Johannes Sembach
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Johannes Sembach
Johannes Sembach (also Johannes Semfke) (March 9, 1881 – June 20, 1944) began his musical career in German operetta and achieved international fame as a leading tenor in German opera, especially the works of Richard Wagner. Biography Sembach was born Johannes Semfke in Berlin to glass craftsman Eduard Semfke and his wife Friederike Becker. His musical talent led to early work as an organist, choir director, and composer, publishing several compositions while still a teenager. He began vocal studies at the Stern Conservatory in 1899 as a baritone, but soon left to join the roster of the , an operetta and vaudeville entertainment palace in Berlin. Handsome, hardworking, and a superb musician, Sembach thrived at the Apollo from 1901 to 1904, appearing in several operettas by the Apollo's music director, Paul Lincke, including ', ''Lysistrata'', ''Nakiris Hochzeit'', and '. In 1904 he auditioned for Gustav Mahler, then Director of the Vienna Opera, and was offered a contract. L ...
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Johannes Sembach In 1914
Johannes is a Medieval Latin form of the personal name that usually appears as " John" in English language contexts. It is a variant of the Greek and Classical Latin variants (Ιωάννης, '' Ioannes''), itself derived from the Hebrew name '' Yehochanan'', meaning " Yahweh is gracious". The name became popular in Northern Europe, especially in Germany because of Christianity. Common German variants for Johannes are '' Johann'', ''Hannes'', ''Hans'' (diminutized to ''Hänschen'' or ''Hänsel'', as known from "'' Hansel and Gretel''", a fairy tale by the Grimm brothers), '' Jens'' (from Danish) and '' Jan'' (from Dutch, and found in many countries). In the Netherlands, Johannes was without interruption the most common masculine birth name until 1989. The English equivalent for Johannes is John. In other languages *Joan, Jan, Gjon, Gjin and Gjovalin in Albanian *'' Yoe'' or '' Yohe'', uncommon American form''Dictionary of American Family Names'', Oxford University Press, 2 ...
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Metropolitan Opera
The Metropolitan Opera (commonly known as the Met) is an American opera company based in New York City, resident at the Metropolitan Opera House at Lincoln Center, currently situated on the Upper West Side of Manhattan. The company is operated by the non-profit Metropolitan Opera Association, with Peter Gelb as general manager. As of 2018, the company's current music director is Yannick Nézet-Séguin. The Met was founded in 1883 as an alternative to the previously established Academy of Music opera house, and debuted the same year in a new building on 39th and Broadway (now known as the "Old Met"). It moved to the new Lincoln Center location in 1966. The Metropolitan Opera is the largest classical music organization in North America. Until 2019, it presented about 27 different operas each year from late September through May. The operas are presented in a rotating repertory schedule, with up to seven performances of four different works staged each week. Performances are ...
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Johanna Gadski
Johanna Emilia Agnes Gadski (15 June 1870/187222 February 1932) was a German soprano. She was blessed with a secure, powerful, ringing voice, fine musicianship and an excellent technique. These attributes enabled her to enjoy a highly successful career in New York City and London, performing heavy dramatic roles in the German and Italian repertoires. Biography Gadski was born in Anklam, Prussia, on 15 June 1872, according to most references, but birth records still extant at the Evangelical Church of Saint Mary, Anklam, Germany, state that Johanna Wilhelmine Agnes Emilie Gadski was born on June 15, in 1870. After receiving a musical education in Stettin, she made her operatic debut in Berlin in 1889 in the title role of Tchaikovsky's '' Undina''. Gadski's studies in singing were principally with Mme. Schroeder-Chaloupha. When she was ten years old, she sang successfully in concert at Stettin. Her operatic début was made in Berlin, in 1889, in Weber's ''Der Freischütz''. She th ...
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Samson Et Dalila
''Samson and Delilah'' (french: Samson et Dalila, links=no), Op. 47, is a grand opera in three acts and four scenes by Camille Saint-Saëns to a French libretto by Ferdinand Lemaire. It was first performed in Weimar at the (Grand Ducal) Theater (now the Staatskapelle Weimar) on 2 December 1877 in a German translation. The opera is based on the Biblical tale of Samson and Delilah found in Chapter 16 of the Book of Judges in the Old Testament. It is the only opera by Saint-Saëns that is regularly performed. The second act love scene in Delilah's tent is one of the set pieces that define French opera. Two of Delilah's arias are particularly well known: "" ("Spring begins") and "" ("My heart opens itself to your voice", also known as "Softly awakes my heart"), the latter of which is one of the most popular recital pieces in the mezzo-soprano/contralto repertoire. Composition history In the middle of the 19th century, a revival of interest in choral music swept France, and Sain ...
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Enrico Caruso
Enrico Caruso (, , ; 25 February 1873 – 2 August 1921) was an Italian operatic first lyrical tenor then dramatic tenor. He sang to great acclaim at the major opera houses of Europe and the Americas, appearing in a wide variety of roles (74) from the Italian and French repertoires that ranged from the lyric to the dramatic. One of the first major singing talents to be commercially recorded, Caruso made 247 commercially released recordings from 1902 to 1920, which made him an international popular entertainment star. Biography Early life Enrico Caruso came from a poor but not destitute background. Born in Naples in the via Santi Giovanni e Paolo n° 7 on 25 February 1873, he was baptised the next day in the adjacent Church of San Giovanni e Paolo. His parents originally came from Piedimonte d'Alife (now called Piedimonte Matese), in the Province of Caserta in Campania, Southern Italy. Caruso was the third of seven children and one of only three to survive infancy. There is ...
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Lohengrin (opera)
''Lohengrin'', WWV 75, is a Romantic opera in three acts composed and written by Richard Wagner, first performed in 1850. The story of the eponymous character is taken from medieval German romance, notably the ''Parzival'' of Wolfram von Eschenbach, and its sequel ''Lohengrin'', itself inspired by the epic of ''Garin le Loherain''. It is part of the Knight of the Swan legend. The opera has inspired other works of art. King Ludwig II of Bavaria named his castle Neuschwanstein Castle after the Swan Knight. It was King Ludwig's patronage that later gave Wagner the means and opportunity to complete, build a theatre for, and stage his epic cycle ''Der Ring des Nibelungen''. He had discontinued composing it at the end of Act II of ''Siegfried'', the third of the ''Ring'' tetralogy, to create his radical chromatic masterpiece of the late 1850s, ''Tristan und Isolde'', and his lyrical comic opera of the mid-1860s, '' Die Meistersinger von Nürnberg''. The most popular and recognizabl ...
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Tristan Und Isolde
''Tristan und Isolde'' (''Tristan and Isolde''), WWV 90, is an opera in three acts by Richard Wagner to a German libretto by the composer, based largely on the 12th-century romance Tristan and Iseult by Gottfried von Strassburg. It was composed between 1857 and 1859 and premiered at the Königliches Hoftheater und Nationaltheater in Munich on 10 June 1865 with Hans von Bülow conducting. Wagner referred to the work not as an opera, but called it "" (literally ''a drama'', ''a plot'', or ''an action''). Wagner's composition of ''Tristan und Isolde'' was inspired by the philosophy of Arthur Schopenhauer (particularly ''The World as Will and Representation''), as well as by Wagner's affair with Mathilde Wesendonck. Widely acknowledged as a pinnacle of the operatic repertoire, ''Tristan'' was notable for Wagner's unprecedented use of chromaticism, tonal ambiguity, orchestral colour, and harmonic suspension. The opera was enormously influential among Western classical com ...
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Lieder Eines Fahrenden Gesellen
''Lieder eines fahrenden Gesellen'' (''Songs of a Wayfarer'') is a song cycle by Gustav Mahler on his own texts. The cycle of four ''lieder'' for medium voice (often performed by women as well as men) was written around 1884–85 in the wake of Mahler's unhappy love for soprano Johanna Richter, whom he met while conductor of the opera house in Kassel, Germany, and orchestrated and revised in the 1890s. Introduction The work's compositional history is complex and difficult to trace. Mahler appears to have begun composing the songs in December 1884 and to have completed them in 1885. He subjected the score to a great deal of revision, probably between 1885 and 1886, and some time in the early 1890s orchestrated the original piano accompaniments. As a result of this situation, various discrepancies exist between the different sources. It appears to have been in the orchestral version that the cycle was first performed on 16 March 1896 by the Dutch baritone Anton Sistermans with the ...
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Philadelphia Orchestra
The Philadelphia Orchestra is an American symphony orchestra, based in Philadelphia, Pennsylvania. One of the " Big Five" American orchestras, the orchestra is based at the Kimmel Center for the Performing Arts, where it performs its subscription concerts, numbering over 130 annually, in Verizon Hall. From its founding until 2001, the Philadelphia Orchestra gave its concerts at the Academy of Music. The orchestra continues to own the Academy, and returns there one week per year for the Academy of Music's annual gala concert and concerts for school children. The Philadelphia Orchestra's summer home is the Mann Center for the Performing Arts. It also has summer residencies at the Saratoga Performing Arts Center, and since July 2007 at the Bravo! Vail Valley Festival in Vail, Colorado. The orchestra also performs an annual series of concerts at Carnegie Hall. From its earliest days the orchestra has been active in the recording studio, making extensive numbers of recordings, primar ...
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Das Lied Von Der Erde
''Das Lied von der Erde'' ("The Song of the Earth") is an orchestral song cycle for two voices and orchestra written by Gustav Mahler between 1908 and 1909. Described as a symphony when published, it comprises six songs for two singers who alternate movements. Mahler specified that the two singers should be a tenor and an alto, or else a tenor and a baritone if an alto is not available.''Das Lied von der Erde'' – Eine Symphonie für eine Tenor- und eine Alt- (oder Bariton-) Stimme und Orchester (nach Hans Bethges ''Die chinesische Flöte'') von Gustav Mahler, Partitur, 'The Song of the Earth''. A Symphony for tenor and alto (or baritone) voice and orchestra (after Hans Bethge's ''The Chinese Flute''). By Gustav Mahler. Score. Published by Universal Edition 1912. Mahler composed this work following the most painful period in his life, and the songs address themes such as those of living, parting and salvation. On the centenary of Mahler's birth, the composer and prominent Mahle ...
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The Canterbury Pilgrims (De Koven)
''The Canterbury Pilgrims'' is an opera by the American composer Reginald De Koven. It premiered at the Metropolitan Opera House on March 8, 1917 just as the US was on the verge of declaring war on Germany. The unfolding world events caused its cancellation after just five performances. The libretto, written by Percy MacKaye, is loosely based on Geoffrey Chaucer's '' The Canterbury Tales''. Roles Synopsis Place: England. Time: April, 1387.The synopsis is taken from Leo Melitz, The Opera Goer's Complete Guide, 1921 version. The story has to do with the merry schemes of the Wife of Bath, who has fallen in love with Chaucer Geoffrey Chaucer (; – 25 October 1400) was an English poet, author, and civil servant best known for '' The Canterbury Tales''. He has been called the "father of English literature", or, alternatively, the "father of English poetry". He w ... who in his turn loves the Prioress, and of her winning of a bet to gain possession of a certain brooch wh ...
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Iphigénie En Tauride
''Iphigénie en Tauride'' (, ''Iphigenia in Tauris'') is a 1779 opera by Christoph Willibald Gluck in four acts. It was his fifth opera for the French stage. The libretto was written by Nicolas-François Guillard. With ''Iphigénie,'' Gluck took his operatic reform to its logical conclusion. The recitatives are shorter and they are ''récitatif accompagné'' (i.e. the strings and perhaps other instruments are playing, not just continuo accompaniment). The normal dance movements that one finds in the French ''tragédie en musique'' are almost entirely absent. The drama is ultimately based on the play ''Iphigenia in Tauris'' by the ancient Greek dramatist Euripides which deals with stories concerning the family of Agamemnon in the aftermath of the Trojan War. Performance history ''Iphigénie en Tauride'' was first performed on 18 May 1779 by the Paris Opéra at the second Salle du Palais-Royal and was a great success. Some think that the head of the Paris Opéra, Devismes, had at ...
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