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John Osborn (tenor)
John Osborn (born May 16, 1972) is an American operatic tenor. He is particularly associated with the bel canto repertoire, especially the works of Rossini, and roles in French Grand Opera. He was born in Sioux City, Iowa, and studied music at Simpson College. He made his professional debut in ''The Saint of Bleecker Street'' at the Des Moines Metro Opera in 1993. Osborn was a winner of the Metropolitan Opera National Council Auditions in 1994 at the age of 21. He made his Met debut in ''Salome'' in 1996, and has subsequently sung the roles of Don Ottavio in ''Don Giovanni'' and Count Almaviva in ''The Barber of Seville'', Goffredo in ''Armida'', Rodrigo di Dhu in ''La donna del lago'', and Arnold Melchtal in ''Guillaume Tell'' with the company. In 2007, he made his role debut as Arnold in Rossini's opera ''William Tell'', with Antonio Pappano conducting the Orchestra and Chorus of the Accademia Nazionale di Santa Cecilia, a role he has since repeated at the Royal Opera House, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Osborn Les Pêcheurs De Perles Liceo De Barcelona
John is a common English name and surname: * John (given name) * John (surname) John may also refer to: New Testament Works * Gospel of John, a title often shortened to John * First Epistle of John, often shortened to 1 John * Second Epistle of John, often shortened to 2 John * Third Epistle of John, often shortened to 3 John People * John the Baptist (died c. AD 30), regarded as a prophet and the forerunner of Jesus Christ * John the Apostle (lived c. AD 30), one of the twelve apostles of Jesus * John the Evangelist, assigned author of the Fourth Gospel, once identified with the Apostle * John of Patmos, also known as John the Divine or John the Revelator, the author of the Book of Revelation, once identified with the Apostle * John the Presbyter, a figure either identified with or distinguished from the Apostle, the Evangelist and John of Patmos Other people with the given name Religious figures * John, father of Andrew the Apostle and Saint Peter * Pope J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Pappano
Sir Antonio Pappano (born 30 December 1959) is an English-Italian conductor and pianist. He is currently music director of the Royal Opera House and of the Orchestra dell'Accademia Nazionale di Santa Cecilia. He is scheduled to become chief conductor of the London Symphony Orchestra in 2024. Early life Pappano was born in Epping, Essex. Pappano's family had relocated to England from Castelfranco in Miscano near Benevento, Italy, in 1958, and at the time of his birth his parents worked in the restaurant business. His father, Pasquale Pappano, was by vocation a singing teacher. When Pappano was 13 years old, he moved with his family to Connecticut. After musical training in piano, composition, and conducting, he became a rehearsal accompanist at the New York City Opera at the age of 21. Career Pappano attracted the attention of fellow pianist and conductor Daniel Barenboim, and became his assistant at the Bayreuth Festival. He worked in Barcelona and Frankfurt, and served as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benvenuto Cellini (opera)
''Benvenuto Cellini '' is an opera semiseria in four ''tableaux'' (spread across two or three acts) by Hector Berlioz, his first full-length work for the stage. Premiered at the Académie Royale de Musique (Salle Le Peletier) on 10 September 1838, it is a setting of a libretto by Léon de Wailly and Henri Auguste Barbier who were inspired by the memoirs of the titular Florentine sculptor but who invented most of the plot. The opera is technically challenging and was until the 21st century rarely performed. But its overture sometimes features in orchestral concerts, as does the concert overture '' Le carnaval romain'' which Berlioz composed from material in the opera. Composition history Berlioz wrote this in his ''Mémoires'' about the background to the opera: I had been greatly struck by certain episodes in the life of ''Benvenuto Cellini''. I had the misfortune to believe they would make an interesting and dramatic subject for an opera, and I asked Léon de Wailly and Augus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opéra De Lausanne
The Lausanne Opera is an opera house based in Lausanne, Switzerland. Once known as a municipal theater, it has transformed into a world renowned opera house that produces and co-produces their own productions. With a stage renovation in 2012, the Lausanne Opera offers a wide variety of operas, from baroque to contemporary, along with concerts and ballets. Thanks to its bold programming and emphasis on quality vocals and stage production, the Lausanne Opera welcomes over 45'000 spectators a year and continues to make itself known internationally. History The opening ceremony took place on 10 May 1871. See also * List of opera houses This is a list of notable opera houses listed by continent, then by country with the name of the opera house and city. The opera company is sometimes named for clarity. Africa Egypt * Alexandria Opera House, Alexandria * Cairo Opera Hous ... * List of opera companies in Europe References External links Official website ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manon
''Manon'' () is an ''opéra comique'' in five acts by Jules Massenet to a French libretto by Henri Meilhac and Philippe Gille, based on the 1731 novel '' L'histoire du chevalier des Grieux et de Manon Lescaut'' by the Abbé Prévost. It was first performed at the Opéra-Comique in Paris on 19 January 1884, with sets designed by Eugène Carpezat (act 1), Auguste Alfred Rubé and Philippe Chaperon (acts 2 and 3), and Jean-Baptiste Lavastre (act 4). Prior to Massenet's work, Halévy (''Manon Lescaut'', ballet, 1830) and Auber (''Manon Lescaut'', opéra comique, 1856) had used the subject for musical stage works. Massenet also wrote a one-act sequel to ''Manon'', ''Le portrait de Manon'' (1894), involving the Chevalier des Grieux as an older man. The composer worked at the score of ''Manon'' at his country home outside Paris and also at a house at The Hague once occupied by Prévost himself. ''Manon'' is Massenet's most popular and enduring opera and, having "quickly conquered th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arena Di Verona Festival
Arena di Verona Festival (Verona Arena Festival) is a summer festival of opera, located in the city of Verona Italy. Since 1936, it has been organized under the auspices of an official body, first the Ente Autonomo Spettacoli Lirici Arena di Verona, (Autonomous organization for lyrical productions of the Arena di Verona), and then, following legislation in 1996 and 1998, the Ente Lirico Arena di Verona was transformed into a private foundation, the present-day Arena di Verona Foundation. Opera performances are given in Arena di Verona, an ancient Roman amphitheatre, which was capable of holding 30,000 spectators. Performances traditionally begin at dusk and spectators on the stone seats of the arena bring small candles (the "mocoleto"), which are lit as darkness falls and the performances begin. First opera productions The first operas were performed in 1913 in celebration of the centenary of the birth of Giuseppe Verdi and were produced by the tenor Giovanni Zenatello and the t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salzburg Festival
The Salzburg Festival (german: Salzburger Festspiele) is a prominent festival of music and drama established in 1920. It is held each summer (for five weeks starting in late July) in the Austrian town of Salzburg, the birthplace of Wolfgang Amadeus Mozart. One highlight is the annual performance of the play '' Jedermann'' (''Everyman'') by Hugo von Hofmannsthal. Since 1967, an annual Salzburg Easter Festival has also been held, organized by a separate organization. History Music festivals had been held in Salzburg at irregular intervals since 1877 held by the International Mozarteum Foundation but were discontinued in 1910. Although a festival was planned for 1914, it was cancelled at the outbreak of World War I. In 1917, Friedrich Gehmacher and Heinrich Damisch formed an organization known as the ''Salzburger Festspielhaus-Gemeinde'' to establish an annual festival of drama and music, emphasizing especially the works of Mozart. At the close of the war in 1918, the festival's re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Otello (Rossini)
''Otello'' is an opera in three acts by Gioachino Rossini to an Italian libretto by after William Shakespeare's play '' Othello, or The Moor of Venice''; it was premiered in Naples, Teatro del Fondo, 4 December 1816. The plot of the libretto differs greatly from Shakespeare's play in that it takes place wholly in Venice, not mainly on Cyprus, and the dramatic conflict develops in a different manner. The role of Iago is much less diabolical than Shakespeare's play or Verdi's 1887 opera ''Otello'', which was also based on it. Shakespeare derived his play from the story ''Un Capitano Moro'' ("A Moorish Captain") by Cinthio, a disciple of Boccaccio, first published in 1565. In further contrast, the role of Roderigo, a sub-plot in Shakespeare and Verdi, is very prominent in Rossini's version—some of the most difficult and brilliant music being assigned to the character Rodrigo. The roles of Otello, Iago, and Rodrigo are all composed for the tenor voice. Rossini's ''Otello'' is an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Monnaie
The Royal Theatre of La Monnaie (french: Théâtre Royal de la Monnaie, italic=no, ; nl, Koninklijke Muntschouwburg, italic=no; both translating as the "Royal Theatre of the Mint") is an opera house in central Brussels, Belgium. The National Opera of Belgium, a federal institution, takes the name of this theatre in which it is housed—La Monnaie in French or De Munt in Dutch—referring both to the building as well as the opera company. As Belgium's leading opera house, it is one of the few cultural institutions which receive financial support from the Federal Government of Belgium. Other opera houses in Belgium, such as the Vlaamse Opera and the Opéra Royal de Wallonie, are funded by regional governments. La Monnaie is located on the Place de la Monnaie/Muntplein, not far from the Rue Neuve/Nieuwstraat and the Place de Brouckère/De Brouckèreplein. The current edifice is the third theatre on the site. The facade dates from 1818 with major alterations made in 1856 and 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Huguenots
() is an opera by Giacomo Meyerbeer and is one of the most popular and spectacular examples of grand opera. In five acts, to a libretto A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the t ... by Eugène Scribe and Émile Deschamps, it premiered in Paris on 29 February 1836. Composition history ''Les Huguenots'' was some five years in creation. Meyerbeer prepared carefully for this opera after the sensational success of ''Robert le diable'', recognising the need to continue to present lavish staging, a highly dramatic storyline, impressive orchestration and virtuoso parts for the soloists – the essential elements of the new genre of Grand Opera. Meyerbeer and his librettist for ''Robert le Diable'', Eugène Scribe, had agreed to collaborate on an epic work concerning the French War ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grand Opera
Grand opera is a genre of 19th-century opera generally in four or five acts, characterized by large-scale casts and orchestras, and (in their original productions) lavish and spectacular design and stage effects, normally with plots based on or around dramatic historic events. The term is particularly applied (sometimes specifically used in its French language equivalent grand opéra, ) to certain productions of the Paris Opéra from the late 1820s to around 1850; 'grand opéra' has sometimes been used to denote the Paris Opéra itself. The term 'grand opera' is also used in a broader application in respect of contemporary or later works of similar monumental proportions from France, Germany, Italy, and other countries. It may also be used colloquially in an imprecise sense to refer to 'serious opera without spoken dialogue'. Origins Paris at the turn of the 19th century drew in many composers, both French and foreign, and especially those of opera. Several Italians working d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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