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John Simon (engraver)
Jean Simon, anglicized as John Simon (also spelled Simons; c. 1675–1751) was an English mezzotint engraver and print publisher of French Huguenot birth, particularly known for his portraits. Notably associated with the German-born portrait painter Godfrey Kneller, Simon had an active career that spanned at least three and a half decades, and was regarded as one of the mezzotint medium's most prolific masters of his generation, along with the older contemporaneous engraver John Smith. Life Born Jean Simon c. 1675 in Normandy, he was said to belong to a Huguenot artist family that was connected to the protestant church at Charenton-le-Pont near Paris. In Paris, he studied line engraving. Early in the 18th century, Simon moved to London and began working in mezzotint, quickly adapting to the market demands; his earliest known prints were published from Cross Lane, Long Acre, during the middle years of Queen Anne's reign. In c. 1708–1709, Simon gained the attention of Godfrey Kn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Normandy
Normandy (; french: link=no, Normandie ; nrf, Normaundie, Nouormandie ; from Old French , plural of ''Normant'', originally from the word for "northman" in several Scandinavian languages) is a geographical and cultural region in Northwestern Europe, roughly coextensive with the historical Duchy of Normandy. Normandy comprises mainland Normandy (a part of France) and the Channel Islands (mostly the British Crown Dependencies). It covers . Its population is 3,499,280. The inhabitants of Normandy are known as Normans, and the region is the historic homeland of the Norman language. Large settlements include Rouen, Caen, Le Havre and Cherbourg. The cultural region of Normandy is roughly similar to the historical Duchy of Normandy, which includes small areas now part of the departments of Mayenne and Sarthe. The Channel Islands (French: ''Îles Anglo-Normandes'') are also historically part of Normandy; they cover and comprise two bailiwicks: Guernsey and Jersey, which are B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Line Engraving
Line engraving is a term for engraved images printed on paper to be used as prints or illustrations. The term is mainly used in connection with 18th- or 19th-century commercial illustrations for magazines and books or reproductions of paintings. It is not a technical term in printmaking, and can cover a variety of techniques, giving similar results. Steel engraving is an overlapping term, for images that in fact are often mainly in etching, mostly used for banknotes, illustrations for books, magazines and decorative prints, often reproductive, from about 1820 to the early 20th century, when the technique became less used. ''Copperplate engraving'' is another somewhat outdated term for engravings. With photography long established, engravings made today are nearly all artistic ones in printmaking, but the technique is not as common as it used to be; more than other printmaking techniques, engraving requires great skill and much practice, even for an experienced artist. Technique ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward Cooper (publisher)
Edward Cooper (–1725) was an English print seller, regarded as the most distinguished print publisher of his generation and a leading figure in the art world. Life and career Nothing is known of Cooper's early life; the earliest secure mention of him as publisher is an advertisement for an anonymous portrait of Thomas Thynne, published in the ''True Protestant Mercury'' on 21 February 1682. He first began to challenge the painter and publisher Alexander Browne's command on the mezzotint publishing business in 1684, and in 1686 he obtained a royal privilege protecting his plates against copies for a term of fourteen years. By this time, Cooper was already employing the mezzotint engraver John Smith and cultivating works by leading portrait painters, notably Willem Wissing, Frederick Kerseboom, Godfrey Kneller, and, soon after, Michael Dahl. He also published contemporary landscapes, still lifes, and genre subjects by Robert Robinson, Bernard Lens II, and Jan van der Vaart ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rose And Crown Club
The Rose and Crown Club was a club for artists, collectors and connoisseurs of art in early 18th-century London, England. History The Rose and Crown Club "for Eminent Artificers of this Nation" was formed by 1704, when the engraver George Vertue was admitted; while it lasted, the club was among the more important of clubs for artists and connoisseurs. According to John Smibert's biographer Richard Saunders, the club was initially "a bawdy assembly of younger artists and cognoscenti, which met weekly" and apparently held its meetings at the Rose and Crown public house. in addition to Vertue, members included Bernard Lens III, Christian Friedrich Zincke, William Hogarth, Peter Tillemans, Marcellus Laroon the Younger and Michael Dahl. The members of the club were known as the 'Rosacoronians'. An unfinished Hogarthian conversation piece painting in the Ashmolean Museum attributed to the Scottish painter Gawen Hamilton (another member), ''An Assembly of Virtuosi'', shows a group ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George White (artist)
George White (c. 1684–1732) was an English mezzotint engraver. Life The son of Robert White, he was born about 1684, and instructed by his father until his death in 1703. He completed some of the plates left unfinished by the latter, and himself executed a few in the line manner; but beginning from 1712 he turned to mezzotints. A portrait of Jean-Baptiste Monnoyer, which he executed in this style from a painting by Godfrey Kneller, was much admired and brought him work. He died at his house in Bloomsbury on 27 May 1732.George White (circa 1684-1732), Engraver Retrieved on 15 Mar 2018 [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Faber The Younger
John Faber the Younger (1684 – 2 May 1756) at the was a Dutch portrait engraver active in London. Life Faber was born in , the son of the artist John Faber the Elder, and learned and drawing from his father after the family's move to London. He then enrolled at the |
John Faber The Elder
Johan Faber,; . anglicized as John Faber (–1721), commonly referred to as John Faber the Elder, was a Dutch miniaturist and portrait engraver active in London, where he set up a shop for producing and marketing his own work. His son John Faber the Younger was also active in this field. Life Born in The Hague, Dutch Republic, Faber initially worked in Amsterdam as a miniaturist. He moved to England in the late 1690s. In 1707 Faber was settled in The Strand, near the Savoy Hospital, where he kept a print-shop, and practised as a mezzotint engraver. He died at Bristol in May 1721.. Works Faber was noted for the small portraits which he drew from the life on vellum with a pen, one being of Simon Episcopius. He engraved many portraits from the life, among them being those of Francis Atterbury, Hans Caspar von Bothmer, John Hough, and Henry Sacheverell, besides numerous portraits of dissenting clergy. In 1712 he was employed at Oxford to engrave a set of the portraits of the foun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Great Queen Street
Great Queen Street is a street in the West End of central London in England. It is a continuation of Long Acre from Drury Lane to Kingsway. It runs from 1 to 44 along the north side, east to west, and 45 to about 80 along the south side, west to east. The street straddles and connects the Covent Garden and Holborn districts and is in the London Borough of Camden. It is numbered B402. Early history The street was called "Queen Street" from around 1605–9, and "Great Queen Street" from around 1670. In 1646 William Newton was given permission to build fourteen large houses, each with a forty-foot frontage, on the south side of the street. Although he did not build all the houses himself, selling on some the plots, they were constructed to a uniform design, in a classical style, with Ionic pilasters rising through two storeys from the first floor to the eaves. The regular design of the houses proved influential. According to John Summerson they "laid down the canon which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Smith (engraver Born 1652)
John Smith (c. 1652 – c. 1742) was an English mezzotint engraver and print seller. Closely associated with the portrait painter Godfrey Kneller, Smith was one of leading exponents of the mezzotint medium during the late 17th and early 18th centuries, and was regarded among first English-born artists to receive international recognition, along the younger painter William Hogarth. Life Smith was born at Daventry, Northamptonshire, about 1652. He was articled to a painter named Tillet in London, and studied mezzotint engraving under Isaac Beckett and Jan van der Vaart. Smith became the favourite engraver of Sir Godfrey Kneller, whose paintings he extensively reproduced, and in whose house he is said to have lived for some time. At the end of his career, Smith retired to Northamptonshire, where he died on 17 January 1742 at age 90. He was buried in the churchyard of St Peter's, Northampton church, where there was a tablet to his memory and that of his wife Sarah, who died in 17 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anne, Queen Of Great Britain
Anne (6 February 1665 – 1 August 1714) was Queen of England, Scotland and Ireland from 8 March 1702 until 1 May 1707. On 1 May 1707, under the Acts of Union, the kingdoms of England and Scotland united as a single sovereign state known as Great Britain. Anne continued to reign as Queen of Great Britain and Ireland until her death. Anne was born in the reign of Charles II to his younger brother and heir presumptive, James, whose suspected Roman Catholicism was unpopular in England. On Charles's instructions, Anne and her elder sister Mary were raised as Anglicans. Mary married their Dutch Protestant cousin, William III of Orange, in 1677, and Anne married Prince George of Denmark in 1683. On Charles's death in 1685, James succeeded to the throne, but just three years later he was deposed in the Glorious Revolution of 1688. Mary and William became joint monarchs. Although the sisters had been close, disagreements over Anne's finances, status, and choice of acquaintances ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Long Acre
Long Acre is a street in the City of Westminster in central London. It runs from St Martin's Lane, at its western end, to Drury Lane in the east. The street was completed in the early 17th century and was once known for its coach-makers, and later for its car dealers. History After the dissolution of the Monasteries in 1540, Henry VIII confiscated the land belonging to Westminster Abbey, including the convent garden of Covent Garden and land to the north originally called the Elms and later Seven Acres. In 1552, his son, Edward VI, granted it to John Russell, 1st Earl of Bedford. The Russell family, who in 1694 were advanced in their peerage from Earl to Duke of Bedford, held the land from 1552 to 1918. At the time of Charles I it was renamed Long Acre after the length of the first pathway constructed across the land. Charles took offence at the condition of the road and houses along it, which were the responsibility of Russell and Henry Carey, 2nd Earl of Monmouth. Russell ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claude Du Bosc
Claude Du Bosc (also spelled Dubosc and DuBosc; –c. or after 1746) was a French engraver, publisher, and printseller who spent much of his career in London. Associated with French contemporaries such as the painter Antoine Watteau and the draftsman Hubert-François Gravelot, Du Bosc belonged to the first wave of skilled engravers to arrive in London during the early 18th century, playing a major part in improving the standard of English printmaking of that era. Life Nothing known of Du Bosc's early life and work; it has been usually thought since the late-19th century that Du Bosc was born in France c. 1682,In a widely represented point, , cited in , establishes c. 1682 and c. 1745 as respective datings of Du Bosc's birth and death. In a different point, , states that there are no actual datings for that. In light of the 1746 mention in the ''British Magazine'', recent sources such as and , date Du Bosc's death c. or after 1746. likely of Protestant background. In and Henri B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
