Julie Dozier (to whom Magnolia was especially close) and her white husband Steve Baker. In the musical, Magnolia and Ravenal become the leading players on the boat immediately after Julie and Steve are forced to leave the show, not years later. In the musical, Magnolia and Ravenal meet in the first scene of the show, and before Julie and Steve ever leave (this was done by Kern and Hammerstein in order to bring Ravenal into the story much ...
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Judas Iscariot
Judas Iscariot (; grc-x-biblical, Ἰούδας Ἰσκαριώτης; syc, ܝܗܘܕܐ ܣܟܪܝܘܛܐ; died AD) was a disciple and one of the original Twelve Apostles of Jesus Christ. According to all four canonical gospels, Judas betrayed Jesus to the Sanhedrin in the Garden of Gethsemane by kissing him on the cheek and addressing him as "master" to reveal his identity in the darkness to the crowd who had come to arrest him. His name is often used synonymously with betrayal or treason. The Gospel of Mark gives no motive for Judas's betrayal, but does present Jesus predicting it at the Last Supper, an event also described in all the other gospels. The Gospel of Matthew states that Judas committed the betrayal in exchange for thirty pieces of silver. The Gospel of Luke and the Gospel of John suggest that he was possessed by Satan. According to , after learning that Jesus was to be crucified, Judas attempted to return the money he had been paid for his betrayal to th ...
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The King Of Kings (1927 Film)
''The King of Kings'' is a 1927 American silent epic film produced and directed by Cecil B. DeMille. It depicts the last weeks of Jesus before his crucifixion and stars H. B. Warner in the lead role. Featuring the opening and resurrection scenes in two-color Technicolor, the film is the second in DeMille's Biblical trilogy, preceded by ''The Ten Commandments'' (1923) and followed by '' The Sign of the Cross'' (1932). Plot Mary Magdalene is portrayed as a wild courtesan, entertaining many men around her. Upon learning that Judas is with a carpenter she rides out on her chariot drawn by zebras to get him back. Peter is introduced as the Giant apostle, and we see the future gospel writer Mark as a child who is healed by Jesus. Mary, the mother of Jesus, is shown as a beautiful and saintly woman who is a mother to all her son's followers. The first sight of Jesus is through the eyesight of a little girl, whom he heals. He is surrounded by a halo. Mary Magdelene arrives afterwards ...
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Cecil B
Cecil may refer to: People with the name * Cecil (given name), a given name (including a list of people and fictional characters with the name) * Cecil (surname), a surname (including a list of people with the name) Places Canada *Cecil, Alberta, Canada United States *Cecil, Alabama *Cecil, Georgia * Cecil, Ohio *Cecil, Oregon *Cecil, Pennsylvania *Cecil, West Virginia *Cecil, Wisconsin *Cecil Airport, in Jacksonville, Florida *Cecil County, Maryland Computing and technology *Cecil (programming language), prototype-based programming language *Computer Supported Learning, a learning management system by the University of Auckland, New Zealand Music *Cecil (British band), a band from Liverpool, active 1993-2000 *Cecil (Japanese band), a band from Kajigaya, Japan, active 2000-2006 Other uses *Cecil (lion), a famed lion killed in Zimbabwe in 2015 * Cecil (''Passions''), a minor character from the NBC soap opera ''Passions'' *Cecil (soil), the dominant red clay soil in the American ...
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Lillian Gish
Lillian Diana Gish (October 14, 1893February 27, 1993) was an American actress, director, and screenwriter. Her film-acting career spanned 75 years, from 1912, in silent film shorts, to 1987. Gish was called the "First Lady of American Cinema", and is credited with pioneering fundamental film performance techniques. In 1999, the American Film Institute ranked Gish as the 17th greatest female movie star of classic Hollywood cinema. Gish was a prominent film star from 1912 into the 1920s, being particularly associated with the films of director D. W. Griffith. This included her leading role in the highest-grossing film of the silent era, Griffith's ''The Birth of a Nation'' (1915). Her other major films and performances from the silent era are: ''Intolerance'' (1916), '' Broken Blossoms'' (1919), ''Way Down East'' (1920), ''Orphans of the Storm'' (1921), ''La Bohème'' (1926), and '' The Wind'' (1928). At the dawn of the sound era, she returned to the stage and appeared in film ...
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Orphans Of The Storm
''Orphans of the Storm'' is a 1921 American silent drama film by D. W. Griffith set in late-18th-century France, before and during the French Revolution. The last Griffith film to feature both Lillian and Dorothy Gish, it was a commercial failure, following box-office hits such as ''The Birth of a Nation'' and '' Broken Blossoms''. Like his earlier films, Griffith used historical events to comment on contemporary events, in this case the French Revolution to warn about the rise of Bolshevism. The film is about class conflict and a plea for inter-class understanding and against destructive hatred. At one point, in front of the Committee of Public Safety, a main character pleads, "Yes I am an aristocrat, but a friend of the people." The film is based on the 1874 French play ''Les Deux Orphelines'' by Adolphe d'Ennery and Eugène Cormon. Plot Just before the French Revolution, Henriette takes her close adopted sister Louise to Paris in the hope of finding a cure for her blind ...
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Silent Movies
A silent film is a film with no synchronized recorded sound (or more generally, no audible dialogue). Though silent films convey narrative and emotion visually, various plot elements (such as a setting or era) or key lines of dialogue may, when necessary, be conveyed by the use of title cards. The term "silent film" is something of a misnomer, as these films were almost always accompanied by live sounds. During the silent era that existed from the mid-1890s to the late 1920s, a pianist, theater organist—or even, in large cities, a small orchestra—would often play music to accompany the films. Pianists and organists would play either from sheet music, or improvisation. Sometimes a person would even narrate the inter-title cards for the audience. Though at the time the technology to synchronize sound with the film did not exist, music was seen as an essential part of the viewing experience. "Silent film" is typically used as a historical term to describe an era of cinema pri ...
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