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Johnston Sans
Johnston (or Johnston Sans) is a sans-serif typeface designed by and named after Edward Johnston. The typeface was commissioned in 1913 by Frank Pick, commercial manager of the Underground Electric Railways Company of London (also known as 'The Underground Group'), as part of his plan to strengthen the company's corporate identity. Johnston was originally created for printing (with a planned height of 1 inch or 2.5 cm), but it rapidly became used for the enamel station signs of the Underground system as well. It has been the corporate font of public transport in London since the foundation of the London Passenger Transport Board in 1933, and of predecessor companies since its introduction in 1916, making its use one of the world's longest-lasting examples of corporate branding. It was a copyrighted property of the LPTB's successor, Transport for London, until Public Domain Day 2015 (Johnston died in 1944). Johnston's work originated the genre of the humanist sans-se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sans-serif
In typography and lettering, a sans-serif, sans serif, gothic, or simply sans letterform is one that does not have extending features called "serifs" at the end of strokes. Sans-serif typefaces tend to have less stroke width variation than serif typefaces. They are often used to convey simplicity and modernity or minimalism. Sans-serif typefaces have become the most prevalent for display of text on computer screens. On lower-resolution digital displays, fine details like serifs may disappear or appear too large. The term comes from the French word , meaning "without" and "serif" of uncertain origin, possibly from the Dutch word meaning "line" or pen-stroke. In printed media, they are more commonly used for display use and less for body text. Before the term "sans-serif" became common in English typography, a number of other terms had been used. One of these outmoded terms for sans-serif was gothic, which is still used in East Asian typography and sometimes seen in typeface na ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trajan (2959610060)
Trajan ( ; la, Caesar Nerva Traianus; 18 September 539/11 August 117) was Roman emperor from 98 to 117. Officially declared ''optimus princeps'' ("best ruler") by the senate, Trajan is remembered as a successful soldier-emperor who presided over one of the greatest military expansions in Roman history and led the empire to attain its greatest territorial extent by the time of his death. He is also known for his philanthropic rule, overseeing extensive public building programs and implementing social welfare policies, which earned him his enduring reputation as the second of the Five Good Emperors who presided over an era of peace within the Empire and prosperity in the Mediterranean world. Trajan was born in Italica, close to modern Seville in present-day Spain, a small Roman ''municipium'' founded by Italic settlers in the province of Hispania Baetica. He came from a branch of the gens Ulpia, the ''Ulpi Traiani'', that originated in the Umbrian town of Tuder. His fat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apostrophe
The apostrophe ( or ) is a punctuation mark, and sometimes a diacritical mark, in languages that use the Latin alphabet and some other alphabets. In English, the apostrophe is used for two basic purposes: * The marking of the omission of one or more letters, e.g. the contraction of "do not" to "don't". * The marking of possessive case of nouns (as in "the eagle's feathers", "in one month's time", "at your parents' ome). The word "apostrophe" comes ultimately from Greek (, ' he accent ofturning away or elision'), through Latin and French. For use in computer systems, Unicode has code points for three different forms of apostrophe. Usage in English Historical development The apostrophe was first used by Pietro Bembo in his edition of '' De Aetna'' (1496). It was introduced into English in the 16th century in imitation of French practice. French practice Introduced by Geoffroy Tory (1529), the apostrophe was used in place of a vowel letter to indicate elision (as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Comma (punctuation)
The comma is a punctuation mark that appears in several variants in different languages. It has the same shape as an apostrophe or single closing quotation mark () in many typefaces, but it differs from them in being placed on the baseline of the text. Some typefaces render it as a small line, slightly curved or straight, but inclined from the vertical. Other fonts give it the appearance of a miniature filled-in figure on the baseline. The comma is used in many contexts and languages, mainly to separate parts of a sentence such as clauses, and items in lists mainly when there are three or more items listed. The word ''comma'' comes from the Greek (), which originally meant a cut-off piece, specifically in grammar, a short clause. A comma-shaped mark is used as a diacritic in several writing systems and is considered distinct from the cedilla. In Byzantine and modern copies of Ancient Greek, the " rough" and "smooth breathings" () appear above the letter. In Latvian, R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Full Stop
The full stop (Commonwealth English), period (North American English), or full point , is a punctuation mark. It is used for several purposes, most often to mark the end of a declarative sentence (as distinguished from a question or exclamation). This sentence-ending use, alone, defines the strictest sense of ''full stop''. Although ''full stop'' technically applies only when the mark is used to end a sentence, the distinction – drawn since at least 1897 – is not maintained by all modern style guides and dictionaries. The mark is also used, singly, to indicate omitted characters or, in a series, as an ellipsis (), to indicate omitted words. It may be placed after an initial letter used to stand for a name or after each individual letter in an initialism or acronym (e.g., "U.S.A."). However, the use of full stops after letters in an initialism or acronym is declining, and many of these without punctuation have become accepted norms (e.g., "UK" and "NATO"). This trend has pro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tittle
A tittle or superscript dot is a small distinguishing mark, such as a diacritic in the form of a dot on a letter (for example, lowercase ''i'' or ''j''). The tittle is an integral part of the glyph of ''i'' and ''j'', but diacritic dots can appear over other letters in various languages. In most languages, the tittle of '' i'' or '' j'' is omitted when a diacritic is placed in the tittle's usual position (as í or ĵ), but not when the diacritic appears elsewhere (as į, ɉ). Use The word ''tittle'' is rarely used. One notable occurrence is in the King James Bible at Matthew 5:18: "For verily I say unto you, Till heaven and earth pass, one jot or one tittle shall in no wise pass from the law, till all be fulfilled" (KJV). The quotation uses "jot and tittle" as examples of extremely small graphic details in "the Law," presumably referring to the Hebrew text of the Torah. In English the phrase "jot and tittle" indicates that every small detail has received attention. The G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lower Case
Letter case is the distinction between the letters that are in larger uppercase or capitals (or more formally ''majuscule'') and smaller lowercase (or more formally ''minuscule'') in the written representation of certain languages. The writing systems that distinguish between the upper and lowercase have two parallel sets of letters, with each letter in one set usually having an equivalent in the other set. The two case variants are alternative representations of the same letter: they have the same name and pronunciation and are treated identically when sorting in alphabetical order. Letter case is generally applied in a mixed-case fashion, with both upper and lowercase letters appearing in a given piece of text for legibility. The choice of case is often prescribed by the grammar of a language or by the conventions of a particular discipline. In orthography, the uppercase is primarily reserved for special purposes, such as the first letter of a Sentence (linguistics), sentence ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Didone (typography)
Didone () is a genre of serif typeface that emerged in the late 18th century and was the standard style of general-purpose printing during the nineteenth. It is characterized by: * Narrow and unbracketed (hairline) serifs. (The serifs have a nearly constant width along their length.) * Vertical orientation of weight axes. (The vertical strokes of letters are thick.) * Strong contrast between thick and thin lines. (Horizontal parts of letters are thin in comparison to the vertical parts.) * Some stroke endings show ball terminals. (Many lines end in a teardrop or circle shape, rather than a plain wedge-shaped serif.) * An unornamented, "modern" appearance. The term "Didone" is a 1954 coinage, part of the Vox-ATypI classification system. It amalgamates the surnames of the famous typefounders Firmin Didot and Giambattista Bodoni, whose efforts defined the style around the beginning of the nineteenth century. The category was known in the period of its greatest popularity as modern o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grotesque (typeface)
In typography and lettering, a sans-serif, sans serif, gothic, or simply sans letterform is one that does not have extending features called "serifs" at the end of strokes. Sans-serif typefaces tend to have less stroke width variation than serif typefaces. They are often used to convey simplicity and modernity or minimalism. Sans-serif typefaces have become the most prevalent for display of text on computer screens. On lower-resolution digital displays, fine details like serifs may disappear or appear too large. The term comes from the French word , meaning "without" and "serif" of uncertain origin, possibly from the Dutch word meaning "line" or pen-stroke. In printed media, they are more commonly used for display use and less for body text. Before the term "sans-serif" became common in English typography, a number of other terms had been used. One of these outmoded terms for sans-serif was gothic, which is still used in East Asian typography and sometimes seen in typeface na ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Caslon
William Caslon I (1692/1693 – 23 January 1766), also known as William Caslon the Elder,Oxford Dictionary of National Biography was an English typefounder. The distinction and legibility of his type secured him the patronage of the leading printers of the day in England and on the continent. His typefaces transformed English type design and first established an English national typographic style. Luna, 2013, p. 515-516 Life Caslon was born in Cradley, Worcestershire in 1692 or 1693 and trained as an engraver in nearby Birmingham. In 1716, he started business in London as an engraver of gun locks and barrels and as a bookbinder's tool cutter. Having contact with printers, he was induced to fit up a type foundry, largely through the encouragement of William Bowyer. He died on 23 January 1766, and was buried in the churchyard of St Luke Old Street, London, where the family tomb is preserved (bearing his name and others). Typefaces Though his name would come to be identifie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caslon
Caslon is the name given to serif typefaces designed by William Caslon I (c. 1692–1766) in London, or inspired by his work. Caslon worked as an engraver of punches, the masters used to stamp the moulds or matrices used to cast metal type. He worked in the tradition of what is now called old-style serif letter design, that produced letters with a relatively organic structure resembling handwriting with a pen. Caslon established a tradition of engraving type in London, which previously had not been common, and was influenced by the imported Dutch Baroque typefaces that were popular in England at the time. His typefaces established a strong reputation for their quality and their attractive appearance, suitable for extended passages of text. The letterforms of Caslon's roman, or upright type include an "A" with a concave hollow at top left and a "G" without a downwards-pointing spur at bottom right. The sides of the "M" are straight. The "W" has three terminals at the top ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Justin Howes
Justin Howes (1963–2005) was a British historian of printing and lettering. Howes was a curator of the Type Museum of London and wrote on the work of Edward Johnston and William Caslon; his book ''Johnston's Underground Type'' on the Johnston lettering commissioned and used by London Underground The London Underground (also known simply as the Underground or by its nickname the Tube) is a rapid transit system serving Greater London and some parts of the adjacent ceremonial counties of England, counties of Buckinghamshire, Essex and He ... and its predecessors remains the standard work on the topic. He also worked as a book and font designer and was working on a PhD at the time of his death. The St Bride Foundation holds the annual Justin Howes Memorial Lecture at which scholars and practitioners of typography are invited to present a talk. References External links Tyndale Society obituaryMicrosoft Typography linkson Howes' work English historians English art h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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